Log24

Sunday, September 1, 2024

Annals of Secret Architecture:  The Chrysler Thrusts

Filed under: General — Tags: , — m759 @ 2:51 pm

The Cinematic Imagination:

“Frida” Meets “Under the Volcano”

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A scene from “Frida” and a scene from the Day of the Dead
festival, Cuernavaca, 30 October 2004.

For Diego Rivera (and Francis Ford Coppola) . . .

"Beyond his mathematics was the unknown. Were his final writings,
an avalanche of 70,000 pages in an often near-illegible hand,
the aimless scribblings of a madman? Or had the anchorite of Lasserre
made one last thrust into the secret architecture of the universe?"

— Phil Hoad in The Guardian , "Sat 31 Aug 2024 06.00 EDT"

Some impressive Chrysler Building thrusts . . .

'Under the Volcano,' Burton, and 'Right through hell there is a path.'

Related cinematic entertainment . . .

Friday, December 9, 2011

Duality

Filed under: General — m759 @ 2:45 pm

Some background for last night's post on Diego Rivera—

IMAGE- Google Doodle of an imagined Diego Rivera painting the sun in a mural

See "Octavio Paz" + "Solar Country" in this journal.

"Mexico is a solar country— but it is also a black country, a dark country.
This duality of Mexico has preoccupied me since I was a child."

Octavio Paz

No Joke

Filed under: General — m759 @ 2:45 am

Diego Rivera on Google yesterday…

http://www.log24.com/log/pix11C/111208-Google-Rivera.jpg

… and in this journal.

Friday, October 1, 2010

Volar

Filed under: General — Tags: — m759 @ 2:00 am

Ay que bonito es volar
a las dos de la mañana

—  La Bruja

Diego Rivera and Frida Kahlo

Sunday, December 14, 2008

Sunday December 14, 2008

Filed under: General — m759 @ 2:00 am
Symmetry
and
Reflections

A figure from
Nobel Prize day, December 10,
and from Eugene Wigner‘s
birthday, November 17:

The 3x3 square

Also on December 10:
  the death of Constantine–

Mildred Constantine, 95, MoMA Curator, Is Dead

(Click for details.)

Related material:

Tina Modotti: A Fragile Life,
Photos by Tina Modotti,
Art Wars for Trotsky’s Birthday,
as well as
Art Wars, June 1-15, 2007:

Diego Rivera and Frida Kahlo

  “Ay que bonito es volar  
    A las dos de la mañana
….”
— “La Bruja

Wednesday, December 12, 2007

Wednesday December 12, 2007

Filed under: General — Tags: — m759 @ 9:00 am
Found in Translation:
Words and Images

NY Times obituaries, Dec. 12, 2007: Whitney and Mailer

From today’s New York Times:

“Thomas P. Whitney, a former diplomat and writer on Russian affairs who was best known for translating the work of the dissident writer Aleksandr Solzhenitsyn into English, died on [Sunday] Dec. 2 in Manhattan. He was 90….

During World War II, he was an analyst in Washington with the Office of Strategic Services, a forerunner of the Central Intelligence Agency….

In the late 1960s and afterward, he bred thoroughbred horses….

On one occasion, Mr. Whitney took Mr. Solzhenitsyn to Saratoga Racetrack….”

Margalit Fox

Related material:

Words

Adam Gopnik on C. S. Lewis
in The New Yorker, issue
dated Nov. 21, 2005:

Prisoner of Narnia

“Lewis began with
a number of haunted images….”

“The best of the books are the ones…
where the allegory is at a minimum
and the images just flow.”

“‘Everything began with images,’
Lewis wrote….”


Images

Yesterday’s entry on
Solzhenitsyn and The Golden Compass
and the following illustrations…

from Sunday in the Park with Death,
a Log24 entry commemorating
Trotsky’s birthday–

By Diego Rivera: Frida Kahlo holding yin-yang symbol

–and from Log24 on the date
of Whitney’s death,
Sunday, Dec. 2, 2007

Dark and light horses, personal emblem of Harry Stack Sullivan

Personal Emblem
of psychiatrist
Harry Stack Sullivan

The horses may refer to
 the Phaedrus of Plato.

See also Art Wars.

Thursday, November 24, 2005

Thursday November 24, 2005

Filed under: General — Tags: — m759 @ 3:33 pm
Crossroads

In memory of Diego Rivera,
who died on this date in 1957

"… the socialist muralist Diego Rivera, hired by Nelson Rockefeller to paint a fresco for the newly constructed Rockefeller Center in New York, inserted a likeness of Lenin's head into the fresco. Rockefeller insisted that the head be replaced or removed, and when Rivera refused the fresco was destroyed…. The event… is captured with great wit in E.B. White's poem…."

Harvard Law Review

I Paint What I See
[A Ballad of Artistic Integrity]
by E.B. White
The New Yorker, 20 May 1933

"'What do you paint, when you paint on a wall?'
Said John D.'s grandson Nelson.
'Do you paint just anything there at all?
'Will there be any doves, or a tree in fall?
'Or a hunting scene, like an English hall?'

'I paint what I see,' said Rivera.

'What are the colors you use when you paint?'
Said John D.'s grandson Nelson.
'Do you use any red in the beard of a saint?
'If you do, is it terribly red, or faint?
'Do you use any blue? Is it Prussian?'

'I paint what I paint,' said Rivera.

'Whose is that head that I see on the wall?'
Said John D.'s grandson Nelson.
'Is it anyone's head whom we know, at all?
'A Rensselaer, or a Saltonstall?
'Is it Franklin D.? Is it Mordaunt Hall?
Or is it the head of a Russian?

'I paint what I think,' said Rivera.

'I paint what I paint, I paint what I see,
'I paint what I think,' said Rivera,
'And the thing that is dearest in life to me
'In a bourgeois hall is Integrity;
'However . . .
'I'll take out a couple of people drinkin'
'And put in a picture of Abraham Lincoln;
'I could even give you McCormick's reaper
'And still not make my art much cheaper.
'But the head of Lenin has got to stay
'Or my friends will give the bird today,
'The bird, the bird, forever.'

'It's not good taste in a man like me,'
Said John D.'s grandson Nelson,
'To question an artist's integrity
'Or mention a practical thing like a fee,
'But I know what I like to a large degree,
'Though art I hate to hamper;
'For twenty-one thousand conservative bucks
'You painted a radical. I say shucks,
'I never could rent the offices—–
'The capitalistic offices.
'For this, as you know, is a public hall
'And people want doves, or a tree in fall
'And though your art I dislike to hamper,
'I owe a little to God and Gramper,
'And after all,
'It's my wall . . .'

'We'll see if it is,' said Rivera.

Related material:

Pictures of the Rockefeller Center mural,
"Man at the Crossroads," and
Rivera's re-creation of the mural,
"Man, Controller of the Universe."

See also another treatment of the "Man at the Crossroads" theme–

The Concrete Gospel
of Donald E. Knuth:

In Hoc Signo

(from Feb. 18),
continued —

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This holy icon
appeared at
N37°25.638'
W122°09.574'
on August 22, 2003,
at the Stanford campus.

Log24, Feb. 19, 2005  

Sunday, November 20, 2005

Sunday November 20, 2005

Filed under: General,Geometry — Tags: , — m759 @ 4:04 pm

An Exercise
of Power

Johnny Cash:
“And behold,
a white horse.”

The image “http://www.log24.com/log/pix05B/051120-SpringerLogo9.gif” cannot be displayed, because it contains errors.
Adapted from
illustration below:

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“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?'”

H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau’s remarks on the “Story Theory” of truth as opposed to  the “Diamond Theory” of truth in The Non-Euclidean Revolution

“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*….”

Richard J. Trudeau in
The Non-Euclidean Revolution

“‘Deniers’ of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others.”

— Jim Holt in The New Yorker.

(Click on the box below.)

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Exercise of Power:

Show that a white horse–

A Singer 7-Cycle

a figure not unlike the
symbol of the mathematics
publisher Springer–
is traced, within a naturally
arranged rectangular array of
polynomials, by the powers of x
modulo a polynomial
irreducible over a Galois field.

This horse, or chess knight–
“Springer,” in German–
plays a role in “Diamond Theory”
(a phrase used in finite geometry
in 1976, some years before its use
by Trudeau in the above book).

Related material

On this date:

 In 1490, The White Knight
 (Tirant lo Blanc The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. )–
a major influence on Cervantes–
was published, and in 1910

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the Mexican Revolution began.

Illustration:
Zapata by Diego Rivera,
Museum of Modern Art,
New York

The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. Description from Amazon.com

“First published in the Catalan language in Valencia in 1490…. Reviewing the first modern Spanish translation in 1969 (Franco had ruthlessly suppressed the Catalan language and literature), Mario Vargas Llosa hailed the epic’s author as ‘the first of that lineage of God-supplanters– Fielding, Balzac, Dickens, Flaubert, Tolstoy, Joyce, Faulkner– who try to create in their novels an all-encompassing reality.'”

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