Log24

Saturday, May 4, 2024

The Showalter Letter

Filed under: General — m759 @ 2:24 am

Wikipedia on the director of Anne Hathaway's new film "The Idea of You" —

"[Michael] Showalter was born in Princeton, New Jersey, the son of
Elaine Showalter (née Cottler), an author, feminist literary critic,
and professor of English, and English Showalter, a Yale-educated
professor of 18th century French literature. His father is Episcopalian
and his mother is Jewish."

See also Elaine  Showalter in this journal on "O for Ophelia."

"But the tigers come at night . . ." — Anne Hathaway as Fantine

Saturday, January 23, 2010

O How the Wheel Becomes It!

Filed under: General — m759 @ 1:06 pm

Continued from yesterday
and from March 28, 2008–

Being and Nothingness

http://www.log24.com/log/pix10/100123-Ophelia1.jpg

Jean Simmons and Laurence Olivier, 1948

"Ophelia’s story becomes the Story of O…."
– Elaine Showalter, "Representing Ophelia:
Women, Madness, and the
Responsibilities of Feminist Criticism."
Pp. 220-238 in
Hamlet. Ed. Susanne L. Wofford.
Boston: Bedford Books, 1994.

Friday, March 28, 2008

Friday March 28, 2008

Filed under: General — m759 @ 2:14 pm
Being and Nothingness

“From this I reach what I might call a philosophy; at any rate it is a constant idea of mine; that behind the cotton wool [of daily life] is hidden a pattern; that we– I mean all human beings– are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.”

— Virginia Woolf, “A Sketch of the Past,” 1939-40, in Moments of Being

“And I a maid at your window,
To be your Valentine.”

— Ophelia, Hamlet IV. v.

“Ophelia’s story becomes the Story of O– the zero, the empty circle or mystery of feminine difference, the cipher of female sexuality to be deciphered by feminist interpretation.”

— Elaine Showalter, “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St.Martin’s Press, 1994. 220-238.

Tuesday, March 2, 2004

Tuesday March 2, 2004

Filed under: General — m759 @ 3:01 pm

Passion

From the previous entry:

 1.
Oscar:
military phonetic
for the letter
‘O’

From an entry of Dec. 21, 2002, some background in literary theory:

“I know what ‘nothing’ means….”
— Maria Wyeth in Play It As It Lays

“How do you solve a problem like Maria?”
— Oscar Hammerstein II

“…problems can be solved by manipulating just two symbols, 1 and 0….” 
— George Johnson, obituary of Claude Shannon

“The female and the male continue this charming dance, populating the world with all living beings.” 
— Leonard Shlain, The Alphabet Versus the Goddess, Penguin Arkana paperback, 1999, Chapter 17, “Lingam/Yoni” 

“According to Showalter’s essay*, ‘In Elizabethan slang, ‘nothing’ was a term for the female genitalia . . . what lies between maids’ legs, for, in the male visual system of representation and desire…. Ophelia’s story becomes

the Story of O — the zero, the empty circle or mystery of feminine difference, the cipher of female sexuality to be deciphered by feminist interpretation.’ (222)* Ophelia is a highly sexual being…”

— Leigh DiAngelo,
   Ophelia as a Sexual Being

*Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St.Martin’s Press, 1994. 220-238.

At the Oscars Sunday night, a thought attributed by Billy Crystal to Sean Connery:

“Pussy Galore! I just got it! That’s vulgar.”

For further background, see

Passing the Crown (Aug. 24, 2003) and

The Agony and the Ya-Ya (Oct. 4, 2002).

Saturday, December 21, 2002

Saturday December 21, 2002

Filed under: General — m759 @ 7:00 pm

To Ophelia
at the Winter Solstice

Introduction

“There is one story and one story only
That will prove worth your telling…

… is it of the Virgin’s silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right hand she crooks a finger, smiling,
How many the King hold back?
Royally then he barters life for love.

Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?”

— Robert Graves, “To Juan at the Winter Solstice”

Illustrations

The Virgin’s Beauty 

 On the Beach

A Maiden’s Prayer

Answered Prayer

Dialogue

Act III Scene ii:

Hamlet   Lady, shall I lie in your lap?
Ophelia  No, my lord.
Hamlet   I mean, my head upon your lap?
Ophelia  Ay, my lord.
Hamlet   Do you think I meant country matters?
Ophelia  I think nothing, my lord.
Hamlet   That’s a fair thought to lie between maid’s legs.
Ophelia   What is, my lord?
Hamlet    Nothing.
Ophelia   You are merry, my lord.  
Hamlet    Who, I?
Ophelia   Ay, my lord.

Quotations

“Do you know nothing? Do you see nothing? Do you remember nothing?” 
— T. S. Eliot, “The Waste Land”

“At the still point, there the dance is.” 
— T. S. Eliot, Four Quartets

“I know what ‘nothing’ means….”
— Maria Wyeth in Play It As It Lays

“How do you solve a problem like Maria?”
— Oscar Hammerstein II

“…problems can be solved by manipulating just two symbols, 1 and 0….” 
— George Johnson, obituary of Claude Shannon

“The female and the male continue this charming dance, populating the world with all living beings.” 
— Leonard Shlain, The Alphabet Versus the Goddess,
    Penguin Arkana paperback, 1999, Chapter 17,
    “Lingam/Yoni” 

“According to Showalter’s essay*, ‘In Elizabethan slang, ‘nothing’ was a term for the female genitalia . . . what lies between maids’ legs, for, in the male visual system of representation and desire…. Ophelia’s story becomes the Story of O — the zero, the empty circle or mystery of feminine difference, the cipher of female sexuality to be deciphered by feminist interpretation.’ (222)* Ophelia is a highly sexual being…”

— Leigh DiAngelo,
   Ophelia as a Sexual Being

S. H. Cullinane: “No shit, Sherlock.”

*Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St.Martin’s Press, 1994. 220-238.

Dénouement

Is that nothing between your legs
or are you just happy to see me?


See also The Ya-Ya Monologues.

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