Friday, September 15, 2023
“Build It!”
Sunday, February 9, 2020
Build It And They Will …
Tuesday, September 8, 2015
What Have We Learned?
Saturday, November 10, 2012
Battlefield Geometry
Related material from Wikipedia— Baseball metaphors for sex.
Wednesday, August 4, 2010
Film Dream
New York Lottery on Tuesday, August 3, 2010—
Midday 726, Evening 215. Interpretations— 7/26, 2/15, and yesterday's post.
The late Robert F. Boyle, film production designer, quoted in today's New York Times—
A movie “starts with the locale, with the environment that people live in, how they move within that environment.” Sometimes that environment has to be built.
“I’m all for construction, because we’re dealing with the magic of movies,” he told Variety in 2008. “And I always feel that if you build it, you build it for the dream rather than the actuality."
Wednesday, March 17, 2010
Spring Training
A search for previous mentions of Alexandre Borovik in this journal (see previous entry) yields the following–
In Roger Rosenblatt's academic novel Beet, committee members propose their personal plans for a new, improved curriculum:
“… Once the students really got into playing with toy soldiers, they would understand history with hands-on excitement.”
To demonstrate his idea, he’d brought along a shoe box full of toy doughboys and grenadiers, and was about to reenact the Battle of Verdun on the committee table when Heilbrun stayed his hand. “We get it,” he said.
“That’s quite interesting, Molton,” said Booth [a chemist]. “But is it rigorous enough?”
At the mention of the word, everyone, save Peace, sat up straight.
“Rigor is so important,” said Kettlegorf.
“We must have rigor,” said Booth.
“You may be sure,” said the offended Kramer. “I never would propose anything lacking rigor.”
This passage suggests a search for commentary on rigor at Verdun. Voilà—
d) The Great War: a study in systematic rigor
… Because treaties had been signed, national pride staked, hands shaken, and honor pledged, two thousand years of civilization based on energetic, creative sacrifice and belief in every person’s sacred spark dissolved in smoldering ruins.
If men will thus fling their own sons into the fiery furnace in an obsession with making the system go, what hope is there that a mere game— a true game, a joyful pastime— will liberate itself from systematic rigor to increase the quality of play or to allow more players on the field?
7 Wilfrid Owen borrowed this line from the Roman elegist Horace to mock bitterly the European Old Guard’s staunch support of the War. The poem was one of Owen’s last: he was killed one week before the Armistice.
— "A Synthetic Meditation on Baseball, Racism, Closed Systems, and Spiritual Rigor Mortis," by John R. Harris
The Beet excerpt is from a post of Sunday, May 25, 2008– "Hall of Mirrors."
Related material on death and rigor appears in a 1963 commentary by Thornton Wilder on a novel by James Joyce–
"… Joyce's interest is not primarily in the puns but in the simultaneous multiple-level associations which they permit him to pursue. Finnegans Wake appears to me as an immense poem whose subject is the continuity of what is Living, viewed under the guise of a resurrection myth. This poem is conducted under the utmost formal rigor controlling every word and in a style that enables the author through apparently preposterous incongruities to arrive at an ultimate unification and harmony."
"Build it and they will come." — Field of Dreams
Saturday, October 3, 2009
Saturday October 3, 2009
Related material:
Frame Tales, as well as
The Sacred Day of Kali,
this morning's
New York Times obituaries,
and
Mental Health Month, 2003:
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Friday, August 22, 2003
Friday August 22, 2003
Mr. Holland’s Week
On Monday, August 18, 2003,
a New York Times editor wrote
the following headline
for a book review:
Bending Over Backward
for a Well-Known Lout.
The word “lout” here refers to
author John O’Hara, who often
wrote about his native Pennsylvania.
On Thursday, August 21, 2003,
the Pennsylvania Lottery
midday number was
162.
For some other occurrences of this number,
see my entries of August 19, written
in honor of the birthday of
Jill St. John.
The “three days” remark referred to above
is from another St. John (2:19), allegedly
the author of an account of the last days
of one Jesus of Nazareth.
Those who share Mel Gibson’s
taste for religious drama may
savor the following dialogue:
Dramatis Personae:
Narrator: Those who had been healed did not join in with the throng at Jesus’ crucifixion who cried, “Crucify Him, crucify Him.” ….
Voice of Doom: It was a different story for the guilty ones who had fled from the presence of Jesus. Group 1: The priests and rulers never forgot the feeling of guilt they felt that moment in the temple. Group 2: The Holy Spirit flashed into their minds the prophets’ writings concerning Christ. Would they yield to this conviction? Voice of Doom: Nope! They would have to repent first! They would not admit that they were wrong! They knew that they were dead wrong. But they would not repent of it! And because Jesus had discerned their thoughts, they hated Him. With hate in their hearts they slowly returned to the temple. Voice of Hope: They could not believe their eyes when they saw the people being healed and praising God! These guilty ones were convicted that in Jesus the prophecies of the Messiah were fulfilled. As much as they hated Jesus, they could not free themselves from the thought that He might be a prophet sent by God to restore the sacredness of the temple. Voice of Doom: So they asked Him a stupid question! “What miracle can you perform to show us that you have the right to do what you did?” Voice of Jesus: “Destroy this temple and in three days I will build it again.” Voice of Doom: Those guys couldn’t believe it! |
Philosophers ponder the idea of identity:
what it is to give something a name
on Monday
and have it respond to that name
on Friday….
— Bernard Holland, The New York Times,
Monday, May 20, 1996
“Ask a stupid question…”
For further details, see