Taking Lucifer Seriously:
Michael Sprinker
versus
The Society of Jesus
As the previous entry indicates, I do not take Christian poetry too seriously. The Prince of Darkness is another matter. I encountered him this morning in a book on the Christian poet Hopkins by the late Michael Sprinker.
“You were never on the debating team when you were in high school, were you, ace? When you’re in a debate, you don’t try to convince the other side; they’re never going to agree with you. You try to convince the judges and the audience.”
— Michael Sprinker, quoted in The Minnesota Review, 2003
“For Hopkins, poetry was the act of producing the self, one version of that selving which he associated not only with Christ but with Lucifer.”
— Michael Sprinker, “A Counterpoint of Dissonance” — The Aesthetics and Poetry of Gerard Manley Hopkins, Johns Hopkins University Press, 1980, p. 95
A counterbalance to Sprinker on Hopkins and Lucifer is Hopkins, the Self, and God, by Walter J. Ong, S. J. (University of Toronto Press, 1986). From p. 119:
“The interior dynamism of the Three Persons in One God was not for Hopkins some sort of formula for theological juggling acts but was rather the centre of his personal devotional life and thus of his own ‘selving.’ …. He writes to Bridges 24 October 1883…
‘For if the Trinity… is to be explained by grammar and by tropes… where wd. be the mystery? the true mystery, the incomprehensible
one.’ “
For the dynamics of the Trinity, see the Jan. 22 entry, Perichoresis, or Coinherence. Another word for coinherence is “indwelling,” as expressed in what might be called the
Song of Lucifer:
Me into you,
You into me,
Me into you…
For a Christian version of this “indwelling,” see
Coinherence,
Interpenetration,
Mutual Indwelling
See also last year’s entries of 9/09.