Log24

Tuesday, November 18, 2025

Art Notes

Filed under: General — Tags: , , — m759 @ 6:23 pm

Related art notes . . . Richter and Crux.

Sunday, November 9, 2025

Bloomberg, Berners-Lee, and
Chaos vs. “Rigid Tables”

Filed under: General — Tags: — m759 @ 2:16 pm

A rather different perspective . . . Static Pyramid vs. Dytnamic Array

Two other views of Whitehead's work . . .

Related images:  Parmy Olson herself and "the test of time" on Dec. 11, 2024,
as well as a geometric tomb raider, also on Dec. 11, 2024.
 

Friday, November 7, 2025

“Triangulating the Isomorphic Formalisms”

Filed under: General — Tags: , — m759 @ 4:00 am

The natural habitat of the above four-color figures is the Klein quadric.

Saturday, September 20, 2025

For Art Heist Fans:
Was “Veritas” Lost in Translation?

Filed under: General — Tags: , , — m759 @ 4:38 am

The relevant name here is not  that of Jonathan Miller . . .

Vide  http://m759.net/wordpress/?s="Jonathan+Miller" .

Origin

Filed under: General — Tags: , — m759 @ 3:17 am

From the artificial intelligence at NotebookLM on Sept. 18, 2025

"Bridging Visual Art and Combinatorics
with Finite Projective Geometry

The Cullinane diamond theorem is a prime example,
originating from observations of symmetries in
traditional quilt designs and graphic art." 

This is false. 

The patterns in the diamond theorem originated from observing
superimposed  4×4 arrays of half-circles.

Vide  http://finitegeometry.org/sc/16/overlay.html

 

Friday, September 19, 2025

Waymark Memorial

Filed under: General — Tags: , , , — m759 @ 11:35 am

For the Boys of Summerfield

Filed under: General — Tags: , , , — m759 @ 12:59 am

http://m759.net/wordpress/?s="Gideon+Summerfield"

"This mathematical framework links seemingly simple designs,   
like quilt patterns, to complex concepts such as the Mathieu group M24,
the Miracle Octad Generator (MOG), and error-correcting codes."

NotebookLM AI yesterday, September 18, 2025

Thursday, September 18, 2025

Stephen King, Motivational Speaker

Filed under: General — Tags: , — m759 @ 11:44 pm

"… in a van, down by the river" — SNL joke

Elsewhere . . .

“In other art news . . .”

Filed under: General — Tags: , — m759 @ 5:40 pm

Art from 1976 —

Art from 2025 —

A mathematician, like a painter or a poet, is a maker of patterns.
If his patterns are more permanent than theirs, it is because 
they are made with ideas.

G. H. Hardy, A Mathematician's Apology  (1940).

In other art news . . .

Contrapuntal Structure in Latin Squares

Filed under: General — Tags: , — m759 @ 4:24 pm

Images from https://shc7596.wixsite.com/website

This post has been uploaded as a PDF to the NotebookLM 
public notebook "Diamond Theory." 

A copy of the PDF is at
http://log24.com/log25/250918-Contrapuntal_Structure_
in_Latin_Squares-from-Log24.pdf
.

AI Report on Mathematics and Art

Filed under: General — Tags: — m759 @ 1:40 am
 

Finite Geometry: A Unifying Framework
for Art and Mathematics

by NotebookLM on September 18, 2025

Finite geometry serves as a powerful unifying framework that bridges diverse mathematical disciplines with artistic and practical applications, primarily by revealing deep underlying symmetries and structures.

Here's how finite geometry achieves this unification:

  1. Bridging Visual Art and Combinatorics with Finite Projective Geometry The Cullinane diamond theorem is a prime example, originating from observations of symmetries in traditional quilt designs and graphic art.*
    It focuses on a 4×4 array of two-color, diagonally divided square tiles, known as the "four-diamond figure" (D).

    • Inherent Symmetry: The theorem states that applying a group (G) of 322,560 permutations (random permutations of rows, columns, and 2×2 quadrants) to the diamond figure (D) always results in a pattern possessing either ordinary geometric symmetry or color-interchange symmetry. This explains why ancient visual motifs consistently exhibit pervasive symmetry.
    • Isomorphism to PG(3,2): The 840 distinct patterns (G-images) generated by these permutations fall into 35 combinatorial structures. These 35 structures are isomorphic to the 35 lines of the projective 3-space over the field with two elements, PG(3,2).
    • Line Diagrams and Binary Logic: The theorem formalizes these patterns using "line diagrams" which correspond to partitions of tiles. The lines of these diagrams can be added using binary addition (XOR), where each three-set of line diagrams sums to zero, reflecting the closure property of lines in finite projective geometry. The 15 possible line diagrams correspond to the 15 points of PG(3,2).
  2. Connecting to Advanced Algebra and Group Theory

    • Affine Group Structure: The permutation group G is isomorphic to the affine group AGL(4,2), the group of all invertible affine transformations on a 4-dimensional vector space over GF(2). This group has an order of 322,560, explaining how symmetry is preserved under allowed operations.
    • Miracle Octad Generator (MOG) and Sporadic Groups: Finite geometry provides a fundamental link to the Miracle Octad Generator (MOG), a combinatorial tool used to study the Mathieu group M24. The MOG, which arranges 24 elements in a 4×6 array, utilizes a correspondence (like Conwell's 1910 work) to link partitions of an 8-set into two 4-sets with the 35 lines of PG(3,2). The symmetry group of the diamond theorem figures and the MOG patterns are the same (order 322,560), representing the octad stabilizer subgroup of M24 (isomorphic to 2⁴.A₈). M24 is a sporadic simple group with exceptional symmetries, deeply connected to coding theory (binary Golay code) and the Leech lattice.
    • Ring Theory: The patterns generated by the diamond theorem can be endowed with algebraic structures, forming an ideal of 1024 patterns within a ring of 4096 symmetric patterns. There is an infinite family of these "diamond" rings, isomorphic to rings of matrices over GF(4), linking geometric insights to abstract algebra.
  3. Applications Across Diverse Fields

    • Coding Theory and Lattice Theory: The connection to the MOG and PG(3,2) facilitates the construction of the binary Golay code and the Leech lattice, which provides the densest sphere packing in 24 dimensions and has vast symmetry groups.
    • Experimental Design and Statistics: The theorem reveals a correspondence between the orthogonality of Latin squares (a cornerstone of statistical design) and the skewness of lines in PG(3,2) (lines that do not intersect). This provides new ways to construct and understand Latin squares for multifactorial experiments.
    • Digital Signal Processing: The binary structures and addition of line diagrams found in finite geometry are reflected in Walsh functions, a complete orthogonal system used in digital signal processing and discrete harmonic analysis.
    • Computational Visualizations and Pedagogy: The geometric and combinatorial nature of the theorem is ideal for interactive exploration, leading to tools like the "Diamond 16 Puzzle," which helps teach symmetry and combinatorics.
    • Philosophy and Classical Geometry: Finite geometry provides a new lens to view classical geometric theorems, such as Desargues's theorem and Pascal's Hexagrammum Mysticum, by relating them to Galois projective 3-space PG(3,2). Weyl's "relativity problem" in finite geometry further explores objective coordinatizations and transformation groups, linking finite geometry to foundational concepts in geometry and algebra.

In essence, finite geometry, exemplified by the Cullinane diamond theorem, acts as a "portal" that unveils profound mathematical structures underlying seemingly simple patterns, demonstrating the interconnectedness of geometry, algebra, combinatorics, and visual art, with significant implications for fields ranging from error-correcting codes to experimental design and signal processing.

* This AI statement is false. See "Origin," Sept. 20, 2025.

For those who prefer narratives to mathematics . . .

Abacus Conundrums  (Monday, Sept. 15, 2025).

Tuesday, September 16, 2025

For Twin-Pillars* Mystics and Dan Brown:  9/16/25

Filed under: General — Tags: , , , — m759 @ 1:10 pm

* Vide  a Log24 search for "Twin Pillars."

Monday, September 8, 2025

At Toronto International Film Festival (Sept. 4-14)

Filed under: General — Tags: , — m759 @ 1:59 pm

‘Nuremberg’ Wows TIFF

Related material from the script of "Miller's Girl" —

INT. JONATHAN MILLER'S CLASSROOM - MORNING

Inspirational posters line the walls. 
A VANDERBILT UNIVERSITY banner hangs 
above a dry erase board, on which is 
written MR. MILLER - CREATIVE WRITING . . . .

Sunday, April 17, 2011

Sunday School

Filed under: General,Geometry — Tags: , , , — m759 @ 7:00 am

Apollo and the Tricksters

From The Story of N (Oct. 15, 2010)—

Roberta Smith on what she calls "endgame art"—

"Fear of form above all means fear of compression— of an artistic focus that condenses experiences, ideas and feelings into something whole, committed and visually comprehensible."

Margaret Atwood on tricksters and art—

"If it’s a seamless whole you want, pray to Apollo."

Here is some related material In memory of CIA officer Clare Edward Petty, who died at 90 on March 18—

A review of a sort of storyteller's MacGuffin — the 3×3 grid. This is, in Smith's terms, an "artistic focus" that appears  to be visually comprehensible but is not as simple as it seems.

The Hesse configuration can serve as more than a sort of Dan Brown MacGuffin. As a post of January 14th notes, it can (rather fancifullly) illustrate the soul—

http://www.log24.com/log/pix11/110417-AlderTilleyColoredSm.jpg

" … I feel I understand
Existence, or at least a minute part
Of my existence, only through my art,
In terms of combinational delight…."

— Vladimir Nabokov, Pale Fire

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