Continued from this journal's posts of March 1, 2021 —
As If
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"Time past and time future . . ." — T. S. Eliot
Continued from this journal's posts of March 1, 2021 —
As If
|
"Time past and time future . . ." — T. S. Eliot
"In digital circuit theory, combinational logic
(sometimes also referred to as time-independent logic)
is a type of digital logic which is implemented by
Boolean circuits, where the output is a pure function of
the present input only."
— Wikipedia, quoted in this morning's previous post as
commentary on Nabokov's phrase "combinational delight"
"Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered."
— T. S. Eliot in Four Quartets
"I confess I do not believe in time."
— Vladimir Nabokov in Speak, Memory
3:33:33 PM
Romantic Interaction, continued…
The Rhyme of Time
From American Dante Bibliography for 1983:
Freccero, John. "Paradiso X: The Dance of the Stars" (1968). Reprinted in Dante in America … (q.v.), pp. 345-371. [1983] Freccero, John. "The Significance of terza rima." In Dante, Petrarch, Boccaccio: Studies in the Italian Trecento … (q.v.), pp. 3-17. [1983] Interprets the meaning of terza rima in terms of a temporal pattern of past, present, and future, with which the formal structure and the thematics of the whole poem coordinate homologically: "both the verse pattern and the theme proceed by a forward motion which is at the same time recapitulary." Following the same pattern in the three conceptual orders of the formal, thematical, and logical, the autobiographical narrative too is seen "as forward motion that moves towards its own beginning, or as a form of advance and recovery, leading toward a final recapitulation." And the same pattern is found especially to obtain theologically and biblically (i.e., historically). By way of recapitulation, the author concludes with a passage from Augustine's Confessions on the nature of time, which "conforms exactly to the movement of terza rima." Comes with six diagrams illustrating the various patterns elaborated in the text. |
From Rachel Jacoff's review of Pinsky's translation of Dante's Inferno:
"John Freccero's Introduction to the translation distills a compelling reading of the Inferno into a few powerful and immediately intelligible pages that make it clear why Freccero is not only a great Dante scholar, but a legendary teacher of the poem as well."
From The Undivine Comedy, Ch. 2, by Teodolinda Barolini (Princeton University Press, 1992):
"… we exist in time which, according to Aristotle, "is a kind of middle-point, uniting in itself both a beginning and an end, a beginning of future time and an end of past time."* It is further to say that we exist in history, a middleness that, according to Kermode, men try to mitigate by making "fictive concords with origins and ends, such as give meaning to lives and to poems." Time and history are the media Dante invokes to begin a text whose narrative journey will strive to imitate– not escape– the journey it undertakes to represent, "il cammin di nostra vita." * Aristotle is actually referring to the moment, which he considers indistinguishable from time: "Now since time cannot exist and is unthinkable apart from the moment, and the moment is a kind of middle-point, uniting as it does in itself both a beginning and an end, a beginning of future time and an end of past time, it follows that there must always be time: for the extremity of the last period of time that we take must be found in some moment, since time contains no point of contact for us except in the moment. Therefore, since the moment is both a beginning and an end there must always be time on both sides of it" (Physics 8.1.251b18-26; in the translation of R. P. Hardie and R. K. Gaye, in The Basic Works of Aristotle, ed. Richard McKeon [New York: Random House, 1941]). |
From Four Quartets:
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.
Shape Note
A variation on the theme of the previous entry, Quartet.
The first |
Derek Taunt |
As in the previous entry, the illustration on the left is from a Log24 entry on the date of death of the person on the right.
Relevant quotations:
“It was rather like solving a crossword puzzle.”
— Derek Taunt, on breaking the Enigma Code
“… history is a pattern
Of timeless moments.”
“He [Dr. Taunt] and Angela [his wife] founded the Friends of Kettle’s Yard when the Arts Council cut its grant in 1984 and together organised countless fundraising activities for the museum and gallery.”
“How do we relate to the past? How are our memories affected by the cultural context that shapes our present? How many, and what kind of narratives compete in the representation of a historical moment? Rear View Mirror sets out to explore these questions and examine the devices we use to reconstruct events and people through different lenses….”
— On a future Kettle’s Yard exhibition
Time past and time future
What might have been
and what has been
Point to one end,
which is always present.
“The diamonds will be shining,
no longer in the rough.”
See the Log24 remarks on Jesus College— Taunt’s college– in a web page for June Carter Cash, The Circle is Unbroken.
Birthday of T. S. Eliot,
George Gershwin,
and Olivia Newton-John
Time past and time future
What might have been and what has been
Point to one end, which is always present.
— T. S. Eliot, Four Quartets
In time the Rockies may crumble
Gibraltar may tumble
They’re only made of clay….
— Ira Gershwin
In honor of Tom and George (not to mention Olivia) the muse of dance, Terpsichore, suggests that today we recall Gene Kelly and Leslie Caron as they dance by the Seine in “An American in Paris.” |
Today is also the birthday of Martin Heidegger, author of Being and Time. In honor of Heidegger and his girlfriend Hannah Arendt, I looked for a rendition of “Our Love is Here to Stay” on the glockenspiel, but could not find one. The birthday song “Las Mañanitas” will therefore have to do for Tom, George, Olivia, and Martin, as well as Michael and Catherine (see Sept. 25 note below).
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