Log24

Wednesday, January 9, 2013

Eve and Cleavage

Filed under: General — Tags: — m759 @ 11:01 am

From a poem by Frances Frost—

"The upper peak, the shattered rock that cleaves the northward sky
remains alone untaken by the darkness"

— "From a Mountain-Top," The North American Review ,
December 1939 (Vol. 248, No. 2, page 301)

For some material related to the Frost poem,
if only by verbal coincidence, see shattered + rock in this journal.

See also rock + cleavage.

For the relationship to Eve, see New Year's Eve, 2012
and the following image by Karolin Schnoor, who also
illustrated the New York Times  op-ed piece "Catholic
Education, in Need of Salvation
" published online on
Epiphany 2013 (see last evening's Log24 post)—

For some context, see Establishment of the Talented.

Thursday, September 30, 2010

Cleft

Filed under: General — Tags: , — m759 @ 11:02 am

"Here was finality indeed, and cleavage!"
— Malcolm Lowry, Under the Volcano

Related— Rosetta Stone, today's Google Doodle, and Rock of Ages.

See also the New York daily numbers in yesterday's lottery.

Thursday, October 11, 2007

Thursday October 11, 2007

Filed under: General — Tags: — m759 @ 12:00 pm
The Nobel Prize
in Literature

this year goes to the author
of The Golden Notebook
and The Cleft.

Related material:
The Golden Obituary
and Cleavage —
Log24, Oct. 9, 2007

Art History, 1955: Scenes from Bad Day at Black Rock

Background from 1947:

The image “http://www.log24.com/log/pix07A/071011-Cleavage.jpg” cannot be displayed, because it contains errors.

Further details:

WheelThe image “http://www.log24.com/log/images/asterisk8.gif” cannot be displayed, because it contains errors.

Quoted by physics writer
Heinz Pagels at the end of
The Cosmic Code
:

“For the essence and the end
Of his labor is beauty… one beauty,
the rhythm of that Wheel….”

— Robinson Jeffers

From Holy Saturday, 2004:

The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it.  The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine.  Halfway across the bridge he stopped; he lit a new cigarette from the one he’d been smoking, and leaned over the parapet, looking down.  It was too dark to see the bottom, but: here was finality indeed, and cleavage!  Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country…”

— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)

Comment by Stephen Spender:

“There is a suggestion of Christ descending into the abyss for the harrowing of Hell.  But it is the Consul whom we think of here, rather than of Christ.  The Consul is hurled into this abyss at the end of the novel.”

— Introduction to Under the Volcano


 Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI

Gibbon, discussing the theology of the Trinity, defines perichoresis as

“… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….

59 … The perichoresis  or ‘circumincessio,’ is perhaps the deepest and darkest corner of the whole theological abyss.”


 “Whoever fights monsters should see to it that in the process he does not become a monster.  And when you look long into an abyss, the abyss also looks into you.”

— Friedrich Nietzsche, Beyond Good and Evil, section 146, translated by Walter Kaufmann


William Golding:

 “Simon’s head was tilted slightly up.  His eyes could not break away and the Lord of the Flies hung in space before him. 

‘What are you doing out here all alone?  Aren’t you afraid of me?’

Simon shook.

‘There isn’t anyone to help you.  Only me.  And I’m the Beast.’

Simon’s mouth labored, brought forth audible words.

‘Pig’s head on a stick.’

‘Fancy thinking the Beast was something you could hunt and kill!’ said the head.  For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter.  ‘You knew, didn’t you?  I’m part of you?  Close, close, close!’ “


“Thought of the day:
You can catch more flies with honey than vinegar… if you’re into catchin’ flies.”

Alice Woodrome, Good Friday, 2004

Anne Francis,
also known as
Honey West:

“Here was finality indeed,
and cleavage!”

Under the Volcano

The image “http://www.log24.com/log/images/asterisk8.gif” cannot be displayed, because it contains errors. For further details of
the wheel metaphor, see

Rock of Ages

(St. Cecilia’s Day, 2006).

Wednesday, November 22, 2006

Wednesday November 22, 2006

Filed under: General — m759 @ 9:00 pm
Rock of Ages

“Who knows where madness lies?”
— Rhetorical question
in “Man of La Mancha”
(See previous entry.)

Using madness to
seek out madness, let us
  consult today’s numbers…

Pennsylvania Lottery
Nov. 22, 2006:

Mid-day 487
Evening 814

The number 487 leads us to
page 487 in the
May 1977 PMLA,
The Form of Carnival
in Under the Volcano
“:

“The printing presses’ flywheel
marks the whirl of time*
    that will split La Despedida….”

The image “http://www.log24.com/log/pix06B/061122-Flywheel.gif” cannot be displayed, because it contains errors.

Flywheel

From Dana Grove,
A Rhetorical Analysis of
Under the Volcano
,
page 92:

“… In this way, mystical as well as psychological dimensions are established.  Later on, the two pass by a printer’s shop window and curiously stop to inspect, amidst wedding portraits and well in front of the revolving flywheel of the printing machines, ‘a photographic enlargement purporting to show the disintegration of a glacial deposit in the Sierra Madre, of a great rock split by forest fires.’  Significantly the picture is called ‘La Despedida,’ the Parting.  Yvonne cannot help but see the symbolic significance of the photograph and wishes with all of her might ‘to heal the cleft rock’ just as she wishes to heal the divorce….”

Some method in this madness
is revealed by the evening
lottery number, 814, which
leads to an entry of 8/14:

Cleavage Term

“… a point of common understanding
between the classic and romantic worlds.
Quality, the cleavage term between
hip and square, seemed to be it.”
Robert M. Pirsig 

The image “http://www.log24.com/log/pix06B/061122-Goldstein.jpg” cannot be displayed, because it contains errors.

Rebecca Goldstein

The 8/14 entry also deals with
Rebecca Goldstein, who
seems to understand
such cleavage
very well.

(See also today’s previous entry.)

* Cf. Shakespeare’s “whirligig of time
linked to in the previous entry.)

Sunday, August 15, 2004

Sunday August 15, 2004

Filed under: General — m759 @ 3:17 pm

The Line

Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance, Ch. 6 (italics are mine):

“A classical understanding sees the world primarily as underlying form itself. A romantic understanding sees it primarily in terms of immediate appearance.”

The Sophist, by Plato:

STRANGER – We are far from having exhausted the more exact thinkers who treat of being and not-being. But let us be content to leave them, and proceed to view those who speak less precisely; and we shall find as the result of all, that the nature of being is quite as difficult to comprehend as that of not-being.

THEAETETUS – Then now we will go to the others.

STRANGER – There appears to be a sort of war of Giants and Gods going on amongst them; they are fighting with one another about the nature of essence.

THEAETETUS – How is that?

STRANGER – Some of them are dragging down all things from heaven and from the unseen to earth, and they literally grasp in their hands rocks and oaks; of these they lay hold, and obstinately maintain, that the things only which can be touched or handled have being or essence, because they define being and body as one, and if any one else says that what is not a body exists they altogether despise him, and will hear of nothing but body.

THEAETETUS – I have often met with such men, and terrible fellows they are.

STRANGER – And that is the reason why their opponents cautiously defend themselves from above, out of an unseen world, mightily contending that true essence consists of certain intelligible and incorporeal ideas; the bodies of the materialists, which by them are maintained to be the very truth, they break up into little bits by their arguments, and affirm them to be, not essence, but generation and motion. Between the two armies, Theaetetus, there is always an endless conflict raging concerning these matters.

THEAETETUS – True.

— Translated by Benjamin Jowett

Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance, Ch. 18:

“The wave of crystallization rolled ahead. He was seeing two worlds, simultaneously. On the intellectual side, the square side, he saw now that Quality was a cleavage term. What every intellectual analyst looks for. You take your analytic knife, put the point directly on the term Quality and just tap, not hard, gently, and the whole world splits, cleaves, right in two…

The Line,
by S. H. Cullinane

hip and square, classic and romantic, technological and humanistic…and the split is clean. There’s no mess. No slop. No little items that could be one way or the other. Not just a skilled break but a very lucky break. Sometimes the best analysts, working with the most obvious lines of cleavage, can tap and get nothing but a pile of trash. And yet here was Quality; a tiny, almost unnoticeable fault line; a line of illogic in our concept of the universe; and you tapped it, and the whole universe came apart, so neatly it was almost unbelievable. He wished Kant were alive. Kant would have appreciated it. That master diamond cutter. He would see. Hold Quality undefined. That was the secret.”

What Pirsig means by “quality” is close to what Yagoda means, in the previous entry, by “style.”

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