Log24

Friday, October 26, 2012

Nine Tailors

Filed under: General — m759 @ 9:00 am

A sequel to the Plan 9 post of September 5th, 2012

Monday, November 8, 2021

Plan 9 Sequel

Filed under: General — Tags: — m759 @ 10:47 pm

See Nine Tailors in this journal.

Monday, November 3, 2014

Plan 9 Continues…

Filed under: General — m759 @ 10:00 pm

A link to “Nine Tailors” in this journal may serve as
a memorial to the late David M. Abshire, who
reportedly died at 88 on Halloween.

See also tonight’s previous post and a remark by
Mira Sorvino in her version of The Great Gatsby .

Thursday, May 27, 2010

Masks

Filed under: General — m759 @ 3:33 pm

Masks of comedy and tragedy

Charles Isherwood on the death last Saturday of a fellow theater critic—

"...as it happened, I heard about his death just as I was entering the Lunt-Fontanne to see 'The Addams Family.' For a second time. By myself.

Now, there are happier ways to spend a Saturday night than attending a show you didn’t particularly like for the second time, by yourself. (Long story.) But then there’s no happy way to spend the night a friend dies."

For what it's worth—  night thoughts from this journal, Saturday night to Sunday morning—

From "Sunday School"—

"Nine tailors make a man."
– Dorothy Sayers

Sunday, May 23, 2010

Sunday School

Filed under: General — Tags: — m759 @ 9:00 am

"Mathematics is forever."
— Gian-Carlo Rota   

"Nine is a very powerful
  Nordic number."
— Katherine Neville    

 "Nine tailors make a man."
— Dorothy Sayers 

Thursday, December 19, 2002

Thursday December 19, 2002

Filed under: General — Tags: — m759 @ 12:00 am

Plain Hunt Maximus

This midnight’s site music is in honor of Sinatra’s first recording session for Reprise on December 19, 1960 (which included “Ring-a-Ding-Ding”).

See also The Nine Tailors, by Dorothy Sayers, and this applet for devising your own peal of changes.

Those who prefer Disney may go to this web page and click on the title “The Bells of Notre Dame” for a different midi.  For Mary Gaitskill‘s more mature approach to Victor Hugo’s classic, click here.

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