From "The Back Page," Notices of the American Mathematical Society ,
June-July 2016 —
Related material: Page 1 of Screenland , April 1923 —
From "The Back Page," Notices of the American Mathematical Society ,
June-July 2016 —
Related material: Page 1 of Screenland , April 1923 —
From Universals Revisited, Leap Day, 2012 —
"'Relax,' said the night man .
'We are programmed to receive.'"
— "Hotel California," quoted here on
the evening of January 30, 2015
From a Los Angeles Times piece on Epiphany (Jan. 6), 1988 —
“Some 30 paces east of the spooky old Chateau Marmont is
the intersection of Selma and Sunset Boulevard.” . . . .
“Though it is not much of an intersection, the owner of
the liquor store on that corner might resent that you have
slotted his parking lot in the Twilight Zone. . . .
And directly across Sunset from Selma looking south is
where the infamous Garden of Allah used to stand. . . .”
"I love those Bavarians." — Don Henley, "The Garden of Allah"
See also a BBC story from March 11, 2005, and Log24 on that date.
Jeer yesterday by Sarah Palin —
“No more pussy-footin’ around!"
Sneer in The Washington Post this morning —
By Chris Cillizza* January 20 at 7:11 AM
"Sarah Palin endorsed Donald Trump's presidential campaign
on Tuesday in Iowa. You may have heard that — unless you
were hiding under a pile of coats for the day. But, what you
likely missed is the speech — and I use that word advisedly —
that Palin gave …."
Year by Don Henley —
* Cillizza is the author of The Gospel According to the Fix .
See also Sunday's post New York Values, with its quote from
a review of the new Coen brothers film "Hail, Caesar!" about
the world of the Hollywood "fixer."
Yale Daily News staff columnist Scott Greenberg today,
in a piece titled "Filling Religion's Void" —
"The secularization of college students in America
has seemed a foregone conclusion for some time,
yet it represents a momentous shift for our university
and society at large that we have not yet
come to grips with….
Is the solution for our society and our University
to return to religion en masse?"
So to speak.
A Midrash for Greenberg:
An Ordinary Evening in New Haven
Meets an Evening in the Garden of Allah —
Yesterday's online Los Angeles Times
on a film that inspired recent protests in Cairo—
The film… was shown on June 23
to an audience of less than 10
at a theater on Hollywood Boulevard,
a source familiar with the screening said….
The screening was at The Vine Theater,
which rents itself out for private screenings,
said one person involved in the theater.
An image from this journal on that same day, June 23—
Source: Rudolf Koch, The Book of Signs
For some background on the symbol, see Damnation Morning.
See also Don Henley's Hollywood hymn "Garden of Allah."
Update of 8 PM Sept. 13, 2012—
Other sources give the film's screening date not as June 23,
2012, but rather as June 30, 2012. (BBC News, LAWEEKLY blogs)
The following post from this journal on that date may or
may not have some religious relevance.
Saturday, June 30, 2012
Filed under: Uncategorized — m759 @ 7:20 PM "… to snare the spirits of mankind in nets of magic" — The aim of the artist, according to Thomas Wolfe Related entertainment— High-minded— Many Dimensions . Not so high-minded— The Cosmic Cube . |
The Sherlock Holmes film "A Game of Shadows"
is apparently showing around midnight
(12:00 AM PST, 3:00 AM EST) tonight in LA
at the ArcLight Hollywood.
This passage was quoted here on Sunday, November 27, this year.
For other words related to that date, see tonight's 11:02 post.
The serpent's eyes shine
As he wraps around the vine
In the Garden of Allah
— Don Henley
Yesterday
this journal had
an entry, titled “Back to the Garden,” quoting Don Henley’s song “Garden of Allah.” Henley’s Garden is, of course, not a religious concept, but rather a Hollywood hotel. (Think “Barton Fink.”) An echo: “We are stardust, In memory of |
And the fruit is rotten. The serpent’s eyes shine As he wraps around the vine In the Garden of Allah. |
“The serpent’s eyes shine
As he wraps around the vine”
Related material:
Spies returning from the land of
Canaan with a cluster of grapes.
Colored woodcut from
Biblia Sacra Germanica,
Nuremberg, Anton Koberger, 1483.
Victoria and Albert Museum, London.
“I’m a gun for hire,
I’m a saint, I’m a liar,
because there are no facts,
there is no truth,
just data to be manipulated.”
Data
The data in more poetic form:
Commentary:
23: See
The Prime Cut Gospel.
16: See
Happy Birthday, Benedict XVI.
Related material:
The remarks yesterday
of Harvard president
Drew G. Faust
to incoming freshmen.
Faust “encouraged
the incoming class
to explore Harvard’s
many opportunities.
‘Think of it as
a treasure room
of hidden objects
Harry discovers
at Hogwarts,’
Faust said.”
For a less Faustian approach,
see the Harvard-educated
philosopher Charles Hartshorne
at The Harvard Square Library
and the words of another
Harvard-educated Hartshorne:
“Whenever one
approaches a subject from
two different directions,
there is bound to be
an interesting theorem
expressing their relation.”
— Robin Hartshorne
Some fear that the Harry Potter books introduce children to the occult; they are not entirely mistaken.
According to Wikipedia, the “Deathly Hallows” of the final Harry Potter novel are “three fictional magical objects that appear in the book.”
The vertical line, circle, and triangle in the symbol pictured above are said to refer to these three magical objects.
One fan relates the “Deathly Hallows” symbol above, taken from the spine of a British children’s edition of the book, to a symbol for “the divine (or sacred, or secret) fire” of alchemy. She relates this fire in turn to “serpent power” and the number seven:
Kristin Devoe at a Potter fan site:
“We know that seven is a powerful number in the novels. Tom Riddle calls it ‘the most powerfully magic number.‘ The ability to balance the seven chakras within oneself allows the person to harness the secret fire. This secret fire in alchemy is the same as the kundalini or coiled snake in yogic philosophy. It is also known as ‘serpent power’ or the ‘dragon’ depending on the tradition. The kundalini is polar in nature and this energy, this internal fire, is very powerful for those who are able to harness it and it purifies the aspirant allowing them the knowledge of the universe. This secret fire is the Serpent Power which transmutes the base metals into the Perfect Gold of the Sun.
It is interesting that the symbol of the caduceus in alchemy is thought to have been taken from the symbol of the kundalini. Perched on the top of the caduceus, or the staff of Hermes, the messenger of the gods and revealer of alchemy, is the golden snitch itself! Many fans have compared this to the scene in The Order of the Phoenix where Harry tells Dumbledore about the attack on Mr. Weasley and says, ‘I was the snake, I saw it from the snake’s point of view.‘
The chapter continues with Dumbledore consulting ‘one of the fragile silver instruments whose function Harry had never known,’ tapping it with his wand:
The instrument tinkled into life at once with rhythmic clinking noises. Tiny puffs of pale green smoke issued from the minuscule silver tube at the top. Dumbledore watched the smoke closely, his brow furrowed, and after a few seconds, the tiny puffs became a steady stream of smoke that thickened and coiled into he air… A serpent’s head grew out of the end of it, opening its mouth wide. Harry wondered whether the instrument was confirming his story; He looked eagerly at Dumbledore for a sign that he was right, but Dumbledore did not look up.
“Naturally, Naturally,” muttered Dumbledore apparently to himself, still observing the stream of smoke without the slightest sign of surprise. “But in essence divided?”
Harry could make neither head not tail of this question. The smoke serpent, however split instantly into two snakes, both coiling and undulating in the dark air. With a look of grim satisfaction Dumbledore gave the instrument another gentle tap with his wand; The clinking noise slowed and died, and the smoke serpents grew faint, became a formless haze, and vanished.
Could these coiling serpents of smoke be foreshadowing events to come in Deathly Hallows where Harry learns to ‘awaken the serpent’ within himself? Could the snake’s splitting in two symbolize the dual nature of the kundalini?”
and the following
famous illustration of
the double-helix
structure of DNA:
This is taken from
a figure accompanying
an obituary, in today’s
New York Times, of the
artist who drew the figure.
The double helix
is not a structure
from magic; it may,
however, as the Rowling
quote above shows, have
certain occult uses,
better suited to
Don Henley’s
Garden of Allah
than to the
Garden of Apollo.
Similarly, the three objects
above (Log24 on April 9)
are from pure mathematics–
the realm of Apollo, not
of those in Henley’s song.
The similarity of the
top object of the three —
the “Fano plane” — to
the “Deathly Hallows”
symbol is probably
entirely coincidental.
"But not, perhaps,
in the Garden of Apollo":
— "Garden Party" —
Log24, April 9, 2007
Related material:
"When, on the last day of February 1953 Francis told her excitedly of the double helix discovery, she took no notice: 'He was always saying that kind of thing.' But when nine years later she heard the news of the Nobel Prize while out shopping, she immediately rushed to the fishmonger for ice to fill the bath and cool the champagne: a party was inevitable."
— Matt Ridley on Odile Crick (The Independent, July 20, 2007), who drew what "may be the most famous [scientific] drawing of the 20th century, in that it defines modern biology," according to Terrence J. Sejnowski, a neuroscientist at the Salk Institute for Biological Studies in La Jolla quoted by Adam Bernstein in The Washington Post, July 21, 2007
See also "Game Boy"
(Log24 on the Feast
of the Transfiguration–
August 6, 2006):
for Rabbi Abraham Klausner,
a “father figure” according to
Klausner was a rabbi
in Yonkers until his
retirement in 1989.
The evening number in
the New York Lottery
on the reported date of
Klausner’s death
was 514.
As in the previous entry,
this number may be
interpreted as the date 5/14.
A Log24 entry with that date:
Sunday, May 14, 2006 Today’s birthday: George Lucas, STAR WARS continued:
|
“Joshua is no ordinary boy….
He’s exceptionally intelligent and frighteningly precocious. He has an angelic politeness and an easy cool that belie his young age…. Is it all a series of eerie coincidences or are they in the midst of an unimaginably evil mind? And could it be Joshua who, like his Biblical namesake, is bringing the house tumbling down around his family?” |
In the New Testament,
“And the serpent’s eyes shine
as he wraps around the vine….”
Click to enlarge.
For background on photo-surrealist
Charlie White, click here.
The Times story is another excellent
example of the New York Times’s
highly sophisticated– some might
say, degenerate– approach to
cultural and lifestyle coverage.
The story is from the paper’s
Home and Garden section.
Related material:
The Garden of Allah.
Andrew Russell, Pittsburgh Tribune-Review
Candlelight vigil at Virginia Tech,
Tuesday, April 17, 2007
Virginia Lottery, Tuesday, April 17, 2007
“I love those Bavarians… so meticulous.”
Click on images to enlarge.
Putting the
X
in Xmas
“In one of Jorge Luis Borges’s best-known short stories, ‘Pierre Menard, Author of the Quixote,’ a 20th-century French writer sets out to compose a verbatim copy of Cervantes’s 17th-century masterpiece simply because he thinks he can, originality perhaps not being all it’s cracked up to be. He manages two chapters word for word, a spontaneous duplicate that Borges’s narrator finds to be ‘infinitely richer’ than the original because it contains all manner of new meanings and inflections, wrenched as it is from its proper time and context….”
[An artist’s version of a newspaper is]…. “a drawing of a copy of a version of what happened, holding a mirror up to nature with a refraction or two in between. In a way that mixes Borges with a dollop of Jean Baudrillard and a heavy helping of Walter Benjamin, the work also upends ideas….” |
The Work:
Pennsylvania Lottery
December 2006
Daily Number (Day):
Borges, Menard’s Quixote, and The Harvard Crimson |
Mon., Dec. 11: 133 |
Baudrillard (via a white Matrix) |
Sun., Dec. 10: 569 |
Benjamin and a black view of life in “The Garden of Allah” |
Sat., Dec. 9: 602 |
Click on numbers
for commentary.
“There is nothing new under the sun. With the death of the real, or rather with its (re)surrection, hyperreality both emerges and is already always reproducing itself.” –Jean Baudrillard
Time and Chance
on the 90th Birthday
of Kirk Douglas,
star of
“The Garden of Allah“
The Lottery 12/9/06 | Mid-day | Evening |
New York | 036
See |
331
See 3/31— “square crystal” and “the symbolism could not have been more perfect.” |
Pennsylvania | 602
See 6/02— Walter Benjamin |
111
See 1/11— “Related material: |
David |
Via dell’Inferno
“Most modern men The Death of Satan: Song based on “The serpent’s eyes shine |
'Year of Magical Thinking'
Headed for Broadway
which suggests…
Heaven, Hell,
and Hollywood
(continued)
"This could be Heaven
or this could be Hell."
— The Eagles, Hotel California
"There are no facts,
there is no truth–
just data to be manipulated."
— Don Henley, The Garden of Allah
Data:
The New York Lottery numbers
on Joan Didion's birthday,
Monday, Dec. 5, 2005, were
Since that day's Log24 entry,
Magical Thinking, interpreted
the previous day's (Sunday's)
NY lottery numbers as a date
and a page number, it seems
appropriate to do a follow-up.
Date 7/29:
See Log24, 7/29/05,
Anatomy of a Death:
Page 439:
See Bartlett's Familiar
Quotations, 1919, p. 439:
A man’s ingress into the world
is naked and bare,
His progress through the world
is trouble and care;
And lastly,
his egress out of the world,
is nobody knows where.
— John Edwin (1749-1790)
Related material:
The Log24 version of
"This Way to the Egress,"
Directions Out,
linked to in yesterday's
Magical Thinking.
"Earlier, there had been mapping projects in Saudi Arabia's Rub' al-Khali, the Empty Quarter in the south and west of the country….
'"Empty" is a misnomer… the Rub' al-Khali contains many hidden riches.'"
— Maps from the Sky,
Saudi Aramco World, March/April 1995
From Weaveworld
Book Three: |
From today's New York Times:
From the Associated Press,
filed at 4:34 PM ET July 27, 2005:
"Held once described his work this way: 'Historically, the priests and wise men believed that it was the artist's job to make images of heaven and hell believable, even though nobody had experienced these places.'
'Today,' he went on, 'scientists talk about vast worlds and universes that the senses cannot experience. The purpose of the nonobjective artist is to create these images.'"
"Most modern men do not believe in hell because they have not been there."
— Review of Malcolm Lowry's novel Under the Volcano (1947)
Related material:
Hollywood images:
And from Mathematics and Narrative:
By Their Fruits
Today's (July 22) birthdays:
Don Henley and Willem Dafoe
Related material:
"And the fruit is rotten;
the serpent's eyes shine
as he wraps around the vine
in the Garden of Allah."
Today's birthdays:
Don Henley and Willem Dafoe
Related material:
"And the fruit is rotten;
the serpent's eyes shine
as he wraps around the vine
in the Garden of Allah."
There she stood in the doorway;
I heard the mission bell. And I was thinking to myself, “This could be Heaven or this could be Hell.” |
|
Then she lit up a candle and she showed me the way… |
|
Mirrors on the ceiling, pink champagne on ice. And she said, “We are all just prisoners here of our own device.” |
BACKGROUND FROM DON HENLEY
ON “THE GARDEN OF ALLAH”
“The song is loosely based on a recently published book (actually, I wrote the song before I read the book), The Death of Satan (How Americans Have Lost the Sense of Evil), written by Andrew Delbanco….
…we land at last smack-dab in the ‘culture of irony,’ which is where we sit, like Job, in dust and ashes.
THE STORY LINE OF THE SONG
“THE GARDEN OF ALLAH”
Satan is quite frustrated because things have gotten so bad that even he is confounded….
He waxes nostalgic about the good ol’ days when he hung out in Hollywood with the likes of F. Scott Fitzgerald and Aldous Huxley… [at] the historic Garden of Allah apartment hotel.
THE L.A. GARDEN OF ALLAH
A 3 1/2-acre hotel complex of Spanish-style bungalows that once stood on Sunset Boulevard…. During its three-decade heyday, the Garden of Allah was the site of robberies, orgies, drunken rages, tense honeymoons, bloody brawls, divorces, suicides, and murder.”
In honor of the September 8 birthdays of
From a website on Donna Tartt‘s novel The Secret History…
“It is like a storyteller looking up suddenly into the eyes of his audience across the embers of a once blazing fire…
…the reader feels privy to the secrets of human experience by their passage down through the ages; the telling and re-telling. A phrase from the ghost in Hamlet comes to mind: ‘I could a tale unfold whose lightest word / |
This work of literature seems especially relevant at the start of a new school year, and in light of my remarks below about ancient Greek religion. One should, when praising Apollo, never forget that Dionysus is also a powerful god.
For those who prefer film to the written word, I recommend “Barton Fink” as especially appropriate viewing for the High Holy Days. Judy Davis (my favorite actress) plays a Faulkner-figure’s “secretary” who actually writes most of his scripts.
Tartt is herself from Faulkner country. For her next book, see this page from Square Books, 160 Courthouse Square, Oxford, Misssissippi.
Let us pray that Tartt fares better in real life than Davis did in the movie.
As music for the High Holy Days, I recommend Don Henley’s “The Garden of Allah.” For some background on the actual Garden of Allah Hotel at 8080 Sunset Boulevard (where “Barton Fink” might have taken place), see
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