Log24

Saturday, May 24, 2003

Saturday May 24, 2003

Filed under: General — m759 @ 1:06 am

Mental Health Month, Day 24:

The Sacred Day of
Kali, the Dark Lady

On this day, Gypsies from all over Europe gather in Provence for the sacred day of St. Sarah, also known as Kali.

Various representations of Kali exist; there is a novel about the ways men have pictured her:

From the prologue to
The Dark Lady,

 by Mike Resnick.

She was old when the earth was young.

She stood atop Cemetery Ridge when Pickett made his charge, and she was there when the six hundred rode into the Valley of Death.  She was at Pompeii when Mount Vesuvius blew, and she was in the forests of Siberia when the comet hit.  She hunted elephant with Selous and buffalo with Cody, and she was there the night the high wire broke beneath the Flying Wallendas.  She was at the fall of Troy and the Little Bighorn, and she watched Manolete and Dominguez face the brave bulls in the bloodstained arenas of Madrid….

She has no name, no past, no present, no future.  She wears only black, and though she has been seen by many men, she is known to only a handful of them.  You’ll see her — if you see her at all — just after you’ve taken your last breath.  Then, before you exhale for the final time, she’ll appear, silent and sad-eyed, and beckon to you.

She is the Dark Lady, and this is her story.

The above is one of the best descriptions of Kali I know of in literature; another is in a short story by Fritz Leiber, “Damnation Morning.”   It is not coincidental that one collection of Leiber’s writings is called “Dark Ladies.”

My journal note “Biblical Proportions” was in part inspired by Leiber.

Frank Sinatra may have pictured her as Ava Gardner.  I think I saw her the night Sinatra died… hence my entries of March 31 and April 2, 2003. 

It is perhaps not irrelevant that Kali is, among other things, a mother goddess, and that my entry “Raiders of the Lost Matrix” of May 20 deals with this concept and with the number 24.

The above religious symbol (see “Damnation Morning“) pictures both the axes of symmetry of the square¹ and a pattern with intriguing combinatorial properties².  It also is the basis of a puzzle³ I purchased on August 29, 1997 — Judgment Day in Terminator 2.  Linda Hamilton as Sarah Connor in that film is an excellent representation of the Dark Lady, both as mother figure and as Death Goddess.

 
Sarah Connor

Background music: “Bit by bit…” — Stephen Sondheim… See Sondheim and the Judgment Day puzzle in my entry of May 20. The Lottery Covenant.

¹ A. W. Joshi, Elements of Group Theory for Physicists, Third Edition, Wiley, 1982, p. 5

² V. K. Balakrishnan, Combinatorics, McGraw-Hill, 1995, p. 180

³ The Izzi Puzzle

Tuesday, May 20, 2003

Tuesday May 20, 2003

Filed under: General — m759 @ 3:06 am

Raiders of the Lost Matrix

“In general, a matrix is something that provides support or structure, especially in the sense of surrounding and/or shaping. It comes from the Latin word for ‘womb,’ itself derived from the Latin word for ‘mother,’ which is mater [as in alma mater].” — Wikipedia

For a mystical interpretation of the above matrix as it relates to the Hebrew words at the center of the official Yale seal, see Talmud

 

Thursday, May 15, 2003

Thursday May 15, 2003

Filed under: General — m759 @ 12:00 pm

Well Done

“So tell me about the matrix reloaded… and what it’s like to finish a job well done.”

— Weblog entry by Harvard student, May 15, 2003

The matrix reloaded: 

See chapter VII, “Composition,” in Chinese Calligraphy: An Introduction to Its Aesthetic and Technique, by Chiang Yee, Harvard University Press, first published April 21st, 1938.

A job well done:

“The Best is Yet to Come”
— Epitaph of Francis Albert Sinatra

Friday, February 14, 2003

Friday February 14, 2003

Filed under: General — m759 @ 12:25 am

Matrix Theory

“At the heart of The Matrix, buried under layers of cinema craft, is a meditation on the difference between essence and appearance. It’s a trip into Plato’s cave.”

McKenzie Wark, author of A Hacker Manifesto

Friday, January 10, 2003

Friday January 10, 2003

Filed under: General,Geometry — Tags: — m759 @ 8:15 pm

Story

"How much story do you want?" 
— George Balanchine

While researching yesterday's entry on Balanchine, Apollo, and the nine Muses, I came across this architect's remarks, partially quoted yesterday and continued here:

"The icon that I use for this element is the nine-fold square…. This is the garden of Apollo, the field of Reason….  This is the Temple of Solomon, as inscribed, for example, by a nine-fold compartmentation to provide the ground plan of Yale, as described to me by Professor Hersey."

Duncanology Part 3

Checking this out yesterday, I came across the following at a Yale University Art Gallery site:

"This exhibition of nine boldly colored, asymmetrically designed quilts selected from a private collection will be displayed in the Matrix Gallery….

With the guidance of Professor Maude Southwell Wahlman, author of 'Signs and Symbols: African Images in African American Quilts,' the collector has explored and gathered examples…."

Exploring and gathering examples myself today, I received a book in the mail — W. M. Spackman's On the Decay of Humanism (Rutgers University Press, 1967) — and picked up a second-hand book at a sale — Barbara Michaels's Stitches in Time (Harper Collins Publishers, 1995).

The Spackman book includes the following poem at the end:

In sandarac etui for sepulchre
  lies the cered body of a poisoned queen;
     and in her mouth and hair, and at her feet,
     and in the grey folds of her winding-sheet,
  there sifts a dreamy powder, smooth and green,
the magic of an idle sorcerer,
  an ancient spell, cast when the shroud was spun.
     In death her hands clasp amourously a bowl
     that still contains the fragments of her soul,
  a tale of Beauty sought, and Beauty won,
his false lips kissed, and Beauty dead for her.

— Alexander B. Griswold, Princeton '28, in the
    Nassau Literary Magazine of December 1925

From a synopsis of Michaels's Stitches in Time:

"Michaels follows Rachel, a graduate student studying women's crafts–weaving, spinning, quilting, embroidery–and the superstitions connected with them. Linking all important rites of passage to the garments created as markers of these occasions leads Rachel to her theory: in societies in which magic was practiced, the garment was meant to protect its wearer. She gains evidence that her theory is valid when an evil antique bridal quilt enters her life."

Although Stitches in Time is about a quilt — stitched, not spun — Griswold's line

"an ancient spell, cast when the shroud was spun" 

is very closely related to the evil spell in Michaels's book. 

The above events display a certain synchronicity that Wallace Stevens might appreciate, especially in light of the following remark in a review of Stitches in Time:

"…the premise is too outlandish for even the suspension of disbelief…." (Publishers Weekly, 4/24/95)

Stevens might reply,

The very man despising honest quilts
Lies quilted to his poll in his despite.

— "The Comedian as the Letter C," Part V

Finally, those who prefer stories to the more formal qualities of pure dance (ballet) pure mathematics (see previous entry), pure (instrumental) music, and pure (abstract, as in quilt designs) art, can consult the oeuvre of Jodie Foster — as in my 

Pearl Harbor Day entry on Buddhism.

An art historian named Griswold — perhaps that very same Griswold quoted above — might have a thing or two to say to Jodie on her recent film "Anna and the King."  In the April, 1957, issue of The Journal of the Siam Society, Alexander B. Griswold takes issue with Broadway's and Hollywood's "grotesque caricature" of Siamese society, and ultimately with Anna herself:

"The real fault lies in the two books they ultimately spring from — The English Governess at the Court of Siam and The Romance of the Harem — both written by Mrs. Anna Leonowens.''

Is a puzzlement.

See also The Diamond 16 Puzzle for some quilt designs.

Sunday, September 8, 2002

Sunday September 8, 2002

Filed under: General — Tags: — m759 @ 2:00 am

In honor of the September 8 birthdays of

From a website on Donna Tartt‘s novel The Secret History… 

“It is like a storyteller looking up suddenly into the eyes of his audience across the embers of a once blazing fire…

…the reader feels privy to the secrets of human experience by their passage down through the ages; the telling and re-telling. A phrase from the ghost in Hamlet comes to mind:

‘I could a tale unfold whose lightest word /
Would harrow up thy soul…..’ “

This work of literature seems especially relevant at the start of a new school year, and in light of my remarks below about ancient Greek religion. One should, when praising Apollo, never forget that Dionysus is also a powerful god.

For those who prefer film to the written word, I recommend “Barton Fink” as especially appropriate viewing for the High Holy Days. Judy Davis (my favorite actress) plays a Faulkner-figure’s “secretary” who actually writes most of his scripts.

Tartt is herself from Faulkner country.  For her next book, see this page from Square Books, 160 Courthouse Square, Oxford, Misssissippi.

Let us pray that Tartt fares better in real life than Davis did in the movie.

As music for the High Holy Days, I recommend Don Henley’s “The Garden of Allah.” For some background on the actual Garden of Allah Hotel at 8080 Sunset Boulevard (where “Barton Fink” might have taken place), see

NAZIMOVA AND THE GARDEN OF ALLA.

Sunday, August 4, 2002

Sunday August 4, 2002

Filed under: General,Geometry — m759 @ 2:52 pm

The Story Theory of Truth

versus

The Diamond Theory of Truth

One year ago today, Lorenzo Music, the voice of Carlton the doorman on Rhoda, died.  His eulogy from Valerie Harper:

 “Valerie’s heart is breaking, but Rhoda is certain that Carlton the doorman is giving St. Peter at the gate a run for his money.”

Today’s birthday: Logician John Venn

Appearing for the story theory…

Flannery O’Connor:

“In the long run, a people is known, not by its statements or statistics, but by the stories it tells. Fiction is the most impure and the most modest and the most human of the arts.”

Appearing for the diamond theory…

Mary McCarthy and G. H. Hardy:

From the Hollywood Investigator:

 On October 18, 1979, Mary McCarthy said on PBS’s Dick Cavett Show: “Every word she writes is a lie, including ‘and’ and ‘the.'”

Don’t forget “a,” as in “a people is known” —

“Greek mathematics is permanent, more permanent even than Greek literature.  Archimedes will be remembered when Aeschylus is forgotten, because languages die and mathematical ideas do not.”

— G. H. Hardy in A Mathematician’s Apology

And a closing rebuttal from the story theory…

Martin Heidegger and Dean Martin: 

Words of wisdom from Martin Heidegger, Catholic Nazi:

“The nature of art is poetry.  The nature of poetry, in turn, is the founding of truth…. In the work, truth is thrown toward… an historical group of men.”

Poetry, Language, Thought, page 75, translated by Albert Hofstadter, Harper & Row paperback, 1975

And from Dean Martin, avatar of anti-art :

That’s Amore:

– Artist: Dean Martin as sung on “Dean Martin’s Greatest Hits”
– Capitol 4XL-9389
– peak Billboard position # 2 in 1953
– from the movie “the Caddy” starring Dean, Jerry Lewis, and Donna Reed
– Words and Music by Harry Warren and Jack Brooks

(In Napoli where love is King, when boy meets girl, here’s what they say)

When the moon hits your eye like a big-a pizza pie,
That’s amore!
When the world seems to shine like you’ve had too much wine,
That’s amore!

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