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Related reading . . . The Brick Joke —
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Related reading . . . The Brick Joke —
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Related aesthetics —
"Poincaré said that science is no more a collection of facts
… Mathematics may be art, but to the general public it is
In attempting to bridge this divide I have always found that
— Sir Michael Atiyah, "The Art of Mathematics" |
The construction below of a PG(5,2) brick space is analogous to the
"line diagrams" construction of a PG(3,2) in Cullinane's diamond theorem.
Template for a brick with "mortar" lines in black —

A challenge today for NotebookLM video creation . . .
"Explain how the four-color decomposition theorem works,
applying it to both the 4×4 arrays of the diamond theorem proof
and to the 4-row 2-column arrays that illustrate the 105 lines of
the Klein quadric in PG(5,2). Then explain how the four-color
decomposition theorem illustrates the way that the thirty 7-point
planes of PG(5,2) [Error in the prompt: Should have been 'of the
Klein quadric'] correspond to the fifteen points and the fifteen
7-point hyperplanes of PG(3,2)."
"Generating Cinematic Video Overview . . .
This may take a while." — 7:21 pm ET
Update the same day —
Completed at 7:42 pm —a 4 min., 56 sec. video — provocatively
titled by the NotebookLM AI "The Geometry of the Monster."
The AI-supplied title does not refer to the sporadic group known
to mathematicians as "the Monster," but instead (and wrongly)
to its much smaller subgroup, the Mathieu group M24. Understanding
the geometry of M24 may, however, help somewhat in understanding
the real Monster group. (Vide Griess, Twelve Sporadic Groups.)
The video is on YouTube at . . .
https://www.youtube.com/watch?v=p_ZtazR8VDs .
260706-AI-named-'Geometry_of_the_Monster'-YouTube-video.jpg —
The above title is from a paper by R. L. Griess* —
The title also applies to . . .
Partitions of an 8-set into four 2-sets that
correspond to lines in projective geometry . . .
*

From "On the Superlines of a Quadric Surface
in Five-Dimensional Space," by Arthur Cayley —
"… we have on the quadric two systems
of superlines; a superline of the one kind
answering in ordinary space to the lines
which pass through a given point, and
a superline of the other kind answering
to the lines which lie in a given plane."
(Observe that, as regards the five-dimensional
geometry, this is no distinction of nature
between the two kinds of superlines, they are
simply correlative to each other, like the two
systems of generating lines of a quadric in
ordinary space.)"
[Italics added.]
— Quarterly Journal of Pure and Applied
Mathematics, vol. XII (1873), pp. 176-180.
In the picture below, the four-colored bricks numbered 1 through 7 at left
form a Cayley superline "answering to the lines which lie in a given plane."
The above lines lie in the "given plane" that appears in the left half
of a 4×4 array in the Miracle Octad Generator (MOG) of R. T. Curtis.
They are seven lines in PG(3,2) on the same plane in PG(3,2).
By using the MOG, you can also find seven lines in PG(3,2) on
the same point , and the corresponding seven Klein-quadric points.
Cayley's remark on "correlative" kinds of superlines
suggests a related illustration of MOG use . . .
The MOG can be used to find the seven points in the Klein quadric
corresponding to the seven lines in the PG(3,2) plane that appears in
the top half of a 4×4 array . . .
The top-half "given plane" in the above picture corresponds, under the
diamond theorem's projective correlation,* to the "given point" represented
by the line diagram bisecting a 4×4 array horizontally.
* V. Harish, N. R. Kumar and N. R. Raajan, "New visual secret sharing scheme
for gray-level images using diamond theorem correlation pattern structure,"
2016 International Conference on Circuit, Power and Computing Technologies
(ICCPCT), Nagercoil, India, 2016, pp. 1-5, doi: 10.1109/ICCPCT.2016.7530155.
Immanentizing the Eschaton
and
Colorizing the Superlines
The above phrase "immanentizing the eschaton," from
The Illuminatus! Trilogy , might occur to some viewers
of Josefine Lyche's current Geometric Utopias art exhibit.
Some less esoteric geometry . . .
A Cayley superline of the Klein quadric in PG(5,2)
is actually a plane of the quadric. Any such plane can be
pictured as a set of seven partitions of an 8-set into four 2-sets,
with the partitions satisfying certain geometric conditions.
A prototypical example of such a set: the four-colored bricks
numbered 1 through 7 at left in the picture below.
The colored bricks above are from the four-color decomposition theorem .
". . . Southbound . . . ." —Mary Chapin Carpenter song lyric
Some will prefer lyrics by Stevie Nicks . . .
". . . Turn Around . . . ."
The above L2(23) is closely related to the "Seventh Seal" color bodies implied
by the conclusion of Cameron's classic Parallelisms of Complete Designs.
One such color body, from the set of 105 Klein quadric lines in brick space . . .
For the bricks of the title, see other posts tagged Brick Space.
For some cubes* and flowers, see below.
Combining features of the above two images, one might picture the 24
cells of the 4×6 array underlying the Curtis Miracle Octad Generator
(MOG) as each containing an eightfold cube, pictured as above with seven
of its subcubes showing and an eighth subcube hidden behind them.
The seven visible subcubes may be colored, as in the Curtis image of
the Klein map, with seven distinct colors… corresponding to the seven
edge-colors used in the Curtis-Klein map. Each of the seven visible
subcubes in a cell may also be labeled, on its visible faces, with a symbol
denoting one of the 24 points of the projective line over GF(23), just as the
faces in the Curtis-Klein map are labeled. The hidden subcube in each cell
may be regarded as also so labeled, by the MOG label of the cell's position.
There is then enough information in the array's eightfold cubes' colors and
labels to construct the seven generating permutations of M24 described by
Curtis, and the 24 array cells may be regarded as now containing 24 distinct
entities — which perhaps might be called "octoids."
Those desiring a more decorative approach may replace the 24 labeled cubes
with 24 labeled "flowers." Each flower — like the map's symmetric seven
"petals" and the central "infinity heptagon" they surround — forms an octad.
Related Illustrations . . .
* See as well posts tagged Mathieu Cube . . .
Related material —
The 56 triangles of the eightfold cube . . .
Image from Christmas Day 2005.
Post last revised: December 30, 2025 @ 21:30 E.S.T.
A question suggested by NotebookLM in the "Diamond Theory" notebook,
and its answer today by NotebookLM —
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How are algebraic, combinatorial, and geometric structures unified within the Brick Space model? The unification of algebraic, combinatorial, and geometric structures within the Brick Space model is achieved through its role as a graphic, isomorphic representation of key finite geometries, particularly the projective spaces PG(5,2) and PG(3,2), and their fundamental relationship via the Klein correspondence
.
The term "Brick Space" originates from the arrays, or "bricks," coined by R. T. Curtis as component parts of his Miracle Octad Generator (MOG)
. These physical or graphic arrangements serve as a concrete visualization (or model) of highly abstract mathematical structures
.
1. Geometric Unification
The Brick Space model provides a geometric foundation for combinatorial objects through direct visualization of finite geometries defined over the two-element field, GF(2)
.
• Modeling Projective Space: The Brick Space model is the natural geometric setting for the MOG's components, which may be regarded as forming both the 5-dimensional projective space and the 3-dimensional projective space
.
• Visualizing PG(5,2) and the Klein Quadric: The model visually represents the space, which has 63 points, by partitioning these points into 28 points lying off the Klein quadric and 35 points lying on the Klein quadric
. The geometry of is linked to the concept of the 8-set
.
• The Klein Correspondence: The geometric relationship between and is formalized by the Klein correspondence
. The model, developed as a brick space, is analogous to the "line diagrams" construction of found in the Cullinane diamond theorem
.
• Lines and Points: The Brick Space implicitly models how the 35 lines of correspond to the 35 points on the Klein quadric in
.
2. Combinatorial Unification
Combinatorial structures, primarily partitions of sets and block designs, are mapped directly onto geometric entities within the Brick Space framework
.
• Partitions and Lines: The central combinatorial equivalence involves mapping partitions of sets to geometric objects
. The 35 combinatorial structures arising from permutations of diamond tiles (related to the bricks) are isomorphic to the 35 lines of . These 35 structures also mirror the 35 square patterns within the original MOG
.
• Partitions of the 8-Set: The lines correspond to the 35 partitions of an 8-set into two 4-sets
. This same framework connects to the 105 partitions of an 8-set into four 2-sets, which are essentially the same as the 105 lines contained in the Klein quadric
.
• Latin Squares: The combinatorial property of orthogonality of Latin squares (specifically, order-4 Latin squares) is unified geometrically by corresponding exactly to the property of skewness of lines (non-intersecting lines) in
. This provides a geometric dictionary for abstract algebraic combinatorics
.
3. Algebraic Unification
Algebraic structures, rooted in finite field theory and group theory, govern the behavior and symmetries observed in the combinatorial and geometric models
.
• Binary Field : The foundation of the geometry is the Galois field of two elements, (binary arithmetic: )
. The algebraic rules of dictate the structure of the affine and projective spaces represented by the bricks
.
• Binary Addition (XOR): The line diagrams used to formalize the patterns (related to the bricks) can be "added" via component-wise binary addition (XOR)
. The closure property of lines in is represented algebraically by the fact that the three line diagrams corresponding to a pattern always sum to zero ()
.
• Group Theory and Symmetry: The massive permutation group (of order 322,560) that transforms the visual patterns is isomorphic to the affine group
. This group, which explains the pervasive symmetry found in all -images, is the automorphism group of the underlying finite geometry, establishing the algebraic control over the system's geometric and combinatorial properties
.
• Ring Theory: The patterns can be endowed with algebraic structure to generate an ideal within a ring of symmetric patterns, leading to an infinite family of "diamond rings" isomorphic to rings of matrices over
. This links the geometry to the machinery of abstract algebra
.
• M24 Connection: The affine group is identified as the octad stabilizer subgroup of the Mathieu group
, linking the visual patterns and the underlying geometries to the abstract world of sporadic simple groups, coding theory (Golay code), and lattice theory (Leech lattice)
.
The Brick Space model, therefore, functions as a visual tapestry where graphic arrangements (geometry/visualization) encode set partitions (combinatorics) that behave according to the rules of binary algebra ( and affine groups)
. The entire structure is unified by powerful isomorphisms relating these three mathematical domains through finite geometries like and . |
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Transcript of NotebookLM video
Okay, so our first clue |
Scholium
Related material —
From a post for the opening of Cullinane College
on January 29, 2003:
"Young man sings 'Dry Bones'"
Illustrations:
See as well "Monolith" in this journal.
Bullshit fans may also enjoy "the monolith to El"
in James Michener's archaeology epic The Source :

. . . is the title of a NotebookLM video now on YouTube —
See https://youtu.be/6zUKg4dNEbM .
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The current NotebookLM summary for the Diamond Theory notebook, the source of the above video — "These sources comprehensively explore the deep connections between finite geometry, particularly the projective spaces PG(3,2) and PG(5,2) over GF(2), and various topics in combinatorics, group theory, and coding theory. Central to this discussion are the Miracle Octad Generator (MOG) and the Cullinane Diamond Theorem, which model highly symmetric structures like the affine group AGL(4,2) and the sporadic Mathieu group M24 using geometric figures such as 4×4 arrays or 'brick space.' The geometry of PG(3,2), described as the 'smallest perfect universe,' is shown to be crucial, relating to concepts like Conwell's Heptads, Klein correspondence, spreads, and mutually orthogonal Latin squares (MOLS), which also have applications in error-correcting codes and quantum information theory involving n-qubits. Ultimately, these texts demonstrate how abstract mathematical symmetry is intrinsically linked across algebra, geometry, and visual art, often leveraging automorphism groups to reveal structural invariants." |
"In my experience, every kind of writing requires
some kind of self-soothing Jedi mind trick, and,
when it comes to essay composition,
this rectangle is mine."
— Zadie Smith in The New Yorker, Sept. 22, 2025.
A mind trick that is perhaps less self-soothing —
The dimensional reduction above, from six affine dimensions over
GF(2) to four dimensions, is, like a similar reduction in the previous post,
done by considering only even-sized subsets, then considering as elements
only the boundaries between these subsets and their complements . . .
and the Galois (XOR) sums of those boundaties.
http://m759.net/wordpress/?s="six+dimensions+into+three"
The above link is for fans of Richard J. Trudeau's "Story Theory of Truth."
And then from pure mathematics, there is the reduction from eight dimensions
into six of Diamond Theory, in passing from the eight-dimensional affine space
over the two-element Galois field to the six-dimensional affine space used in
Diamond Theory to represent the five-dimensional projective space PG(5,2).
See other posts tagged Klein Space.
"What do you get with that card?"
"Big Top points."
Cicero, In Verrem II. 1. 46 —
He reached Delos. There one night he secretly 46 carried off, from the much-revered sanctuary of Apollo, several ancient and beautiful statues, and had them put on board his own transport. Next day, when the inhabitants of Delos saw their sanc- tuary stripped of its treasures, they were much distressed . . . .
Delum venit. Ibi ex fano Apollinis religiosissimo noctu clam sustulit signa pulcherrima atque anti- quissima, eaque in onerariam navem suam conicienda curavit. Postridie cum fanum spoliatum viderent ii
Ex Fano

Related reading — http://m759.net/wordpress/?s="The+form,+the+pattern"
Selected sneak previews . . .
From the Log24 post "Hollywood Geometry" of March 6 —
From the Instagram of osullivanstudios on March 6 —
From a Log24 post of May 10 —

The new URL m24.space forwards to . . .
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