See too "Page 293" in this journal.
Friday, July 30, 2021
Sunday, April 15, 2012
Irish Geometry
— Finnegans Wake , Book II,
Episode 2, page 293
Background—
- The Great Hunger,
- the facetious NY Times ‘s
‘Hunger Games’ Parenting, - and (Feb. 13 and 14, 2012)—
Why Now? and Notable Transitions.
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Sunday, July 1, 2007
Sunday July 1, 2007
Mozart
by the Numbers
by the Numbers
2/21
A Superficial Beauty:
Structural Certainty:
| murphy plant, murphy grow, a maryamyria- | 10 | ||
| meliamurphies, in the lazily eye of his lapis, | 11 | ||
| |
12 | ||
 |
13 | ||
| |
14 | ||
| Uteralterance or | Vieus Von DVbLIn, ’twas one of dozedeams | 15 | |
| the Interplay of | a darkies ding in dewood) the Turnpike under | 16 | |
| Bones in the | the Great Ulm (with Mearingstone in Fore | 17 | |
| Womb. | ground). 1 Given now ann linch you take enn | 18 | |
| all. Allow me! And, heaving alljawbreakical | 19 | ||
| expressions out of old Sare Isaac’s 2 universal | 20 | ||
| The Vortex. | of specious aristmystic unsaid, A is for Anna | 21 | |
| Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you’re | 22 | |
| Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | 23 | |
| tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | 24 | |
| leaves alass! Aiaiaiai, Antiann, we’re last to | 25 | ||
| the lost, Loulou! Tis perfect. Now (lens | 26 |
“Mozart is a menace to musical progress, a relic of rituals that were losing relevance in his own time and are meaningless to ours. Beyond a superficial beauty and structural certainty, Mozart has nothing to give to mind or spirit in the 21st century. Let him rest.” —Norman Lebrecht
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Tuesday, February 21, 2006
Tuesday February 21, 2006
Now Lens
| murphy plant, murphy grow, a maryamyria- | 10 | ||
| meliamurphies, in the lazily eye of his lapis, | 11 | ||
| 12 | |||
|
|
13 | ||
| 14 | |||
| Uteralterance or | Vieus Von DVbLIn, 'twas one of dozedeams | 15 | |
| the Interplay of | a darkies ding in dewood) the Turnpike under | 16 | |
| Bones in the | the Great Ulm (with Mearingstone in Fore | 17 | |
| Womb. | ground). 1 Given now ann linch you take enn | 18 | |
| all. Allow me! And, heaving alljawbreakical | 19 | ||
| expressions out of old Sare Isaac's 2 universal | 20 | ||
| The Vortex. | of specious aristmystic unsaid, A is for Anna | 21 | |
| Spring of Sprung | like L is for liv. Aha hahah, Ante Ann you're | 22 | |
| Verse. The Ver- | apt to ape aunty annalive! Dawn gives rise. | 23 | |
| tex. | Lo, lo, lives love! Eve takes fall. La, la, laugh | 24 | |
| leaves alass! Aiaiaiai, Antiann, we're last to | 25 | ||
| the lost, Loulou! Tis perfect. Now (lens | 26 |
— Finnegans Wake, Book II,
Episode 2, page 293Related material:
Fours and 1132
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