“Big Time. ”
Or: Chinny-Chin-Chin .
This post will be meaningless unless you
have seen the recent film "R.I.P.D.," starring
James Hong and Jeff Bridges.
(In that film, two deceased lawmen appear to
the living in disguised form— as Hong, and
as Bridges in the guise of a major babe.)
From the AP Today in History page
for October 29, 2013 —
On this date in:
1967 The musical "Hair" opened off-Broadway.
This, together with the Halloween season and
"R.I.P.D.," suggests a bizarre show:
"And there we were all in one place,
A generation lost in space…"
– Don McLean, "American Pie"
The show would star Cybill Shepherd and Jeff Bridges
as, respectively, Jackie Chan and Nicole Kidman in…
V.I.P.D.
See also some related posts with Jeff Bridges.
Backstory: Sermon (Nov. 18, 2012) and
Eternal Recreation (Dec. 24, 2012).
"We've lost the plot!" — "Slipstream." Small wonder.
Two links from the above post —
Gamalog and Separatrix.
The latter word has a technical meaning in mathematics.
It also has a non-technical meaning, as explained below.
The comparison of Derrida to Holmes is of course ridiculous
(like the rest of the Kipnis essay). For Moriarty, see (for instance)
"We've lost the plot!" (Feb. 27, 2008).
Today's showtimes at ArcLight Hollywood—
Meanwhile…
Related (?) material—
A quote from the 2007 Anthony Hopkins film "Slipstream"—
"We've lost the plot!"—
as it has appeared in this journal.
See also the Dec. 7th note on Don Sebastian de Villanueva and…
Happy birthday, Kirk Douglas.
"…the ending arrives as if dropped from a passing truck."
— Stephen Hunter, Washington Post review of the 2007 film
"The Invasion" (starring Nicole Kidman)
"The Invasion" |
Leiber's Big Time |
Related material— "The reviews are in!"— Wall Street Journal today
See also this journal on October First, the date of the above death.
"We've lost the plot!" — "Slipstream"
"Big time." — Dick Cheney
"Do not let me hear
Of the wisdom of old men,
but rather of their folly"
— Four Quartets
"Dear friends, would those of you who know what this is all about please raise your hands? I think if God is dead he laughed himself to death. Because, you see, we live in Eden. Genesis has got it all wrong– we never left the Garden. Look about you. This is paradise. It's hard to find, I'll grant you, but it is here. Under our feet, beneath the surface, all around us is everything we want. The earth is shining under the soot. We are all fools. Ha ha! Moriarty has made fools of all of us. But together– you and I, tonight– we'll bring him down."
— George C. Scott as Justin Playfair
[John Travolta runs on stage
and rushes for the door.]
For a religious interpretation
of the number 707, see
To Announce a Faith
(All Hallows' Eve, 2006)
and the following link
to a Tom Stoppard line
from the previous entry:
"Heaven, how can I
believe in Heaven?"
she sings at the finale.
"Just a lying
rhyme for seven!"
“A labyrinthine man never seeks
the truth, but always, only, his Ariadne….
Who besides myself knows what Ariadne is?”
— Nietzsche,
epigraph to Ariadne’s Lives,
by Nina daVinci Nichols
(See yesterday’s entry.)
Related material:
Entries of Feb. 13
and Feb. 19 at Log24
and the entry of Feb. 13 at
Ariachne’s Broken Woof
Troilus and Cressida in Act 5, Scene 2:
“And yet the spacious breadth of this division
Admits no orifex for a point as subtle
As Ariachne’s broken woof to enter.
Instance, O instance! strong as Pluto’s gates;
Cressid is mine, tied with the bonds of heaven:
Instance, O instance! strong as heaven itself;
The bonds of heaven are slipp’d, dissolved, and loosed….”
New York Times today–
"Plot Would Thicken, if the
Writers Remembered It"
"We've lost the plot!"
— Slipstream
Excerpt from Fritz Leiber's Time traveling, which is not quite the good clean boyish fun it's cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I'd hidden myself and the bottles and asked me, "Look, Buster, do you want to live?"…. Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.
Bordered version The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar. An X superimposed on a plus sign. It looked permanent…. … "Here is how it stacks up: You've bought your way with something other than money into an organization of which I am an agent…." "It's a very big organization," she went on, as if warning me. "Call it an empire or a power if you like. So far as you are concerned, it has always existed and always will exist. It has agents everywhere, literally. Space and time are no barriers to it. Its purpose, so far as you will ever be able to know it, is to change, for its own aggrandizement, not only the present and the future, but also the past. It is a ruthlessly competitive organization and is merciless to its employees." "I. G. Farben?" I asked grabbing nervously and clumsily at humor. She didn't rebuke my flippancy, but said, "And it isn't the Communist Party or the Ku Klux Klan, or the Avenging Angels or the Black Hand, either, though its enemies give it a nastier name." "Which is?" I asked. "The Spiders," she said. That word gave me the shudders, coming so suddenly. I expected the sigil to step off her forehead and scuttle down her face and leap at me– something like that. She watched me. "You might call it the Double Cross," she suggested, "if that seems better." |
Related material:
the previous entry.
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