ART WARS:
Just Seventeen
Durga
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Northern Songs.
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Veronica
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From a June/July 1997
Hadassah Magazine article:
"Plato is obviously Jewish."
— Rebecca Goldstein
Readings on the Dark Lady
From a July 27, 1997
New York Times article
by Holland Cotter:
"The single most important and sustained model for Khmer culture was India, from which Cambodia inherited two religions, Buddhism and Hinduism, and an immensely sophisticated art. This influence announces itself early in this exhibition in a spectacular seventh-century figure of the Hindu goddess Durga, whose hip-slung pose and voluptuous torso, as plush and taut as ripe fruit, combine the naturalism and idealism of the very finest Indian work."
From The Dancing Wu Li Masters,
by Gary Zukav, Harvard '64:
"The Wu Li Masters know that physicists are doing more than 'discovering the endless diversity of nature.' They are dancing with Kali [or Durga], the Divine Mother of Hindu mythology."
"Eastern religions have nothing to say about physics, but they have a great deal to say about human experience. In Hindu mythology, Kali, the Divine Mother, is the symbol for the infinite diversity of experience. Kali represents the entire physical plane. She is the drama, tragedy, humor, and sorrow of life. She is the brother, father, sister, mother, lover, and friend. She is the fiend, monster, beast, and brute. She is the sun and the ocean. She is the grass and the dew. She is our sense of accomplishment and our sense of doing worthwhile. Our thrill of discovery is a pendant on her bracelet. Our gratification is a spot of color on her cheek. Our sense of importance is the bell on her toe.
This full and seductive, terrible and wonderful earth mother always has something to offer. Hindus know the impossibility of seducing her or conquering her and the futility of loving her or hating her; so they do the only thing that they can do. They simply honor her."
How could I dance with another….?
— John Lennon and Paul McCartney, 1962-1963