Log24

"Let’s love, and kill like 17 now."
— AFI song, soundtrack of "City of Bones"

See also Comic Strip Dead and
Llewyn Davis in this journal.

See yesterday's post Design Mastery and a post for Amy Adams's birthday in 2011
on Eliot's still point  and the dance .

For T.S. Eliot on his birthday, a film review—

"… the Coens are… elegantly asserting design mastery…."

— Peter Bradshaw, review of "Inside Llewyn Davis" 
    in The Guardian  on May 18, 2013

Related material— Two Log24 posts from that date—

Black Hole Revisited and Midnight in Bakhtin.

The former post presents a Jewish approach to
Eliot's concept of time and "the still point."
The latter post presents a more sophisticated approach. 

Perhaps the Coens' design mastery extends to the phrase
"time stops" of Kerouac. See the remarks by Dean Moriarty
in On the Road  quoted here in the previous post (Sept. 24).

The Coens' film contains, Bradshaw says, "a smoulderingly
Kerouac-y poet, played by Garrett Hedlund." Hedlund played
not Kerouac, but Moriarty, in the 2012 film of On the Road .

For the late Jim Hall—

Backstory:   Icon, 1:44 PM ET today.

Update of 11 PM ET Dec. 10, 2013 — 

For all  the notes, see Da Capo  (11 AM today)
and the Cullinane frequency matrix (12×12).

Matrix used to illustrate the well-tempered
scale. The integer frequency-ratio values
are only approximate in such a scale.