A recent phrase from art critic Peter Schjeldahl —
"art in essence, immaculately conceived."
!['No results found in this book [THE LOOM OF GOD] for SYMPLECTIC'](http://www.log24.com/log/pix15A/151031-Pickover-Loom_of_God-search-for-Symplectic.jpg)
But see "symplectic" in this journal.
Friday, January 1, 2016
Art as Religion
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Saturday, October 31, 2015
Weaving World…
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Tuesday, April 9, 2013
Four Quartets
For the cruelest month
Click for a much larger version of the photo below.
These four Kountry Korn quartets are from the Fox Valleyaires
Men's Barbershop Chorus of Appleton, Wisconsin.
See also the fine arts here on Saturday, April 6, 2013—
The New York Times Magazine cover story
a decade ago, on Sunday, April 6, 2003:
"The artists demanded space
in tune with their aesthetic."
— "The Dia Generation,"
by Michael Kimmelman
Related material:
See Wikipedia for the difference between binary numbers
and binary coordinates from the finite Galois field GF(2).
For some background, see the relativity problem.
See also the chapter on vector spaces in Korn & Korn
(originally published by McGraw-Hill)—
.
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Monday, April 8, 2013
Magic for Jews
A commenter on Saturday's "Seize the Dia" has
suggested a look at the work of one Mark Collins.
Here is such a look (click to enlarge):
I find attempts to associate pure mathematics with the words
"magic" or "mystic" rather nauseating. (H. F. Baker's work
on Pascal's mystic hexagram is no exception; Baker was
stuck with Pascal's obnoxious adjective, but had no truck
with any mystic aspects of the hexagram.)
The remarks above by Clifford Pickover on Collins, Dürer, and
binary representations may interest some non-mathematicians,
who should not be encouraged to waste their time on this topic.
For the mathematics underlying the binary representation of
Dürer's square, see, for instance, my 1984 article "Binary
Coordinate Systems."
Those without the background to understand that article
may enjoy, instead of Pickover's abortive attempts above at
mathematical vulgarization, his impressively awful 2009 novel
Jews in Hyperspace .
Pickover's 2002 book on magic squares was, unfortunately,
published by the formerly reputable Princeton University Press.
Related material from today's Daily Princetonian :
See also Nash + Princeton in this journal.
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Saturday, August 20, 2011
Castles in the Air
"… the Jews have discovered a way to access a fourth spatial dimension."
— Clifford Pickover, description of his novel Jews in Hyperspace
"If you have built castles in the air, your work need not be lost;
that is where they should be. Now put the foundations under them.”
— Henry David Thoreau
"King Solomon's Mines," 1937—
The image above is an illustration from "Romancing the Hyperspace," May 4, 2010.
Happy birthday to the late Salomon Bochner.
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Thursday, October 14, 2010
Diamond Theory and Magic Squares
"A world of made
is not a world of born— pity poor flesh
and trees, poor stars and stones, but never this
fine specimen of hypermagical
ultraomnipotence."
— e. e. cummings, 1944
For one such specimen, see The Matrix of Abraham—
a 5×5 square that is hypermagical… indeed, diabolical.
Related material on the algebra and geometry underlying some smaller structures
that have also, unfortunately, become associated with the word "magic"—
- Finite Geometry of the Square and Cube
- Clifford Pickover on a 4×4 square
-
Christopher J. Henrich on the geometry of 4×4 magic squares
(without any mention of [1] above or related work dating back to 1976)
" … listen: there's a hell
of a good universe next door; let's go"
— e. e. cummings
Happy birthday, e. e.
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Thursday, November 19, 2009
Walden for Jews
“Orthodox Jews are disappearing from Jerusalem. One moment they are praying at the Western Wall, and in the blink of an eye, they seem to evaporate…. In order to build the Third Temple while being respectful of the Islamic structures on the Temple Mount, the Jews have discovered a way to access a fourth spatial dimension. They will build the Third Temple invisibly ‘above’ the Temple Mount and ‘above’ the Mosque in the direction of the fourth dimension.”
— Clifford Pickover, description of his novel Jews in Hyperspace
“If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.”
— Henry David Thoreau, conclusion of Walden
Related material: Log24 entries, morning and evening of June 11, 2009, “Text” (June 22, 2009), and Salomon Bochner‘s remarks on space in “Eight is a Gate” (Feb. 26, 2008).
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Monday, November 16, 2009
A Wrinkle in Dimensions
Clifford Pickover now seems to be trying to catch up with Christian fantasists Madeleine L’Engle and Charles Williams. Click on the images below for further details.
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Friday, June 6, 2008
Friday June 6, 2008
The Dance of Chance
"Harvard seniors have
every right to demand a
Harvard-calibre speaker."
— Adam Goldenberg in
The Harvard Crimson
"Look down now, Cotton Mather"
— Wallace Stevens,
Harvard College
Class of 1901
For Thursday, June 5, 2008,
commencement day for Harvard's
Class of 2008, here are the
Pennsylvania Lottery numbers:
Mid-day 025
Evening 761
Thanks to the late
Harvard professor
Willard Van Orman Quine,
the mid-day number 025
suggests the name
"Isaac Newton."
(For the logic of this suggestion,
see On Linguistic Creation
and Raiders of the Lost Matrix.)
Thanks to Google search, the
name of Newton, combined with
Thursday's evening number 761,
suggests the following essay:
PHILOSOPHY OF SCIENCE:
|
What can a non-scientist add?
Perhaps the Log24 entries for
the date of Koshland's death:
The Philosopher's Stone
and The Rock.
Or perhaps the following
observations:
On the figure of 25 parts
discussed in
"On Linguistic Creation"–
"The Moslems thought of the
central 1 as being symbolic
of the unity of Allah. "
— Clifford Pickover
"At the still point,
there the dance is."
— T. S. Eliot,
Harvard College
Class of 1910
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Tuesday, July 1, 2003
Tuesday July 1, 2003
Jew’s on First
This entry is dedicated to those worshippers of Allah who have at one time or another cried
“Itbah al-Yahud!” … Kill the Jew!
(See June 29 entries).
|
Dead at 78 Comedian Buddy Hackett died on Tuesday, July First, 2003, according to the New York Times. According to Bloomberg.com, he died Sunday or Monday. |
Associated Press
Buddy Hackett, |
| Whatever. We may imagine he has now walked, leading a parade of many other stand-up saints, into a bar. |
|
|
MIDRASH From my May 25 entry, Matrix of the Death God: R. M. Abraham’s Diversions and Pastimes, published by Constable and Company, London, in 1933, has the following magic square:
The Matrix of Abraham A summary of the religious import of the above from Princeton University Press: “Moslems of the Middle Ages were fascinated by pandiagonal squares with 1 in the center…. The Moslems thought of the central 1 as being symbolic of the unity of Allah. Indeed, they were so awed by that symbol that they often left blank the central cell on which the 1 should be positioned.” — Clifford A. Pickover, The Zen of Magic Squares, Circles, and Stars, Princeton U. Press, 2002, pp. 71-72 Other appearances of this religious icon on the Web include:
|
In the Picasso’s Birthday version, 22 of the 25 magic square cells are correlated with pictures on the “Class of ’91” cover of Rolling Stone magazine. Number 7 is Rod† Stewart. In accordance with the theological rhyme “Seven is heaven, eight is a gate,” our site music for today is “Forever Young,” a tune made famous by Stewart.
† Roderick, actually — the name of the hero in “Madwoman of Chaillot”
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Sunday, May 25, 2003
Sunday May 25, 2003
— ART WARS —
Mental Health Month, Day 25:
Matrix of the Death God
Having dealt yesterday with the Death Goddess Sarah, we turn today to the Death God Abraham. (See Jacques Derrida, The Gift of Death, University of Chicago Press, 1996.) For a lengthy list of pictures of this damned homicidal lunatic about to murder his son, see The Text This Week.
See, too, The Matrix of Abraham, illustrated below. This is taken from a book by R. M. Abraham, Diversions and Pastimes, published by Constable and Company, London, in 1933.
The Matrix of Abraham
A summary of the religious import of the above from Princeton University Press:
“Moslems of the Middle Ages were fascinated by pandiagonal squares with 1 in the center…. The Moslems thought of the central 1 as being symbolic of the unity of Allah. Indeed, they were so awed by that symbol that they often left blank the central cell on which the 1 should be positioned.”
— Clifford A. Pickover, The Zen of Magic Squares, Circles, and Stars, Princeton U. Press, 2002, pp. 71-72
Other appearances of this religious icon on the Web:
A less religious approach to the icon may be found on page 393 of R. D. Carmichael’s Introduction to the Theory of Groups of Finite Order (Ginn, Boston, 1937, reprinted by Dover, 1956).
This matrix did not originate with Abraham but, unlike Neo, I have not yet found its Architect.