Friday, September 27, 2002

Friday September 27, 2002

Filed under: General — Tags: — m759 @ 5:10 PM

Modern Times

ART WARS September 27, 2002:

From the Bulletin of the American Mathematical Society, October 2002, p. 563:

"To produce decorations for their weaving, pottery, and other objects, early artists experimented with symmetries and repeating patterns.  Later the study of symmetries of patterns led to tilings, group theory, crystallography, finite geometries, and in modern times to security codes and digital picture compactifications.  Early artists also explored various methods of representing existing objects and living things.  These explorations led to…. [among other things] computer-generated movies (for example, Toy Story)."

— David W. Henderson, Cornell University

From an earlier log24.net note: 


ART WARS   September 12, 2002


John Frankenheimer's film "The Train" —

Und was für ein Bild des Christentums 
ist dabei herausgekommen?

From Today in Science History:

Locomotion No. 1

[On September 27] 1825, the first locomotive to haul a passenger train was operated by George Stephenson's Stockton & Darlington's line in England. The engine "Locomotion No. 1" pulled 34 wagons and 1 solitary coach…. This epic journey was the launchpad for the development of the railways….

From Inventors World Magazine:

Some inventions enjoyed no single moment of birth. For the steam engine or the motion-picture, the birth-process was, on close examination, a gradual series of steps. To quote Robert Stevenson: 'The Locomotive is not the invention of one man, but a nation of mechanical engineers.' George Stevenson (no relation) probably built the first decent, workable steam engines…  Likewise the motion camera developed into cinema through a line of inventors including Prince, Edison and the Lumière brothers, with others fighting for patents. No consensus exists that one of these was its inventor. The first public display was achieved by the Lumière brothers in Paris.

From my log24.net note of Friday, Sept. 13th:

"Dante compares their dance and song to God’s bride on earth, the Church, when she answers the morning bells to rise from bed and 'woo with matins song her Bridegroom's love.' Some critics consider this passage the most 'spiritually erotic' of all the one hundred cantos of the Comedy."

From my log24.net note of September 12:


Everybody's doin'
a brand new dance now…

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