Log24

Saturday, June 10, 2023

Green Mountain, Red Mountain

Filed under: General — Tags: — m759 @ 11:28 am

Tom Wolfe on art theorists in The Painted Word  (1975) :

"It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde  understood, they
were not only theories but … hot news,
straight from the studios, from the scene."

Anthony Lane in The New Yorker  on June 2, 2023 —

"The album cover was a minor but deliriously popular art form
that was limited not just by shape—a neat fit, incidentally, for
the square format favored by many modish photographers of
the sixties—but also by the prospect of its own inevitable death.
Technology gave, and technology hath taken away."

See as well a mountain along with red and green album covers
in this  journal  on June 8.

Some will prefer the green and red crystal from Melencolia I
(adapted from the uncolored original) on the cover of the
1948 edition of Doctor Faustus.

Tuesday, November 18, 2014

For the Green Mountain Girls

Filed under: General — Tags: , — m759 @ 9:13 am

Tom Wolfe in The Painted Word  (1975):

“It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde  understood, they
were not only theories but … hot news,
straight from the studios, from the scene.”

“Parable of American Painting,” 1954 — From The Tradition of the New by Harold Rosenberg

In this essay Rosenberg set out to explain what he believed to be definitively American about Abstract Expressionism. He did so by drawing on the American Revolutionary War for his metaphors, likening the new Americans to the coonskin trappers whose knowledge of their terrain enabled them to pick off the British soldiers (Redcoats), who followed the dictates of their military training. The professionally- trained soldiers were defeated because, as Rosenberg states, ‘They were such extreme European professionals … they did not even see  the American trees.’ ‘Redcoatism’ was, Rosenberg argued, a symptom of the old European world’s stubborn rejection of the new. It did at one time also ‘[dominate] the history of American art,’ he wrote, but with the advent of Abstract Expressionism, times had changed. And just as the Coonskins were victorious because they stood apart from the professional military, so the new American art was triumphant because, as Rosenberg saw it, it marked a profound break with the traditions of European art.”

— TheArtStory.org

Lectures at Bennington, 1971

For example:

Art adapted today from the Google search screen. Discuss.

Tuesday, November 2, 2021

“Goddess on a Mountain Top”

Filed under: General — m759 @ 9:57 am

See as well "Red Mountain," "Green Mountain," "Black Mountain,"
and of course "Cold Mountain."

Saturday, January 6, 2018

Report from Red Mountain

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 pm

Tom Wolfe in The Painted Word  (1975):

“It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde  understood, they
were not only theories but … hot news,
straight from the studios, from the scene.”

Harold Rosenberg in The New Yorker  (click to enlarge)

See also Interality  and the Eightfold Cube .

Tuesday, December 2, 2014

Colorful Tale

Filed under: General — Tags: — m759 @ 9:45 am

Continued.

"Perhaps the philosophically most relevant feature
of modern science is the emergence of abstract
symbolic structures as the hard core of objectivity
behind— as Eddington puts it— the colorful tale
of the subjective storyteller mind."

— Hermann Weyl in Philosophy of Mathematics
     and Natural Science
 , Princeton, 1949, p. 237

Tom Wolfe on art theorists in The Painted Word  (1975) :

"It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde  understood, they
were not only theories but … hot news,
straight from the studios, from the scene."

The Weyl quote is a continuing theme in this journal.
The Wolfe quote appeared here on Nov. 18, 2014,
the reported date of death of Yale graduate student 
Natasha Chichilnisky-Heal.

Directions to her burial (see yesterday evening) include
a mention of "Paul Robson Street" (actually Paul
Robeson Place) near "the historic Princeton Cemetery."

This, together with the remarks by Tom Wolfe posted
here on the reported day of her death, suggests a search
for "red green black" —

The late Chichilnisky-Heal was a student of political economy.

The search colors may be interpreted, if one likes, as referring
to politics (red), economics (green), and Robeson (black).

See also Robeson in this journal.

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