to Nicolas Cage
from Marxists.org
Fredric Jameson, Postmodernism, or, The Cultural Logic of Late Capitalism—
Various forms of “the modern movement” that include “… the modernist school of poetry (as institutionalised and canonised in the works of Wallace Stevens) all are now seen as the final, extraordinary flowering of a high-modernist impulse which is spent and exhausted…” —marxists.org:
“One of the primary critiques of modernism that Learning from Las Vegas was engaged in, as Frederic [sic] Jameson clearly noted, was the dialectic between inside and outside and the assumption that the outside expressed the interior.* Let’s call this the modernist drive for ‘expressive transparency.'”
— Aron Vinegar of Ohio State U., “Skepticism and the Ordinary: From Burnt Norton to Las Vegas“
* Jameson, Frederic [sic]. 1988. “Architecture and the Critique of Ideology.” The Ideologies of Theory: Essays, 1971-1986. Volume 2. Minneapolis: University of Minnesota Press, 59.
Steven Helmling, The Success and Failure of Fredric Jameson, SUNY Press, 2001, p. 54–
Jameson “figures the inside/outside problem in the metaphor of the ‘prison-house of language’….”
Jung and the Imago Dei:
“… Jung presents a diagram
to illustrate the dynamic
movements of the self….”
…the movement of
a self in the rock…
— Wallace Stevens:
The Poems of Our Climate,
by Harold Bloom,
Cornell U. Press, 1977
— Sean Connery
“… just as God defeats the devil:
this bridge exists….”
— Andre Weil
The bridge illustration
is thanks to Magneto.