Log24

Sunday, March 1, 2020

Same Staircase, Different Day

Filed under: General — Tags: , , , — m759 @ 2:18 pm

Freeman Dyson on his staircase at Trinity College
(University of Cambridge) and on Ludwig Wittgenstein:

“I held him in the highest respect and was delighted
to find him living in a room above mine on the same
staircase. I frequently met him walking up or down
the stairs, but I was too shy to start a conversation.”

Frank Close on Ron Shaw:

“Shaw arrived there in 1949 and moved into room K9,
overlooking Jesus Lane. There is nothing particularly
special about this room other than the coincidence that
its previous occupant was Freeman Dyson.”

— Close, Frank. The Infinity Puzzle  (p. 78).
Basic Books. Kindle Edition.

See also other posts now tagged Trinity Staircase.

Illuminati enthusiasts  may enjoy the following image:

'Ex Fano Apollinis'- Fano plane, eightfold cube, and the two combined.

Wednesday, May 14, 2014

Down the Up Rainbow*

Filed under: General — m759 @ 9:00 pm

Continued from this morning and from earlier posts.
See also Abramson.

Related material: Ken Auletta, “Why Jill Abramson Was Fired.”

* Background for the title phrase: see Down + Up + Staircase.

Tuesday, August 10, 2021

Ex Fano Apollinis

Filed under: General — Tags: , , , , — m759 @ 9:41 am
 

Margaret Atwood on Lewis Hyde's 
Trickster Makes This World: Mischief, Myth, and Art

"Trickster is among other things the gatekeeper who opens the door into the next world; those who mistake him for a psychopath never even know such a door exists." (159)

What is "the next world"? It might be the Underworld….

The pleasures of fabulation, the charming and playful lie– this line of thought leads Hyde to the last link in his subtitle, the connection of the trickster to art. Hyde reminds us that the wall between the artist and that American favourite son, the con-artist, can be a thin one indeed; that craft and crafty rub shoulders; and that the words artifice, artifact, articulation  and art  all come from the same ancient root, a word meaning "to join," "to fit," and "to make." (254)  If it’s a seamless whole you want, pray to Apollo, who sets the limits within which such a work can exist.  Tricksters, however, stand where the door swings open on its hinges and the horizon expands: they operate where things are joined together, and thus can also come apart.


"As a Chinese jar . . . ."
     — Four Quartets

 

Rosalind Krauss
in "Grids," 1979:

"If we open any tract– Plastic Art and Pure Plastic Art  or The Non-Objective World , for instance– we will find that Mondrian and Malevich are not discussing canvas or pigment or graphite or any other form of matter.  They are talking about Being or Mind or Spirit.  From their point of view, the grid is a staircase to the Universal, and they are not interested in what happens below in the Concrete.

Or, to take a more up-to-date example…."

"He was looking at the nine engravings and at the circle,
checking strange correspondences between them."
– The Club Dumas , 1993

"And it's whispered that soon if we all call the tune
Then the piper will lead us to reason."
– Robert Plant, 1971

The nine engravings of The Club Dumas
(filmed as "The Ninth Gate") are perhaps more
an example of the concrete than of the universal.

An example of the universal— or, according to Krauss,
a "staircase" to the universal— is the ninefold square:

The image “http://www.log24.com/theory/images/grid3x3.gif” cannot be displayed, because it contains errors.

"This is the garden of Apollo,
  the field of Reason…."
– John Outram, architect    

The "Katz" of the August 7 post Art Angles
is a product of Princeton's
Department of Art and Archaeology.

 

ART —

 

The Lo Shu as a Finite Space
 

ARCHAEOLOGY —

IMAGE- Herbert John Ryser, 'Combinatorial Mathematics' (1963), page 1

IMAGE- The 3x3 ('ninefold') square as Chinese 'Holy Field'

"This pattern is a square divided into nine equal parts.
It has been called the 'Holy Field' division and
was used throughout Chinese history for many
different purposes, most of which were connected
with things religious, political, or philosophical."

– The Magic Square: Cities in Ancient China,
by Alfred Schinz, Edition Axel Menges, 1996, p. 71

Friday, July 25, 2014

Lying Rhyme?

Filed under: General — m759 @ 7:00 pm

“Just a lying rhyme for seven!” — Playwright Tom Stoppard on Heaven

Related material in this journal:  Lying Rhyme and Happy Birthday.

Sunday, May 11, 2014

Sermon

Filed under: General — m759 @ 11:00 am

GOD is “Good Orderly Direction.” — AA saying.

See also yesterday’s noon post, with four  orderly directions.

Saturday, May 10, 2014

Happy Birthday

Filed under: General — m759 @ 12:00 pm

To Bel Kaufman, author of
Up the Down Staircase.

IMAGE- Borofsky's 'Four Gods' and related structures

Click image for some backstory.

Tuesday, July 31, 2012

Happy Birthday, J. K. Rowling

Filed under: General — Tags: — m759 @ 10:31 pm

IMAGE- Google Book Search for 'Malcom Lowry' + 'thinking of treadmills'

See also a July 19 death, this journal on that date, and
Down the Up Staircase.

Tuesday, December 23, 2008

Tuesday December 23, 2008

Filed under: General — m759 @ 12:20 am

Kindred Spirit

On the late film director Robert Mulligan, who died early Saturday [Dec. 20, 2008] at 83:

Mulligan received a best director Oscar nomination in 1963 for “[To Kill a] Mockingbird”….

While some debated whether he had a discernible personal vision in his films, Mulligan was known for his casting and direction of children, including “[Up the Down] Staircase,” where he personally interviewed more than 500 New York high school students.

Sensing a kindred spirit, Francois Truffaut was a vocal champion, particularly cognizant of what he perceived as undue criticism of Mulligan’s work for lacking a particular “style.” Mulligan himself was dismissive of critics/cineaste talk: “I don’t know anything about ‘the Mulligan style,’ ” he told the Village Voice in 1978. “If you can find it, well, that’s your job.”

Duane Byrge, The Hollywood Reporter

Thanks to desconvencida for a trailer of “The Man in the Moon” (1991), Reese Witherspoon’s first film and Mulligan’s last.

Mulligan also directed Natalie Wood in a personal favorite of mine, “Love with the Proper Stranger.”

Sunday, March 9, 2008

Sunday March 9, 2008

Filed under: General — m759 @ 1:00 am

Identity

The 3x3 grid as religious symbol

Click for context.

Related material:

Pictures of Nothing

Art Wars: Epiphany

Tilting at Whirligigs

Down the Up Staircase

Tuesday, February 5, 2008

Tuesday February 5, 2008

Filed under: General — Tags: — m759 @ 6:05 am

A literary complaint:

Philip Larkin on his fear of death

This is a special way
   of being afraid
No trick dispels.
   Religion used to try,
That vast, moth-eaten
   musical brocade
Created to pretend
   we never die….

A literary response
quoted in
The Last Enemy
:

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him by the mild morning air. He held the bowl aloft and intoned:

Introibo ad altare Dei.

Halted, he peered down the dark winding stairs and called up coarsely:

— Come up, Kinch! Come up, you fearful jesuit!

Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding country and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.

Buck Mulligan peeped an instant under the mirror and then covered the bowl smartly.

— Back to barracks! he said sternly.

He added in a preacher’s tone:

— For this, O dearly beloved, is the genuine Christine: body and soul and blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A little trouble about those white corpuscles. Silence, all.

He peered sideways up and gave a long low whistle of call, then paused awhile in rapt attention, his even white teeth glistening here and there with gold points. Chrysostomos. Two strong shrill whistles answered through the calm.

— Thanks, old chap, he cried briskly. That will do nicely. Switch off the current, will you?

— James Joyce, Ulysses

From a musical brocade:

“My shavin’ razor’s cold
 and it stings.”

— John Stewart,
    who died on January 19

For the rest of
the brocade, see
The Last Enemy.

Related material:

The Crimson Passion:
A Drama at Mardi Gras

and the quote by Susan Sontag
in yesterday’s entry,
as well as a recent
New York Times book review:

NYT review of a book on the death of Susan Sontag

“Slow music, please.
 Shut your eyes, gents.
 One moment. A little trouble
 about those white corpuscles.
 Silence, all.”

 Ite, missa est.

Monday, May 21, 2007

Monday May 21, 2007

Filed under: General — Tags: , — m759 @ 4:48 am
Down the
Up Staircase

Commentary on a
Jonathan Borofsky
painting in the
May 21 New Yorker:

IMAGE- Borofsky's 'Four Gods' and related structures
 
Commentary

"… Mondrian and Malevich
are not discussing canvas
or pigment or graphite
or any other form of matter.
They are talking about about
Being or Mind or Spirit.
From their point of view,
the grid is a staircase
to the Universal…."

Rosalind Krauss
 

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