260525-Ellie_Balkcom-with-Orison.jpg
— Cloud Atlas , by David Mitchell (2004).
260525-Log24-morning-of-24-May-2026.jpg

260525-Ellie_Balkcom-with-Orison.jpg
— Cloud Atlas , by David Mitchell (2004).
260525-Log24-morning-of-24-May-2026.jpg

From a Log24 search for "Fjord" —
"Jeg prøver å innføre et narrativ, noe magisk og forførende,
samt erstatte den iboende materialistiske logikken med
esoterisk kosmologi og symbolikk." — Josefine Lyche
"I try to introduce a narrative, something magical and seductive,
and replace the inherent materialistic logic with
esoteric cosmology and symbolism." — Josefine Lyche,
via Google Translate.
The above sentence "Article déposé le 20 décembre 2006" suggests
a quote from this journal on that date . . .
"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon
For Christopher Nolan, a different perspective on the world of Odysseus.

Lines from characters played in the film by Tom Hanks and Halle Berry —
— Cloud Atlas , by David Mitchell (2004).
An orison of sorts from a post on Martin Scorsese's
birthday, Sunday, Nov. 18, 2007 —
Displayed on the BlackBerry are parts
of Log24 posts from October 25, 2007,
and October 24, 2007.
Related pattern geometry
From a Log24 search for Angleton + Brotherhood:
A photo of Angleton in a post from 12/9/5 —
From a post of 11/7/8 —
A cryptic note for Dan Brown:
The above dates 11/7/8 and 12/9/5 correspond to the corner-labels
(read clockwise and counter-clockwise) of the two large triangles
in the Finkelstein Talisman —
Above: More symbology for Tom Hanks from
this morning's post The Pentagram Papers.
The above symbology is perhaps better suited to Hanks in his
role as Forrest Gump than in his current role as Ben Bradlee.
For Hanks as Dan Brown's Harvard symbologist
Robert Langdon, see the interpretation 12/5/9, rather
than 12/9/5, of the above triangle/cube-corner label.
The title, which of course means "Prayer,"
may also mean "Smartphone" — See
other Log24 posts tagged Orisons.
Detail from a Log24 post on May 21, 2005 —

— Cloud Atlas , by David Mitchell (2004).
See also the previous post as well as
other posts now tagged Orisons.
Midrash from
http://www.online-literature.com/forums/
showthread.php?16457-Decoding-Shakespeare —
"It's an extremely complicated scene that needs a great deal of discussion
to fully appreciate. But essentially, Hamlet is arguing 'beauty' versus 'truth.'
And notice that Hamlet bases his whole argument on how beautiful Ophelia is,
as he sees her. There's the old saying, and it's perfectly true, that beauty is in
the eye of the beholder. As Hamlet looks at Ophelia, she's the most beautiful
thing he ever saw.
So we know how Hamlet feels about Ophelia, no matter what he says. When
he says he doesn't love her, he's lying through his teeth. If he didn't love her,
she wouldn't look so beautiful to him.
The Nunnery Scene is one of the great scenes in all of literature, and it's
beastly intricate and complicated. It's Hamlet's logical argument about truth
versus beauty, and as he says it to Ophelia, he's lyin' like a dog."
— "Amleth," 03-28-2006, 08:55 PM
See also this journal on that date.
Log24 ten years ago today —
"Here, in a strategy of simple erasure,
the Subject masks his singularity . . . ."
— Jacques Derrida
See also the previous post and . . .
— Detail from the ending of Philip Pullman's new
graphic novel "Mystery of the Ghost Ship"
* See the title in this journal.
"Among the most enchanting aspects of the Alhambra is
the constant sound of flowing water emanating from its fountains."
— Bob Taylor, commdiginews.com, January 16, 2017
See also Snow White Meets Apple and the cover of
The New York Times Book Review from October 4, 2015 —
Tabletop fountain from the June 5 opening video of Apple's 2017
Worldwide Developer Conference —
Kristen Stewart (Snow White in June 2012) as a personal shopper —
Personal shopping result —

"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon
"Also on the card is Adrien Brody ('The Thin Red Line') as a poseur proto-punk who lives in his parents' converted garage and strips at an underground gay club. He takes heat from his former friends– the aforementioned neighborhood toughs– for affecting an English accent and wearing a mohawk…."
— Rob Blackwelder review of Spike Lee's "Summer of Sam" (1999)
"With its white community focus, Summer of Sam is something of a departure for Lee. But with its immaculate script, faultless acting and Lee's own cameo performance, it is a typical Spike Lee film. Plenty of rapid-fire, wise-cracking dialogue and hectic crowd scenes make it fraught with tension from beginning to end. Hectic, inventive, gritty, witty, edgy and provocative, no detail is too small to escape Lee's attention and no issue too large as the film's perceptive dissection of human nature moves effortlessly between humour and horror."
"At another end of the sexual confusion spectrum, there's Vinny's childhood friend, now turned spiky-haired punk rocker, Ritchie (Adrien Brody). Recently he's started dating Ruby (Jennifer Esposito), erstwhile neighborhood tramp. They are both redeemed by their relationship, which at least at first, involves no sex, technically. Where Vinny struggles with his culturally instilled madonna-whore complex, Ritchie's just back from a stint living in the Village, looking for an identity that's distinct from his Italian gotta-be-macho upbringing. Eventually, he gets a gig at CBGB's ('How do you spell that?' wonders Vinny), but in order to make ends meet (and pay for his new guitar), he's dancing and turning tricks at Male World, a decrepit gay club where he performs fellatio with a life-sized dummy on stage, and, you assume, with clients offscreen."
— Cynthia Fuchs revew (title: "Sex and the City")
Susan G. Cole on the
75th Annual Academy Awards,
presented March 23, 2003 —
"I watched Halle Berry wipe her mouth off after Adrien Brody, in the heat of his excitement, laid the lip-lock on her for five full excruciating seconds. She was stunned, and seemed to have no idea what had happened to her. I'll tell you what happened, Halle: it's called sexual assault."
Where's the Oscar
for the mouth-wipe?
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