Log24

Sunday, August 31, 2014

Sunday School

Filed under: General,Geometry — Tags: , , , — m759 @ 9:00 am

The Folding

Cynthia Zarin in The New Yorker , issue dated April 12, 2004—

“Time, for L’Engle, is accordion-pleated. She elaborated,
‘When you bring a sheet off the line, you can’t handle it
until it’s folded, and in a sense, I think, the universe can’t
exist until it’s folded — or it’s a story without a book.’”

The geometry of the 4×4 square array is that of the
3-dimensional projective Galois space PG(3,2).

This space occurs, notably, in the Miracle Octad Generator (MOG)
of R. T. Curtis (submitted to Math. Proc. Camb. Phil. Soc.  on
15 June 1974).  Curtis did not, however, describe its geometric
properties. For these, see the Cullinane diamond theorem.

Some history: 

Curtis seems to have obtained the 4×4 space by permuting,
then “folding” 1×8 binary sequences into 4×2 binary arrays.
The original 1×8 sequences came from the method of Turyn
(1967) described by van Lint in his book Coding Theory
(Springer Lecture Notes in Mathematics, No. 201 , first edition
published in 1971). Two 4×2 arrays form each 4×4 square array
within the MOG. This construction did not suggest any discussion
of the geometric properties of the square arrays.

[Rewritten for clarity on Sept. 3, 2014.]

Saturday, August 30, 2014

Physics and Theology

Filed under: General,Geometry — m759 @ 7:00 pm

The titles of the previous three posts refer to
Hermann Weyl’s 1918 book Raum, Zeit, Materie
(Space, Time, Matter).

This suggests a look at a poetically parallel 1950 title —
The Lion, the Witch and the Wardrobe —
and at its underlying philosophy:

I am among “those who do not know that this great myth became Fact.”
I do, however, note that some other odd things have become fact.
Those who wish more on this topic may consult:

Friday, August 29, 2014

Materie

Filed under: General — m759 @ 9:29 am

(A sequel to Raum  and  Zeit )

See also Christmas Eve, 2012.

“It’s going to be accomplished
in steps, this establishment
of the talented….”

To Ride Pegasus , by
Anne McCaffrey (Radcliffe ’47)

Zeit

Filed under: General — m759 @ 8:25 am

( A sequel to Raum )

The author reportedly died on August 14, 2014. See a post from that date.

Raum

Filed under: General,Geometry — Tags: , , — m759 @ 8:00 am

A possible answer to the 1923 question of Walter Gropius, “Was ist Raum?“—

See also yesterday’s Source of the Finite and the image search
on the Gropius question in last night’s post.

Thursday, August 28, 2014

Brutalism Revisited

Filed under: General,Geometry — Tags: , — m759 @ 11:59 pm

Yesterday's 11 AM post was a requiem for a brutalist architect.

Today's LA Times  has a related obituary:

"Architectural historian Alan Hess, who has written several books on
Mid-Century Modern design, said Meyer didn't have a signature style,
'which is one reason he is not as well-known as some other architects
of the period. But whatever style he was working in, he brought a real
sense of quality to his buildings.'

A notable example is another bank building, at South Beverly Drive
and Pico Boulevard, with massive concrete columns, a hallmark of
the New Brutalism style. 'This is a really good example of it,' Hess said."

— David Colker, 5:43 PM LA time, Aug. 28, 2014

A related search, suggested by this morning's post Source of the Finite:

(Click to enlarge.)

Source of the Finite

Filed under: General,Geometry — Tags: , , , — m759 @ 10:20 am

"Die Unendlichkeit  ist die uranfängliche Tatsache: es wäre nur
zu erklären, woher das Endliche  stamme…."

— Friedrich Nietzsche, Das Philosophenbuch/Le livre du philosophe
(Paris: Aubier-Flammarion, 1969), fragment 120, p. 118

Cited as above, and translated as "Infinity is the original fact;
what has to be explained is the source of the finite…." in
The Production of Space , by Henri Lefebvre. (Oxford: Blackwell,
1991 (1974)), p.  181.

This quotation was suggested by the Bauhaus-related phrase
"the laws of cubical space" (see yesterday's Schau der Gestalt )
and by the laws of cubical space discussed in the webpage
Cube Space, 1984-2003.

For a less rigorous approach to space at the Harvard Graduate
School of Design, see earlier references to Lefebvre in this journal.

Wednesday, August 27, 2014

Not Quite

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

Click image to enlarge.

Altar

Filed under: General,Geometry — Tags: , , , — m759 @ 11:00 am

"To every man upon this earth,
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
and the temples of his gods…?"

— Macaulay, quoted in the April 2013 film "Oblivion"

"Leave a space." — Tom Stoppard, "Jumpers"

Related material: The August 16, 2014, sudden death in Scotland
of an architect of the above Cardross seminary, and a Log24 post,
Plato's Logos, from the date of the above photo: June 26, 2010.

See also…

IMAGE- T. Lux Feininger on 'Gestaltung'

Here “eidolon” should instead be “eidos .”

An example of eidos — Plato's diamond (from the Meno ) —

http://www.log24.com/log/pix10A/100607-PlatoDiamond.gif

Schau der Gestalt

Filed under: General,Geometry — Tags: , , , — m759 @ 5:01 am

(Continued from Aug. 19, 2014)

“Christian contemplation is the opposite
of distanced consideration of an image:
as Paul says, it is the metamorphosis of
the beholder into the image he beholds
(2 Cor 3.18), the ‘realisation’ of what the
image expresses (Newman). This is
possible only by giving up one’s own
standards and being assimilated to the
dimensions of the image.”

— Hans Urs von Balthasar,
The Glory of the Lord:
A Theological Aesthetics,

Vol. I: Seeing the Form
[ Schau der Gestalt ],
Ignatius Press, 1982, p. 485

A Bauhaus approach to Schau der Gestalt :

I prefer the I Ching ‘s approach to the laws of cubical space.

Tuesday, August 26, 2014

Le Pianiste

Filed under: General — m759 @ 12:00 pm

Bryan Cranston won an Emmy for lead actor in a drama series Monday…”

“Tu es le pianiste….” — Log24 post 641

Lux et Veritas

Filed under: General,Geometry — m759 @ 7:59 am

Omega by Lux:

Mathieu and Omega Steps

Omega by Curtis:

Exotic Sphere

Filed under: General — m759 @ 1:00 am

Two images from posts tagged ‘Objects of Beauty‘ —

“And be these juggling fiends no more believed,
That palter with us in a double sense….”

Later

Filed under: General — m759 @ 12:25 am

Related material:  March 20, 2013.

Monday, August 25, 2014

A Challenging Story:

Filed under: General,Geometry — m759 @ 11:30 pm

Symplectic Macbeth

Lead on, McDuff:

Plato Thanks the Academy

Filed under: General — Tags: — m759 @ 12:00 am

(Continued)

See Shadowlands in this journal.
The film so titled was directed by Richard Attenborough,
President of the Royal Academy of Dramatic Art,
who reportedly died on Sunday, August 24, 2014.

It’s all in Plato, all in Plato:
bless me, what do  they
teach them at these schools!”
— C. S. Lewis

Sunday, August 24, 2014

Richard Attenborough

Filed under: General — m759 @ 11:30 pm

Richard Samuel Attenborough, Baron AttenboroughCBE
(
… 29 August 1923 – 24 August 2014) was an English actor,
film director, producer and entrepreneur. He was the President of
the 
Royal Academy of Dramatic Art (RADA).” — Wikipedia

Symplectic Structure…

In the Miracle Octad Generator (MOG):

The above details from a one-page note of April 26, 1986, refer to the
Miracle Octad Generator of R. T. Curtis, as it was published in 1976:

http://www.log24.com/log/pix10A/100514-Curtis1976MOG.jpg

From R. T. Curtis (1976). A new combinatorial approach to M24,
Mathematical Proceedings of the Cambridge Philosophical Society ,
79, pp 25-42. doi:10.1017/S0305004100052075.

The 1986 note assumed that the reader would be able to supply, from the
MOG itself, the missing top row of each heavy brick.

Note that the interchange of the two squares in the top row of each
heavy brick induces the diamond-theorem correlation.

Note also that the 20 pictured 3-subsets of a 6-set in the 1986 note
occur as paired complements  in two pictures, each showing 10 of the
3-subsets.

This pair of pictures corresponds to the 20 Rosenhain tetrads  among
the 35 lines of PG(3,2), while the picture showing the 2-subsets
corresponds to the 15 Göpel tetrads  among the 35 lines.

See Rosenhain and Göpel tetrads in PG(3,2). Some further background:

The Blue Path

Filed under: General — m759 @ 2:56 am

A song for those who prefer the red path: Abracadabra.

IMAGE- Abracadabra 4x6

Saturday, August 23, 2014

Monolith

Filed under: General — Tags: , , — m759 @ 8:16 pm

  

Unity 

Roman numeral I
as well as capital I

 (Not  signifying nothing.)

The Scottish Play…

Filed under: General — m759 @ 10:00 am

Meets Clark Gable —

Signifying Nothing.

Explicatio

Filed under: General — m759 @ 2:20 am

(The title is from a post of July 8, 2010.)

“What is important is the ability to tell stories through character.”

Diana Gabaldon, author of the Outlander  series of novels

An image from the bottom line of images in the previous post:

In memory of Scottish folk singer Jean Redpath,
who reportedly died on Thursday, August 21:

See also this journal on August 21.

Friday, August 22, 2014

The Bottom Line

Filed under: General — m759 @ 11:30 pm

The bottom three lines of an image search:

For a meditation on the bottom line, see Mary Gaitskill’s story
“The Agonized Face.” See also George C. Scott reciting from
the Scottish play in The Exorcist III.

Review

Filed under: General — m759 @ 12:00 pm

Image search for “symplectic structure” + “35 lines” —

Click for larger (2.5 MB) image.

Thursday, August 21, 2014

Remember me to…

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

Herald Square.

The Folding

Filed under: General — m759 @ 2:00 am

See Madeleine + Folded.

An illustration (click to enlarge) —

Related material: Posts from the above upload date, 10/1/10.

Nox

Filed under: General,Geometry — m759 @ 1:00 am

( A sequel to Lux )

“By groping toward the light we are made to realize
how deep the darkness is around us.”

— Arthur Koestler, The Call Girls: A Tragi-Comedy ,
Random House, 1973, page 118

Robin Williams and the Stages of Math

i)   shock & denial
ii)  anger
iii) bargaining
iv) depression
v)  acceptance

A related description of the process —

You know how sometimes someone tells you a theorem,
and it’s obviously false, and you reach for one of the many
easy counterexamples only to realize that it’s not a
counterexample after all, then you reach for another one
and another one and find that they fail too, and you begin
to concede the possibility that the theorem might not
actually be false after all, and you feel your world start to
shift on its axis, and you think to yourself: ‘Why did no one
tell me this before?’ “

— Tom Leinster yesterday at The n-Category Café

Tuesday, August 19, 2014

Lux

Filed under: General — m759 @ 7:00 pm

(As opposed to an alleged bearer  of lux  .)

IMAGE- T. Lux Feininger on 'Gestaltung'

(Here “eidolon” should instead be “eidos.”)

An example of Gestaltung :

This journal on the day of Feininger’s death, and the day before —

The 256 Code (Thursday, July 7, 2011) and Nordstrom-Robinson Automorphisms.

Grid

Filed under: General — m759 @ 2:56 am

In memory of one who sent in the clowns:

See also Plan 9 in this journal, as well as Saturday’s posts.

Sunday, August 17, 2014

Flashback…

Filed under: General — m759 @ 11:01 am

To Feb. 11, 2012:

“News and Traffic. Sports and Weather. These were his acid terms
for the life he’d left behind, more than two years of living with
the tight minds that made the war. It was all background noise,
he said, waving a hand. He liked to wave a hand in dismissal.”

— DeLillo, Don (2010-02-02), Point Omega 

Send in the Clowns.   (Click to enlarge.)

The above flashback was suggested by Lev Grossman’s verb “trafficked”
in yesterday’s posts, and by the song lyric “show us the way to
the next little girl.”

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