A rather different perspective . . . Static Pyramid vs. Dytnamic Array —
Two other views of Whitehead's work . . .
Related images: Parmy Olson herself and "the test of time" on Dec. 11, 2024,
as well as a geometric tomb raider, also on Dec. 11, 2024.
The relevant name here is not that of Jonathan Miller . . .
From the artificial intelligence at NotebookLM on Sept. 18, 2025 —
"Bridging Visual Art and Combinatorics
with Finite Projective Geometry
The Cullinane diamond theorem is a prime example,
originating from observations of symmetries in
traditional quilt designs and graphic art."
This is false.
The patterns in the diamond theorem originated from observing
superimposed 4×4 arrays of half-circles.
Vide http://finitegeometry.org/sc/16/overlay.html.
http://m759.net/wordpress/?s="Gideon+Summerfield"
"This mathematical framework links seemingly simple designs,
like quilt patterns, to complex concepts such as the Mathieu group M24,
the Miracle Octad Generator (MOG), and error-correcting codes."
Art from 1976 —
Art from 2025 —
A mathematician, like a painter or a poet, is a maker of patterns.
If his patterns are more permanent than theirs, it is because
they are made with ideas.
— G. H. Hardy, A Mathematician's Apology (1940).
In other art news . . .

Images from https://shc7596.wixsite.com/website —
This post has been uploaded as a PDF to the NotebookLM
public notebook "Diamond Theory."
A copy of the PDF is at
http://log24.com/log25/250918-Contrapuntal_Structure_
in_Latin_Squares-from-Log24.pdf.
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Finite Geometry: A Unifying Framework by NotebookLM on September 18, 2025 Finite geometry serves as a powerful unifying framework that bridges diverse mathematical disciplines with artistic and practical applications, primarily by revealing deep underlying symmetries and structures. Here's how finite geometry achieves this unification:
In essence, finite geometry, exemplified by the Cullinane diamond theorem, acts as a "portal" that unveils profound mathematical structures underlying seemingly simple patterns, demonstrating the interconnectedness of geometry, algebra, combinatorics, and visual art, with significant implications for fields ranging from error-correcting codes to experimental design and signal processing. * This AI statement is false. See "Origin," Sept. 20, 2025. |
For those who prefer narratives to mathematics . . .
Abacus Conundrums (Monday, Sept. 15, 2025).
* Vide a Log24 search for "Twin Pillars."
Related material from the script of "Miller's Girl" —
INT. JONATHAN MILLER'S CLASSROOM - MORNING
Inspirational posters line the walls.
A VANDERBILT UNIVERSITY banner hangs
above a dry erase board, on which is
written MR. MILLER - CREATIVE WRITING . . . .
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Apollo and the Tricksters
From The Story of N (Oct. 15, 2010)—
Roberta Smith on what she calls "endgame art"—
"Fear of form above all means fear of compression— of an artistic focus that condenses experiences, ideas and feelings into something whole, committed and visually comprehensible."
Margaret Atwood on tricksters and art—
"If it’s a seamless whole you want, pray to Apollo."
Here is some related material In memory of CIA officer Clare Edward Petty, who died at 90 on March 18—
A review of a sort of storyteller's MacGuffin — the 3×3 grid. This is, in Smith's terms, an "artistic focus" that appears to be visually comprehensible but is not as simple as it seems.
The Hesse configuration can serve as more than a sort of Dan Brown MacGuffin. As a post of January 14th notes, it can (rather fancifullly) illustrate the soul—
" … I feel I understand
Existence, or at least a minute part
Of my existence, only through my art,
In terms of combinational delight…."
— Vladimir Nabokov, Pale Fire
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