The New Yorker on the recent film "The Square" —
"It’s an aesthetic that presents,
so to speak, just the facts,
as if the facts themselves weren’t
deeply layered with living history
and crisscrossed with vectors
of divergent ideas and ideals."
— Richard Brody, Thursday, Oct. 26, 2017
For other images deeply layered and crisscrossed ,
see Geometry of the I Ching.
