From an Anthony Lane movie review in the April 8, 2013,
issue of The New Yorker —
"When the Lord God forbade his worshippers to bow down
before any graven image, [Rosario] Dawson’s face was
exactly the kind of thing He had in mind. No other star can
boast such sculptured features—except Vincent Cassel,
who is pretty damn graven himself. When the two of them
make love, in 'Trance,' one strong bone structure pressed
against another, it’s like a clash of major religions. What if
they had a family? The kids would be practically Cubist."
As for the other film Lane reviewed in that issue, "Blancanieves" —
See Snow White + Cube in this journal.
See as well a related cartoon graveyard, also from April 8, 2013.