Thursday, July 10, 2014
The Agency
Thursday, May 9, 2013
An Education
Click a course description below for some related material.
See also Strike That Pose and Gone to China.
Saturday, February 28, 2004
Saturday February 28, 2004
Truth and Style
From today’s New York Times obituary for Amy M. Spindler, former fashion critic of The New York Times and style editor of its magazine, who died yesterday at 40:
“Anna Wintour, the editor in chief of Vogue, whom Ms. Spindler regarded as a competitor when she became style editor of The Times Magazine, in 1998, said: ‘She took criticism in a new direction. She wasn’t afraid to tell the
“I don’t believe in truth. I believe in style.”
— Hugh Grant in Vogue magazine, July 1995
Again from Spindler’s obituary:
“In a front-page article on Sept. 5, 1995, she [Spindler] noted a new piety on parade, marked by store windows and catalogs full of monastic robes, pilgrim’s boots and dangling crosses. Perhaps, she wrote, ‘the financially strained fashion industry is seeking salvation from
Perhaps.
Amy M. Spindler
See also
Strike That Pose (August 1995)
and the two previous log24.net entries
on art and religion at Harvard.
For even more context, see
Truth and Style: ART WARS at Harvard.
Thursday, February 26, 2004
Thursday February 26, 2004
ART WARS at Harvard
“The VES [Visual and Environmental Studies] department is still recovering, both internally and in public perception, from the firing of former chair Ellen Phelan in spring 2001. Phelan, a distinguished painter who brought in top New York artists, was replaced by Kenan Professor of English Marjorie Garber, an English scholar with no formal background in the practice of visual arts.”
Here’s more on Phelan and art at Harvard (rated R for colorful language).
See also Strike That Pose.
Follow-up from the Harvard Crimson,
By Lauren A. E. Schuker Summers… expressed his strong commitment to the visual and performing arts at Harvard. “In many ways, the arts are the highest achievements of man,” Summers said, “and universities have always been focused on humanities.” Summers added that he was concerned that there is a disparity between critiquing and creating works of art. “You don’t have to be particularly accomplished to study macroeconomic theory or European history,” he said, “but you do if you want to study creative writing or musical performance. That is problematic.” Summers also added that he hoped to see the University develop more respect for the arts and more “explicit academic evaluation” in the future. |