Log24

(Continued from January 8, 2003)

Another opening, another show.

An image suggested by last night's PBS hour "Chautauqua: An American Narrative"—

Click for larger versions of the image search and of the Hall of Philosophy.

Both the screenshot and the Chautauqua photo (by jbi46 at flickr.com) were taken on July 19th, 2010.

The screenshot appeared in the post "Pediments of Appearance" (which also included two much less complex images).

Some background —  A webpage on  Analytical Cubism and a related search in this journal.

From Wallace Stevens, who appears at top center in the image above—

An Ordinary Evening in New Haven, XXII

Professor Eucalyptus said, “The search
For reality is as momentous as
The search for god.” It is the philosopher’s search

For an interior made exterior
And the poet’s search for the same exterior made
Interior: breathless things broodingly abreath

With the Inhalations of original cold
And of original earliness. Yet the sense
Of cold and earliness is a daily sense,

Not the predicate of bright origin.
Creation is not renewed by images
Of lone wanderers. To re-create, to use

The cold and earliness and bright origin
Is to search. Likewise to say of the evening star,
The most ancient light in the most ancient sky,

That it is wholly an inner light, that it shines
From the sleepy bosom of the real, re-creates,
Searches a possible for its possibleness.

But Seriously…

From "Georg Cantor and the Battle for Transfinite Set Theory," by Joseph W. Dauben (pdf)–

"It is easy, of course, to misinterpret the religious element in Cantor's thinking, as popularizers often do. This was certainly the case in an article that appeared not long ago in the French magazine La Recherche, which supplied [the above] caricatures to illustrate an expository article about Cantor, his religious convictions, psychological illness and transfinite set theory.* The first drawing depicts Cantor in ecstasy, as it were, receiving the divine message. In the second illustration, the figure with the gun of course is meant to be Kronecker– with God helping Cantor to maintain his balance– all of which rests precariously on a transfinite aleph. But there is a very serious side to all of this…."

* Pierre Thuillier, “Dieu, Cantor et l'Infini,” La Recherche, (December, 1977), pp. 1110-1116.

Everything and More: A Compact History of Infinity, by David Foster Wallace–

"In modern medical terms, it's fairly clear that G.F.L.P. Cantor suffered from manic-depressive illness at a time when nobody knew what this was, and that his polar cycles were aggravated by professional stresses and disappointments, of which Cantor had more than his share. Of course, this makes for less interesting flap copy than Genius Driven Mad by Attempts to Grapple with ∞. The truth, though, is that Cantor's work and its context are so totally interesting and beautiful that there's no need for breathless Prometheusizing of the poor guy's life. The real irony is that the view of ∞ as some forbidden zone or road to insanity– which view was very old and powerful and haunted math for 2000+ years– is precisely what Cantor's own work overturned. Saying that ∞ drove Cantor mad is sort of like mourning St. George's loss to the dragon: it's not only wrong but insulting."

Related entertainment:

David Foster Wallace,
Influential Writer, Dies at 46

and the film "Neverwas"–