Log24

Saturday, August 14, 2010

Iconic Notation

Filed under: General — m759 @ 12:12 AM

Continued from Friday the 13th

(Click to enlarge.)

http://www.log24.com/log/pix10B/100814-DBsm.jpg

Related material—

The image “http://www.log24.com/log/pix07A/070814-timejoin15.jpg” cannot be displayed, because it contains errors.
Cover art by Barclay Shaw reprinted from an earlier (1984) edition

IMAGE- Variations on Hexagram 14

A question from Ivan Illich
(founder of CIDOC, the Center for Intercultural Documentation,
in Cuernavaca, Mexico)—

"Who can be served by bridges to nowhere?"

For more about nowhere, see Utopia. See also http://outis.blogspot.com.

Monday, July 14, 2014

Hexagram 14

Filed under: General,Geometry — m759 @ 11:00 AM

Possession
in great measure

Related material:

Lead obituary in today’s online New York Times  and Los Angeles Times 

Maazel reportedly died on Sunday, July 13, 2014.

From a search in this journal for Iconic Notation,
a related image from August 14, 2010—

http://www.log24.com/log/pix10B/100814-DBsm.jpg

See also…

Epiphany

Geometry of the I Ching (Box Style)

Box-style I Ching , January 6, 1989

Monday, August 16, 2010

Utopia 14

Filed under: General — Tags: , — m759 @ 4:16 AM

The following, from Wikipedia, is an image of Utopia 14, the 1954 paperback reissue of Kurt Vonnegut’s 1952 novel Player Piano.

http://www.log24.com/log/pix10B/100816-Utopia14-Vonnegut.jpg

Commentary from Wikipedia

“A player piano is a modified piano that ‘plays itself.’ The piano keys move according to a pattern of holes punched in an unwinding scroll…. Like its counterpart, a player piano can be played by hand as well. When a scroll is run through the ghost-operated instrument, the movement of its keys produce the illusion that an invisible performer is playing the instrument.”

See also last night’s “The Game“—

“One would call out, in the standardized abbreviations of their science, motifs or initial bars of classical compositions, whereupon the other had to respond with the continuation of the piece, or better still with a higher or lower voice, a contrasting theme, and so forth. It was an exercise in memory and improvisation….”

— as well as Vonnegut in this journal yesterday and the following from the August 14 post Iconic Notation

A question from Ivan Illich
(founder of CIDOC, the Center for Intercultural Documentation,
in Cuernavaca, Mexico)—

Who can be served by bridges to nowhere?

For more about nowhere, see Utopia.

For more about Cuernavaca and ghosts, see a recurring motif in this journal.

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