Log24

Friday, November 5, 2004

Friday November 5, 2004

Filed under: General — m759 @ 9:00 am
New Journalism 101:
The Rhetorical Question

Art critic Holland Cotter in today’s New York Times on the work of a contemporary artist:

“Although much of this art is intuitive in origin, an on-the-spot response to materials, little of it can be described as whimsical. Some of it is uninnocently weird: several of the dozens of small, labor-intensive pieces seem to be invaded by a creeping mold, or stained with organic substances, including blood.

Indeed, like Mozart’s opera, the work as a whole eludes conventional categories. Is ‘The Magic Flute’ a musical comedy, a redemptive pageant or a moral tract? Is it darling or dark? Is Mr. Tuttle doing drawing, collage, painting or sculpture? Process Art or Conceptual Art? Or something else? Are the results art about art, or art about everything, including art?”

Who gives a rat’s ass?

Monday, October 13, 2014

Mathematics and Narrative, continued

Filed under: General — m759 @ 2:03 pm

For those who prefer drama to mathematics:

See also Magic + Flute in this journal.

Saturday, April 23, 2011

Damnation Morning (continued)

Filed under: General — Tags: — m759 @ 5:24 am

Background— Why Me? and the Fritz Leiber story "Damnation Morning."

The story, about the afterlife of a dead drunk, contains an intriguing dark lady.

Related material — Search for the Spider Woman.

See also Julie Taymor in an interview published last Dec. 12 —

“I’ve got two Broadway shows, a feature film, and Mozart,’’ she said.
“It’s a very interesting place to be and to be able to move back and forth,
but at a certain point you have to be able to step outside and see,’’
and here she dropped her voice to a tranquil whisper, “it’s just theater.
It’s all theater. It’s all theater. The whole thing is theater.’’

— and search for Taymor + Spider in this journal.

Happy Shakespeare's Birthday.

Thursday, December 16, 2010

Curtain Call

Filed under: General — m759 @ 2:02 pm

Julie Taymor in an interview published Dec. 12 —

“I’ve got two Broadway shows, a feature film, and Mozart,’’ she said.
“It’s a very interesting place to be and to be able to move back and forth,
but at a certain point you have to be able to step outside and see,’’
and here she dropped her voice to a tranquil whisper, “it’s just theater.
It’s all theater. It’s all theater. The whole thing is theater.’’

Google News this afternoon (Blake Edwards obituary) —

http://www.log24.com/log/pix10B/101216-BlakeEdwardsNews.jpg

Tuesday, December 14, 2010

Play and Interplay

Filed under: General,Geometry — m759 @ 4:23 am

Julie Taymor in an interview published Dec. 12 —

“I’ve got two Broadway shows, a feature film, and Mozart,’’ she said. “It’s a very interesting place to be and to be able to move back and forth, but at a certain point you have to be able to step outside and see,’’ and here she dropped her voice to a tranquil whisper, “it’s just theater. It’s all theater. It’s all theater. The whole thing is theater.’’

Non-theater —

"The interplay between Euclidean and Galois  geometry" and
related remarks on interplay — Keats's Laws of Aesthetics.

Part theater, part non-theater —

Cubist crucifixion.

Monday, September 20, 2004

Monday September 20, 2004

Filed under: General — Tags: , — m759 @ 12:00 pm

Pi continued:

(see 9/15/04)

Above:

Renegade mathematician Max Cohen (Sean Gullette, left) and the leader of the Kabbalah sect, Lenny Meyer (Ben Shenkman) have a chance encounter on a Chinatown street corner.

The Magic Schmuck

"Confucius is said to have received only one inappropriate answer, i.e., hexagram 22, GRACE — a thoroughly aesthetic hexagram. This is reminiscent of the advice given to Socrates by his daemon — 'You ought to make more music' — whereupon Socrates took to playing the flute. Confucius and Socrates compete for first place as far as reasonableness and a pedagogic attitude to life are concerned; but it is unlikely that either of them occupied himself with 'lending grace to the beard on his chin,' as the second line of this hexagram advises. Unfortunately, reason and pedagogy often lack charm and grace, and so the oracle may not have been wrong after all."

— Carl Jung, Foreword to the I Ching 

Yesterday, class, in keeping with our morning German lesson, our evening (5:01:22 PM ET) entry was Hexagram 22, Pi (pronounced "bee"). The Chinese term pi may be translated in various ways… As ornament, as adornment, or as in a German web page:

I-Ching 22 Pi Der Schmuck

The Wilhelm translation of pi is "grace."  This suggests we examine yesterday's evening lottery number in the State of Grace, Pennsylvania:

408.

As kabbalists know, there are many ways of interpreting numbers.  In keeping with the viewpoint of Ecclesiastes — "time and chance happeneth" — let us interpret this instance of chance as an instance of time… namely, 4/08.  Striving for consistency in our meditations, let us examine the lessons for…

4/08 2003 — Death's Dream Kingdom

and 4/08 2004 — Triple Crown

From the former:

"When smashing monuments, save the pedestals; they always come in handy."

Stanislaw J. Lec

From the latter: 

"The tug of an art that unapologetically sees itself as on a par with science and religion is not to be underestimated…. Philosophical ambition and formal modesty still constitute Minimalism's bottom line."

Michael Kimmelman

In keeping with the above, from
this year's Log24.net
Rosh Hashanah service

A Minimalist
Pedestal:

 

For a poetic interpretation
of this symbol, see
Hexagram 20,
Contemplation (View).

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