"So we beat on…"
* See as well today's previous post.
From Pi Day 2017 —
"Don't want to end up a cartoon in a cartoon graveyard."
“God’s plan for man in this world is Adam and Eve,
not Adam and Steve.”
— The late William E. Dannemeyer, who reportedly
died at 89 on July 9, 2019.
Hollywood offers a second opinion —
— The garden of Eden. The birthplace of Adam and Eve and Steve. — Steve? Who's Steve? — Steve is the original supermodel. The first of the purebloods.
Personal Emblem
of psychiatrist
Harry Stack Sullivan
This image, from a post of Wednesday, Dec. 12, 2007,
was suggested by Taylor Swift's annotation for her new
album . . .
http://m759.net/wordpress/?p=114081 —
"And so I enter into evidence
My tarnished coat of arms . . . ."
and by the Frida Kahlo image in the 2007 post, as well as
Kahlo in art by the former Sullivanian whose work has
now been added to yesterday's "American Pie" post.
"Do you remember All Souls' Day two years ago?"
"For ten years, we've been on our own . . ." — American Pie
A story from the NY Times Sunday morning print edition —
"A version of this article appears in print on ,
on Page A1 of the New York edition with the headline:
Kevin Roche, 96, Is Dead; Famed Modernist Architect."
" When Mr. Roche received the Pritzker in 1982, he delivered
an acceptance speech that displayed both his capacity for
self-deprecating humor and his belief that architecture was
a noble pursuit. He quoted from a letter he had received
complaining that his work was 'moribund' and that the Pritzker
jury 'must be out of their minds' to have given him the prize.
He could only respond, he said, by asking: 'Is not the act of building
an act of faith in the future, and of hope? Hope that the testimony of
our civilization will be passed on to others, hope that what we are doing
is not only sane and useful and beautiful, but a clear and true reflection
of our own aspirations. And hope that it is an art, which will communicate
with the future and touch those generations as we ourselves have been
touched and moved by the past.' "
— Paul Goldberger
Goldberger on Roche's earlier career —
". . . He continued to finish projects Saarinen had started, including
the IBM Pavilion at the 1964 New York World’s Fair, designed
in collaboration with Charles Eames . . . ."
Illustration —
The IBM Pavilion at the 1964 World's Fair
See also the film "Tomorrowland."
"Bad news on the doorstep…." — American Pie
"ACTUALLY HAPPENED!"
Wolff reportedly did on Sunday, Feb. 17.
For the Church of Synchronology —
Log24 posts on the reported date of Wolff's death.
Related Log24 post — Good News and Bad News.
Wolff himself, in a weblog post of Oct. 16, 2017,*
had some trenchant comments on religion . . .
See "How Odd of God." (See as well today's midnight
post in this journal, "Ghost in the Shell.")
* "Broomsday." See also Log24 posts on that date.
The word "artifacts" in the above obituary summary
suggests three Log24 posts now tagged with that word.
See as well . . .
"Bad news on the doorstep…." — American Pie
The title is from Don McLean's classic "American Pie."
A Finite Projective Space —
A Non-Finite Projective Space —
"Bad news on the doorstep…." — American Pie
Update of 5:24 PM ET — A requiem chord —
|
Tom Stoppard, Jumpers —
“Heaven, how can I believe in Heaven?” “Just a lying rhyme for seven!” |
Perhaps.
Wikipedia on a George Clooney film released yesterday —
"The studio's major production is Hail, Caesar! ,
an epic set in ancient Rome and starring Baird Whitlock
(Clooney). During a shoot, Whitlock drinks from a goblet
of wine drugged by an extra; he passes out behind the
soundstage and is abducted. A ransom note soon arrives,
written by a group calling itself 'The Future' and demanding
$100,000, which Mannix arranges to have paid. Whitlock
awakens in a beach house and finds his way into a meeting
of The Future, a Communist cell. The members explain their
doctrine to him, and he begins to sympathize with their cause."
See also this morning's post Space Program:
"Bad news on the doorstep…." — American Pie

From a piece in The Harvard Crimson today:
"The refrain of one of my favorite songs goes,
'Tension is to be loved when it is like a passing note
to a beautiful, beautiful chord.' I don’t want to seek
the allusion [sic ] of finding balance anymore:
It can’t be found."
Allusion —
"No angel born in Hell
Could break that Satan's spell"
— "American Pie"
A passing note —
"The name diabolus in musica ("the Devil in music")
has been applied to the interval from at least the
early 18th century…."
— Wikipedia on the tritone
See also Music & Noise at a physics site and the square root
of two on page 56 of Barry Mazur's Imagining Numbers
(Picador imprint, Farrar, Straus and Giroux, 2003) —

Or: Chinny-Chin-Chin .
This post will be meaningless unless you
have seen the recent film "R.I.P.D.," starring
James Hong and Jeff Bridges.
(In that film, two deceased lawmen appear to
the living in disguised form— as Hong, and
as Bridges in the guise of a major babe.)
From the AP Today in History page
for October 29, 2013 —
On this date in:
1967 The musical "Hair" opened off-Broadway.
This, together with the Halloween season and
"R.I.P.D.," suggests a bizarre show:
"And there we were all in one place,
A generation lost in space…"
– Don McLean, "American Pie"
The show would star Cybill Shepherd and Jeff Bridges
as, respectively, Jackie Chan and Nicole Kidman in…
V.I.P.D.
See also some related posts with Jeff Bridges.
Backstory: Sermon (Nov. 18, 2012) and
Eternal Recreation (Dec. 24, 2012).
"We've lost the plot!" — "Slipstream." Small wonder.
The Space Case
"A generation lost in space"
— Don McLean, "American Pie"
Last night's post discussed Jim Dodge's fictional vision of a "spherical diamond" related to physics.
For some background, see Poetry and Physics (April 25, 2011).
That post quotes a July 2008 New Yorker article —
By Benjamin Wallace-Wells, contributing editor at Rolling Stone
and sometime writer on space—
“There’s a dream that underlying the physical universe is some beautiful mathematical structure, and that the job of physics is to discover that,” Smolin told me later. “The dream is in bad shape,” he added. “And it’s a dream that most of us are like recovering alcoholics from.” Lisi’s talk, he said, “was like being offered a drink.”
Or a toke.
"Now John at the bar is a friend of mine
He gets me my drinks for free
And he's quick with a joke or to light up your smoke
But there's someplace that he'd rather be"
— Billy Joel, "Piano Man"
"And there we were all in one place,
A generation lost in space…"
— Don McLean, "American Pie"
Today's NY Times says Robert T. McCall, space artist, died at 90 on Feb. 26.
"His most famous image may be the gargantuan mural, showing events from the creation of the universe to men walking on the Moon, on the south lobby wall of the National Air and Space Museum on the National Mall in Washington. More than 10 million people a year pass it.
Or it might be his painting showing a space vehicle darting from the bay of a wheel-shaped space station, which was used in a poster for Stanley Kubrick’s landmark 1968 film, '2001: A Space Odyssey.'"
Cover art by McCall, with autograph dated
8/19/05, from a personal web page
Hal in "2010"– "Will I dream?"
Log24 on the day that McCall died—
"Which Dreamed It?"
– Title of final chapter,Through the Looking Glass
"Go ask Alice… I think she'll know."
– Grace Slick, 1967
Related material: James Joyce in this journal–
"A generation lost in space"
— American Pie
Click image for details.
See also the concepts of inner-direction
and other-direction in The Lonely Crowd
by David Riesman et al. Riesman was,
according to Harvard Square Library,
a contract termination lawyer for
Sperry Gyroscope before turning
to sociology.
EXERCISE — Discuss inner- and
other-direction in education and
in journalism, using the material
in Monday's entry on the
New York Times dunce cap —
— contrasted with the webpage
excerpted below —
Song of Not-Self
A critic on the abstract expressionists:
"…they painted that reality — that song of self — with a passion, bravura, and decisiveness unequaled in modern art."
Painter Mark Rothko:
"I don't express myself in painting.
I express my not-self."
On this day in 1957, Buddy Holly and his group recorded the hit version of "That'll Be the Day."
On this day in 1970, painter Mark Rothko committed suicide in his New York City studio.
On February 27, 1971, the Rothko Chapel was formally dedicated in Houston, Texas.
On May 26, 1971, Don McLean recorded "American Pie."
Rothko was apparently an alcoholic; whether he spent his last day enacting McLean's lyrics I do not know.
Rothko is said to have written that
"The progression of a painter's work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood."
— Mark Rothko, The Tiger's Eye, 1, no. 9 (October 1949), p. 114
Whether Holly's concept "the day that I die" is a mere parody of an idea or "an idea in itself," the reader may judge. The reader may also judge the wisdom of building a chapel to illustrate the clarity of thought processes such as Rothko's in 1949. I personally feel that someone who can call geometry a "swamp" may not be the best guide to religious meditation.
For another view, see this essay by Erik Anderson Reece.
Good News and Bad News
If all time is eternally present
All time is unredeemable.— T. S. Eliot, beginning of
Four Quartets
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Groundhog Day |
Today is |
And there we were all in one place
A generation lost in space— American Pie, by Don McLean
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Addendum of 8:08 PM February 5, 2003:
Appropriate music for this entry, |
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