"… based on true events, in much the same way that
'Pinocchio' is based on string theory. "
— Film review by Anthony Lane today
Friday, February 24, 2023
Dementia Revisited
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Saturday, November 6, 2021
Query:
"Why is this message in spam?"
Good question.
Image courtesy of Hollywood Jesus:
When you wish upon a star…
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Tuesday, July 15, 2014
Photo Opportunity
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
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"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety, a subtlety in which it was natural for Cézanne to say: 'I see planes bestriding each other and sometimes straight lines seem to me to fall' or 'Planes in color…. The colored area where shimmer the souls of the planes, in the blaze of the kindled prism, the meeting of planes in the sunlight.' The conversion of our Lumpenwelt went far beyond this. It was from the point of view of another subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space– which he calls the mind or heart of creation– determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less.
— Wallace Stevens, Harvard College Class of 1901, "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951) |
For background on the planes illustrated above,
see Diamond theory in 1937.
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Sunday, April 8, 2007
Sunday April 8, 2007
Midnight in the Garden
continued from Sept. 30, 2004
continued from Sept. 30, 2004
Tonight this journal had two Xanga footprints from Italy….
At 11:34 PM ET a visitor from Italy viewed a page containing an entry from Jan. 8, 2005, Splendor of the Light, which offers the following quotation–
From an essay on Guy Davenport—
"A disciple of Ezra Pound, he adapts to the short story the ideogrammatic method of The Cantos, where a grammar of images, emblems, and symbols replaces that of logical sequence. This grammar allows for the grafting of particulars into a congeries of implied relation without subordination. In contrast to postmodernists, Davenport does not omit causal connection and linear narrative continuity for the sake of an aleatory play of signification but in order to intimate by combinational logic kinships and correspondences among eras, ideas and forces."
— "When Novelists Become Cubists: The Prose Ideograms of Guy Davenport," by Andre Furlani
The visitor from Italy may, of course, have instead intended to view one of the four earlier entries on the page. In particular, the visitor may have seen
The Star
of Venus
"He looked at the fading light
in the western sky and saw Mercury,
or perhaps it was Venus,
gleaming at him as the evening star.
Darkness and light,
the old man thought.
It is what every hero legend is about.
The darkness which is more than death,
the light which is love, like our friend
Venus here, or perhaps this star is
Mercury, the messenger of Olympus,
the bringer of hope."
— Roderick MacLeish, Prince Ombra.
At 11:38 PM ET, a visitor from Italy (very likely the 11:34 visitor returning) viewed the five Log24 entries ending at 12:06 AM ET on Sept. 30, 2004.
These entries included Midnight in the Garden and…
A Tune for Michaelmas
The entries on this second visited page also included some remarks on Dante, on time, and on Malcolm Lowry's Under the Volcano that are relevant to Log24 entries earlier this week on Maundy Thursday and on Holy Saturday.
Here's wishing a happy Easter to Italy, to Francis Ford Coppola and Russell Crowe (see yesterday's entry), and to Steven Spielberg (see the Easter page of April 20, 2003).
Image courtesy of
Hollywood Jesus:
When you wish
upon a star…
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Thursday, June 3, 2004
Thursday June 3, 2004
STAR WARS
Continued…
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Today’s New York Times story on Richard Helms, together with my reminiscences in the entry that follows it below, suggest the following possibility for symbol-mongering:
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Not even the most powerful
can alter the alignment
of the stars.
In a related story….
The Good Bad Boy
By Alison Lurie
“Today, many people have the illusion that they know who Pinocchio is. They think that he is a wooden marionette who becomes a human boy; that he was swallowed by a huge fish; and that when he told lies his nose grew longer. These people are right, but often in a very limited way. They know Pinocchio only from the sentimentalized and simplified Disney cartoon, or the condensed versions of his story that are thought more suitable for children. The original novel by Carlo Collodi, which today survives mainly in scholarly editions, is much longer, far more complex and interesting, and also much darker.”
— The New York Review of Books, June 24, 2004