Log24

Thursday, May 19, 2011

Bedrock

Filed under: General — Tags: , — m759 @ 11:32 am

Today's previous post suggests the following—

http://www.log24.com/log/pix11A/110519-PhaneSense.jpg

Bester on bedrock and "the bottom line of all existence" suggests
a review of Wallace Stevens's "The Rock." Some background:
See Succor, May 11, and But Seriously, May 12.
See also Waiting for Benjamin, May 15.

Larry McMurtry famously wrote of reading Walter Benjamin
at the Dairy Queen. I never read Benjamin there, but I did
read at least some of the Bester book quoted above.

The bottom lines of this peculiar meditation—

It is not enough to cover the rock with leaves.
We must be cured of it by a cure of the ground
Or a cure of ourselves, that is equal to a cure

Of the ground, a cure beyond forgetfulness.
And yet the leaves, if they broke into bud,
If they broke into bloom, if they bore fruit,

And if we ate the incipient colorings
Of their fresh culls might be a cure of the ground.

— "The Rock," a poem by Wallace Stevens from
a section with the same title in the Collected Poems .

The Aleph, the Lottery, and the Eightfold Way

Filed under: General,Geometry — Tags: , — m759 @ 4:00 am

Three links with a Borges flavor—

Related material

The 236 in yesterday evening's NY lottery may be
 viewed as the 236 in March 18's Defining Configurations.
For some background, see Configurations and Squares.

A new illustration for that topic—

http://www.log24.com/log/pix11A/110519-8-3-Configuration.jpg

This shows a reconcilation of the triples described by Sloane
 in Defining Configurations with the square geometric
arrangement described by Coxeter in the Aleph link above.

Note that  the 56 from yesterday's midday NY lottery
describes the triples that appear both in the Eightfold Way
link above and also in a possible source for
the eight triples of  Sloane's 83 configuration—

http://www.log24.com/log/pix11A/110519-SloaneDesign.jpg

The geometric square arrangement discussed in the Aleph link
above appears in a different, but still rather Borgesian, context
in yesterday morning's Minimalist Icon.

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