Requiem for a painter in this evening's NY Times :
In a review for ARTNews , the painter and critic
Fairfield Porter called her work “traditional and radical.”
Her paintings, he wrote, “are broad and bright,
considered without being fussy, thoughtful but never
pedantic.”
Not that there's anything wrong with being pedantic…
Update of Dec. 10, 2014, to a post of Dec. 9 :
The passage from Nicholas of Cusa was added
because it indicates a more reliable source than
Stambaugh, because of its relevance to lines
about the metaphorical significance of light in
"I Origins," and because it contains the number
1111.
