See "Four Tops" in this journal.
See also posts now tagged The Tenor Metaphor.
See "Four Tops" in this journal.
See also posts now tagged The Tenor Metaphor.
Thoughts suggested by Saturday's entry–
"… with primitives the beginnings of art, science, and religion coalesce in the undifferentiated chaos of the magical mentality…."
— Carl G. Jung, "On the Relation of Analytical Psychology to Poetry," Collected Works, Vol. 15, The Spirit in Man, Art, and Literature, Princeton University Press, 1966, excerpted in Twentieth Century Theories of Art, edited by James M. Thompson.
For a video of such undifferentiated chaos, see the Four Tops' "Loco in Acapulco."
"Yes, you'll be goin' loco
down in Acapulco,
the magic down there
is so strong."
This song is from the 1988 film "Buster."
(For a related religious use of that name– "Look, Buster, do you want to live?"– see Fritz Leiber's "Damnation Morning," quoted here on Sept. 28.)
Art, science, and religion are not apparent within the undifferentiated chaos of the Four Tops' Acapulco video, which appears to incorporate time travel in its cross-cutting of scenes that seem to be from the Mexican revolution with contemporary pool-party scenes. Art, science, and religion do, however, appear within my own memories of Acapulco. While staying at a small thatched-roof hostel on a beach at Acapulco in the early 1960's, I read a paperback edition of Three Philosophical Poets, a book by George Santayana on Lucretius, Dante, and Goethe. Here we may regard art as represented by Goethe, science by Lucretius, and religion by Dante. For a more recent and personal combination of these topics, see Juneteenth through Midsummer Night, 2007, which also has references to the "primitives" and "magical mentality" discussed by Jung.
"The major structures of the psyche for Jung include the ego, which is comprised of the persona and the shadow. The persona is the 'mask' which the person presents [to] the world, while the shadow holds the parts of the self which the person feels ashamed and guilty about."
— Brent Dean Robbins, Jung page at Mythos & Logos
As for shame and guilt, see Malcolm Lowry's classic Under the Volcano, a novel dealing not with Acapulco but with a part of Mexico where in my youth I spent much more time– Cuernavaca.
Lest Lowry's reflections prove too depressing, I recommend as background music the jazz piano of the late Dave McKenna… in particular, "Me and My Shadow."
McKenna died on Saturday, the date of the entry that included "Loco in Acapulco." Saturday was also the Feast of Saint Luke.
This morning’s New York Times
has an obituary for the father
of the paper’s executive editor,
Bill Keller:
For more on George Keller and on
the more colorful Levi Stubbs,
who also died on Friday,
see the Times‘s AP obituaries.
Keller’s son Bill has emphasized
what he calls the “allure” of the
Times‘s lifestyles coverage.
An example of such coverage–
a 2006 story on visual art in Mexico
that included a reference to…
For descriptions of such life,
I prefer the literary art of
Robert Stone– in particular,
Stone’s novel
A Flag for Sunrise.
Credit must be given to
the Times for an excellent
1981 review of that novel.
(This was well before
the younger Keller
joined the Times in 1984.)
My own views on life are
less like those of either Keller
than like those of Stone and
perhaps of Levi Stubbs, the
other father figure who
died on Friday.
Related material:
“Yes, you’ll be goin’ loco
down in Acapulco,
the magic down there
is so strong.”
— Levi Stubbs
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