A version more explicitly connected to finite geometry —
For the six synthematic totals , see The Joy of Six.
Thursday, April 30, 2020
Wednesday, April 29, 2020
Curtis at Pilsen, Thursday, July 5, 2018
For an account by R. T. Curtis of how he discovered the Miracle Octad Generator,
see slides by Curtis, "Graphs and Groups," from his talk on July 5, 2018, at the
Pilsen conference on algebraic graph theory, "Symmetry vs. Regularity: The first
50 years since Weisfeiler-Leman stabilization" (WL2018).
See also "Notes to Robert Curtis’s presentation at WL2018," by R. T. Curtis.
Meanwhile, here on July 5, 2018 —
|
Simultaneous perspective does not look upon language as a path because it is not the search for meaning that orients it. Poetry does not attempt to discover what there is at the end of the road; it conceives of the text as a series of transparent strata within which the various parts—the different verbal and semantic currents—produce momentary configurations as they intertwine or break apart, as they reflect each other or efface each other. Poetry contemplates itself, fuses with itself, and obliterates itself in the crystallizations of language. Apparitions, metamorphoses, volatilizations, precipitations of presences. These configurations are crystallized time: although they are perpetually in motion, they always point to the same hour—the hour of change. Each one of them contains all the others, each one is inside the others: change is only the oft-repeated and ever-different metaphor of identity.
— Paz, Octavio. The Monkey Grammarian |
he 2018 Log24 post containing the above Paz quote goes on to quote
remarks by Lévi-Strauss. Paz's phrase "series of transparent strata"
suggests a review of other remarks by Lévi-Strauss in the 2016 post
"Key to All Mythologies."
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Tuesday, April 28, 2020
The Art Issue
“A sort of pointillist mosaic”
— Author David Mitchell on the film adaptation of
his novel Cloud Atlas .
See also the previous post, Cloud Atlas of Unknowing.
“Art isn’t easy.” — Sondheim.
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Monday, April 27, 2020
The Cracked Nut
“At that instant he saw, in one blaze of light, an image of unutterable
conviction, the reason why the artist works and lives and has his being –
the reward he seeks –the only reward he really cares about, without which
there is nothing. It is to snare the spirits of mankind in nets of magic,
to make his life prevail through his creation, to wreak the vision of his life,
the rude and painful substance of his own experience, into the congruence
of blazing and enchanted images that are themselves the core of life, the
essential pattern whence all other things proceed, the kernel of eternity.”
— Thomas Wolfe, Of Time and the River
“… the stabiliser of an octad preserves the affine space structure on its
complement, and (from the construction) induces AGL(4,2) on it.
(It induces A8 on the octad, the kernel of this action being the translation
group of the affine space.)”
— Peter J. Cameron,
The Geometry of the Mathieu Groups (pdf)
“The yarns of seamen have a direct simplicity, the whole meaning
of which lies within the shell of a cracked nut. But Marlow was not
typical (if his propensity to spin yarns be excepted), and to him the
meaning of an episode was not inside like a kernel but outside…."
— Joseph Conrad in Heart of Darkness
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Sunday, April 26, 2020
Crux
This post was suggested by a David Justice weblog post yesterday,
Coincidence and Cosmos. Some related remarks —
“The yarns of seamen have a direct simplicity, the whole meaning
of which lies within the shell of a cracked nut. But Marlow was not
typical (if his propensity to spin yarns be excepted), and to him the
meaning of an episode was not inside like a kernel but outside,
enveloping the tale which brought it out only as a glow brings out a
haze, in the likeness of one of these misty halos that sometimes
are made visible by the spectral illumination of moonshine.”
— Joseph Conrad in Heart of Darkness
“By groping toward the light we are made to realize
how deep the darkness is around us.”
— Arthur Koestler, The Call Girls: A Tragi-Comedy,
Random House, 1973, page 118
See as well posts now tagged Crux.
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The Triangle of Art
This post was suggested by yesterday morning's link to The Fano Hallows.
"Mathematics may be art, but to the general public it is
a black art, more akin to magic and mystery. This presents
a constant challenge to the mathematical community: to explain
how art fits into our subject and what we mean by beauty."
— Sir Michael Atiyah, quoted here on April 4, 2016
A symbol related to The Fano Hallows —
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Saturday, April 25, 2020
The Grandfather Clock
“Well, I’ve helped to wind up the clock —
I might as well hear it strike!”
— Said to be a quotation from the grandfather
of a “pirate radio” founder who reportedly died
at 79 on April 20.
See as well this journal on the night of April 20 —
Wheel Turnin’ ’Round and ’Round —
and a search for “Wheel of Time.”
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Form and Order
“Brahms maintained a classical sense of
form and order in his works….” — Wikipedia
For example —
The above Cologne sextet upload date suggests a review.
See posts now tagged The Fano Hallows.
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Friday, April 24, 2020
Art at Cologne
This post was suggested by a New York Review of Books article
on Cologne artist Gerhard Richter in the May 14, 2020, issue —
"The Master of Unknowing," by Susan Tallman.
Some less random art —
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Thursday, April 23, 2020
Octads and Geometry
See the web pages octad.group and octad.us.
Related geometry (not the 759 octads, but closely related to them) —
#/media/File:150614-PG-3-2-schoolgirls-arrangement.png)
The 4×6 rectangle of R. T. Curtis
illustrates the geometry of octads —
Curtis splits the 4×6 rectangle into three 4×2 "bricks" —
.
"In fact the construction enables us to describe the octads
in a very revealing manner. It shows that each octad,
other than Λ1, Λ2, Λ3, intersects at least one of these ' bricks' —
the 'heavy brick' – in just four points." . . . .
— R. T. Curtis (1976). "A new combinatorial approach to M24,"
Mathematical Proceedings of the Cambridge Philosophical Society ,
79, pp 25-42.
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Dead Poet Joke
From the subtitles of the recent Kristen Stewart film “Underwater” —
427
00:30:26,144 –> 00:30:27,476
He’d always say
he had a new joke,
428
00:30:27,478 –> 00:30:29,445
and then he’d tell
the same stupid joke.
429
00:30:29,447 –> 00:30:32,785
I was… laughing at that joke.
430
00:30:34,053 –> 00:30:35,685
Yeah, what was it?
431
00:30:35,687 –> 00:30:38,654
What did the fish say when
it bumped into the brick wall?
April 11 was the dies natalis , in the Catholic sense, of John Horton Conway.
Related material: Other posts containing the phrase “brick wall.”
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Wednesday, April 22, 2020
One with Everything
The title is of course from an old joke about mystic philosophies.
Related remarks by John Archibald Wheeler —
“Remarkable issues connected with the puzzle of existence
confront us today in Hermann Weyl’s domain of thought.
Four among them I bring before you here as especially interesting:
(1) What is the machinery of existence?
(2) What is deeper foundation of the quantum principle?
(3) What is the proper position to take about the existence of
the “continuum” of the natural numbers? And
(4) What can we do to understand time as an entity, not precise and
supplied free of charge from outside physics, but approximate and
yet to be derived from within a new and deeper time-free physics?
In brief, how come time?
What about the continuum?
How come the quantum?
What is existence?”
— John A. Wheeler, “Hermann Weyl and the Unity of Knowledge,”
American Scientist 74, no. 4 (1986): 366–75. Reprinted in
John A. Wheeler, At Home in the Universe
(American Institute of Physics, December 1, 1995).
The above bibliographic data is from . . .
Schrank, Jeffrey. Inventing Reality: Stories We Create To Explain Everything .
Gatekeeper Press. Kindle Edition, March 14, 2020.
For further scholarly details, see a version at JSTOR:
“…the article is adapted from the concluding address given at
the Hermann Weyl Centenary Congress, University of Kiel, 3 July 1985.”
— https://www.jstor.org/stable/27854250.
I prefer Charles Williams on “the Unity of Knowledge.”
See the 15 instances of the phrase “the Unity” in his 1931 novel Many Dimensions .
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Puzzle Pictures
|
A doodle from 2012’s Feast of the Epiphany—
A doodle based on a post for Twelfth Night, 2003—
|
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Arts at Cambridge
Click here to enlarge. See also Hexagram 59, Feng Shui.
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Deep Horizon
For some mathematical background, see Deep + Hardy.
Related entertainment —
Related non-entertainment —
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Tuesday, April 21, 2020
Living Water
The Tesseract Timeline:
Where The Cube Has Been In The …
www.cinemablend.com › news › the-tesseract-timeline-…
Mar 13, 2019 – With HYDRA. In 1942, Johann Schmidt, a.k.a.
the Red Skull, arrived in Tønsberg to procure the Tesseract
from an ancient church. While he …
Related material from posts tagged Aqua
(suggested by a name in the previous post) —
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Cold Comfort Continues
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Monday, April 20, 2020
The Date
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Geometry for Poets
From Atomicity and Quanta by James Jeans,
Cambridge University Press, 1926, pp. 55-56 —
| “So far as we can at present conjecture, the investigation of the structure which produces this atomicity appears to be the big problem in the path of the quantum-theory. To conform to the principle of relativity, the new atomicity must admit of expression in terms of the space-time continuum, although we have seen that it cannot be an atomicity of the continuum itself. It may conceivably be an atomicity of its metric properties, such as determine its curvatures. We may perhaps form a very rude picture of it by imagining the curvature of the continuum in the neighbourhood of an atom not to be of the continuous nature imagined by Weyl, but to occur in finite chunks—a straight piece, then a sudden bend, then another straight bit, and so on. A small bit of the continuum viewed through a five-dimensional microscope might look rather like a cubist picture; and, conversely, perhaps a cubist picture looks rather more like a little fragment of the continuum than like anything else.” |
This is, of course, not the “atomicity” of the previous post.
For examples of that atomicity, a concept of pure geometry
rather than of physics, see …
Faure, C. A., and Frölicher, A., “Fundamental Notions of
Lattice Theory,” in Modern Projective Geometry (2000).
(Mathematics and Its Applications, vol 521. Springer, Dordrecht.)
Related art (a “cubist picture”) —
Juan Gris, Fruit Dish and Carafe , 1914
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Sunday, April 19, 2020
Easter Egg for Wittgenstein
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