"If you have to, start out 'Once upon a time.'"
— Zenna Henderson in her story "Loo Ree"
Wednesday, November 25, 2015
Arkie
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Sunday, January 17, 2016
Sequel
Suggested by a 7:11 AM post today at University Diaries:
"As a sequel to The Rainbow , the novel
develops experimental techniques…"
See also Arkie.
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Wednesday, August 22, 2012
About the People
(Continued from March 28, 2001)
"Hillbillies, Okies, Arkies— they're all the same people."
— Hunter S. Thompson, Hell's Angels
Related cinematic art:
Hunger Games (2012)—
Winter’s Bone (2010)—
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Friday, July 6, 2007
Friday July 6, 2007
Mearingstone, or:
“Last to the Lost,”
continued from
July 1, 2007
Finnegans Wake 293:
“Last to the Lost,”
continued from
July 1, 2007
Finnegans Wake 293:
| Vieus Von DVbLIn, ’twas one of dozedeams |
| a darkies ding in dewood) the Turnpike under |
| the Great Ulm (with Mearingstone in Fore |
| ground). 1 Given now ann linch you take enn |
| all. Allow me! And, heaving alljawbreakical |
| expressions out of old Sare Isaac’s 2 universal |
| of specious aristmystic unsaid, A is for Anna |
| like L is for liv. Aha hahah, Ante Ann you’re |
| apt to ape aunty annalive! Dawn gives rise. |
| Lo, lo, lives love! Eve takes fall. La, la, laugh |
| leaves alass! Aiaiaiai, Antiann, we’re last to |
| the lost, Loulou! Tis perfect. Now (lens |
“with Mearingstone in Fore ground….
we’re last to the lost, Loulou!”
Midnight, July 1-2, 2007
Click on image for details.
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Sunday, July 1, 2007
Sunday July 1, 2007
Mozart
by the Numbers
by the Numbers
2/21
A Superficial Beauty:
Structural Certainty:
| murphy plant, murphy grow, a maryamyria- | 10 | ||
| meliamurphies, in the lazily eye of his lapis, | 11 | ||
| |
12 | ||
 |
13 | ||
| |
14 | ||
| Uteralterance or | Vieus Von DVbLIn, ’twas one of dozedeams | 15 | |
| the Interplay of | a darkies ding in dewood) the Turnpike under | 16 | |
| Bones in the | the Great Ulm (with Mearingstone in Fore | 17 | |
| Womb. | ground). 1 Given now ann linch you take enn | 18 | |
| all. Allow me! And, heaving alljawbreakical | 19 | ||
| expressions out of old Sare Isaac’s 2 universal | 20 | ||
| The Vortex. | of specious aristmystic unsaid, A is for Anna | 21 | |
| Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you’re | 22 | |
| Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | 23 | |
| tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | 24 | |
| leaves alass! Aiaiaiai, Antiann, we’re last to | 25 | ||
| the lost, Loulou! Tis perfect. Now (lens | 26 |
“Mozart is a menace to musical progress, a relic of rituals that were losing relevance in his own time and are meaningless to ours. Beyond a superficial beauty and structural certainty, Mozart has nothing to give to mind or spirit in the 21st century. Let him rest.” —Norman Lebrecht
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Tuesday, February 21, 2006
Tuesday February 21, 2006
Now Lens
| murphy plant, murphy grow, a maryamyria- | 10 | ||
| meliamurphies, in the lazily eye of his lapis, | 11 | ||
| 12 | |||
|
|
13 | ||
| 14 | |||
| Uteralterance or | Vieus Von DVbLIn, 'twas one of dozedeams | 15 | |
| the Interplay of | a darkies ding in dewood) the Turnpike under | 16 | |
| Bones in the | the Great Ulm (with Mearingstone in Fore | 17 | |
| Womb. | ground). 1 Given now ann linch you take enn | 18 | |
| all. Allow me! And, heaving alljawbreakical | 19 | ||
| expressions out of old Sare Isaac's 2 universal | 20 | ||
| The Vortex. | of specious aristmystic unsaid, A is for Anna | 21 | |
| Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you're | 22 | |
| Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | 23 | |
| tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | 24 | |
| leaves alass! Aiaiaiai, Antiann, we're last to | 25 | ||
| the lost, Loulou! Tis perfect. Now (lens | 26 |
— Finnegans Wake, Book II,
Episode 2, page 293Related material:
Fours and 1132
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