Log24

Saturday, August 13, 2011

Taylor Made

Filed under: General — m759 @ 7:11 pm

The Montreal Catholic philosopher Charles Taylor has been reviewed
online recently in The New Yorker  and The Nation .

Here is some background from this journal and from a 1989 book.

Update of 5:01 AM August 14— See also Valéry and the Self in this journal.

Friday, May 15, 2020

Review

Filed under: General — Tags: , , , — m759 @ 5:24 pm

Charles Taylor,
“Epiphanies of Modernism,”
Chapter 24 of Sources of the Self
(Cambridge U. Press, 1989, p. 477) —

“… the object sets up
a kind of frame or space or field
within which there can be epiphany.”

See also Talking of Michelangelo.

Related material for comedians —

BOX: Binary Object Extension

Literature ad absurdum

Thursday, July 23, 2015

Space

Filed under: General — m759 @ 1:15 pm

   It's Space Week at Camp Google


“… the object sets up
 a kind of frame or space or field 
   within which there can be epiphany.”
— Charles Taylor       
Kylie Minogue does the Locomotion

“My little baby sister can do it with ease.
It’s easier to learn than those ABC’s.”

— Kylie Minogue           

Wednesday, June 25, 2008

Wednesday June 25, 2008

Filed under: General — m759 @ 8:06 am
Prize Dance

“I would not know what the spirit
of a philosopher might wish more
 to be than a good dancer.
For the dance is his ideal,
also his art, and finally also his
only piety, his ‘service of God.'”

Nietzsche

Charles Taylor, winner
of this year’s Kyoto Prize
in arts and philosophy:

“… the object sets up
 a kind of frame or space or field
   within which there can be epiphany.”


Kylie Minogue does the Locomotion

“My little baby sister
can do it with ease.
It’s easier to learn
  than those ABC’s.”

Kylie Minogue 

Wednesday June 25, 2008

Filed under: General — m759 @ 2:02 am
Born 100 years ago today:

Willard Van Orman Quine, picture from cover of his autobiography

From A Logical Point of View,  Harvard U. Press, 1980, p. 72
From A Logical Point of View,  Harvard U. Press, 1980, p. 73
Other approaches to the
eight-ray star figure

Figure by Quine for an argument against univesals in 'From a Logical Point of View'

have been sketched in
various Log24 entries.

See, for instance, the
June 21 entries on
the Kyoto Prize for
arts and philosophy.
Quine won this prize
 in 1996.

Quine’s figure, cited in an
argument against universals,
is also a classic symbol for
the morning or evening star.

This year’s winner http://www.log24.com/images/asterisk8.gif
of the Kyoto Prize has
a more poetic approach
to philosophy:

“… the object sets up
 a kind of frame or space or field
   within which there can be epiphany.”

For one such frame or space,
a Mexican cantina, see
Shining Forth.

See also Damnation Morning and
The Devil and Wallace Stevens.

http://www.log24.com/images/asterisk8.gif Charles Taylor.  See
“Epiphanies of Modernism,”
Chapter 24 of Sources of the Self
  (Cambridge U. Press, 1989, p. 477)

Saturday, June 21, 2008

Saturday June 21, 2008

Filed under: General,Geometry — m759 @ 6:00 am

The Kyoto Prize

for lifetime achievement
in arts and philosophy
this year goes to
Charles Taylor,

Charles Margrave Taylor, professor emeritus of philosophy at McGill University

Montreal philosophy professor.

“The Kyoto Prize has been given in three domains since 1984:
advanced technology, basic sciences, and the arts and philosophy.
It is administered by the Inamori Foundation, whose president,
Kazuo Inamori, is founder and chairman emeritus of Kyocera and
KDDI Corporation, two Japanese telecommunications giants.”

 

Kyocera Logo

“The Kyocera brand symbol is composed of a corporate mark
and our corporate logotype. The mark represents the initial
‘K’ (for Kyocera) encircling a ‘C’ (for ceramics). It was
introduced in October 1982 when the company name was
changed from ‘Kyoto Ceramic’ to ‘Kyocera.'”

global.kyocera.com

Related material —

Wittgenstein and Fly from Fly-Bottle

Fly from Fly Bottle:

Graphic structures from Diamond Theory and from Kyocera logo

Charles Taylor,
“Epiphanies of Modernism,”
Chapter 24 of Sources of the Self
(Cambridge U. Press, 1989, p. 477) —

“… the object sets up
a kind of frame or space or field
within which there can be epiphany.”

See also Talking of Michelangelo.

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