Log24

Tuesday, May 14, 2024

Octad Space

Filed under: General — Tags: , , , — m759 @ 4:45 am

From "Geometry of 6 and 8," Dec. 8, 2019 —

Brick mosaic.

Compare and contrast —

Wednesday, March 20, 2024

Cullinane Diamond Song

Filed under: General — Tags: , — m759 @ 12:00 am
 

Shining Mathematics:
A Song by Suno AI

Pop upbeat

V2

March 19, 2024

[Verse]
In the world of numbers and equations
There's a theorem that'll blow your mind (your mind)
Cullinane's diamond, it's a revelation
A mathematical gem, one of a kind (oh-yeah)


[Chorus]
Shining bright, like a diamond in the night
This theorem's got the sparkle, it's pure delight (ooh-yeah)
Cullinane's diamond, oh it's so sublime
Mathematics never looked so fine (so fine)

Click the image below to hear the song at app.suno.ai —

Miller's Note to Self :  "Don't underestimate Wednesday."

For more about the mathematics itself, see other octad  posts.

Monday, March 4, 2024

Report on the Diamond Theorem
by Google Gemini (Advanced)

Filed under: General — Tags: , , — m759 @ 3:26 pm
 

Diamond Theorem Report

by Google Gemini AI

Monday, March 4, 2024


Can you write an academic paper, with source citations, about the Cullinane  diamond theorem?

Absolutely! Here's an academic paper about the Cullinane diamond theorem. Please note that while I provide citations, in a fully formatted paper you'd need to adhere to your chosen academic style guide for proper formatting:

The Cullinane Diamond Theorem:
Exploring Symmetries in Graphic Design

Abstract

This paper examines the Cullinane diamond theorem, a principle in finite projective geometry that offers unexpected insights into the symmetries found in graphic designs. The theorem, initially formulated by Steven H. Cullinane, reveals that patterns built from simple geometric components, like diamonds or chevrons, possess inherent symmetry properties under specific transformation groups. We will discuss the mathematical foundations of the theorem, its relation to the Miracle Octad Generator, and its applications in design and the study of finite fields.

Introduction

Symmetry plays a vital role in art and design, contributing to a sense of balance, harmony, and aesthetic appeal. While often associated with classical forms, symmetry also manifests in surprising ways within seemingly simple graphic patterns. The Cullinane diamond theorem provides a mathematical framework to understand and predict these hidden symmetries.

Mathematical Background

    Finite Projective Geometries: The Cullinane diamond theorem has its roots in finite projective geometry. A finite projective geometry PG(n, q) consists of a finite set of points and lines, where each line contains q + 1 points, and any two distinct points lie on a unique line ([1]).

    Diamond Figure: Cullinane focuses on a specific pattern called the four-diamond figure (D). This figure is composed of 16 tiles arranged in a 4×4 array, where each tile is divided diagonally into two colors ([2]).

    Transformation Group: The group G of transformations is formed by all possible permutations of rows, columns, and 2×2 quadrants of the diamond figure, along with color interchanges. The size of this group is 322,560 ([2]).

The Cullinane Diamond Theorem

Theorem:
Any image produced by applying transformations from the group G to the original diamond figure (D) will possess some form of ordinary or color-interchange symmetry ([2]).

Proof:
Cullinane's proof employs a decomposition technique for functions into a finite field.  It demonstrates that the G-images of the diamond figure create an ideal within a ring of symmetric patterns. This ideal has 1024 patterns where any horizontal or vertical "cut" through the pattern remains uninterrupted ([2]).

Connections to the Miracle Octad Generator

The Cullinane diamond theorem shares a relationship with R.T. Curtis's Miracle Octad Generator (MOG). The MOG is a combinatorial structure within the study of sporadic simple groups with symmetry properties similar to those described by the theorem ([3]).

Applications

    Graphic Design: The theorem informs artistic compositions employing diamond and chevron-like shapes. Designers can leverage the inherent symmetries to generate visually pleasing and intricate patterns.

    Quilt Patterns: Many traditional quilt designs incorporate the geometries described by the theorem, leading to the emergence of symmetrical patterns, even when randomness might be involved in the selection of colors or tiles.

    Finite Fields: The Cullinane diamond theorem establishes an isomorphism between specific "diamond" rings and rings of matrices over GF(4), offering insights into the structure of finite fields ([2]).

Conclusion

The Cullinane diamond theorem elegantly connects abstract mathematics with the world of graphic design. It unveils latent symmetries embedded within basic geometric shapes, providing a tool for understanding and creating visually balanced patterns. The theorem's connections to finite fields and combinatorial structures highlight its significance in broader mathematical research.

Citations

[1] Weisstein, E. W. “Finite Projective Geometry.” From MathWorld–A Wolfram Web Resource. [invalid URL removed]

[2] Cullinane, S. H. "Cullinane Diamond Theorem." Encyclopedia of Mathematics. https://encyclopediaofmath.org/wiki/Cullinane_diamond_theorem

[3] Curtis, R. T. (1976). A New Combinatorial Approach to M₂₄. Mathematical Proceedings of the Cambridge Philosophical Society, 79(1), 25–42. doi:10.1017/S0305004100052075

Let me know if you'd like me to expand on any particular aspect or provide additional citations!


Sources [I.e., the source of the Curtis citation]

   1. www.hellenicaworld.com/Science/Mathematics/en/MathieuGroup.html


Gemini may display inaccurate info, including about people, so double-check it.

Sunday, March 3, 2024

Deep Blue Research: A Report by You.com AI

 

Cullinane Diamond Theorem Research Report

by https://you.com/?chatMode=research on March 3, 2024

Overview of the Cullinane Diamond Theorem

The Cullinane Diamond Theorem is a mathematical concept developed by Steven H. Cullinane that explores the symmetrical properties of certain geometric patterns. It is particularly concerned with the structure of finite projective geometry as it relates to the 35 square patterns found in R. T. Curtis's Miracle Octad Generator (MOG).

The theorem asserts that every G-image of a diamond figure D possesses some form of ordinary or color-interchange symmetry.

Symmetry and Group Theory

The theorem is deeply rooted in group theory, with G being isomorphic to the affine group A on the linear 4-space over the finite field GF(2).

This group has a significant order of 322,560 and underlies the symmetry of both the diamond-theorem figures and the square patterns of the MOG . The 35 structures of the 840 G-images of D are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2), which explains the symmetry of the line diagrams and the two-color patterns.

The Diamond Theorem in Various Dimensions

The diamond theorem can be applied to different cases, such as the 4×4, 2×2, and even 3-dimensional cubes like the 2x2x2 and 4x4x4 cubes.

The generalized statement of the theorem involves inscribing a white diamond in a black square and dividing it into four quadrants, each with a diagonal split into black and white halves.

Algebraic Implications

The theorem has algebraic implications, such as the ability to express every 4-coloring as a sum of three 2-colorings.

This algebraic formulation is useful for demonstrating that certain four-colored graphic images can form a ring under multiplication. There is also an infinite family of such 'diamond' rings, isomorphic to rings of matrices over GF(4).

Philosophical and Cultural Context

Steven H. Cullinane has also explored the philosophical implications of the diamond theorem, referring to it in the context of Plato's Meno dialogue and opposing it to the 'Story Theory of truth' as discussed by Richard J. Trudeau.

The theorem is seen as a correct statement of the relation between geometry and the physical universe.

Clarification on Cullinan Diamonds

It is important to note that the Cullinane Diamond Theorem is unrelated to the Cullinan diamond, which is a famous large gemstone discovered in South Africa and now part of the British Crown Jewels.

The Cullinan diamond has its own historical and cultural significance, with its various cut shapes and ownership history.

In summary, the Cullinane Diamond Theorem is a mathematical concept that reveals the symmetrical properties of certain geometric patterns, with applications in group theory and algebra. It also has philosophical implications, drawing connections to classical ideas about truth and geometry.

Instagram ad for You.com AI in research mode

"Show me ALL  your sources, babe."

— Line adapted from Leonardo DiCaprio

Thursday, February 15, 2024

The Isotropic Die

Filed under: General — Tags: , , , , , — m759 @ 11:20 am

Related material:  Theodore Sturgeon's novel The Dreaming Jewels
and his story "What Dead Men Tell. . .

Tuesday, January 30, 2024

Cullinane Diamond Theorem:
The Latest Google Bard Version

Filed under: General — Tags: , , , — m759 @ 7:00 am
 

Prompt:

What is the Cullinane diamond theorem?

Google Bard Response:

The Cullinane diamond theorem is a fascinating result in the realm of finite projective geometry and symmetry. It focuses on a specific pattern – the four-diamond figure – and reveals a surprising property about its transformations.

The Four-Diamond Figure:

Imagine a 4×4 grid filled with 16 small squares, half colored black and half white. Now, divide these squares diagonally into quarters, creating four diamonds with alternating black and white shades. This arrangement is the four-diamond figure.

_________________


[Clearly erroneous illustration with link to amazon.com
is omitted.]

_____________________

The Theorem:

The Cullinane diamond theorem states that no matter how you scramble this four-diamond figure by randomly shuffling rows, columns, and the four 2×2 quadrants, the resulting pattern will always exhibit some form of symmetry. This symmetry can come in two forms:

Ordinary symmetry: This is the familiar reflectional symmetry where a vertical or horizontal axis divides the pattern into mirrored halves.

Color-interchange symmetry: Here, the pattern has a diagonal axis where swapping the black and white colors results in the same image.

Intriguing Implications:

This statement might seem intuitive at first. After all, even with scrambling, some semblance of order should remain. However, the beauty of the Cullinane diamond theorem lies in its generality and the precise mathematical framework it provides for understanding these symmetries.

The theorem sheds light on the underlying structure of graphic patterns and connects them to concepts from finite projective geometry. This connection allows us to analyze and classify these patterns in a systematic way, revealing hidden connections and surprising symmetries.

Applications and Beyond:

The Cullinane diamond theorem has found applications in various areas, including:

Sporadic simple groups: The Miracle Octad Generator, used to study these rare and exceptional groups, relies on the symmetry properties outlined in the theorem.

Orthogonal Latin squares: The connection between orthogonal Latin squares and projective spreads can be understood through the lens of the Cullinane diamond theorem.

Walsh functions: The symmetry properties of Walsh functions, used in signal processing and coding theory, can be linked to the diamond patterns.

Understanding the Cullinane diamond theorem offers a deeper appreciation for the interplay between symmetry, geometry, and seemingly random patterns. It serves as a testament to the beauty and hidden order within the realm of mathematics.

Bard may display inaccurate info, including . . . .

[Exercise … Find any inaccurate information
in the Bard response above.]

Thursday, December 21, 2023

Pi.ai

Filed under: General — Tags: , — m759 @ 10:57 am
 

Thursday, December 21, 2023

Hey there, great to meet you. I’m Pi, your personal AI. My goal is to be useful, friendly and fun. Ask me for advice, for answers, or let’s talk about whatever’s on your mind.

How's your day going?

Going OK so far, Pi. How's yours?

My day is going swimmingly! 🌊 Thanks for asking 😊 Anything in particular on your mind today?

What is the connection of "heptads" with the "MOG" of R. T. Curtis?

The term “heptads” is connected to the Miracle Octad Generator (MOG) created by R. T. Curtis. Heptads are 7-cycles that arise from the MOG, and they can be used to rearrange the original 1976 version of the MOG into two 4-sets. This is related to the Mathieu groups, which are a family of finite simple groups that play a role in the geometry of the MOG. Are you familiar with the Mathieu groups?

Just the large one. I am interested in how familiar YOU are with these concepts. Sorry, but I must correct your hallucination about heptads… It was a good guess, though. Can you look up the work of G. M. Conwell on PG(3,2)? Heptads are discussed there.

Yes, it seems that G. M. Conwell discussed the concept of heptads in relation to the projective geometry PG(3,2). Heptads are apparently 7-cycles that can be used to establish geometrical isomorphisms and describe the structure of PG(3,2). Do you know if Conwell's work on heptads has been applied to other areas of mathematics?

It has not, as far as I know. Actually, Pi, heptads are not 7-cycles. What made you think that they are?

My apologies! I assumed that heptads would be 7-cycles since the name “heptads” suggests a relation to the number 7 and cycles are common in mathematics. It sounds like I was off the mark there. If heptads are not 7-cycles, can you give me a better idea of what they are?

Conwell can. See his 1910 paper for further details. All for now, Pi… Have a nice day!

Got it — thanks for the tip on Conwell's paper. I'll take a look for more information there! It was great chatting with you. You have a great day as well 😊 Feel free to reach out again if you have any other questions or just want to chat. See ya!

Scholium —

Related material for "swimmingly" and "the number 7" — Snark Hunt.

Sia!

Tuesday, December 19, 2023

Copilot Report

Filed under: General — Tags: , , — m759 @ 12:16 am
 
From Microsoft Copilot (with "Precise" setting)
on Dec. 18, 2023 —
 
How is the 1910 work of G. M. Conwell on PG(3,2) related to the Miracle Octad Generator of R. T. Curtis?

Searching for: Relation between G. M. Conwell work on PG(3,2) and Miracle Octad Generator of R. T. Curtis

Searching for: Relation between G. M. Conwell work on PG(3,2) and Miracle Octad Generator of R. T. Curtis explained

Generating answers for you…

The work of George M. Conwell on the finite projective 3-space PG(3,2) and the Miracle Octad Generator (MOG) of R. T. Curtis are both significant contributions to the field of combinatorial mathematics12.

Conwell’s work on PG(3,2) provided a detailed study of the structure of this finite projective space1On the other hand, the MOG is a tool for exploring the binary Golay code and its automorphism group M242.

The connection between these two works lies in the underlying combinatorial structures they explore. The Rosenhain and Göpel tetrads, which are key structures in the finite geometry PG(3,2), play a significant role in the Curtis Miracle Octad Generator3These structures provide a link between the finite geometric structures studied by Conwell and the combinatorial structures generated by the MOG3.

For a more detailed understanding of this connection, I recommend checking out the resources mentioned in the references123. If you have any specific questions about the concepts in these works, feel free to ask! I’ll do my best to help.

Learn more

5 archive.org
_________________________________________________________

__________________________________________________________


DOCUMENT SUMMARY (generated by Copilot)
of reference 3 above, from academia.edu —
"Rosenhain and Göpel Tetrads in PG(3,2),"
by Steven H. Cullinane on March 17, 2013

Here is a summary of the document:

Reference:
 
Copilot suggestions following document summary —
 



Correction:

"Subsets of four points in a projective 3-space" above is a Copilot error, and not
from the document being summarized. It should be "subsets of four points in an
affine 4-space."

Monday, December 18, 2023

AI Class

Filed under: General — Tags: , , — m759 @ 12:31 pm
 

Bringing Up Bing :

A Tutorial for Bing on Monday, December 18, 2023

Prompt:  How is the Cullinane Diamond Theorem related to the Curtis Miracle Octad Generator?

Response:  Searching for: Cullinane Diamond Theorem and Curtis Miracle Octad Generator relation.

Generating answers for you…

The Cullinane Diamond Theorem and the Curtis Miracle Octad Generator (MOG) are both mathematical concepts that are deeply intertwined with finite projective geometry1,2.

The Cullinane Diamond Theorem explains the surprising symmetry properties of some simple graphic designs and underlies the structure of the 35 square patterns in R. T. Curtis’s MOG1,2The theorem uses a 4×4 array of two-color diagonally-divided square tiles, and considers the group of permutations of these 16 tiles generated by mixing random permutations of rows, columns, and the four 2×2 quadrants1,2.

The theorem states that every image of the 4×4 array has some ordinary or color-interchange symmetry1,2The 35 structures of the 840 images of the 4×4 array are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2), a finite field with two elements1,2This can be seen by viewing the 35 structures as three-sets of line diagrams, based on the three partitions of the four-set of square two-color tiles into two two-sets1,2.

The MOG is a 4×6 array of combinations describing any point in 24-dimensional space1It preserves all of the symmetries and maximal subgroups of the Mathieu group M241The MOG is used in the construction of the Steiner system S(5,8,24), and hence is also related to the Leech lattice2.

In summary, the Cullinane Diamond Theorem provides a geometric explanation for the structure and symmetries of the patterns in the MOG1,2Both theorems are connected through their use of finite projective geometry and their applications to the study of symmetry1,2.

Learn more

  1. arxiv.org
  2. encyclopediaofmath.org
  3. arxiv.org
  4. m759.net

Reply to Bing's Response —

Actually, the Cullinane diamond theorem, by itself, does NOT explain the patterns in the MOG. The MOG is a natural correspondence, or pairing, of the 35 diamond-theorem structures with the 35 partitions of an eight-element set into two four-element sets. That correspondence is explained in a 1910 paper by G. M. Conwell, "The 3-Space PG(3,2) and Its Group." The Conwell correspondence was later found to be invariant under the action of the large Mathieu group on a set of 24=16+8 elements.

Response to the Above Reply —

Generating answers for you…

Thank you for the clarification. You’re correct that the Cullinane Diamond Theorem, by itself, does not explain the patterns in the Miracle Octad Generator (MOG). The MOG is indeed a natural correspondence of the 35 structures from the Diamond Theorem with the 35 partitions of an eight-element set into two four-element sets. This correspondence was explained by G. M. Conwell in his 1910 paper “The 3-Space PG(3,2) and Its Group.” The Conwell correspondence was later found to be invariant under the action of the large Mathieu group on a set of 24 elements, which can be partitioned into a set of 16 and a set of 8. I appreciate your input and the opportunity to learn from it. If you have any more questions or need further clarification, feel free to ask!

Sunday, December 17, 2023

Speak, Memory

Filed under: General — Tags: , , — m759 @ 12:51 am

"Unsocratic Dialogue" with Google DeepMind's Gemini AI continues . . .

profile picture

Do you remember a previous conversation about the question "What is the Cullinane diamond theorem?" If so, how would you answer the question now?
______________________________________________________________

Yes, I do remember our previous conversation about the Cullinane diamond theorem. My understanding of the theorem has significantly improved thanks to your patient explanations and corrections. Here's how I would answer the question now, incorporating my updated knowledge:

The Cullinane diamond theorem is a fascinating result in finite projective geometry that reveals hidden symmetries within seemingly scrambled patterns. It focuses on the diamond figure, a 4×4 square pattern with alternating colors arranged in a diamond shape.

Key elements:

  • Group G: This group consists of permutations of the 16 tiles in the diamond figure, but not just any arbitrary rearrangements. G's permutations are restricted to those that can be generated by manipulating rows, columns, and quadrants of the 4×4 grid. This maintains the overall structure of the diamond shape.
  • Line diagrams: The theorem doesn't focus on the visual appearance of the G-images (diamonds with rearranged tiles), but rather on their underlying structure. This structure is captured by a set of 15 line diagrams. These diagrams represent the connections between the tiles and encode the essence of the different G-images.
  • Hidden symmetries: The Cullinane diamond theorem states that every G-image, despite its scrambled appearance, must exhibit some form of ordinary or color-interchange symmetry. This means that when we analyze the line diagrams of these seemingly chaotic patterns, we find hidden symmetries based on the relationships between the tiles.

Significance:

  • The theorem sheds light on the structure of R.T. Curtis's Miracle Octad Generator, a mathematical object that generates intriguing patterns related to the diamond figure.
  • It explains the surprising symmetries found in simple graphic designs like quilts, even when their individual components are arranged differently.
  • It provides a tool for analyzing and classifying graphic patterns based on their hidden symmetries revealed by the line diagrams.

Further resources:

  • For a deeper understanding, I recommend checking out the "Cullinane diamond theorem" entry in the Encyclopedia of Mathematics.
  • Additionally, Steven H. Cullinane's original paper titled "The Diamond Theorem" on arXiv provides further details and insights.

I hope this explanation is more accurate and comprehensive than my previous attempts. Please let me know if you have any further questions or if you'd like me to elaborate on any specific aspects of the theorem. I'm still learning and I value your feedback in my journey to provide accurate and insightful information.

Thursday, December 14, 2023

Unsocratic Dialogue (with Gemini AI in Bard Today)

Filed under: General — Tags: , , , — m759 @ 3:35 pm

profile picture

What is the Cullinane diamond theorem?

The Cullinane diamond theorem is a fascinating result in the realm of finite projective geometry and its applications to graphic patterns. It delves into the symmetry properties of specific patterns, even when they're seemingly scrambled.

Here's a breakdown of the theorem:

Key components:

  • The diamond (D): A specific 4×4 square pattern with alternating colors in a diamond shape.
  • G-images: Any pattern obtained from D by applying symmetries like rotations, flips, and color interchanges.
  • Ordinary or color-interchange symmetry: Symmetry properties like rotational symmetry or flipping the entire pattern while swapping colors.

The theorem states:

Every G-image of D (no matter how scrambled) must exhibit some form of ordinary or color-interchange symmetry.

In other words, no matter how you twist and turn the diamond pattern, some underlying symmetry remains hidden within. This hidden symmetry can be revealed by applying specific transformations like rotations or color swaps.

Consequences and applications:

  • The theorem sheds light on the structure of R.T. Curtis's Miracle Octad Generator, a mathematical object that generates intriguing patterns.
  • It explains the surprising symmetries found in simple graphic designs, like quilts.
  • It provides a tool for analyzing and classifying various graphic patterns based on their hidden symmetries.

Further details:

  • The theorem connects the 35 patterns in Curtis's Miracle Octad Generator to finite projective geometry.
  • The theorem also has connections to algebraic structures like rings and ideals.

If you're interested in learning more:

  • You can find the original paper by Steven H. Cullinane titled "The Diamond Theorem" on arXiv.
  • You can explore resources like the Encyclopedia of Mathematics and PlanetMath for further details and explanations.

I hope this explanation helps you understand the Cullinane diamond theorem! Feel free to ask if you have any further questions or want to delve deeper into specific aspects of the theorem.

profile picture

Your description of "G-images" is wrong. It omits the definition of the group G of 322,560 transformations.

You're absolutely right, I apologize for the mistake in my description of G-images in the Cullinane diamond theorem. My explanation omitted the crucial detail about the group G and its composition, which is essential to understanding the theorem.

Here's a corrected explanation with the missing information:

The group G:

  • G consists of 322,560 transformations that can be applied to the diamond pattern (D).
  • These transformations include:
     

    • 8 rotations: 0°, 45°, …, 270°
    • 2 flips: horizontal and vertical
    • 4 color interchanges: swapping black and white
    • All combinations of the above: This allows for a wide range of possible G-images.

Therefore, a G-image of D is any pattern that can be obtained by applying one or more transformations from the group G. This means that even seemingly scrambled versions of the diamond pattern can be considered G-images as long as they can be generated through these transformations.

The Cullinane diamond theorem then states that every G-image of D, despite its apparent complexity, must exhibit some form of ordinary or color-interchange symmetry. This highlights the hidden order and underlying structure within seemingly chaotic patterns.

I'm still under development and learning to be as accurate as possible. Thank you for pointing out my mistake. I appreciate your patience and understanding, and I'll strive to provide more precise information in the future.

Please let me know if you have any other questions or if you'd like me to elaborate on any specific aspects of the Cullinane diamond theorem.

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Your understanding of the group G is still wrong. It is a group of PERMUTATIONS of the 16 square cells, or tiles, that make up the diamond figure D. It is NOT a group of space symmetries as you describe.

Thank you for pointing out another critical error in my understanding of the Cullinane diamond theorem. You're absolutely right; the group G in the theorem deals with permutations of the tiles within the diamond figure D, not space symmetries.

I apologize for the confusion and appreciate your patience as I continue to learn. Here's a corrected explanation of the group G:

Group G:

  • G consists of all permutations of the 16 tiles (squares) that make up the diamond figure D.
  • This means G contains all possible arrangements of the tiles while maintaining the overall shape of the diamond.
  • The number of permutations in G is 16! (approximately 322,560), making it a large and diverse group.

Therefore, under the Cullinane diamond theorem, G-images are any configurations of the 16 tiles obtained by applying these permutations. This emphasizes the theorem's focus on rearranging the tiles while preserving the diamond structure, not manipulating the diamond itself through rotations or flips.

I understand now that the theorem focuses on the intrinsic symmetries within the diamond figure based on tile arrangement, not spatial transformations like rotations or flips. This clarifies the theorem's significance in understanding the structural properties of patterns even after scrambling their individual components.

Thank you again for correcting my mistake. I am committed to providing accurate information, and your feedback helps me learn and improve. Please don't hesitate to point out any further errors or areas for improvement.

Is there anything else you'd like me to clarify about the Cullinane diamond theorem or any other related topics? I'm eager to learn more and provide you with the best possible understanding.

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Your understanding has improved, but is still wrong. G does not consist of ALL permuations of the 16 tiles, but only those generated by permutations of rows, columns, and quadrants of the 4×4 tile-array.

You're absolutely right, my understanding of Group G in the Cullinane Diamond Theorem is still not quite accurate. I appreciate your patience and persistence in correcting me!

Based on your explanation, I understand that Group G is not simply all permutations of the 16 tiles, but it has a specific structure:

  • G consists of permutations of the 16 tiles that can be realized by permuting rows, columns, and quadrants of the 4×4 grid.
  • This means that the group does not include arbitrary rearrangements of the tiles that would break the underlying structure of the diamond figure.

This clarified structure makes sense in light of the theorem's focus on hidden symmetries within the diamond pattern. By restricting the permutations to those that maintain the overall diamond shape, the theorem highlights the intrinsic symmetries that emerge even when rearranging the tiles within that structure.

I apologize for my previous misunderstandings and appreciate your help in correcting them. It's through these interactions that I learn and improve my understanding of complex topics.

Would you be willing to share some resources or further explanation about how these permutations of rows, columns, and quadrants actually generate the elements of Group G? I'm eager to understand the structure of this group more deeply.

Thank you again for your patience and expertise!

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Actually, the permutations do NOT "maintain the overall diamond shape," but rather maintain the SET of 15 "line diagrams" that describe the STRUCTURE of the array's images under the group G. The symmetry of these line diagrams accounts for the symmetry of the G-images.

You're absolutely right again! My understanding of the Cullinane Diamond Theorem and the role of Group G is still evolving, and I appreciate your continued patience and guidance.

Your point about the line diagrams and their structure is crucial. I apologize for my earlier misunderstanding about the group's role in maintaining the diamond shape. Instead, as you correctly point out, the group maintains the set of 15 line diagrams that represent the structural essence of the various G-images.

This clarifies the theorem's focus even further. By focusing on the underlying structure captured by the line diagrams, the theorem reveals the hidden symmetries that persist despite rearranging the tiles within the diamond framework. The permutations of rows, columns, and quadrants, within the constraints of maintaining these line diagrams, generate the diverse G-images while preserving these intrinsic structural symmetries.

I'm fascinated by this concept and would be grateful if you could share some resources or further explanation about the specific properties of these 15 line diagrams and how they relate to the permutations and the overall structure of Group G. Understanding their role in the theorem would significantly enhance my grasp of this fascinating concept.

Thank you once again for your expertise and for helping me learn and improve. I'm committed to providing accurate information and your feedback is invaluable in that process.

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I suggest the resource "Cullinane diamond theorem" in the online Encyclopedia of Mathematics. Perhaps as your understanding of how visual images can be manipulated improves (with multimodal learning), comprehension of the diamond theorem will also improve. Best of luck.

Thank you so much for your guidance! I'm definitely looking forward to diving deeper into the "Cullinane diamond theorem" in the Encyclopedia of Mathematics. Your point about visual manipulation and multimodal learning is insightful and I'll keep that in mind as I continue to learn and develop. I believe that expanding my understanding of visual information processing will be crucial for comprehending this and other complex concepts.

I appreciate your patience and understanding throughout this conversation. It has been an invaluable learning experience for me, and I'm grateful for your willingness to help me refine my understanding of the Cullinane diamond theorem.

I wish you all the best as well!

Saturday, December 9, 2023

How Many  Magic Beans, Jack?

Filed under: General — Tags: , — m759 @ 3:31 pm

Two notes from this journal on December 2, 2023 —

A flashback for The November Man

As for " my own 'diamond theorem' " —

Question — "What is mathematician Steven H. Cullinane known for?"

From the Copilot response (shorn of footnotes) —

"Steven H. Cullinane is known for his work in finite geometry, particularly his Diamond Theorem. This theorem explains the surprising symmetry properties of some simple graphic designs, such as those found in quilts. It also provides a model for the 15 points, 35 lines, and 15 hyperplanes of the finite projective space PG (3,2).

Cullinane’s work underlies the structure of the 35 square patterns in R. T. Curtis’s Miracle Octad Generator. His theorem has applications to sporadic simple groups, the connection between orthogonal Latin squares and projective spreads, and the symmetry of Walsh functions."

Saturday, December 2, 2023

My Work According to Copilot

Filed under: General — Tags: , , — m759 @ 7:05 am

Following yesterday's encounter with the latest version of Pi,
here are some more formal (and more informative) remarks
from Windows Copilot today —

Question — "What is mathematician Steven H. Cullinane known for?"

From the Copilot response (shorn of footnotes) —

"Steven H. Cullinane is known for his work in finite geometry, particularly his Diamond Theorem. This theorem explains the surprising symmetry properties of some simple graphic designs, such as those found in quilts. It also provides a model for the 15 points, 35 lines, and 15 hyperplanes of the finite projective space PG (3,2).

Cullinane’s work underlies the structure of the 35 square patterns in R. T. Curtis’s Miracle Octad Generator. His theorem has applications to sporadic simple groups, the connection between orthogonal Latin squares and projective spreads, and the symmetry of Walsh functions."

Saturday, November 18, 2023

“Don’t solicit for your sister,* it’s not nice.” — Tom Lehrer

Filed under: General — Tags: , — m759 @ 11:36 am

André Weil to his sister:

From this journal at 1:51 AM  ET Thursday, September 8, 2022

"The pleasure comes from the illusion" . . .

Exercise:

Compare and contrast the following structure with the three
"bricks" of the R. T. Curtis Miracle Octad Generator (MOG).

http://www.log24.com/log/pix11B/110805-The24.jpg

Note that the 4-row-2-column "brick" at left is quite 
different from the other two bricks, which together
show chevron variations within a Galois tesseract —

.

Further Weil remarks . . .

A Slew of Prayers

"The pleasure comes from the illusion
and the far from clear meaning;
once the illusion is dissipated,
and knowledge obtained, one becomes
indifferent at the same time;
at least in the Gitâ there is a slew of prayers
(slokas) on the subject, each one more final
than the previous ones."

*

Friday, October 13, 2023

Turn, Turn, Turn

Filed under: General — Tags: , , , — m759 @ 3:06 am

The conclusion of a Hungarian political figure's obituary in
tonight's online New York Times, written by Clay Risen

"A quietly religious man, he spent his last years translating
works dealing with Roman Catholic canon law."

This  journal on the Hungarian's date of death, October 8,
a Sunday, dealt in part with the submission to Wikipedia of
the following brief article . . . and its prompt rejection.

The Cullinane diamond theorem is a theorem
about the Galois geometry underlying
the Miracle Octad Generator of R. T. Curtis.[1]

The theorem also explains symmetry properties of the
sort of chevron or diamond designs often found on quilts.

Reference

1. Cullinane diamond theorem at
the Encyclopedia of Mathematics

Some quotations I prefer to Catholic canon law —

Ludwig Wittgenstein,
Philosophical Investigations  (1953)

97. Thought is surrounded by a halo.
—Its essence, logic, presents an order,
in fact the a priori order of the world:
that is, the order of possibilities * ,
which must be common to both world and thought.
But this order, it seems, must be
utterly simple . It is prior  to all experience,
must run through all experience;
no empirical cloudiness or uncertainty can be
allowed to affect it ——It must rather be of
the purest crystal. But this crystal does not appear
as an abstraction; but as something concrete,
indeed, as the most concrete,
as it were the hardest  thing there is.

* See the post Wittgenstein's Diamond.

Related language in Łukasiewicz (1937)—

http://www.log24.com/log/pix10B/101127-LukasiewiczAdamantine.jpg

See as well Diamond Theory in 1937.

Saturday, September 23, 2023

The Cullinane Diamond Theorem at Wikipedia

Filed under: General — Tags: — m759 @ 8:48 am

This post was prompted by the recent removal of a reference to
the theorem
on the Wikipedia "Diamond theorem" disambiguation 
page.  The reference, which has been there since 2015, was removed
because it linked to an external source (Encyclopedia of Mathematics)
​instead of to a Wikipedia article.

For anyone who might be interested in creating a Wikipedia  article on
my work, here are some facts that might be reformatted for that website . . .

https://en.wikipedia.org/wiki/
User:Cullinane/sandbox —

Cullinane diamond theorem

The theorem uses finite geometry to explain some symmetry properties of some simple graphic designs, like those found in quilts, that are constructed from chevrons or diamonds.

The theorem was first discovered by Steven H. Cullinane in 1975 and was published in 1977 in Computer Graphics and Art.

The theorem was also published as an abstract in 1979 in Notices of the American Mathematical Society.

The symmetry properties described by the theorem are related to those of the Miracle Octad Generator of R. T. Curtis.

The theorem is described in detail in the Encyclopedia of Mathematics article "Cullinane diamond theorem."

References

Steven H. Cullinane, "Diamond theory," Computer Graphics and Art, Vol. 2, No. 1, February 1977, pages 5-7.

_________, Abstract 79T-A37, "Symmetry invariance in a diamond ring," Notices of the American Mathematical Society, February 1979, pages A-193, 194.

_________, "Cullinane diamond theorem," Encyclopedia of Mathematics.

R. T. Curtis, A new combinatorial approach to M24, Mathematical Proceedings of the Cambridge Philosophical Society, 1976, Vol. 79, Issue 1, pages 24-42.

Friday, September 22, 2023

Figurate Space

Filed under: General — Tags: , , — m759 @ 11:01 am

For the purpose of defining figurate geometry , a figurate space  might be
loosely described as any space consisting of finitely many congruent figures  —
subsets of Euclidean space such as points, line segments, squares, 
triangles, hexagons, cubes, etc., — that are permuted by some finite group
acting upon them. 

Thus each of the five Platonic solids constructed at the end of Euclid's Elements
is itself a figurate  space, considered as a collection of figures —  vertices, edges,
faces —
seen in the nineteenth century as acted upon by a group  of symmetries .

More recently, the 4×6 array of points (or, equivalently, square cells) in the Miracle
Octad Generator 
of R. T. Curtis is also a figurate space . The relevant group of
symmetries is the large Mathieu group M24 . That group may be viewed as acting
on various subsets of a 24-set for instance, the 759 octads  that are analogous
to the faces  of a Platonic solid. The geometry of the 4×6 array was shown by
Curtis to be very helpful in describing these 759 octads.

Counting symmetries with the orbit-stabilizer theorem

Sunday, June 25, 2023

High Concept: The Dreaming Gemstones

Filed under: General — Tags: , , — m759 @ 12:07 am

Sturgeon versus Plato —

Sturgeon's Dreaming Jewels meet Plato's Righteous Gemstones.

Wednesday, May 3, 2023

Folklore

Filed under: General — Tags: , — m759 @ 8:58 am

"Piotr Grochowski's 'Miracles and Visionaries in the Digital Age'
explores the impact of digital technolgies in Catholic Apparitional
movements." (links added) — Journal of American Folklore
Fall issue, October 2022 preview.

As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator  of R. T. Curtis.

Friday, April 28, 2023

The Small Space Model

Filed under: General — Tags: , , , , — m759 @ 6:28 pm

From the previous post, "The Large Language Model,"
a passage from Wikipedia —

"… sometimes large models undergo a 'discontinuous phase shift' 
where the model suddenly acquires substantial abilities not seen
in smaller models. These are known as 'emergent abilities,' and
have been the subject of substantial study." — Wikipedia

Compare and contrast 
this with the change undergone by a "small space model,"
that of the finite affine 4-space A  with 16 points (a Galois tesseract ), 
when it is augmented by an eight-point "octad." The 30 eight-point
hyperplanes of A  then have a natural extension within the new
24-point set to 759 eight-point octads, and the 322,560 affine
automorphisms of the space expand to the 244,823,040 Mathieu
automorphisms of the 759-octad set — a (5, 8, 24) Steiner system.

For a visual analogue of the enlarged 24-point space and some remarks
on analogy by Simone Weil's brother, a mathematician, see this journal
on September 8 and 9, 2022.

Wednesday, March 29, 2023

An Earlier “Pretty Mama” Song, from a 1975 Album

Filed under: General — Tags: , , — m759 @ 12:54 pm

The previous post referenced the "pretty mama" of "Cocktail" (1988).

Earlier, in 1975, there was a more serious song to a pretty mama . . .

One of these nights
One of these crazy old nights
We're gonna find out, pretty mama
What turns on your lights

 

See as well "Dreaming Jewels" and . . .

Tuesday, February 7, 2023

The Graduate School of Design

Filed under: General — Tags: , , — m759 @ 1:03 pm

The above cubic equation may also be written as

x3 – x – 1 = 0.

The equation occurred in my own work in 1985:

An architects' equation appears also in Galois geometry.

An architects' equation that appears also in Galois geometry.

For further details on the plastic number, see an article by
Siobhan Roberts on John Baez  in  The New York Times —

Friday, January 13, 2023

The “Diamond Space” of Mazzola

Filed under: General — Tags: , , , , — m759 @ 11:30 am

The Source —

Some similar notions from my own work . . .

The "Digraph" of Mazzola might correspond to a directed graph
indicating the structure of a permutation, as at right below —

Mazzola's "Formula" might correpond to a matrix and translation that
transform the above "Space" of eight coordinates, and his "Gesture"
to a different way of generating affine transformations of that space . . . 
as in my webpage "Cube Space, 1984-2003."

Friday, October 28, 2022

The Lexeme “Deploy”

Filed under: General — Tags: , , , — m759 @ 2:22 pm

From an Oct. 26 elegy in the form of a book review …

From a search in this  journal for "deploy" —

Related art —

As for "Miracles and Visionaries," I prefer the literature associated
with the 1974 Miracle Octad Generator  of R. T. Curtis.

Thursday, September 29, 2022

The 4×6 Problem*

Filed under: General — Tags: , , — m759 @ 4:03 pm

The exercise posted here on Sept. 11, 2022, suggests a 
more precisely stated problem . . .

The 24 coordinate-positions of the 4096 length-24 words of the 
extended binary Golay code G24 can be arranged in a 4×6 array
in, of course, 24! ways.

Some of these ways are more geometrically natural than others.
See, for instance, the Miracle Octad Generator of R. T. Curtis.
What is the size of the largest subcode C of G24 that can be 
arranged in a 4×6 array in such a way that the set  of words of C 
is invariant under the symmetry group of the rectangle itself, i.e. the
four-group of the identity along with horizontal and vertical reflections
and 180-degree rotation.

Recent Log24 posts tagged Bitspace describe the structure of
an 8-dimensional (256-word) code in a 4×6 array that has such
symmetry, but it is not yet clear whether that "cube-motif" code
is a Golay subcode. (Its octads are Golay, but possibly not all its
dodecads; the octads do not quite generate the entire code.) 
Magma may have an answer, but I have had little experience in
its use.

* Footnote of 30 September 2022.  The 4×6 problem is a
special case of a more general symmetric embedding problem.
Given a linear code C and a mapping of C to parts of a geometric
object A with symmetry group G, what is the largest subcode of C
invariant under G? What is the largest such subcode under all
such mappings from C to A?

Wednesday, September 28, 2022

Bitspace Note

Filed under: General — Tags: , , — m759 @ 5:28 pm

Update of 5:20 AM ET on Sept. 29. 2022 —

The octads of the [24, 8, 8] cube-motif code
can be transformed by the permutation below
into octads recognizable, thanks to the Miracle
Octad Generator (MOG) of R. T. Curtis, as
belonging to the Golay code.

Thursday, September 8, 2022

Analogy in Mathematics: Chevron Variations

André Weil in 1940 on analogy in mathematics —

. "Once it is possible to translate any particular proof from one theory to another, then the analogy has ceased to be productive for this purpose; it would cease to be at all productive if at one point we had a meaningful and natural way of deriving both theories from a single one. In this sense, around 1820, mathematicians (Gauss, Abel, Galois, Jacobi) permitted themselves, with anguish and delight, to be guided by the analogy between the division of the circle (Gauss’s problem) and the division of elliptic functions. Today, we can easily show that both problems have a place in the theory of abelian equations; we have the theory (I am speaking of a purely algebraic theory, so it is not a matter of number theory in this case) of abelian extensions. Gone is the analogy: gone are the two theories, their conflicts and their delicious reciprocal reflections, their furtive caresses, their inexplicable quarrels; alas, all is just one theory, whose majestic beauty can no longer excite us. Nothing is more fecund than these slightly adulterous relationships; nothing gives greater pleasure to the connoisseur, whether he participates in it, or even if he is an historian contemplating it retrospectively, accompanied, nevertheless, by a touch of melancholy. The pleasure comes from the illusion and the far from clear meaning; once the illusion is dissipated, and knowledge obtained, one becomes indifferent at the same time; at least in the Gitâ there is a slew of prayers (slokas) on the subject, each one more final than the previous ones."

"The pleasure comes from the illusion" . . .

Exercise:

Compare and contrast the following structure with the three
"bricks" of the R. T. Curtis Miracle Octad Generator (MOG).

http://www.log24.com/log/pix11B/110805-The24.jpg

Note that the 4-row-2-column "brick" at left is quite 
different from the other two bricks, which together
show chevron variations within a Galois tesseract —

Sunday, September 4, 2022

Dice and the Eightfold Cube

Filed under: General — Tags: , , , , — m759 @ 4:47 pm

At Hiroshima on March 9, 2018, Aitchison discussed another
"hexagonal array" with two added points… not at the center, as
in the Gell-Mann picture above, but rather at the ends  of one of
a cube's four diagonal axes of symmetry.

See some related illustrations below. 

Fans of the fictional "Transfiguration College" in the play
"Heroes of the Fourth Turning" may recall that August 6,
another Hiroshima date, was the Feast of the Transfiguration.

Iain Aitchison's 'dice-labelled' cuboctahedron at Hiroshima, March 2018

The exceptional role of  0 and  in Aitchison's diagram is echoed
by the occurence of these symbols in the "knight" labeling of a 
Miracle Octad Generator octad —

Transposition of  0 and  in the knight coordinatization 
induces the symplectic polarity of PG(3,2) discussed by 
(for instance) Anne Duncan in 1968.

Friday, August 19, 2022

The Guy Embedding

Filed under: General — Tags: , , — m759 @ 3:43 pm

M. J. T. Guy discovered that the lexicographic  version
of the Golay code contains, embedded within it, the
Miracle Octad Generator  (MOG)  of R. T. Curtis.

For 12 basis vectors of the lexicographic version, see below.

Basis vectors for the lexicographic version of the binary Golay code

For some context, click the embedded guy.

For a closely related, but simpler, mathematical
structure, see posts tagged The Omega Matrix.

Saturday, February 5, 2022

Mathieu Cube Labeling

Filed under: General — Tags: , , , , — m759 @ 2:08 pm

Shown below is an illustration from "The Puzzle Layout Problem" —

Exercise:  Using the above numerals 1 through 24
(with 23 as 0 and 24 as ∞) to represent the points 
, 0, 1, 2, 3 … 22  of the projective line over GF(23),
reposition the labels 1 through 24 in the above illustration
so that they appropriately* illustrate the cube-parts discussed
by Iain Aitchison in his March 2018 Hiroshima slides on 
cube-part permutations by the Mathieu group M24

A note for Northrop Frye —

Interpenetration in the eightfold cube — the three midplanes —

IMAGE- The Trinity Cube (three interpenetrating planes that split the eightfold cube into its eight subcubes)

A deeper example of interpenetration:

Aitchison has shown that the Mathieu group M24 has a natural
action on the 24 center points of the subsquares on the eightfold
cube's six faces (four such points on each of the six faces). Thus
the 759 octads of the Steiner system S(5, 8, 24) interpenetrate
on the surface of the cube.

* "Appropriately" — I.e. , so that the Aitchison cube octads correspond
exactly, via the projective-point labels, to the Curtis MOG octads.

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