See Blue-Green lyrics.
Related material . . .
"…we could go back to my hotel in Beverly Hills, order some room service…."
— August Moon singer in "The Idea of You"
Image linked to in the post "Hotel Art ," August 14, 2024.
See Blue-Green lyrics.
Related material . . .
"…we could go back to my hotel in Beverly Hills, order some room service…."
— August Moon singer in "The Idea of You"
Image linked to in the post "Hotel Art ," August 14, 2024.
The sneering reference to a fictional boy band in the recent film
"The Idea of You" as "so seventh-grade" suggests a flashback to
the seventh-grade class where I first encountered platonic solids.
The school where the class was given is apparently no longer
a school, but on the bright side . . .

The above image was suggested in part by
the thumb-up icon this morning in a Facebook
comment reply . . .
The lyrics in question were those of "Total Eclipse of the Heart."
My favorite line in those lyrics is "Turn around, Bright Eyes."
A recent film illustration of that line —

Iris Murdoch as above —
"… even Hamlet looks second-rate compared with Lear.
Only the very greatest art invigorates without consoling,
and defeats our attempts, in W. H. Auden's words,
to use it as magic."
"Francis Ford Coppola
Re-enters a Changed Hollywood.
It Could Be Rough."
Brooks Barnes in The New York Times today —
"Hollywood marketers tend to use a playbook that begins with
boiling a movie down to a single, salable genre. Is this a comedy
or a drama? It can’t be both, they will tell you. Consumers want
a clear idea of what they are getting. Strong reviews can help,
but only to a degree.
But 'Megalopolis' is unboilable. It’s an avant-garde, dystopian,
science-fiction fable that veers into satire, fever dream, mystery,
romance and comedy."
The "Cara.app" name in the previous post suggests . . .
Other "techniques d'avant garde" in 1985 —
85-03-26… Visualizing GL(2, p)
85-04-05… Group actions on partitions
85-04-05… GL(2, 3) actions on a cube
85-04-28… Generating the octad generator
85-08-22… Symmetry invariance under M12
85-11-17… Groups related by a nontrivial identity
OH, A COVER IS NOT THE BOOK
SO OPEN IT UP AND TAKE A LOOK
CAUSE UNDER THE COVERS ONE DISCOVERS . . . .

|
KESQ-TV News, Channel 3, Palm Springs, California
Modernism Week gears up to host thousands By Bianca Ventura Published Friday, February 16, 2024 1:21 AM (California time) Thousands of architecture enthusiasts from throughout the country and around the globe are visiting the Coachella Valley for this year's Modernism Week. The eleven day event kicked off Thursday night [Feb. 15] with their 'Opening Night Fever Dance Party.' This year's opening night celebration marked one of the largest in Modernism Week history with over 600 attendees. Yet that's only a small fraction of the people that will be enjoying the hundreds of events scheduled in the coming days. According to reports, Modernism Week contributes millions of dollars to the Coachella Valley’s economy, with an attendance record of more than 100,000 people. |
Modernism from a Coachella Valley College in this journal —
Book description at Amazon.com, translated by Google —
|
Las matemáticas como herramienta
Mathematics as a tool by Raúl Ibáñez Torres Kindle edition in Spanish, 2023 Although the relationship between mathematics and art can be traced back to ancient times, mainly in geometric and technical aspects, it is with the arrival of the avant-garde and abstract art at the beginning of the 20th century that mathematics takes on greater and different relevance: as a source of inspiration and as a tool for artistic creation. Let us think, for example, of the importance of the fourth dimension for avant-garde movements or, starting with Kandisnky and later Max Bill and concrete art, the vindication of mathematical thinking in artistic creation. An idea that would have a fundamental influence on currents such as constructivism, minimalism, the fluxus movement, conceptual art, systematic art or optical art, among others. Following this approach, this book analyzes, through a variety of examples and activities, how mathematics is present in contemporary art as a creative tool. And it does so through five branches and the study of some of its mathematical topics: geometry (the Pythagorean theorem), topology (the Moebius strip), algebra (algebraic groups and matrices), combinatorics (permutations and combinations) and recreational mathematics (magic and Latin squares). |
From the book ("Cullinane Diamond Theorem" heading and picture of
book's cover added) —
Publisher: Los Libros de La Catarata (October 24, 2023)
Author: Raúl Ibáñez Torres, customarily known as Raúl Ibáñez
(Ibáñez does not mention Cullinane as the author of the above theorem
in his book (except indirectly, quoting Josefine Lyche), but he did credit
him fully in an earlier article, "The Truchet Tiles and the Diamond Puzzle"
(translation by Google).)
About Ibáñez (translated from Amazon.com by Google):
Mathematician, professor of Geometry at the University of the Basque Country
and scientific disseminator. He is part of the Chair of Scientific Culture of the
UPV/EHU and its blog Cuaderno de Cultura Cientifica. He has been a scriptwriter
and presenter of the program “Una de Mates” on the television program Órbita Laika.
He has collaborated since 2005 on the programs Graffiti and La mechanica del caracol
on Radio Euskadi. He has also been a collaborator and co-writer of the documentary
Hilos de tiempo (2020) about the artist Esther Ferrer. For 20 years he directed the
DivulgaMAT portal, Virtual Center for the Dissemination of Mathematics, and was a
member of the dissemination commission of the Royal Spanish Mathematical Society.
Author of several books, including The Secrets of Multiplication (2019) and
The Great Family of Numbers (2021), in the collection Miradas Matemáticas (Catarata).
He has received the V José María Savirón Prize for Scientific Dissemination
(national modality, 2010) and the COSCE Prize for the Dissemination of Science (2011).
nytimes.com/2023/10/08/arts/design/claude-cormier-dead.html
"Mr. Cormier, an avant-garde Canadian landscape architect
who created playfully subversive and much loved public spaces,
died on Sept. 15 at his home in Montreal. He was 63."
Somewhat less playful and subversive — This journal on Sept. 15 —
From today's New York Times obituary of a pioneering filmmaker —
"In 1948, he enrolled at the University of Toronto
to study political science and economics.
The avant-garde filmmaker Maya Deren taught
a workshop at the university one semester and
he became her lighting assistant. She encouraged
him to abandon economics and make movies instead."
Deren previously appeared here on Sunday, March 31, 2019:
For some wide-screen non-illusion, see . . .
Related material —

"The Demolished Man was a novel that had fascinated De Palma
since the late 1950s and appealed to his background in mathematics
and avant-garde storytelling. Its unconventional unfolding of plot
(exemplified in its mathematical layout of dialogue) and its stress on
perception have analogs in De Palma's filmmaking." — Wikipedia
This, together with the Cuernavaca balcony in Deschooling MIT, is
perhaps enough of a clue for mystified theologians on St. Peter's Day.
From this evening's online New York Times :
"Eric Salzman, a composer and music critic who
championed a new art form, music theater,
that was neither opera nor stage musical, died
on Nov. 12 at his home in Brooklyn. He was 84."
. . . .
"The first American Music Theater Festival
took place in the summer of 1984.
Among that first festival’s featured works was
'Strike Up the Band!,' Mr. Salzman’s 'reconstructed
and adapted' version of a satirical musical
with a score by George and Ira Gershwin
that had not been staged in 50 years. The director
of that production, Frank Corsaro, died
the day before Mr. Salzman did."
Synchronology check :
"The day before" above was November 11, 2017.
Links from this journal on November 11 —
A Log24 search for Michael Sudduth and an
October 28, 2017, Facebook post by Sudduth.
Detail of Sudduth's Nov. 11 Facebook home page —
Click the above for an enlarged view of the Sudduth profile picture.
Related material :
Aooo.
| T. Lux Feininger (June 11, 1910 Berlin, Germany – July 7, 2011 Cambridge, Massachusetts) was a German-American painter, avant-garde photographer, author, and art teacher who was born in Berlin to Julia Berg and Lyonel Feininger, an American living in Germany from the age of sixteen. His father was appointed as the Master of the Printing Workingshop at the newly formed Bauhaus art school in Weimar by Walter Gropius in 1919.[1] He had two older full brothers, including Andreas Feininger . . . . — Wikipedia |
The above passage was suggested by an IMDb release date —
— and by a Log24 post, Lux, of the same date: 19 August, 2014.
See also photos by a big brother of Lux Feininger in this journal
on Wednesday, August 30, 2017.
"Clearly, there is a spirit of openhandedness in post-conceptual art
uses of the term 'Conceptualism.' We can now endow it with a
capital letter because it has grown in scale from its initial designation
of an avant-garde grouping, or various groups in various places, and
has evolved in two further phases. It became something like a movement,
on par with and evolving at the same time as Minimalism. Thus the sense
it has in a book such as Tony Godfrey’s Conceptual Art. … Beyond that,
it has in recent years spread to become a tendency, a resonance within
art practice that is nearly ubiquitous." — Terry Smith, 2011
See also the eightfold cube —
This post was suggested by an obituary of a Polish painter from this
morning's online New York Times that mentions Stanislaw Zamecznik.
Zamecznik's granddaughter Marianne Zamecznik discusses
him in a note on an exhibition in Sweden that took place on
Nov. 19, 2012 —
"Since 2009 I have been working with the legacy left behind
by my grandfather, Stanislaw Zamecznik, a Polish exhibition
architect, whom I never met, but that was always present,
that dear ghost, both through my father and grandmother`s
accounts, and by his somewhat mysterious standing in the
Polish avant-garde history."
See also Marianne Zamecznik in this journal and two posts
from the above exhibition date, Nov. 19, 2012.
From a New York Post review of "Clouds of Sils Maria,"
a film that opened yesterday —
"Assayas [the writer-director] evidently thinks he’s
being daring and original and avant-garde in leaving
so much open-ended. But you can tell what really
interests him isn’t doing the work of a serious artist
but the comfy trappings of one — the swank dining
rooms, the posh cars with drivers always at the ready.
What’s French for bourgeois? Never mind.
'Clouds' isn’t a film but an idea for a film —
unfinished, unsatisfying, undergraduate."
From this date last year:
"Here was finality indeed, and cleavage!"
Headline on an avant-garde-theater piece in
The New York Times that was the subject of
a Log24 post on December 15 (Julie Taymor's birthday):
"To Thine Own Algorithm Be True"
Today is the feast of St. Peter Canisius.
Click on Canisius for material related to the Times
story, and on the feast for a more traditional tale.
The New York Times this evening has a story
on "A Piece of Work," an avant-garde production
at Brooklyn Academy of Music (BAM) that is to open
Wednesday.
A background check on Annie Dorsen, the production's
author-director, yields the following remarks on a video
promoting a show titled "Magical"—
"This video is sent us by the company for promotion
of their show in Bergen the 15. and 16. of April 2011.
Excerpt from the program:
Do magic and feminism go together? Anne Juren, the
French choreographer living in Vienna, and Annie
Dorsen, the New York based director, attempt to prove
that it can: it’s alchemical, it’s political and it works."
Related material: This journal eight years ago today, and
the Log24 posts from the dates, April 15-16, 2011, of the
"Magical" production in Bergen, Norway.
Happy birthday, Julie Taymor.
From The New York Times Sunday Book Review of Sept. 1, 2013—
|
THE GAMAL Reviewed by Katharine Weber Ten years ago, when Mark Haddon’s “Curious Incident of the Dog in the Night-Time” turned up on the best-seller list and won a number of literary awards, the novel’s autistic narrator beguiled readers with his unconventional point of view. Today, even as controversy surrounds the revised classification of autism in the latest version of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders, the quirky yet remarkably perceptive points of view of autistic narrators have become increasingly familiar in every category of fiction, from young adult to science fiction to popular and literary fiction. Like Haddon’s Christopher Boone, the narrator of Ciaran Collins’s remarkable first novel, “The Gamal,” has been encouraged by a mental health professional to write his story for therapeutic purposes. Charlie McCarthy, 25, is known in the West Cork village of Ballyronan as “the gamal,” short for “gamalog,” a term for a fool or simpleton rarely heard beyond the Gaeltacht regions of Ireland. He is in fact a savant, a sensitive oddball whose cheeky, strange, defiant and witty monologue is as disturbing as it is dazzling. … |
The Gamal features a considerable variety of music. See details at a music weblog.
This, together with the narrator's encouragement "by a mental health professional
to write his story for therapeutic purposes" might interest Baz Luhrmann.
See Luhrmann's recent film "The Great Gatsby," with its portrait of
F. Scott Fitzgerald's narrator, and thus Fitzgerald himself, as a sensitive looney.
The Carraway-Daisy-Gatsby trio has a parallel in The Gamal . (Again, see
the music weblog's description.)
The Times reviewer's concluding remarks on truth, lies, and unreliable autistic
narrators may interest some mathematicians. From an Aug. 29 post—
A different gamalog , a website in Mexico, is not entirely unrelated to
issues of lies and truth—
Sistine Chapel Smoke
Tromso Kunsthall Mirrors
Background for the smoke image:
A remark by Michelangelo in a 2007 post, High Concept.
Background for the mirrors image:
Note the publication date— Mar. 10, 2013.
"Sometime in 1638, John Milton visited Galileo Galilei in Florence. The great astronomer was old and blind and under house arrest, confined by order of the Inquisition, which had forced him to recant his belief that the earth revolves around the sun, as formulated in his 'Dialogue Concerning the Two Chief World Systems.' Milton was thirty years old—his own blindness, his own arrest, and his own cosmological epic, 'Paradise Lost,' all lay before him….
Beyond the sheer pleasure of picturing the encounter— it’s like those comic-book specials in which Superman meets Batman— there’s something strange about imagining these two figures inhabiting the same age. Though Milton was the much younger man, in some ways his world system seems curiously older than the astronomer’s empirical universe."
— Jonathan Rosen, The New Yorker , June 2, 2008, "Return to Paradise"
More in the spirit of Superman and Batman:
"Huh. You know what? Galileo didn't even write this."
"What!"
"The poem is signed John Milton."
"John Milton ?" The influential English poet who wrote
Paradise Lost was a contemporary of Galileo's and a
savant who conspiracy buffs put at the top of their list
of Illuminati suspects. Milton's alleged affiliation with
Galileo's Illuminati was one legend Langdon
suspected was true. Not only had Milton made a
well documented 1638 pilgrimage to Rome to
"commune with enlightened men," but he had held
meetings with Galileo during the scientist's house
arrest, meetings portrayed in many Renaissance
paintings….
"Milton knew Galileo, didn't he?" Vittoria said, finally
pushing the folio over to Langdon. "Maybe he wrote
the poem as a favor?"
— Angels & Demons , by Dan Brown
(first published in 2000)
See also this journal on August 16, 2009.
Addendum for Aaron Swartz (see today's previous post)—
"The Vatican, it seemed, took their archives
a bit more seriously than most." — Dan Brown
The Harvard Crimson on last night's Ig Nobel Prize ceremony:
"The theme of the evening was 'The Universe,' a catchword
that had the audience cheering any time it was mentioned
throughout the night. Throughout the ceremony, a mini opera
entitled 'The Intelligent Designer and the Universe'* premiered
in four acts.
The opera’s final line was “This is how the Universe decays
into insanity.”
* An opera "about an insane wealthy man who bequeaths his
fortune to have someone design a beautiful dress for the
universe." —Mark Pratt, Associated Press
In related news…
"Most mysteries begin in confusion and end in certainty;
Pynchon likes to change this trajectory, so that what begins
a mystery ends as pure chaos. (Well aware how frustrating
some readers find this, Pynchon sets up a running gag in
Inherent Vice about a class action suit brought against MGM
by audiences who don't like the way its stories end.)"
— Sarah Churchwell in The Guardian , Sunday, July 26, 2009
|
The New York Times this evening— Horacio Coppola, Evocative By DENISE GRADY Published: June 30, 2012 Horacio Coppola, whose black-and-white photographs of the cafes, side streets and neon-lit boulevards of Buenos Aires in the 1930s, and of ordinary objects like a typewriter and a doll, introduced avant-garde photography to Argentina, died on June 18 in Buenos Aires. He was 105. more >> |
Related story—
Coppola photographed the new Obelisk of Buenos Aires in 1936.
"Where the Obelisco stands, a church dedicated to St. Nicholas
of Bari [or of Myra] was previously demolished."
Related images—

Wikipedia image
"And if you should survive to a hundred and five,
look at all you'll derive …" —Sinatra
yesterday on Julie Taymor and "Spider-Man"—
"This isn't a time for schadenfreude. Jobs are on the line, careers hang in the balance and the Fed isn't going to ride to the rescue of megamusicals as it did for Wall Street banks. But you'll forgive me for being a pessimist about the chances of an 11th hour redemption. The only way I can see this train wreck turning into an artistic success is if the investors were somehow able to resurrect Orson Welles to adapt the whole unfortunate episode into a 'Citizen Kane' sequel, the tale of an avant-garde idealist who loses her way after being enabled by heedless businessmen determined to duplicate the multibillion-dollar bonanza of 'The Lion King.'"
See also this morning's post and…

— Errol Morris in The New York Times , March 9th
This morning’s New York Times reports the deaths of Nuremberg interrogator Richard W. Sonnenfeldt and of avant-garde novelist and Beckett scholar Raymond Federman.
Symbols from this journal on the dates of their deaths:

— James Joyce, Finnegans Wake
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