Log24

Monday, November 19, 2012

Speech

Filed under: General — Tags: , — m759 @ 12:00 pm

Speech by Wallace Stevens upon accepting
an honorary degree from Bard College in 1951

(Click to enlarge.)

Transcription of conclusion:

"In all his poems with all their enchantments
for the poet himself, there is the final enchantment
that they are true. The significance of the poetic act
then is that it is evidence. It is instance and illustration.
It is an illumination of a surface,
the movement of a self in the rock.
Above all it is a new engagement with life.
It is that miracle to which the true faith of the poet
attaches itself."

— Wallace Stevens at Bard College, March 30, 1951

Friday, August 17, 2012

Hidden

Filed under: General,Geometry — Tags: , — m759 @ 12:25 pm

Detail from last night's 1.3 MB image
"Search for the Lost Tesseract"—

The lost tesseract appears here on the cover of Wittgenstein's
Zettel  and, hidden in the form of a 4×4 array, as a subarray 
of the Miracle Octad Generator on the cover of Griess's
Twelve Sporadic Groups  and in a figure illustrating
the geometry of logic.

Another figure—

IMAGE- Serbian chess innovator Svetozar Gligoric dies at 89

Gligoric died in Belgrade, Serbia, on Tuesday, August 14.

From this journal on that date

"Visual forms, he thought, were solutions to 
specific problems that come from specific needs."

— Michael Kimmelman in The New York Times
    obituary of E. H. Gombrich (November 7th, 2001)

Monday, July 9, 2012

Taps for Fatso

Filed under: General — m759 @ 7:00 am
 
IMAGE- Donna Reed and Montgomery Clift in 'From Here to Eternity'

A Story That Works

“There is the dark, eternally silent, unknown universe;
there are the friend-enemy minds shouting and whispering
their tales and always seeking the three miracles —

  • that minds should really touch, or
  • that the silent universe should speak, tell minds a story,
  • or (perhaps the same thing) that there should be a story
    that works, that is all hard facts, all reality, with
    no illusions and no fantasy;

and lastly, there is lonely, story-telling, wonder-questing,
mortal me.”

Dichtung ist Stiftung.

Sunday, September 18, 2011

Midnight in Dostoevsky

Filed under: General — m759 @ 12:00 am

"But Thou knewest not, it seems, that no sooner would man reject
miracle than he would reject God likewise, for he seeketh less
God than 'a sign' from Him." —The Grand Inquisitor

Update of 1:44 AM—

Seek and Ye Shall Find …

(Click images for larger context)

http://www.log24.com/log/pix11B/110918-DostoevskyDetail.jpg

  The Holy Office —

http://www.log24.com/log/pix11B/110918-ThinkfreeOffice3Setup.jpg

Saturday, September 3, 2011

The Galois Tesseract (continued)

A post of September 1, The Galois Tesseract, noted that the interplay
of algebraic and geometric properties within the 4×4 array that forms
two-thirds of the Curtis Miracle Octad Generator (MOG) may first have
been described by Cullinane (AMS abstract 79T-A37, Notices , Feb. 1979).

Here is some supporting material—

http://www.log24.com/log/pix11B/110903-Carmichael-Conway-Curtis.jpg

The passage from Carmichael above emphasizes the importance of
the 4×4 square within the MOG.

The passage from Conway and Sloane, in a book whose first edition
was published in 1988, makes explicit the structure of the MOG's
4×4 square as the affine 4-space over the 2-element Galois field.

The passage from Curtis (1974, published in 1976) describes 35 sets
of four "special tetrads" within the 4×4 square of the MOG. These
correspond to the 35 sets of four parallel 4-point affine planes within
the square. Curtis, however, in 1976 makes no mention of the affine
structure, characterizing his 140 "special tetrads" rather by the parity
of their intersections with the square's rows and columns.

The affine structure appears in the 1979 abstract mentioned above—

IMAGE- An AMS abstract from 1979 showing how the affine group AGL(4,2) of 322,560 transformations acts on a 4x4 square

The "35 structures" of the abstract were listed, with an application to
Latin-square orthogonality, in a note from December 1978

IMAGE- Projective-space structure and Latin-square orthogonality in a set of 35 square arrays

See also a 1987 article by R. T. Curtis—

Further elementary techniques using the miracle octad generator, by R. T. Curtis. Abstract:

“In this paper we describe various techniques, some of which are already used by devotees of the art, which relate certain maximal subgroups of the Mathieu group M24, as seen in the MOG, to matrix groups over finite fields. We hope to bring out the wealth of algebraic structure* underlying the device and to enable the reader to move freely between these matrices and permutations. Perhaps the MOG was mis-named as simply an ‘octad generator’; in this paper we intend to show that it is in reality a natural diagram of the binary Golay code.”

(Received July 20 1987)

Proceedings of the Edinburgh Mathematical Society (Series 2) (1989), 32: 345-353

* For instance:

Algebraic structure in the 4x4 square, by Cullinane (1985) and Curtis (1987)

Update of Sept. 4— This post is now a page at finitegeometry.org.

Saturday, August 6, 2011

Correspondences

Filed under: General,Geometry — Tags: , , , , , , — m759 @ 2:00 pm

Comme de longs échos qui de loin se confondent
Dans une ténébreuse et profonde unité….

— Baudelaire, “Correspondances

From “A Four-Color Theorem”

http://www.log24.com/log/pix11B/110806-Four_Color_Correspondence.gif

Figure 1

Note that this illustrates a natural correspondence
between

(A) the seven highly symmetrical four-colorings
of the 4×2 array at the left of Fig. 1, and

(B) the seven points of the smallest
projective plane at the right of Fig. 1.

To see the correspondence, add, in binary
fashion, the pairs of projective points from the
“points” section that correspond to like-colored
squares in a four-coloring from the left of Fig. 1.
(The correspondence can, of course, be described
in terms of cosets rather than of colorings.)

A different correspondence between these 7 four-coloring
structures and these 7 projective-line structures appears in
a structural analysis of the Miracle Octad Generator
(MOG) of R.T. Curtis—

http://www.log24.com/log/pix11B/110806-Analysis_of_Structure.gif

Figure 2

Here the correspondence between the 7 four-coloring structures (left section) and the 7 projective-line structures (center section) is less obvious, but more fruitful.  It yields, as shown, all of the 35 partitions of an 8-element set  (an 8-set ) into two 4-sets. The 7 four-colorings in Fig. 2 also appear in the 35 4×4 parts of the MOG that correspond, in a way indicated by Fig. 2, to the 35 8-set paritions. This larger correspondence— of 35 4×2 arrays with 35 4×4 arrays— is  the MOG, at least as it was originally defined. See The MOG, Generating the Octad Generator, and Eightfold Geometry

For some applications of the Curtis MOG, see
(for instance) Griess’s Twelve Sporadic Groups .

Wednesday, July 6, 2011

Nordstrom-Robinson Automorphisms

Filed under: General,Geometry — Tags: , , , , , — m759 @ 1:01 am

A 2008 statement on the order of the automorphism group of the Nordstrom-Robinson code—

"The Nordstrom-Robinson code has an unusually large group of automorphisms (of order 8! = 40,320) and is optimal in many respects. It can be found inside the binary Golay code."

— Jürgen Bierbrauer and Jessica Fridrich, preprint of "Constructing Good Covering Codes for Applications in Steganography," Transactions on Data Hiding and Multimedia Security III, Springer Lecture Notes in Computer Science, 2008, Volume 4920/2008, 1-22

A statement by Bierbrauer from 2004 has an error that doubles the above figure—

The automorphism group of the binary Golay code G is the simple Mathieu group M24 of order |M24| = 24 × 23 × 22 × 21 × 20 × 48 in its 5-transitive action on the 24 coordinates. As M24 is transitive on octads, the stabilizer of an octad has order |M24|/759 [=322,560]. The stabilizer of NR has index 8 in this group. It follows that NR admits an automorphism group of order |M24| / (759 × 8 ) = [?] 16 × 7! [=80,640]. This is a huge symmetry group. Its structure can be inferred from the embedding in G as well. The automorphism group of NR is a semidirect product of an elementary abelian group of order 16 and the alternating group A7.

— Jürgen Bierbrauer, "Nordstrom-Robinson Code and A7-Geometry," preprint dated April 14, 2004, published in Finite Fields and Their Applications , Volume 13, Issue 1, January 2007, Pages 158-170

The error is corrected (though not detected) later in the same 2004 paper—

In fact the symmetry group of the octacode is a semidirect product of an elementary abelian group of order 16 and the simple group GL(3, 2) of order 168. This constitutes a large automorphism group (of order 2688), but the automorphism group of NR is larger yet as we saw earlier (order 40,320).

For some background, see a well-known construction of the code from the Miracle Octad Generator of R.T. Curtis—

Click to enlarge:

IMAGE - The 112 hexads of the Nordstrom-Robinson code

For some context, see the group of order 322,560 in Geometry of the 4×4 Square.

Sunday, June 19, 2011

The London Piracy Project

Filed under: General,Geometry — Tags: — m759 @ 6:25 pm

My work has been pirated by an artist in London.

An organization there, AND Publishing, sponsors what it calls
"The Piracy Project." The artist's piracy was a contribution
to the project.

The above material now reflects the following update:

UPDATE of June 21, 2011, 10:00 PM ET:

The organization's weblog (a post for 19th June)
has now been updated, and this  post, which originally
discussed that weblog, has been altered to reflect the
changes that were made at AND Publishing's weblog.

In this  weblog, changes have been made to correct my
earlier incorrect statements that the Piracy Project was
sponsored by the art school where it takes place.
It was not. The organization has informed me that

"AND Publishing is not sponsored by the art school.
We are an independent artist's publishing house,
kindly hosted by the art school. While we are offered
office space on campus, our program and website
are funded, directed and managed by ourselves –
we are an independent entity running an
autonomous program."

As this post originally stated…

The web pages from the site finitegeometry.org/sc that
the artist, Steve Richards, copied as part of his contribution to
the AND Publishing Piracy Project have had the author's name,
Steven H. Cullinane, and the date of composition systematically removed.

See a sample (jpg, 2.1 MB).

Here is some background on Richards.

Abracadabra (continued)

Filed under: General,Geometry — Tags: , — m759 @ 12:00 am

Yesterday's post Ad Meld featured Harry Potter (succeeding in business),
a 4×6 array from a video of the song "Abracadabra," and a link to a post
with some background on the 4×6 Miracle Octad Generator  of R.T. Curtis.

A search tonight for related material on the Web yielded…

(Click to enlarge.)

IMAGE- Art by Steven H. Cullinane displayed as his own in Steve Richards's Piracy Project contribution

   Weblog post by Steve Richards titled "The Search for Invariants:
   The Diamond Theory of Truth, the Miracle Octad Generator
   and Metalibrarianship." The artwork is by Steven H. Cullinane.
   Richards has omitted Cullinane's name and retitled the artwork.

The author of the post is an artist who seems to be interested in the occult.

His post continues with photos of pages, some from my own work (as above), some not.

My own work does not  deal with the occult, but some enthusiasts of "sacred geometry" may imagine otherwise.

The artist's post concludes with the following (note also the beginning of the preceding  post)—

http://www.log24.com/log/pix11A/110619-MOGsteverichards.jpg

"The Struggle of the Magicians" is a 1914 ballet by Gurdjieff. Perhaps it would interest Harry.

Saturday, June 18, 2011

Ad Meld

Filed under: General — m759 @ 2:22 pm

Step One

http://www.log24.com/log/pix11A/110618-PotterBusiness.jpg

Step Two

IMAGE- Abracadabra 4x6

Step Three

Image-- 'Then a miracle occurs' cartoon

For further details, click on step two.

Sunday, June 5, 2011

Edifice Complex

Filed under: General,Geometry — Tags: , , , — m759 @ 7:00 pm

"Total grandeur of a total edifice,
Chosen by an inquisitor of structures
For himself. He stops upon this threshold,
As if the design of all his words takes form
And frame from thinking and is realized."

— Wallace Stevens, "To an Old Philosopher in Rome"

The following edifice may be lacking in grandeur,
and its properties as a configuration  were known long
before I stumbled across a description of it… still…

"What we do may be small, but it has
 a certain character of permanence…."
 — G.H. Hardy, A Mathematician's Apology

The Kummer 166 Configuration
as seen by Kantor in 1969— (pdf, 2.5 MB)

IMAGE-- 16_6 configuration from '2-Transitive Symmetric Designs,' by William M. Kantor (AMS Transactions, 1969)

For some background, see Configurations and Squares.

For some quite different geometry of the 4×4 square that  is
original with me, see a page with that title. (The geometry's
importance depends in part on its connection with the
Miracle Octad Generator (MOG) of R.T. Curtis. I of course
had nothing to do with the MOG's discovery, but I do  claim credit
for discovering some geometric properties of the 4×4 square
that constitutes two-thirds of the MOG as originally defined .)

Related material— The Schwartz Notes of June 1.

Wednesday, June 1, 2011

The Schwartz Notes

Filed under: General,Geometry — Tags: , , , , — m759 @ 2:00 pm

A Google search today for material on the Web that puts the diamond theorem
in context yielded a satisfyingly complete list. (See the first 21 results.)
(Customization based on signed-out search activity was disabled.)

The same search limited to results from only the past month yielded,
in addition, the following—

http://www.log24.com/log/pix11A/110601-Search.jpg

This turns out to be a document by one Richard Evan Schwartz,
Chancellor’s Professor of Mathematics at Brown University.

Pages 12-14 of the document, which is untitled, undated, and
unsigned, discuss the finite-geometry background of the R.T.
Curtis Miracle Octad Generator (MOG) . As today’s earlier search indicates,
this is closely related to the diamond theorem. The section relating
the geometry to the MOG is titled “The MOG and Projective Space.”
It does not mention my own work.

See Schwartz’s page 12, page 13, and page 14.

Compare to the web pages from today’s earlier search.

There are no references at the end of the Schwartz document,
but there is this at the beginning—

These are some notes on error correcting codes. Two good sources for
this material are
From Error Correcting Codes through Sphere Packings to Simple Groups ,
by Thomas Thompson.
Sphere Packings, Lattices, and Simple Groups  by J. H. Conway and N.
Sloane
Planet Math (on the internet) also some information.

It seems clear that these inadequate remarks by Schwartz on his sources
can and should be expanded.

Thursday, May 26, 2011

Life’s Persistent Questions

Filed under: General — Tags: , — m759 @ 4:01 pm

This afternoon's online New York Times  reviews "The Tree of Life," a film that opens tomorrow.

With disarming sincerity and daunting formal sophistication “The Tree of Life” ponders some of the hardest and most persistent questions, the kind that leave adults speechless when children ask them. In this case a boy, in whispered voice-over, speaks directly to God, whose responses are characteristically oblique, conveyed by the rustling of wind in trees or the play of shadows on a bedroom wall. Where are you? the boy wants to know, and lurking within this question is another: What am I doing here?

Persistent answers… Perhaps conveyed by wind, perhaps by shadows, perhaps by the New York Lottery.

For the nihilist alternative— the universe arose by chance out of nothing and all is meaningless— see Stephen Hawking and Jennifer Ouellette.

Update of 10:30 PM EDT May 26—

Today's NY Lottery results: Midday 407, Evening 756. The first is perhaps about the date April 7, the second about the phrase "three bricks shy"— in the context of the number 759 and the Miracle Octad Generator. (See also Robert Langdon and The Poetics of Space.)

Tuesday, May 24, 2011

Noncontinuous (or Non-Continuous) Groups

Filed under: General,Geometry — Tags: , , — m759 @ 2:56 pm

The web page has been updated.

An example, the action of the Mathieu group M24
on the Miracle Octad Generator of R.T. Curtis,
was added, with an illustration from a book cover—

http://www.log24.com/log/pix11A/110524-TwelveSG.jpg

Wednesday, March 2, 2011

Labyrinth of the Line

Filed under: General,Geometry — Tags: , , — m759 @ 11:24 am

“Yo sé de un laberinto griego que es una línea única, recta.”
—Borges, “La Muerte y la Brújula”

“I know of one Greek labyrinth which is a single straight line.”
—Borges, “Death and the Compass”

Another single-line labyrinth—

Robert A. Wilson on the projective line with 24 points
and its image in the Miracle Octad Generator (MOG)—

IMAGE- Robert Wilson on the projective line with 24 points and its image in the MOG

Related material —

The remarks of Scott Carnahan at Math Overflow on October 25th, 2010
and the remarks at Log24 on that same date.

A search in the latter for miracle octad is updated below.

http://www.log24.com/log/pix11/110302-MOGsearch.jpg

This search (here in a customized version) provides some context for the
Benedictine University discussion described here on February 25th and for
the number 759 mentioned rather cryptically in last night’s “Ariadne’s Clue.”

Update of March 3— For some historical background from 1931, see The Mathieu Relativity Problem.

Tuesday, January 25, 2011

For Your Consideration…

Filed under: General — m759 @ 1:20 pm

Early Nothing

Manohla Dargis on film director Fritz Lang in The New York Times  (online Jan. 21, 2011, printed Jan. 23)—

"Hollywood endings can be beautiful fibs, but in Lang’s movies the glossy smiles and fade-outs feel forced. You can almost feel him pulling at them, trying to bring them back into the dark where they belong. The miracle of his Hollywood era is that, even when the screenplays tried to force his work in one direction, he managed to take them into richer, more complex realms with a style that was alternately baroque and stripped down and peopled with characters whose cynicism was earned. Every so often, though, he did strike screenwriting gold, notably in 'The Big Heat,' his 1953 crime masterwork. 'Say, I like this, early nothing,' a mink-swaddled Gloria Grahame says of a hotel room. Everyone really is a critic."

Here comes everyone .

Monday, October 25, 2010

The Embedding*

Filed under: General,Geometry — Tags: , — m759 @ 4:04 pm

A New York Times  "The Stone" post from yesterday (5:15 PM, by John Allen Paulos) was titled—

Stories vs. Statistics

Related Google searches—

"How to lie with statistics"— about 148,000 results

"How to lie with stories"— 2 results

What does this tell us?

Consider also Paulos's phrase "imbedding the God character."  A less controversial topic might be (with the spelling I prefer) "embedding the miraculous." For an example, see this journal's "Mathematics and Narrative" entry on 5/15 (a date suggested, coincidentally, by the time of Paulos's post)—

Image-- 'Then a miracle occurs' cartoon
Cartoon by S.Harris

Image-- Google search on 'miracle octad'-- top 3 results

 

* Not directly  related to the novel The Embedding  discussed at Tenser, said the Tensor  on April 23, 2006 ("Quasimodo Sunday"). An academic discussion of that novel furnishes an example of narrative as more than mere entertainment. See Timothy J. Reiss, "How can 'New' Meaning Be Thought? Fictions of Science, Science Fictions," Canadian Review of Comparative Literature , Vol. 12, No. 1, March 1985, pp. 88-126. Consider also on this, Picasso's birthday, his saying that "Art is a lie that makes us realize truth…."

Saturday, July 24, 2010

Playing with Blocks

"Many of the finite simple groups can be described as symmetries of finite geometries, and it remains a hot topic in group theory to expand our knowledge of the Classification of Finite Simple Groups using finite geometry."

Finite geometry page at the Centre for the Mathematics of
   Symmetry and Computation at the University of Western Australia
   (Alice Devillers, John Bamberg, Gordon Royle)

For such symmetries, see Robert A. WIlson's recent book The Finite Simple Groups.

The finite simple groups are often described as the "building blocks" of finite group theory.

At least some of these building blocks have their own building blocks. See Non-Euclidean Blocks.

For instance, a set of 24 such blocks (or, more simply, 24 unit squares) appears in the Miracle Octad Generator (MOG) of R.T. Curtis, used in the study of the finite simple group M24.

(The octads  of the MOG illustrate yet another sort of mathematical blocks— those of a block design.)

Sunday, July 4, 2010

Brightness at Noon (continued)

Filed under: General,Geometry — Tags: , — m759 @ 12:00 pm

Today's sermon mentioned the phrase "Omega number."

Other sorts of Omega numbers— 24 and 759— occur
in connection with the set named Ω by R. T. Curtis in 1976—

Image-- In a 1976 paper, R.T. Curtis names the 24-set of his Miracle Octad Generator 'Omega.'

— R. T. Curtis, "A New Combinatorial Approach to M24,"
Math. Proc. Camb. Phil. Soc. (1976), 79, 25-42

Friday, June 11, 2010

Toward the Light

Filed under: General — m759 @ 11:01 am

The title is a reference to yesterday's noon post.

For the late Vladimir Igorevich Arnold

"All things began in order, so shall they end, and so shall they begin again; according to the ordainer of order and mystical Mathematicks of the City of Heaven."

— Sir Thomas Browne, The Garden of Cyrus, Chapter V

Arnold's own mystical mathematics may be found in his paper

"Polymathematics: Is Mathematics a Single Science or a Set of Arts?"

Page 13–
"In mathematics we always encounter mysterious analogies, and our trinities [page 8] represent only a small part of these miracles."

Also from that paper—

Page 5, footnote 2–
"The Russian way to formulate problems is to mention the first nontrivial case (in a way that no one would be able to simplify it). The French way is to formulate it in the most general form making impossible any further generalization."

Arnold died in Paris on June 3. A farewell gathering was held there on June 8—

"Celles et ceux qui le souhaitent pourront donner un dernier adieu à Vladimir Igorevitch
mardi 8 juin, de 14h a 16h, chambre mortuaire de l'hopital Saint Antoine…."

An International Blue Diamond

In Arnold's memory—  Here, in the Russian style, is a link to a "first nontrivial case" of a blue diamond— from this journal on June 8 (feast of St. Gerard Manley Hopkins). For those who prefer French style, here is a link to a blue diamond from May 18

From French cinema—

Duelle

"a 'non-existent myth' of a battle between
goddesses of the sun and the moon
for a mysterious blue diamond
that has the power to make
mortals immortal and vice versa"

Saturday, May 15, 2010

Mathematics and Narrative continued…

Filed under: General,Geometry — Tags: — m759 @ 4:16 pm

Step Two

Image-- 'Then a miracle occurs' cartoon
Cartoon by S.Harris

Image-- Google search on 'miracle octad'-- top 3 results

Friday, May 14, 2010

Competing MOG Definitions

Filed under: General,Geometry — Tags: , , , — m759 @ 9:00 pm

A recently created Wikipedia article says that  “The Miracle Octad Generator [MOG] is an array of coordinates, arranged in four rows and six columns, capable of describing any point in 24-dimensional space….” (Clearly any  array with 24 parts is so capable.) The article ignores the fact that the MOG, as defined by R.T. Curtis in 1976, is not  an array of coordinates, but rather a picture of a correspondence between two sets, each containing 35 structures. (As a later commentator has remarked, this correspondence is a well-known one that preserves a certain incidence property. See Eightfold Geometry.)

From the 1976 paper defining the MOG—

“There is a correspondence between the two systems of 35 groups, which is illustrated in Fig. 4 (the MOG or Miracle Octad Generator).” —R.T. Curtis, “A New Combinatorial Approach to M24,” Mathematical Proceedings of the Cambridge Philosophical Society  (1976), 79: 25-42

http://www.log24.com/log/pix10A/100514-Curtis1976MOG.jpg

Curtis’s 1976 Fig. 4. (The MOG.)

The Wikipedia article, like a similar article at PlanetMath, is based on a different definition, from a book first published in 1988—

http://www.log24.com/log/pix10A/100514-SpherePack.jpg

I have not seen the 1973 Curtis paper, so I do not know whether it uses the 35-sets correspondence definition or the 6×4 array definition. The remarks of Conway and Sloane on page 312 of the 1998 edition of their book about “Curtis’s original way of finding octads in the MOG [Cur2]” indicate that the correspondence definition was the one Curtis used in 1973—

http://www.log24.com/log/pix10A/100514-ConwaySloaneMOG.jpg

Here the picture of  “the 35 standard sextets of the MOG”
is very like (modulo a reflection) Curtis’s 1976 picture
of the MOG as a correspondence between two 35-sets.

A later paper by Curtis does  use the array definition. See “Further Elementary Techniques Using the Miracle Octad Generator,” Proceedings of the Edinburgh Mathematical Society  (1989) 32, 345-353.

The array definition is better suited to Conway’s use of his hexacode  to describe octads, but it obscures the close connection of the MOG with finite geometry. That connection, apparent in the phrases “vector space structure in the standard square” and “parallel 2-spaces” (Conway and Sloane, third ed., p. 312, illustrated above), was not discussed in the 1976 Curtis paper.  See my own page on the MOG at finitegeometry.org.

Wednesday, April 28, 2010

Eightfold Geometry

Filed under: General,Geometry — Tags: , , , , , — m759 @ 11:07 am

Image-- The 35 partitions of an 8-set into two 4-sets

Image-- Analysis of structure of the 35 partitions of an 8-set into two 4-sets

Image-- Miracle Octad Generator of R.T. Curtis

Related web pages:

Miracle Octad Generator,
Generating the Octad Generator,
Geometry of the 4×4 Square

Related folklore:

"It is commonly known that there is a bijection between the 35 unordered triples of a 7-set [i.e., the 35 partitions of an 8-set into two 4-sets] and the 35 lines of PG(3,2) such that lines intersect if and only if the corresponding triples have exactly one element in common." –"Generalized Polygons and Semipartial Geometries," by F. De Clerck, J. A. Thas, and H. Van Maldeghem, April 1996 minicourse, example 5 on page 6

The Miracle Octad Generator may be regarded as illustrating the folklore.

Update of August 20, 2010–

For facts rather than folklore about the above bijection, see The Moore Correspondence.

Thursday, August 6, 2009

Thursday August 6, 2009

Filed under: General,Geometry — Tags: , , — m759 @ 1:44 pm
A Fisher of Men
 
 
Cover, Schulberg's novelization of 'Waterfront,' Bantam paperback
Update: The above image was added
at about 11 AM ET Aug. 8, 2009.

 
Dove logo, First United Methodist Church of Bloomington, Indiana

From a webpage of the First United Methodist Church of Bloomington, Indiana–

 

Dr. Joe Emerson, April 24, 2005–

"The Ultimate Test"

— Text: I Peter 2:1-9

Dr. Emerson falsely claims that the film "On the Waterfront" was based on a book by the late Budd Schulberg (who died yesterday). (Instead, the film's screenplay, written by Schulberg– similar to an earlier screenplay by Arthur Miller, "The Hook"–  was based on a series of newspaper articles by Malcolm Johnson.)

"The movie 'On the Waterfront' is once more in rerun. (That’s when Marlon Brando looked like Marlon Brando.  That’s the scary part of growing old when you see what he looked like then and when he grew old.)  It is based on a book by Budd Schulberg."

 

Emerson goes on to discuss the book, Waterfront, that Schulberg wrote based on his screenplay–

"In it, you may remember a scene where Runty Nolan, a little guy, runs afoul of the mob and is brutally killed and tossed into the North River.  A priest is called to give last rites after they drag him out."

 

Hook on cover of Budd Schulberg's novel 'Waterfront' (NY Times obituary, detail)

New York Times today

Dr. Emerson flunks the test.

 

Dr. Emerson's sermon is, as noted above (Text: I Peter 2:1-9), not mainly about waterfronts, but rather about the "living stones" metaphor of the Big Fisherman.

My own remarks on the date of Dr. Emerson's sermon

The 4x6 array used in the Miracle Octad Generator of R. T. Curtis

Those who like to mix mathematics with religion may regard the above 4×6 array as a context for the "living stones" metaphor. See, too, the five entries in this journal ending at 12:25 AM ET on November 12 (Grace Kelly's birthday), 2006, and today's previous entry.

Wednesday, May 20, 2009

Wednesday May 20, 2009

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 pm
From Quilt Blocks to the
Mathieu Group
M24

Diamonds

(a traditional
quilt block):

Illustration of a diamond-theorem pattern

Octads:

Octads formed by a 23-cycle in the MOG of R.T. Curtis

 

Click on illustrations for details.

The connection:

The four-diamond figure is related to the finite geometry PG(3,2). (See "Symmetry Invariance in a Diamond Ring," AMS Notices, February 1979, A193-194.) PG(3,2) is in turn related to the 759 octads of the Steiner system S(5,8,24). (See "Generating the Octad Generator," expository note, 1985.)

The relationship of S(5,8,24) to the finite geometry PG(3,2) has also been discussed in–
  • "A Geometric Construction of the Steiner System S(4,7,23)," by Alphonse Baartmans, Walter Wallis, and Joseph Yucas, Discrete Mathematics 102 (1992) 177-186.

Abstract: "The Steiner system S(4,7,23) is constructed from the geometry of PG(3,2)."

  • "A Geometric Construction of the Steiner System S(5,8,24)," by R. Mandrell and J. Yucas, Journal of Statistical Planning and Inference 56 (1996), 223-228.

Abstract: "The Steiner system S(5,8,24) is constructed from the geometry of PG(3,2)."

For the connection of S(5,8,24) with the Mathieu group M24, see the references in The Miracle Octad Generator.

Tuesday, May 19, 2009

Tuesday May 19, 2009

Filed under: General,Geometry — Tags: , , , — m759 @ 7:20 pm
Exquisite Geometries

"By far the most important structure in design theory is the Steiner system S(5, 8, 24)."

"Block Designs," 1995, by Andries E. Brouwer

"The Steiner system S(5, 8, 24) is a set S of 759 eight-element subsets ('octads') of a twenty-four-element set T such that any five-element subset of T is contained in exactly one of the 759 octads. Its automorphism group is the large Mathieu group M24."

The Miracle Octad Generator (MOG) of R.T. Curtis (webpage)

"… in 1861 Mathieu… discovered five multiply transitive permutation groups…. In a little-known 1931 paper of Carmichael… they were first observed to be automorphism groups of exquisite finite geometries."

William M. Kantor, 1981

The 1931 paper of Carmichael is now available online from the publisher for $10.
 

Tuesday, January 6, 2009

Tuesday January 6, 2009

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 am
Archetypes, Synchronicity,
and Dyson on Jung

The current (Feb. 2009) Notices of the American Mathematical Society has a written version of Freeman Dyson’s 2008 Einstein Lecture, which was to have been given in October but had to be canceled. Dyson paraphrases a mathematician on Carl Jung’s theory of archetypes:

“… we do not need to accept Jung’s theory as true in order to find it illuminating.”

The same is true of Jung’s remarks on synchronicity.

For example —

Yesterday’s entry, “A Wealth of Algebraic Structure,” lists two articles– each, as it happens, related to Jung’s four-diamond figure from Aion as well as to my own Notes on Finite Geometry. The articles were placed online recently by Cambridge University Press on the following dates:

R. T. Curtis’s 1974 article defining his Miracle Octad Generator (MOG) was published online on Oct. 24, 2008.

Curtis’s 1987 article on geometry and algebraic structure in the MOG was published online on Dec. 19, 2008.

On these dates, the entries in this journal discussed…

Oct. 24:
Cube Space, 1984-2003

Material related to that entry:

Dec. 19:
Art and Religion: Inside the White Cube

That entry discusses a book by Mark C. Taylor:

The Picture in Question: Mark Tansey and the Ends of Representation (U. of Chicago Press, 1999).

In Chapter 3, “Sutures of Structures,” Taylor asks —

“What, then, is a frame, and what is frame work?”

One possible answer —

Hermann Weyl on the relativity problem in the context of the 4×4 “frame of reference” found in the above Cambridge University Press articles.

“Examples are the stained-glass
windows of knowledge.”
— Vladimir Nabokov 

Monday, January 5, 2009

Monday January 5, 2009

Filed under: General,Geometry — Tags: , , , , — m759 @ 9:00 pm

A Wealth of
Algebraic Structure

A 4x4 array (part of chessboard)

A 1987 article by R. T. Curtis on the geometry of his Miracle Octad Generator (MOG) as it relates to the geometry of the 4×4 square is now available online ($20):

Further elementary techniques using the miracle octad generator
, by R. T. Curtis. Abstract:

“In this paper we describe various techniques, some of which are already used by devotees of the art, which relate certain maximal subgroups of the Mathieu group M24, as seen in the MOG, to matrix groups over finite fields. We hope to bring out the wealth of algebraic structure* underlying the device and to enable the reader to move freely between these matrices and permutations. Perhaps the MOG was mis-named as simply an ‘octad generator’; in this paper we intend to show that it is in reality a natural diagram of the binary Golay code.”

 

(Received July 20 1987)

Proceedings of the Edinburgh Mathematical Society (Series 2) (1989), 32: 345-353, doi:10.1017/S0013091500004600.

(Published online by Cambridge University Press 19 Dec 2008.)

In the above article, Curtis explains how two-thirds of his 4×6 MOG array may be viewed as the 4×4 model of the four-dimensional affine space over GF(2).  (His earlier 1974 paper (below) defining the MOG discussed the 4×4 structure in a purely combinatorial, not geometric, way.)

For further details, see The Miracle Octad Generator as well as Geometry of the 4×4 Square and Curtis’s original 1974 article, which is now also available online ($20):

A new combinatorial approach to M24, by R. T. Curtis. Abstract:

“In this paper, we define M24 from scratch as the subgroup of S24 preserving a Steiner system S(5, 8, 24). The Steiner system is produced and proved to be unique and the group emerges naturally with many of its properties apparent.”

 

(Received June 15 1974)

Mathematical Proceedings of the Cambridge Philosophical Society (1976), 79: 25-42, doi:10.1017/S0305004100052075.

(Published online by Cambridge University Press 24 Oct 2008.)

* For instance:

Algebraic structure in the 4x4 square, by Cullinane (1985) and Curtis (1987)

Click for details.

Saturday, December 27, 2008

Saturday December 27, 2008

Filed under: General — Tags: — m759 @ 9:00 pm

keen

Monday, November 24, 2008

Monday November 24, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

Frame Tale

'Brick' octads in the Miracle Octad Generator (MOG) of R. T. Curtis

Click on image for details.

Saturday, October 25, 2008

Saturday October 25, 2008

Filed under: General — Tags: , — m759 @ 11:01 am
Actual Being

The New York Times Book Review online today has a review by Sam Tanenhaus of a new John Updike book.

The title of the review (not the book) is "Mr. Wizard."

"John Updike is the great genial sorcerer of American letters. His output alone (60 books, almost 40 of them novels or story collections) has been supernatural. More wizardly still is the ingenuity of his prose. He has now written tens of thousands of sentences, many of them tiny miracles of transubstantiation whereby some hitherto overlooked datum of the human or natural world– from the anatomical to the zoological, the socio-economic to the spiritual– emerges, as if for the first time, in the complete­ness of its actual being."

Rolling Stone interview with Sting, February 7, 1991:

"'I was brought up in a very strong Catholic community,' Sting says. 'My parents were Catholic, and in the Fifties and Sixties, Catholicism was very strong. You know, they say, "Once a Catholic, always a Catholic." In a way I'm grateful for that background. There's a very rich imagery in Catholicism: blood, guilt, death, all that stuff.' He laughs."

http://www.log24.com/log/pix08A/081025-Sting.jpg

RS 597, Feb. 7, 1991

Last night's 12:00 AM
Log24 entry:

Midnight Bingo

From this date six years ago:


It All Adds Up.

From this morning's newspaper,
a religious meditation I had not
seen last night:

The image “http://www.log24.com/log/pix08A/081025-WizardOfIdSm.jpg” cannot be displayed, because it contains errors.

Related material:

Juneteenth through
Midsummer Night, 2007

and

Church of the Forbidden Planet

Thursday, July 31, 2008

Thursday July 31, 2008

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm
Symmetry in Review

“Put bluntly, who is kidding whom?”

Anthony Judge, draft of
“Potential Psychosocial Significance
of Monstrous Moonshine:
An Exceptional Form of Symmetry
as a Rosetta Stone for
Cognitive Frameworks,”
dated September 6, 2007.

Good question.

Also from
September 6, 2007 —
the date of
Madeleine L’Engle‘s death —

 
Pavarotti takes a bow
Related material:

1. The performance of a work by
Richard Strauss,
Death and Transfiguration,”
(Tod und Verklärung, Opus 24)
by the Chautauqua Symphony
at Chautauqua Institution on
July 24, 2008

2. Headline of a music review
in today’s New York Times:

Welcoming a Fresh Season of
Transformation and Death

3. The picture of the R. T. Curtis
Miracle Octad Generator
on the cover of the book
Twelve Sporadic Groups:

Cover of 'Twelve Sporadic Groups'

4. Freeman Dyson’s hope, quoted by
Gorenstein in 1986, Ronan in 2006,
and Judge in 2007, that the Monster
group is “built in some way into
the structure of the universe.”

5. Symmetry from Plato to
the Four-Color Conjecture

6. Geometry of the 4×4 Square

7. Yesterday’s entry,
Theories of Everything

Coda:

There is such a thing

Tesseract
     as a tesseract.

— Madeleine L’Engle

Cover of The New Yorker, April 12, 2004-- Roz Chast, Easter Eggs

For a profile of
L’Engle, click on
the Easter eggs.

Wednesday, July 2, 2008

Wednesday July 2, 2008

Filed under: General — Tags: , — m759 @ 3:33 am

Sacerdotal Jargon

Wallace Stevens, from
"Credences of Summer" in
Transport to Summer (1947):

"Three times the concentred
     self takes hold, three times
The thrice concentred self,
     having possessed
The object, grips it
     in savage scrutiny…."

In memory of the former
first lady of Brazil,
who died on June 24 —

Emily Dickinson:

Till Summer folds her miracle —
As Women — do — their Gown —
Or Priests — adjust the Symbols —
When Sacrament — is done —


Symbols of the
thrice concentred self:

Symbols of the Thrice Concentred Self

The circular symbol is from July 1.
The square symbol is from June 24,
the date of death for the former
first lady of Brazil.

Wallace Stevens quotes Paul Klee:

"'… what artist would not establish himself there where the organic center of all movement in time and space– which he calls the mind or heart of creation– determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow…."

— "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951)

Monday, October 1, 2007

Monday October 1, 2007

Filed under: General,Geometry — Tags: , , — m759 @ 7:20 am
Bright as Magnesium

"Definitive"

— The New York Times,  
Sept. 30, 2007, on
Blade Runner:
The Final Cut

Institute for Advanced Study, Princeton, N.J.

"The art historian Kirk Varnedoe died on August 14, 2003, after a long and valiant battle with cancer. He was 57. He was a faculty member in the Institute for Advanced Study’s School of Historical Studies, where he was the fourth art historian to hold this prestigious position, first held by the German Renaissance scholar Erwin Panofsky in the 1930s."

Hal Crowther

"His final lecture was an eloquent, prophetic flight of free association….

Varnedoe chose to introduce his final lecture with the less-quoted last words of the android Roy Batty (Rutger Hauer) in Ridley Scott's film Blade Runner: 'I've seen things you people wouldn't believe– attack ships on fire off the shoulder of Orion, bright as magnesium; I rode on the back decks of a blinker and watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in the rain. Time to die.'"


Related material: 
tears in the rain–

Game Over
(Nov. 5, 2003):
 

The film "The Matrix," illustrated

Coordinates for generating the Miracle Octad Generator

Thursday, June 28, 2007

Thursday June 28, 2007

Filed under: General — m759 @ 12:06 pm
Christianus
Cornelius Uhlenbeck

Oct. 18, 1866 – Aug. 12, 1951

“… born at Voorburg near The Hague in Holland, and studied philology at the University of Leiden…. Though he would actually have preferred to graduate in Basque, Uhlenbeck in 1888, when only 22 years old, took his doctor’s degree in Dutch.  It must be here noted that for this degree the requirements in comparative philology were very considerable….” —International Journal of American Linguistics, Jan. 1953

From Uhlenbeck’s A Manual of Sanskrit Phonetics (1898):

The Indogermanic family of languages. The great family of languages, in which Sanskrit belongs, is called the Indogermanic, Indoceltic or Aryan…. The word Indogermanic dates from a time, when it was not yet proved, that the Celtic dialects also make part of our family of languages, and indicates by the combined name of the utmost branches, Indian and Germanic, the whole territory of speech, to which they belong. Now that it is certain, that Celtic also is a member of our family, it would be accurate to replace the word Indogermanic by Indoceltic, because not Germanic, but Celtic is the utmost branch in the Occident. The name Indogermanic however is generally adopted and it would be impossible to supplant it by another. By the word Aryan is generally understood a certain subdivision of the Indogermanic family, viz. the Indo-Iranian, and therefore it would seem unsuitable to use this name also for the whole Indogermanic family.”

An unsuitable Santa:

The image “http://www.log24.com/log/pix07/070628-Santa.jpg” cannot be displayed, because it contains errors.

A Santa understudy:

The image “http://www.log24.com/log/pix07/070628-christianus_cornelius_uhlenbeck.jpg” cannot be displayed, because it contains errors.

Transcript of
“Miracle on 34th Street”

KRIS: Bye. Merry Christmas!   

Well, young lady,
what's your name?

MOTHER: I'm sorry.
She doesn't speak English.

She's Dutch. She just came over.

She's been living
in an orphans home...

in Rotterdam ever since...

We've adopted her.

I told her you wouldn't
be able to speak to her...

but when she saw you
in the parade yesterday...

she said you were
"Sinter Claes"...

and you could talk to her.

I didn't know what to do.

KRIS: Hello. [Speaking Dutch]

[Speaking Dutch]

[Singing in Dutch]

DORIS: Now do you understand?

Related material:

Pope Approves Wider
Use of Latin Mass
,

The image “http://www.log24.com/log/pix07/070628-Sanctus.jpg” cannot be displayed, because it contains errors.

(Click on image for details),

and

Seminar für Klassische Philologie
 der Universität Basel

The image “http://www.log24.com/log/pix07/070628-UnivBasel.gif” cannot be displayed, because it contains errors.

Sprachwissenschaft
Indogermanistische Bibliothek
.

Sunday, June 10, 2007

Sunday June 10, 2007

Filed under: General — Tags: — m759 @ 2:00 am
Like a Melody
 
An excerpt from
The Miracle of the Bells
quoted in
A Mass for Lucero

"'A pretty girl–          
 is like a melody—- !'
But that was always
Bill Dunnigan's      
Song of Victory….  
Thus thought the…
press agent for     
       'The Garden of the Soul.'"

"Ay que bonito es volar  
    A las dos de la mañana
…."
— "La Bruja"

For a rendition by
Salma Hayek, click
on the picture below.

Related material:
Log24 entries for
May 18, 2007.

Wednesday, May 30, 2007

Wednesday May 30, 2007

Filed under: General — m759 @ 10:00 pm

Al Gore and the
Absence of Truth

"Evil is a negation, because
it is the absence of truth."

— Mary Baker Eddy,
founder of Christian Science,
in Science and Health
with Key to the Scriptures,
(Boston, 1906,
page 186, line 11)

 M. Scott Peck on evil:

"There are quite popular
systems of thought these days,
such as Christian Science
or the Course in Miracles,
which define evil as unreality.
It is a half-truth. The spirit of evil
is one of unreality, but it itself
is real. It really exists."

"We must not fall back into Saint
Augustine's now discarded doctrine
of the 'privatio boni,' whereby evil
was defined as the absence of good.
Satan's personality cannot be
characterized simply by
an absence, a nothingness."

People of the Lie:
The Hope for Healing Human Evil,
by Morgan Scott Peck, 1986.
(Touchstone paperback,
2nd ed., 1998, page 208)
 

Al Gore on M. Scott Peck:

Al Gore trains a global army – USATODAY.com

"Peck wrote that 'Evil is the absence
of truth,' " Gore says, his fingers laced
together at the waist, eyes scanning
eager faces as he wraps up his remarks …

— www.usatoday.com/news/nation/
2007-04-24-gore-trainees_N.htm – 55k
— Google search 5/30/07

He did?

The image “http://www.log24.com/log/pix07/070531-Gore.jpg” cannot be displayed, because it contains errors.

"The greatest trick the Devil ever pulled
was convincing the world he didn't exist."
Verbal Kint in "The Usual Suspects"

Monday, May 28, 2007

Monday May 28, 2007

Filed under: General,Geometry — Tags: , , , , — m759 @ 5:00 pm
Space-Time

and a Finite Model

Notes by Steven H. Cullinane
May 28, 2007

Part I: A Model of Space-Time

The following paper includes a figure illustrating Penrose’s model of  “complexified, compactified Minkowski space-time as the Klein quadric in complex projective 5-space.”
 
The image “http://www.log24.com/log/pix07/070528-Twistor.jpg” cannot be displayed, because it contains errors.

Click on picture to enlarge.

For some background on the Klein quadric and space-time, see Roger Penrose, “On the Origins of Twistor Theory,” from Gravitation and Geometry: A Volume in Honor of Ivor Robinson, Bibliopolis, 1987.


Part II: A Corresponding Finite Model

 

The Klein quadric also occurs in a finite model of projective 5-space.  See a 1910 paper:

G. M. Conwell, The 3-space PG(3,2) and its group, Ann. of Math. 11, 60-76.

Conwell discusses the quadric, and the related Klein correspondence, in detail.  This is noted in a more recent paper by Philippe Cara:

The image “http://www.log24.com/log/pix07/070528-Quadric.jpg” cannot be displayed, because it contains errors.

 

As Cara goes on to explain, the Klein correspondence underlies Conwell’s discussion of eight heptads.  These play an important role in another correspondence, illustrated in the Miracle Octad Generator of R. T. Curtis, that may be used to picture actions of the large Mathieu group M24.


Related material:

The projective space PG(5,2), home of the Klein quadric in the finite model, may be viewed as the set of 64 points of the affine space AG(6,2), minus the origin.

The 64 points of this affine space may in turn be viewed as the 64 hexagrams of the Classic of Transformation, China’s I Ching.

There is a natural correspondence between the 64 hexagrams and the 64 subcubes of a 4x4x4 cube.  This correspondence leads to a natural way to generate the affine group AGL(6,2).  This may in turn be viewed as a group of over a trillion natural transformations of the 64 hexagrams.

Geometry of the I Ching.
“Once Knecht confessed to his teacher that he wished to learn enough to be able to incorporate the system of the I Ching into the Glass Bead Game.  Elder Brother laughed.  ‘Go ahead and try,’ he exclaimed.  ‘You’ll see how it turns out.  Anyone can create a pretty little bamboo garden in the world.  But I doubt that the gardener would succeed in incorporating the world in his bamboo grove.'”
— Hermann Hesse, The Glass Bead Game,
  translated by Richard and Clara Winston

Saturday, May 26, 2007

Saturday May 26, 2007

Filed under: General — m759 @ 1:09 pm

A Baffled Reader

A reader this morning commented on my first Xanga entry (July 20, 2002):

“To set one up (which I have not done because I don’t want anyone to know what I think),” … William Safire regarding “blogs”.

I still don’t know what you think.  Yet … I try, try, try.

Here’s one thing that I think– today– based on my “Hate Speech for Harvard,” on “Devil in the Details” (Log24, May 18 and 23), and, more recently, on

  1. last evening’s PA lottery number 005,
  2. the I Ching hexagram of the same number, and
  3. the New Yorker issue linked to at the end of the previous entry:
Revised New Yorker cover from 5/21/07
Revised version of the
New Yorker cover of 5/21/07
Commentary on the cover
by the PA lottery
on 5/25/07
in the form of the
evening number, 005.
In the I Ching, this
is the number of

HSU:
WAITING
(NOURISHMENT)

See also the previous entry
and Natalie Angier’s sneer
at a politician’s call for
prayer, which, she
said, involved the
“assumption that prayer is
some sort of miracle
Vicks VapoRub.”

Detail from the
5/21/07 New Yorker:

Detail, New Yorker cover, 5/21/07

THE IMAGE

Hexagram 5: Waiting (Nourishment)

Clouds rise up to heaven:
The image of WAITING.
Thus the superior man
eats and drinks,
Is joyous and
of good cheer.

AMEN.

Friday, May 25, 2007

Friday May 25, 2007

Filed under: General,Geometry — Tags: , , , , — m759 @ 7:11 am
Dance and the Soul

From Log24 on
this date last year:

"May there be an ennui
of the first idea?
What else,
prodigious scholar,
should there be?"

— Wallace Stevens,
"Notes Toward a
Supreme Fiction"

The Associated Press,
May 25, 2007–

Thought for Today:
"I hate quotations.
 Tell me what you know."
— Ralph Waldo Emerson

[Journals, on May 3, 1849]

The First Idea:

The Line, by S. H. Cullinane

Four Elements:
 

Four Elements (Diamond)

Square Dance:

Square Dance (Diamond Theorem)

This "telling of what
I know" will of course
mean little to those
who, like Emerson,
have refused to learn
through quotations.

For those less obdurate
than Emerson —Harold Bloom
on Wallace Stevens

and Paul Valery's
   "Dance and the Soul"–

"Stevens may be playful, yet seriously so, in describing desire, at winter's end, observing not only the emergence of the blue woman of early spring, but seeing also the myosotis, whose other name is 'forget-me-not.' Desire, hearing the calendar hymn, repudiates the negativity of the mind of winter, unable to bear what Valery's Eryximachus had called 'this cold, exact, reasonable, and moderate consideration of human life as it is.' The final form of this realization in Stevens comes in 1950, in The Course of a Particular, in the great monosyllabic line 'One feels the life of that which gives life as it is.' But even Stevens cannot bear that feeling for long. As Eryximachus goes on to say in Dance and the Soul:

A cold and perfect clarity is a poison impossible to combat. The real, in its pure state, stops the heart instantaneously….[…] To a handful of ashes is the past reduced, and the future to a tiny icicle. The soul appears to itself as an empty and measurable form. –Here, then, things as they are come together, limit one another, and are thus chained together in the most rigorous and mortal* fashion…. O Socrates, the universe cannot for one instant endure to be only what it is.

Valery's formula for reimagining the First Idea is, 'The idea introduces into what is, the leaven of what is not.' This 'murderous lucidity' can be cured only by what Valery's Socrates calls 'the intoxication due to act,' particularly Nietzschean or Dionysiac dance, for this will rescue us from the state of the Snow Man, 'the motionless and lucid observer.'" —Wallace Stevens: The Poems of Our Climate

* "la sorte… la plus mortelle":
    mortal in the sense
   "deadly, lethal"

Other quotations

(from March 28,
the birthday of
Reba McEntire):

Logical Songs

Reba McEntire, Saturday Evening Post, Mar/Apr 1995

Logical Song I
(Supertramp)

"When I was young, it seemed that
Life was so wonderful, a miracle,
Oh it was beautiful, magical
And all the birds in the trees,
Well they'd be singing so happily,
Joyfully, playfully watching me"

Logical Song II
(Sinatra)

"You make me feel so young,
You make me feel like
Spring has sprung
And every time I see you grin
I'm such a happy in-
dividual….

You and I are
Just like a couple of tots
Running across the meadow
Picking up lots
Of forget-me-nots"

Wednesday, March 28, 2007

Wednesday March 28, 2007

Filed under: General — m759 @ 1:00 pm
Logical Songs

Reba McEntire, Saturday Evening Post, Mar/Apr 1995

Logical Song I
(Supertramp)

“When I was young, it seemed that
Life was so wonderful, a miracle,
Oh it was beautiful, magical
And all the birds in the trees,
Well they’d be singing so happily,
Joyfully, playfully watching me”

Logical Song II
(Sinatra)

“You make me feel so young,
You make me feel like
Spring has sprung
And every time I see you grin
I’m such a happy in-
dividual….

You and I are
Just like a couple of tots
Running across the meadow
Picking up lots
Of forget-me-nots

Wednesday, February 28, 2007

Wednesday February 28, 2007

Filed under: General,Geometry — Tags: , , , — m759 @ 7:59 am

Elements
of Geometry

The title of Euclid’s Elements is, in Greek, Stoicheia.

From Lectures on the Science of Language,
by Max Muller, fellow of All Souls College, Oxford.
New York: Charles Scribner’s Sons, 1890, pp. 88-90 –

Stoicheia

“The question is, why were the elements, or the component primary parts of things, called stoicheia by the Greeks? It is a word which has had a long history, and has passed from Greece to almost every part of the civilized world, and deserves, therefore, some attention at the hand of the etymological genealogist.

Stoichos, from which stoicheion, means a row or file, like stix and stiches in Homer. The suffix eios is the same as the Latin eius, and expresses what belongs to or has the quality of something. Therefore, as stoichos means a row, stoicheion would be what belongs to or constitutes a row….

Hence stoichos presupposes a root stich, and this root would account in Greek for the following derivations:–

  1. stix, gen. stichos, a row, a line of soldiers
  2. stichos, a row, a line; distich, a couplet
  3. steichoestichon, to march in order, step by step; to mount
  4. stoichos, a row, a file; stoichein, to march in a line

In German, the same root yields steigen, to step, to mount, and in Sanskrit we find stigh, to mount….

Stoicheia are the degrees or steps from one end to the other, the constituent parts of a whole, forming a complete series, whether as hours, or letters, or numbers, or parts of speech, or physical elements, provided always that such elements are held together by a systematic order.”

Saturday, February 3, 2007

Saturday February 3, 2007

Filed under: General — m759 @ 11:07 pm
Catholic Schools Week,

Jan. 28 – Feb. 3, 2007,
concludes:

 PA Lottery 2/3/07: Day 373, Evening 401

For 373, see
Miracle.

For 401, see 4/01:
April 1 at Noon.

“Feel lucky? 
Well, do you?”

Tuesday, December 5, 2006

Tuesday December 5, 2006

Filed under: General — m759 @ 5:01 am

Today in History
(via The Associated Press)

On this date (Dec. 5):

In 1776, the first scholastic fraternity in America, Phi Beta Kappa, was organized at the College of William and Mary in Williamsburg, Va.

In 1791, composer Wolfgang Amadeus Mozart died in Vienna, Austria, at age 35.

In 2006, author Joan Didion is 72.

Joan Didion, The White Album:

“We tell ourselves stories in order to live….

We interpret what we see, select the most workable of multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the ‘ideas’ with which we have learned to freeze the shifting phantasmagoria which is our actual experience.

Or at least we do for a while. I am talking here about a time when I began to doubt the premises of all the stories I had ever told myself, a common condition but one I found troubling.”

An Alternate History

(based on entries of
the past three days):

“A FAMOUS HISTORIAN:

England, 932 A.D. —
A kingdom divided….”

Introduction to “Spamalot”

A Story That Works

  • “There is the dark, eternally silent, unknown universe;
  • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles —
    • that minds should really touch, or
    • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
    • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
  • and lastly, there is lonely, story-telling, wonder-questing, mortal me.”

    Fritz Leiber in “The Button Molder

Tuesday, October 3, 2006

Tuesday October 3, 2006

Filed under: General,Geometry — Tags: , , , — m759 @ 9:26 am

Serious

"I don't think the 'diamond theorem' is anything serious, so I started with blitzing that."

Charles Matthews at Wikipedia, Oct. 2, 2006

"The 'seriousness' of a mathematical theorem lies, not in its practical consequences, which are usually negligible, but in the significance of the mathematical ideas which it connects. We may say, roughly, that a mathematical idea is 'significant' if it can be connected, in a natural and illuminating way, with a large complex of other mathematical ideas."

— G. H. Hardy, A Mathematician's Apology

Matthews yesterday deleted references to the diamond theorem and related material in the following Wikipedia articles:

Affine group‎
Reflection group‎
Symmetry in mathematics‎
Incidence structure‎
Invariant (mathematics)‎
Symmetry‎
Finite geometry‎
Group action‎
History of geometry‎

This would appear to be a fairly large complex of mathematical ideas.

See also the following "large complex" cited, following the above words of Hardy, in Diamond Theory:

Affine geometry, affine planes, affine spaces, automorphisms, binary codes, block designs, classical groups, codes, coding theory, collineations, combinatorial, combinatorics, conjugacy classes, the Conwell correspondence, correlations, design theory, duads, duality, error correcting codes, exceptional groups, finite fields, finite geometry, finite groups, finite rings, Galois fields, generalized quadrangles, generators, geometry, GF(2), GF(4), the (24,12) Golay code, group actions, group theory, Hadamard matrices, hypercube, hyperplanes, hyperspace, incidence structures, invariance, Karnaugh maps, Kirkman's schoolgirl problem, Latin squares, Leech lattice, linear groups, linear spaces, linear transformations, Mathieu groups, matrix theory, Meno, Miracle Octad Generator, MOG, multiply transitive groups, octads, the octahedral group, orthogonal arrays, outer automorphisms, parallelisms, partial geometries, permutation groups, PG(3,2), polarities, Polya-Burnside theorem, projective geometry, projective planes, projective spaces, projectivities, Reed-Muller codes, the relativity problem, Singer cycle, skew lines,  sporadic simple groups, Steiner systems, symmetric, symmetry, symplectic, synthemes, synthematic, tesseract, transvections, Walsh functions, Witt designs.

Saturday, July 29, 2006

Saturday July 29, 2006

Filed under: General,Geometry — Tags: , , , , — m759 @ 2:02 pm

Big Rock

Thanks to Ars Mathematicaa link to everything2.com:

“In mathematics, a big rock is a result which is vastly more powerful than is needed to solve the problem being considered. Often it has a difficult, technical proof whose methods are not related to those of the field in which it is applied. You say ‘I’m going to hit this problem with a big rock.’ Sard’s theorem is a good example of a big rock.”

Another example:

Properties of the Monster Group of R. L. Griess, Jr., may be investigated with the aid of the Miracle Octad Generator, or MOG, of R. T. Curtis.  See the MOG on the cover of a book by Griess about some of the 20 sporadic groups involved in the Monster:

The image “http://www.log24.com/theory/images/TwelveSG.jpg” cannot be displayed, because it contains errors.

The MOG, in turn, illustrates (via Abstract 79T-A37, Notices of the American Mathematical Society, February 1979) the fact that the group of automorphisms of the affine space of four dimensions over the two-element field is also the natural group of automorphisms of an arbitrary 4×4 array.

This affine group, of order 322,560, is also the natural group of automorphisms of a family of graphic designs similar to those on traditional American quilts.  (See the diamond theorem.)

This top-down approach to the diamond theorem may serve as an illustration of the “big rock” in mathematics.

For a somewhat simpler, bottom-up, approach to the theorem, see Theme and Variations.

For related literary material, see Mathematics and Narrative and The Diamond as Big as the Monster.

“The rock cannot be broken.
It is the truth.”

Wallace Stevens,
“Credences of Summer”

 

Sunday, May 7, 2006

Sunday May 7, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 3:00 am

Bagombo Snuff Box
 
(in memory of
Burt Kerr Todd)


“Well, it may be the devil
or it may be the Lord
But you’re gonna have to
serve somebody.”

— “Bob Dylan”
(pseudonym of Robert Zimmerman),
quoted by “Bob Stewart”
on July 18, 2005

“Bob Stewart” may or may not be the same person as “crankbuster,” author of the “Rectangular Array Theorem” or “RAT.”  This “theorem” is intended as a parody of the “Miracle Octad Generator,” or “MOG,” of R. T. Curtis.  (See the Usenet group sci.math, “Steven Cullinane is a Crank,” July 2005, messages 51-60.)

“Crankbuster” has registered at Math Forum as a teacher in Sri Lanka (formerly Ceylon).   For a tall tale involving Ceylon, see the short story “Bagombo Snuff Box” in the book of the same title by Kurt Vonnegut, who has at times embodied– like Martin Gardner and “crankbuster“– “der Geist, der stets verneint.”

Here is my own version (given the alleged Ceylon background of “crankbuster”) of a Bagombo snuff box:

Related material:

Log24 entries of
April 16-30, 2005,

and the 5 Log24 entries
ending on Friday,
April 28, 2006.

Friday, April 28, 2006

Friday April 28, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

Exercise

Review the concepts of integritas, consonantia,  and claritas in Aquinas:

"For in respect to beauty three things are essential: first of all, integrity or completeness, since beings deprived of wholeness are on this score ugly; and [secondly] a certain required design, or patterned structure; and finally a certain splendor, inasmuch as things are called beautiful which have a certain 'blaze of being' about them…."

Summa Theologiae Sancti Thomae Aquinatis, I, q. 39, a. 8, as translated by William T. Noon, S.J., in Joyce and Aquinas, Yale University Press, 1957

Review the following three publications cited in a note of April 28, 1985 (21 years ago today):

(1) Cameron, P. J.,
     Parallelisms of Complete Designs,
     Cambridge University Press, 1976.

(2) Conwell, G. M.,
     The 3-space PG(3,2) and its group,
     Ann. of Math. 11 (1910) 60-76.

(3) Curtis, R. T.,
     A new combinatorial approach to M24,
     Math. Proc. Camb. Phil. Soc.
    
79 (1976) 25-42.

Discuss how the sextet parallelism in (1) illustrates integritas, how the Conwell correspondence in (2) illustrates consonantia, and how the Miracle Octad Generator in (3) illustrates claritas.
 

Wednesday, April 12, 2006

Wednesday April 12, 2006

Filed under: General — m759 @ 4:07 pm

Eternal

Franklin Delano Roosevelt:

“Eternal truths will be neither true nor eternal unless they have fresh meaning for every new social situation.”

— AP, Today in History,
   apparently quoted from an address
   at the University of Pennsylvania,
   Sept. 20, 1940

Related material:
 
Gravity’s Rainbow, the beginning of page 373*:

“white and geometric capital before the destruction”

Gravity’s Rainbow
, the end of page 373*:

“Slothrop was going into high school when FDR was starting out in the White House.  Broderick Slothrop professed to hate the man, but young Tyrone thought he was brave.”

See also the Log24 entry
for Dec. 20, 2003 —
White, Geometric, and Eternal
and the entry for 8 PM on
the feast of St. John Paul II —
Miracle, April 2, 2006.

* Penguin Twentieth-Century Classics
   edition of 1995, copyright 1973
   by Thomas Pynchon.

Sunday, April 2, 2006

Sunday April 2, 2006

Filed under: General — m759 @ 8:00 pm
Miracle

Looking for a Miracle:
The Beatification of John Paul II


Background:

 Preface:

Last year’s April 2 entry

Part I:

Eight is a Gate

Part II:

Zen and Language Games
,
Directions Out,
Outside the World,
and
Diamonds Are Forever.

Today’s lottery in the
State of Grace
  (Kelly, of Philadelphia)–

Mid-day: 008 
Evening: 373.

Done.

Wednesday, February 8, 2006

Wednesday February 8, 2006

Filed under: General — m759 @ 5:11 pm
For Grammy Night

From A Mass for Lucero:

“To the two gods of art, Apollo and Dionysus, we owe our recognition that… there is a tremendous opposition, as regards both origins and aims, between the Apolline art of the sculptor and the non-visual, Dionysiac art of music.”
The Birth of Tragedy, by Friedrich Nietzsche, Penguin, 1993, page 14

Melody, then, is both primary and universal.” (Author’s italics)
— Nietzsche, op. cit., page 33

“…in so far as he interprets music in images, he himself lies amidst the peaceful waves of Apolline contemplation….”
— Nietzsche, op. cit., page 35

The image “http://www.log24.com/log/pix06/060208-Scarlett.jpg” cannot be displayed, because it contains errors.

Apolline Contemplation

From The Miracle of the Bells, by Russell Janney, Prentice-Hall, 1946, page 333–

“He was singing softly:
A pretty girl–
 is like a melody—- !
 But that was always
 Bill Dunnigan’s
 Song of Victory….
 Thus thought the…
 press agent for
‘The Garden of the Soul.'”

Tuesday, January 3, 2006

Tuesday January 3, 2006

Filed under: General — m759 @ 8:06 pm
Step Three
of January, 2006

From St. Andrew’s Day,

See also Step One —
  “Happy Six,”*
  and Step Two —
  “Then a Miracle Occurs.”**

The miracle occurred on the
Feast of the Transfiguration,
August 6, 1945, at 8:15 AM
in Hiroshima, Japan.

* This Jan. 1 entry links to a paper by Robert T. Curtis  from The Arabian Journal for Science and Engineering (King Fahd University, Dhahran, Saudi Arabia), Volume 27, Number 1A, January 2002.

** This Jan. 2 entry discusses Einstein as, according to the New York Times, “a moral and even spiritual sage.”

Monday, January 2, 2006

Monday January 2, 2006

Filed under: General — m759 @ 12:25 pm

Then a Miracle Occurs

  The New York Times on Sunday,
  New Year’s Day, 2006,
  by John Horgan–
 “Einstein Has Left the Building“–

“Down the hall from my office, Albert Einstein’s electric-haired visage beams from a poster for the ‘World Year of Physics 2005.’ The poster celebrates the centennial of the ‘miraculous year’ when a young patent clerk in Bern, Switzerland, revolutionized physics with five papers on relativity, quantum mechanics and thermodynamics. ‘Help make 2005 another Miraculous Year!’ the poster exclaims…. As 2005 wound down with no miracles in sight, the poster took on an increasingly poignant cast, like a Kerry/Edwards bumper sticker….”

From a debate:

KERRY: “I’m going to be a president who believes in science.”

KERRY: “I’m a Catholic – raised a Catholic. I was an altar boy. Religion has been a huge part of my life, helped lead me through a war, leads me today.”

BUSH: “Trying to decipher that.”

Horgan quotes Einstein:

The image “http://www.log24.com/log/pix06/060102-Einstein.gif” cannot be displayed, because it contains errors.

Click on “religion” in this quote to find out what Einstein really meant.

Here’s a bumper sticker for Horgan:

The image “http://www.log24.com/log/pix06/060102-Sticker.gif” cannot be displayed, because it contains errors.

More from Horgan’s New Year’s Day sermon:

“We revere [Einstein] not only as a scientific genius but also as a moral and even spiritual sage….”

“What you mean ‘we,’ blue man?”
— The Red States

Wednesday, December 14, 2005

Wednesday December 14, 2005

Filed under: General — Tags: — m759 @ 1:00 am
From Here
to Eternity

For Loomis Dean

The image “http://www.log24.com/log/pix05B/051214-MorenoCover.jpg” cannot be displayed, because it contains errors.

See also
For Rita Moreno
on Her Birthday

(Dec. 11, 2005)

Los Angeles Times
Tuesday, Dec. 13, 2005

OBITUARIES

The image “http://www.log24.com/log/pix05B/051214-LoomisDean.jpg” cannot be displayed, because it contains errors.

LOOMIS DEAN
After many years at Life magazine,
he continued to find steady work
as a freelancer and as a still
photographer on film sets.
(Dean Family)

Loomis Dean, 88;
Life Magazine Photographer
Known for Pictures of
Celebrities and Royalty

By Jon Thurber, Times Staff Writer

Loomis Dean, a Life magazine photographer who made memorable pictures of the royalty of both Europe and Hollywood, has died. He was 88.

Dean died Wednesday [December 7, 2005] at Sonoma Valley Hospital in Sonoma, Calif., of complications from a stroke, according to his son, Christopher.

In a photographic career spanning six decades, Dean's leading images included shirtless Hollywood mogul Darryl F. Zanuck trying a one-handed chin-up on a trapeze bar, the ocean liner Andrea Doria listing in the Atlantic and writer Ernest Hemingway in Spain the year before he committed suicide. One of his most memorable photographs for Life was of cosmopolitan British playwright and composer Noel Coward in the unlikely setting of the Nevada desert.

Dean shot 52 covers for Life, either as a freelance photographer or during his two stretches as a staffer with the magazine, 1947-61 and 1966-69. After leaving the magazine, Dean found steady freelance work in magazines and as a still photographer on film sets, including several of the early James Bond movies starring Sean Connery.

Born in Monticello, Fla., Dean was the son of a grocer and a schoolteacher.

When the Dean family's business failed during the Depression, they moved to Sarasota, Fla., where Dean's father worked as a curator and guide at the John and Mable Ringling Museum of Art.

Dean studied engineering at the University of Florida but became fascinated with photography after watching a friend develop film in a darkroom. He went off to what is now the Rochester Institute of Technology, which was known for its photography school.

After earning his degree, Dean went to work for the Ringling circus as a junior press agent and, according to his son, cultivated a side job photographing Ringling's vast array of performers and workers.

He worked briefly as one of Parade magazine's first photographers but left after receiving an Army Air Forces commission during World War II. During the war, he worked in aerial reconnaissance in the Pacific and was along on a number of air raids over Japan.

His first assignment for Life in 1946 took him back to the circus: His photograph of clown Lou Jacobs with a giraffe looking over his shoulder made the magazine's cover and earned Dean a staff job.

In the era before television, Life magazine photographers had some of the most glamorous work in journalism. Life assigned him to cover Hollywood. In 1954, the magazine published one of his most memorable photos, the shot of Coward dressed for a night on the town in New York but standing alone in the stark Nevada desert.

Dean had the idea of asking Coward, who was then doing a summer engagement at the Desert Inn in Las Vegas, to pose in the desert to illustrate his song "Mad Dogs and Englishmen Go Out in the Midday Sun."

As Dean recalled in an interview with John Loengard for the book "Life Photographers: What They Saw," Coward wasn't about to partake of the midday sun. "Oh, dear boy, I don't get up until 4 o'clock in the afternoon," Dean recalled him saying.

But Dean pressed on anyway. As he related to Loengard, he rented a Cadillac limousine and filled the back seat with a tub loaded with liquor, tonic and ice cubes — and Coward.

The temperature that day reached 119 as Coward relaxed in his underwear during the drive to a spot about 15 miles from Las Vegas. According to Dean, Coward's dresser helped him into his tuxedo, resulting in the image of the elegant Coward with a cigarette holder in his mouth against his shadow on the dry lake bed.

"Splendid! Splendid! What an idea! If we only had a piano," Coward said of the shoot before hopping back in the car and stripping down to his underwear for the ride back to Las Vegas.

In 1956, Life assigned Dean to Paris. While sailing to Europe on the Ile de France, he was awakened with the news that the Andrea Doria had collided with another liner, the Stockholm.

The accident occurred close enough to Dean's liner that survivors were being brought aboard.

His photographs of the shaken voyagers and the sinking Andrea Doria were some of the first on the accident published in a U.S. magazine.

During his years in Europe, Dean photographed communist riots and fashion shows in Paris, royal weddings throughout Europe and noted authors including James Jones and William S. Burroughs.

He spent three weeks with Hemingway in Spain in 1960 for an assignment on bullfighting. In 1989, Dean published "Hemingway's Spain," about his experiences with the great writer.

In 1965, Dean won first prize in a Vatican photography contest for a picture of Pope Paul VI. The prize included an audience with the pope and $750. According to his son, it was Dean's favorite honor.

In addition to his son, he is survived by a daughter, Deborah, and two grandsons.

Instead of flowers, donations may be made to the American Child Photographer's Charity Guild (www.acpcg.com) or the Make-A-Wish Foundation.

Related material:
The Big Time

(Log 24, July 29, 2003):

A Story That Works

 
  • "There is the dark, eternally silent, unknown universe;
  • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles —

    • that minds should really touch, or
    • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
    • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
  • and lastly, there is lonely, story-telling, wonder-questing, mortal me."

    Fritz Leiber in "The Button Molder"

 

Wednesday, November 30, 2005

Wednesday November 30, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:00 am

For St. Andrew’s Day

The miraculous enters…. When we investigate these problems, some fantastic things happen….”

— John H. Conway and N. J. A. Sloane, Sphere Packings, Lattices and Groups, preface to first edition (1988)

The remarkable Mathieu group M24, a group of permutations on 24 elements, may be studied by picturing its action on three interchangeable 8-element “octads,” as in the “Miracle Octad Generator” of R. T. Curtis.

A picture of the Miracle Octad Generator, with my comments, is available online.


 Cartoon by S.Harris

Related material:
Mathematics and Narrative.

Thursday, November 17, 2005

Thursday November 17, 2005

Filed under: General — m759 @ 2:22 pm
All the King’s Men

(See also Time and
All the King’s Horses.)

LEAR:

Now you better do some thinkin’
    then you’ll find
You got the only daddy
    that’ll walk the line
.

The image “http://www.log24.com/log/pix05B/051117-Ridin1.jpg” cannot be displayed, because it contains errors.

FOOL:

I’ve always been different
    with one foot over the line….
I’ve always been crazy
    but it’s kept me from going insane.

For related material, see

The Line: Notes on Iconology,

and last night’s winner of

The image “http://www.log24.com/log/pix05B/051117-Award2.jpg” cannot be displayed, because it contains errors.

the National Book Award
for nonfiction, i.e.,
“all hard facts, all reality, with
no illusions and no fantasy.”  

A Story That Works

  • “There is the dark, eternally silent, unknown universe;
  • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles —
    • that minds should really touch, or
    • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
    • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
  • and lastly, there is lonely, story-telling, wonder-questing, mortal me.”

    Fritz Leiber in “The Button Molder

Monday, August 22, 2005

Monday August 22, 2005

Filed under: General — Tags: , , — m759 @ 4:07 pm
The Hole

Part I: Mathematics and Narrative

The image “http://www.log24.com/log/pix05B/050822-Narr.jpg” cannot be displayed, because it contains errors.

Apostolos Doxiadis on last month's conference on "mathematics and narrative"–

Doxiadis is describing how talks by two noted mathematicians were related to

    "… a sense of a 'general theory bubbling up' at the meeting… a general theory of the deeper relationship of mathematics to narrative…. "

Doxiadis says both talks had "a big hole in the middle."  

    "Both began by saying something like: 'I believe there is an important connection between story and mathematical thinking. So, my talk has two parts.  [In one part] I’ll tell you a few things about proofs.  [And in the other part] I’ll tell you about stories.' …. And in both talks it was in fact implied by a variation of the post hoc propter hoc, the principle of consecutiveness implying causality, that the two parts of the lectures were intimately related, the one somehow led directly to the other."
  "And the hole?"
  "This was exactly at the point of the link… [connecting math and narrative]… There is this very well-known Sidney Harris cartoon… where two huge arrays of formulas on a blackboard are connected by the sentence ‘THEN A MIRACLE OCCURS.’ And one of the two mathematicians standing before it points at this and tells the other: ‘I think you should be more explicit here at step two.’ Both… talks were one half fascinating expositions of lay narratology– in fact, I was exhilarated to hear the two most purely narratological talks at the meeting coming from number theorists!– and one half a discussion of a purely mathematical kind, the two parts separated by a conjunction roughly synonymous to ‘this is very similar to this.’  But the similarity was not clearly explained: the hole, you see, the ‘miracle.’  Of course, both [speakers]… are brilliant men, and honest too, and so they were very clear about the location of the hole, they did not try to fool us by saying that there was no hole where there was one."
 

Part II: Possible Worlds

"At times, bullshit can only be countered with superior bullshit."
Norman Mailer

Many Worlds and Possible Worlds in Literature and Art, in Wikipedia:

    "The concept of possible worlds dates back to a least Leibniz who in his Théodicée tries to justify the apparent imperfections of the world by claiming that it is optimal among all possible worlds.  Voltaire satirized this view in his picaresque novel Candide….
    Borges' seminal short story El jardín de senderos que se bifurcan ("The Garden of Forking Paths") is an early example of many worlds in fiction."

Background:

Modal Logic in Wikipedia

Possible Worlds in Wikipedia

Possible-Worlds Theory, by Marie-Laure Ryan
(entry for The Routledge Encyclopedia of Narrative Theory)

The God-Shaped Hole
 

Part III: Modal Theology

 
  "'What is this Stone?' Chloe asked….
  '…It is told that, when the Merciful One made the worlds, first of all He created that Stone and gave it to the Divine One whom the Jews call Shekinah, and as she gazed upon it the universes arose and had being.'"

  — Many Dimensions, by Charles Williams, 1931 (Eerdmans paperback, April 1979, pp. 43-44)


"The lapis was thought of as a unity and therefore often stands for the prima materia in general."

  — Aion, by C. G. Jung, 1951 (Princeton paperback, 1979, p. 236)

 

"Its discoverer was of the opinion that he had produced the equivalent of the primordial protomatter which exploded into the Universe."

  — The Stars My Destination, by Alfred Bester, 1956 (Vintage hardcover, July 1996, p. 216)
 
"We symbolize
logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

 

 

Keith Allen Korcz 

The image “http://www.log24.com/log/pix05B/050802-Stone.gif” cannot be displayed, because it contains errors.

"The possibilia that exist,
and out of which
the Universe arose,
are located in
     a necessary being…."

Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)

Tuesday, April 26, 2005

Tuesday April 26, 2005

Filed under: General — Tags: — m759 @ 6:29 am
The Ring of Falsehood
 
In memory of Philip Morrison, bombmaker,

The image “http://www.log24.com/log/pix05/050426-Morrison.jpg” cannot be displayed, because it contains errors.
Morrison

Scientific American columnist,
  pioneer of the
Search for Extraterrestrial Intelligence (SETI)
and author of
The Ring of Truth.

Morrison died
in Cambridge, Massachusetts,
on Friday, April 22, 2005.

From The Measure of a Life:

Does religion play a role in attitudes toward ETIs? Philip Morrison gave his considered opinion… “Well, it might, but I think that it’s just one of the permissive routes; it isn’t an essential factor. My parents were Jewish. Their beliefs were conventional but not very deep. They belonged to the Jewish community; they went to services infrequently, on special occasions—funerals and high holidays”….

Although Sagan did not believe in God, he nevertheless said this about SETI’s importance… “It touches deeply into myth, folklore, religion, mythology; and every human culture in some way or another has wondered about that type of question. It’s one of the most basic questions there is.” In fact, in Sagan’s novel/film Contact, described by Keay Davidson as “one of the most religious science-fiction tales ever written”… Ellie discovers that pi—the ratio of the circumference of a circle to its diameter—is numerically encoded in the cosmos and this is proof that a super-intelligence designed the universe…

The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover a miracle—another circle, drawn kilometers downstream of the decimal point. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there is an intelligence that antedates the universe.

Nell

See also yesterday's entry Mathematical Style.

Extra credit:
Discuss the difference betweeen physical constants and mathematical constants. Use the results of your discussion to show that the above discussion of pi is nonsense.

Wednesday, August 18, 2004

Wednesday August 18, 2004

Filed under: General — m759 @ 3:00 am

Drunk Bird


T. Charles Erickson
Shizuo Kakutani
in the 1980’s

Kakutani died yesterday.

“A drunk man will find his way home, but a drunk bird may get lost forever.”

— Shizuo Kakutani, quoted by J. Chang in Stochastic Processes (ps), p. 1-19.  Chang says the quote is from an R. Durrett book on probability.

Meaning:

A random walk in d dimensions is recurrent if d = 1 or d = 2, but transient if d is greater than or equal to 3.


From a web page on Kylie Minogue:

Turns out she’s a party girl
who loves Tequila:
“Time disappears with Tequila.  
  It goes elastic, then vanishes.”



Kylie sings
“Locomotion”

From a web page on Malcolm Lowry’s classic novel Under the Volcano

The day begins with Yvonne’s arrival at the Bella Vista bar in Quauhnahuac. From outside she hears Geoffrey’s familiar voice shouting a drunken lecture this time on the topic of the rule of the Mexican railway that requires that  “A corpse will be transported by express!” (Lowry, Volcano, p. 43).

For further literary details in memory of Shizuo Kakutani, Yale mathematician and father of book reviewer Michiko Kakutani, see

Santa Versus the Volcano.

Of course, Kakutani himself would probably prefer the anti-Santa, Michael Shermer.  For a refutation of Santa by this high priest of Scientism, see

Miracle on Probability Street

(Scientific American, July 26, 2004). 

Sunday, April 11, 2004

Sunday April 11, 2004

Filed under: General,Geometry — m759 @ 3:28 pm

Good Friday and
Descartes’s Easter Egg

“The use of z, y, x . . . to represent unknowns is due to René Descartes, in his La géometrie (1637)…. In a paper on Cartesian ovals, prepared before 1629, x alone occurs as unknown…. This is the earliest place in which Descartes used one of the last letters of the alphabet to represent an unknown.”

— Florian Cajori, A History of Mathematical Notations. 2 volumes. Lasalle, Illinois: The Open Court Publishing Co., 1928-1929. (Vol. 1, page 381)

This is from

http://members.aol.com/jeff570/variables.html.

Descartes’s Easter Egg is found at

EggMath: The Shape of an Egg —
Cartesian Ovals
 

An Easter Meditation
on Humpty Dumpty

The following is excerpted from a web page headed “Catholic Way.”  It is one of a series of vicious and stupid Roman Catholic attacks on Descartes.  Such attacks have been encouraged by the present Pope, who today said “may the culture of life and love render vain the logic of death.”

The culture of life and love is that of the geometry (if not the philosophy) of Descartes.  The logic of death is that of Karol Wojtyla, as was made very clear in the past century by the National Socialist Party, which had its roots in Roman Catholicism.

Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall

“In the century just completed, the human race found itself in a position not unlike the scrambled mess at the base of an imaginary English wall….

… we are heirs to a humanity that is broken, fractured, confused, unsure of what to make of itself….

 … ‘postmodernism’ is merely the articulation of the fractured, dissipated state of the human being…. 

Without relating a history of modern philosophy, our unfortunate human shell has suffered a continual fragmentation for a period of roughly 500 years. (You philosophers out there will recognize immediately that I am referring to the legacy of René Descartes.) And this fragmentation has been a one-way street: one assault after another on the integrity and dignity of the human person until you have, well, the 20th Century.

But now it’s the 21st Century.

The beauty … the marvel … the miracle of our time is the possibility that gravity will reverse itself: Humpty Dumpty may be able, once again, to assume his perch.”

—  Ted Papa,
Raising Humpty Dumpty

Voilà.

The upper part
of the above icon
is from EggMath.
For the lower part,
see Good Friday.

Tuesday, January 6, 2004

Tuesday January 6, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 10:10 pm

720 in the Book

Searching for an epiphany on this January 6 (the Feast of the Epiphany), I started with Harvard Magazine, the current issue of January-February 2004.

An article titled On Mathematical Imagination concludes by looking forward to

“a New Instauration that will bring mathematics, at last, into its rightful place in our lives: a source of elation….”

Seeking the source of the phrase “new instauration,” I found it was due to Francis Bacon, who “conceived his New Instauration as the fulfilment of a Biblical prophecy and a rediscovery of ‘the seal of God on things,’ ” according to a web page by Nieves Mathews.

Hmm.

The Mathews essay leads to Peter Pesic, who, it turns out, has written a book that brings us back to the subject of mathematics:

Abel’s Proof:  An Essay
on the Sources and Meaning
of Mathematical Unsolvability

by Peter Pesic,
MIT Press, 2003

From a review:

“… the book is about the idea that polynomial equations in general cannot be solved exactly in radicals….

Pesic concludes his account after Abel and Galois… and notes briefly (p. 146) that following Abel, Jacobi, Hermite, Kronecker, and Brioschi, in 1870 Jordan proved that elliptic modular functions suffice to solve all polynomial equations.  The reader is left with little clarity on this sequel to the story….”

— Roger B. Eggleton, corrected version of a review in Gazette Aust. Math. Soc., Vol. 30, No. 4, pp. 242-244

Here, it seems, is my epiphany:

“Elliptic modular functions suffice to solve all polynomial equations.”


Incidental Remarks
on Synchronicity,
Part I

Those who seek a star
on this Feast of the Epiphany
may click here.


Most mathematicians are (or should be) familiar with the work of Abel and Galois on the insolvability by radicals of quintic and higher-degree equations.

Just how such equations can be solved is a less familiar story.  I knew that elliptic functions were involved in the general solution of a quintic (fifth degree) equation, but I was not aware that similar functions suffice to solve all polynomial equations.

The topic is of interest to me because, as my recent web page The Proof and the Lie indicates, I was deeply irritated by the way recent attempts to popularize mathematics have sown confusion about modular functions, and I therefore became interested in learning more about such functions.  Modular functions are also distantly related, via the topic of “moonshine” and via the  “Happy Family” of the Monster group and the Miracle Octad Generator of R. T. Curtis, to my own work on symmetries of 4×4 matrices.


Incidental Remarks
on Synchronicity,
Part II

There is no Log24 entry for
December 30, 2003,
the day John Gregory Dunne died,
but see this web page for that date.


Here is what I was able to find on the Web about Pesic’s claim:

From Wolfram Research:

From Solving the Quintic —

“Some of the ideas described here can be generalized to equations of higher degree. The basic ideas for solving the sextic using Klein’s approach to the quintic were worked out around 1900. For algebraic equations beyond the sextic, the roots can be expressed in terms of hypergeometric functions in several variables or in terms of Siegel modular functions.”

From Siegel Theta Function —

“Umemura has expressed the roots of an arbitrary polynomial in terms of Siegel theta functions. (Mumford, D. Part C in Tata Lectures on Theta. II. Jacobian Theta Functions and Differential Equations. Boston, MA: Birkhäuser, 1984.)”

From Polynomial

“… the general quintic equation may be given in terms of the Jacobi theta functions, or hypergeometric functions in one variable.  Hermite and Kronecker proved that higher order polynomials are not soluble in the same manner. Klein showed that the work of Hermite was implicit in the group properties of the icosahedron.  Klein’s method of solving the quintic in terms of hypergeometric functions in one variable can be extended to the sextic, but for higher order polynomials, either hypergeometric functions in several variables or ‘Siegel functions’ must be used (Belardinelli 1960, King 1996, Chow 1999). In the 1880s, Poincaré created functions which give the solution to the nth order polynomial equation in finite form. These functions turned out to be ‘natural’ generalizations of the elliptic functions.”

Belardinelli, G. “Fonctions hypergéométriques de plusieurs variables er résolution analytique des équations algébrique générales.” Mémoral des Sci. Math. 145, 1960.

King, R. B. Beyond the Quartic Equation. Boston, MA: Birkhäuser, 1996.

Chow, T. Y. “What is a Closed-Form Number.” Amer. Math. Monthly 106, 440-448, 1999. 

From Angel Zhivkov,

Preprint series,
Institut für Mathematik,
Humboldt-Universität zu Berlin:

“… discoveries of Abel and Galois had been followed by the also remarkable theorems of Hermite and Kronecker:  in 1858 they independently proved that we can solve the algebraic equations of degree five by using an elliptic modular function….  Kronecker thought that the resolution of the equation of degree five would be a special case of a more general theorem which might exist.  This hypothesis was realized in [a] few cases by F. Klein… Jordan… showed that any algebraic equation is solvable by modular functions.  In 1984 Umemura realized the Kronecker idea in his appendix to Mumford’s book… deducing from a formula of Thomae… a root of [an] arbitrary algebraic equation by Siegel modular forms.”  

— “Resolution of Degree Less-than-or-equal-to Six Algebraic Equations by Genus Two Theta Constants


Incidental Remarks
on Synchronicity,
Part III

From Music for Dunne’s Wake:

Heaven was kind of a hat on the universe,
a lid that kept everything underneath it
where it belonged.”

— Carrie Fisher,
Postcards from the Edge

     

720 in  
the Book”

and
Paradise

“The group Sp4(F2) has order 720,”
as does S6. — Angel Zhivkov, op. cit.

Those seeking
“a rediscovery of
‘the seal of God on things,’ “
as quoted by Mathews above,
should see
The Unity of Mathematics
and the related note
Sacerdotal Jargon.

For more remarks on synchronicity
that may or may not be relevant
to Harvard Magazine and to
the annual Joint Mathematics Meetings
that start tomorrow in Phoenix, see

Log24, June 2003.

For the relevance of the time
of this entry, 10:10, see

  1. the reference to Paradise
    on the “postcard” above, and
  2. Storyline (10/10, 2003).

Related recreational reading:

Labyrinth



The Shining

Shining Forth

Friday, January 2, 2004

Friday January 2, 2004

Filed under: General — m759 @ 4:28 pm

Music for Dunne’s Wake

Heaven was kind of a hat on the universe,
a lid that kept everything underneath it
where it belonged.”

 — Carrie Fisher,
Postcards from the Edge

     

720 in  
the Book”

and
Paradise

Musical Note: A Star is Born

Natalie Wood played a six-year-old
in “Miracle on 34th Street,”
six factorial equals 720,
and Wood was born on 7/20, 1938.

“How I love music.”

— John O’Hara, Hope of Heaven, 1938

For related metaphors, see
Immortal Diamond,
The Diamond Archetype, and
the first log24.net entry
for July 20, 2002.

Friday January 2, 2004

Filed under: General — m759 @ 2:14 pm

Dunne's Wake:

What, and Give Up Show Biz?

"Dying is easy. Comedy is hard."

— Saying attributed to Edmund Gwenn, star of "Miracle on 34th Street," and also attributed to "Noel Coward, David Garrick, William Holden, Edmund Kean, Marcel Marceau, Groucho Marx, and Oscar Wilde."

See also yesterday's entry on the Dark Lady.  For more on Santa and the Dark Lady, see my archive for Aug.-Sept. 2002.

"Drink up, sweet.  You gotta go some.  How I love music.  Frère Jacques, Cuernavaca, ach du lieber August.  All languages.  A walking Berlitz.  Berlitz sounds like you with that champagne, my sweet, or how you're gonna sound."

Hope of Heaven, by John O'Hara,
"another acidic writer to whom he
[John Gregory Dunne]
was often compared"
(Adam Bernstein, Washington Post)

For some context for the Hope of Heaven quotation, see Immortal Diamond: O'Hara, Hopkins, and Joyce, or click on the adding machine in yesterday's entry.

For more on miracles and the afterlife, see my archive for September 2002.

Friday, August 22, 2003

Friday August 22, 2003

Filed under: General — m759 @ 4:04 pm

Mr. Holland’s Week

On Monday, August 18, 2003,
a New York Times editor wrote
the following headline
for a book review:

Bending Over Backward
for a Well-Known Lout.

The word “lout” here refers to
author John O’Hara, who often
 wrote about his native Pennsylvania.

And in Three Days…

On Thursday, August 21, 2003,
the Pennsylvania Lottery
midday number was
 162.

For some other occurrences of this number,
see my entries of August 19, written
in honor of the birthday of
Jill St. John. 

The “three days” remark referred to above
is from another St. John (2:19), allegedly
the author of an account of the last days
of one Jesus of Nazareth.

Those who share Mel Gibson’s
taste for religious drama may
savor the following dialogue:

Jesus’ Response
to Dishonor

Dramatis Personae:

  • Narrator
  • Group 1
  • Group 2
  • Voice of Jesus
  • Voice of Doom
  • Voice of Hope

Narrator:  Those who had been healed did not join in with the throng at Jesus’ crucifixion who cried, “Crucify Him, crucify Him.”  ….

Voice of Doom:  It was a different story for the guilty ones who had fled from the presence of Jesus. 

Group 1:  The priests and rulers never forgot the feeling of guilt they felt that moment in the temple. 

Group 2:  The Holy Spirit flashed into their minds the prophets’ writings concerning Christ. Would they yield to this conviction?

Voice of Doom:  Nope!  They would have to repent first!   They would not admit that they were wrong!  They knew that they were dead wrong.  But they would not repent of it!  And because Jesus had discerned their thoughts, they hated Him.  With hate in their hearts they slowly returned to the temple.

Voice of Hope:  They could not believe their eyes when they saw the people being healed and praising God!  These guilty ones were convicted that in Jesus the prophecies of the Messiah were fulfilled. As much as they hated Jesus, they could not free themselves from the thought that He might be a prophet sent by God to restore the sacredness of the temple.

Voice of Doom:  So they asked Him a stupid question!   “What miracle can you perform to show us that you have the right to do what you did?”

Voice of Jesus:  “Destroy this temple and in three days I will build it again.”

Voice of Doom:  Those guys couldn’t believe it!

Philosophers ponder the idea of identity:
what it is to give something a name
on Monday
and have it respond to that name
on Friday….
— Bernard Holland, The New York Times,
Monday, May 20, 1996

“Ask a stupid question…”

For further details, see

The Crucifixion of John O’Hara

Thursday, July 31, 2003

Thursday July 31, 2003

Filed under: General — Tags: — m759 @ 6:41 pm

Killer Radio

"See the girl with the diamond ring?
 She knows how to shake that thing."

— Jerry Lee "Killer" Lewis on
    KHYI 95.3 FM, Plano, Texas,
    at about 5:12 PM EDT 7/31/03,
    introduced by DJ Allen Peck Sr.

"And on this point I pass the same judgment as those who say that geometricians give them nothing new by these rules, because they possessed them in reality, but confounded with a multitude of others, either useless or false, from which they could not discriminate them, as those who, seeking a diamond of great price amidst a number of false ones, but from which they know not how to distinguish it, should boast, in holding them all together, of possessing the true one equally with him who without pausing at this mass of rubbish lays his hand upon the costly stone which they are seeking and for which they do not throw away the rest."

— Blaise Pascal, De l'Esprit Géométrique

"When the light came she was sitting on the bed beside an open suitcase, toying with her diamond rings.  She saw the light first in the depths of the largest stone."

— Paul Preuss, Broken Symmetries,
    scene at Diamond Head, Oahu, Hawaii

Now playing (6:41 PM EDT) on Killer Radio:

"Jack of Diamonds, that's
 a hard card to find."

"This Jack, joke, poor potsherd, patch, matchwood, immortal diamond…."

— Gerard Manley Hopkins, Society of Jesus

Perhaps Sam Phillips was twanged by a Hawaiian guitar. (See previous two entries.)

 

The Big Time

"The place outside the cosmos where I and my pals do our nursing job I simply call the Place.  A lot of my nursing consists of amusing and humanizing Soldiers fresh back from raids into time. In fact, my formal title is Entertainer…."

The Big Time,
    by Fritz Leiber

A Story That Works

  • "There is the dark, eternally silent, unknown universe;
  • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles —
    • that minds should really touch, or
    • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
    • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
  • and lastly, there is lonely, story-telling, wonder-questing, mortal me."

    Fritz Leiber in "The Button Molder"

 

 

See also "Top Ten Most Overheard Comments by new KHYI listeners" at Miss Lana's Anything Page, entry for

Pearl Harbor Day, December 7, 2002.
 

Wednesday, July 30, 2003

Wednesday July 30, 2003

Filed under: General — m759 @ 2:45 am

Transcendental Meditation

This week’s
 New Yorker
:

Transcendental Man
New books on
Ralph Waldo Emerson
for his bicentennial.
by John Updike

This week’s
 Time cover
:

The bicentennial of Ralph Waldo Emerson was on May 25, 2003.  For a commemoration of Emerson on that date, click on the picture below of Harvard University’s Room 305, Emerson Hall.

 

This will lead you to a discussion of the properties of a 5×5 array, or matrix, with a symbol of mystical unity at its center.  Although this symbol of mystical unity, the number “1,” is not, pace the Shema, a transcendental number, the matrix is, as perhaps a sort of Emersonian compensation, what postmodernists would call phallologocentric.  It is possible that Emerson is a saint; if so, his feast day (i.e., date of death), April 27, might reveal to us the sort of miraculous fact hoped for by Fritz Leiber in my previous entry.  A check of my April 27 notes shows us, lo and behold, another phallologocentric 5×5 array, this one starring Warren Beatty.  This rather peculiar coincidence is, perhaps, the sort of miracle appropriate to a saint who is, as this week’s politically correct New Yorker calls him, a Big Dead White Male.

 Leiber’s fiction furnishes “a behind-the-scenes view of the time change wars.”

“It’s quarter to three…” — St. Frank Sinatra

Tuesday, July 29, 2003

Tuesday July 29, 2003

Filed under: General — m759 @ 9:11 pm

The Big Time

“The place outside the cosmos where I and my pals do our nursing job I simply call the Place.  A lot of my nursing consists of amusing and humanizing Soldiers fresh back from raids into time. In fact, my formal title is Entertainer….”

The Big Time,
    by Fritz Leiber

A Story That Works

  • “There is the dark, eternally silent, unknown universe;
  • there are the friend-enemy minds shouting and whispering their tales and always seeking the three miracles —
    • that minds should really touch, or
    • that the silent universe should speak, tell minds a story, or (perhaps the same thing)
    • that there should be a story that works, that is all hard facts, all reality, with no illusions and no fantasy;
  • and lastly, there is lonely, story-telling, wonder-questing, mortal me.”

    Fritz Leiber in “The Button Molder

Monday, May 19, 2003

Monday May 19, 2003

Filed under: General — m759 @ 11:45 pm

DAY OF THE MOTHER SHIP
Part II: A Mighty Wind

I just saw the John Travolta film “Phenomenon” for the first time.  (It was on the ABC Family Channel from 8 to 11.)

Why is it that tellers of uplifting stories (like Zenna Henderson, in “Day of the Mother Ship, Part I,” or the authors of “Phenomenon” or the Bible) always feel they have to throw in some cockamamie and obviously false miracles to hold people’s attention?

On May 11 (Mother’s Day), Mother Nature got my attention with a mighty wind waving the branches of nearby trees, just before a tornado watch was issued for the area I was in.  This made me recall a Biblical reference I had come across in researching references to “Our Lady of the Woods” for my Beltane (May 1) entry

Isaiah 7:2

…And his heart was moved, and the heart of his people, as the trees of the wood are moved with the wind.

This is what I thought of on May 11 watching branches swaying in the wind on Mother’s Day — which some might regard as a festival of Our Lady of the Woods.  John Travolta in “Phenomenon” sees a very similar scene partway through the picture; then, at the end, explains to his girlfriend how the swaying branches made him feel — without mentioning the branches — by asking her to describe how she would cradle and rock a child in her arms.  At the very end of the film, she herself is reminded of his question by the swaying branches of another tree.

Events like these are miracle enough for me.

Monday, April 28, 2003

Monday April 28, 2003

Filed under: General,Geometry — Tags: , , — m759 @ 12:07 am

ART WARS:

Toward Eternity

April is Poetry Month, according to the Academy of American Poets.  It is also Mathematics Awareness Month, funded by the National Security Agency; this year's theme is "Mathematics and Art."

Some previous journal entries for this month seem to be summarized by Emily Dickinson's remarks:

"Because I could not stop for Death–
He kindly stopped for me–
The Carriage held but just Ourselves–
And Immortality.

………………………
Since then–'tis Centuries–and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity– "

 

Consider the following journal entries from April 7, 2003:
 

Math Awareness Month

April is Math Awareness Month.
This year's theme is "mathematics and art."


 

An Offer He Couldn't Refuse

Today's birthday:  Francis Ford Coppola is 64.

"There is a pleasantly discursive treatment
of Pontius Pilate's unanswered question
'What is truth?'."


H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau's remarks on the "Story Theory" of truth as opposed to the "Diamond Theory" of truth in The Non-Euclidean Revolution

 

From a website titled simply Sinatra:

"Then came From Here to Eternity. Sinatra lobbied hard for the role, practically getting on his knees to secure the role of the street smart punk G.I. Maggio. He sensed this was a role that could revive his career, and his instincts were right. There are lots of stories about how Columbia Studio head Harry Cohn was convinced to give the role to Sinatra, the most famous of which is expanded upon in the horse's head sequence in The Godfather. Maybe no one will know the truth about that. The one truth we do know is that the feisty New Jersey actor won the Academy Award as Best Supporting Actor for his work in From Here to Eternity. It was no looking back from then on."

From a note on geometry of April 28, 1985:

 
The "horse's head" figure above is from a note I wrote on this date 18 years ago.  The following journal entry from April 4, 2003, gives some details:
 

The Eight

Today, the fourth day of the fourth month, plays an important part in Katherine Neville's The Eight.  Let us honor this work, perhaps the greatest bad novel of the twentieth century, by reflecting on some properties of the number eight.  Consider eight rectangular cells arranged in an array of four rows and two columns.  Let us label these cells with coordinates, then apply a permutation.

 


 Decimal 
labeling

 
Binary
labeling


Algebraic
labeling


Permutation
labeling

 

The resulting set of arrows that indicate the movement of cells in a permutation (known as a Singer 7-cycle) outlines rather neatly, in view of the chess theme of The Eight, a knight.  This makes as much sense as anything in Neville's fiction, and has the merit of being based on fact.  It also, albeit rather crudely, illustrates the "Mathematics and Art" theme of this year's Mathematics Awareness Month.

The visual appearance of the "knight" permutation is less important than the fact that it leads to a construction (due to R. T. Curtis) of the Mathieu group M24 (via the Curtis Miracle Octad Generator), which in turn leads logically to the Monster group and to related "moonshine" investigations in the theory of modular functions.   See also "Pieces of Eight," by Robert L. Griess.

Friday, April 4, 2003

Friday April 4, 2003

Filed under: General,Geometry — Tags: , , — m759 @ 3:33 pm

The Eight

Today, the fourth day of the fourth month, plays an important part in Katherine Neville's The Eight.  Let us honor this work, perhaps the greatest bad novel of the twentieth century, by reflecting on some properties of the number eight.  Consider eight rectangular cells arranged in an array of four rows and two columns.  Let us label these cells with coordinates, then apply a permutation.


Decimal 
labeling


Binary
labeling


Algebraic
labeling

IMAGE- Knight figure for April 4
Permutation
labeling

 

The resulting set of arrows that indicate the movement of cells in a permutation (known as a Singer 7-cycle) outlines rather neatly, in view of the chess theme of The Eight, a knight.  This makes as much sense as anything in Neville's fiction, and has the merit of being based on fact.  It also, albeit rather crudely, illustrates the "Mathematics and Art" theme of this year's Mathematics Awareness Month.  (See the 4:36 PM entry.)

 

 

The visual appearance of the "knight" permutation is less important than the fact that it leads to a construction (due to R. T. Curtis) of the Mathieu group M24 (via the Curtis Miracle Octad Generator), which in turn leads logically to the Monster group and to related "moonshine" investigations in the theory of modular functions.   See also "Pieces of Eight," by Robert L. Griess.
 

Sunday, September 29, 2002

Sunday September 29, 2002

Filed under: General — m759 @ 10:18 pm

New from Miracle Pictures
– IF IT’S A HIT, IT’S A MIRACLE! –

Pi in the Sky
for Michaelmas 2002

“Fear not, maiden, your prayer is heard.
Michael am I, guardian of the highest Word.”

A Michaelmas Play

Contact, by Carl Sagan:

Chapter 1 – Transcendental Numbers

  In the seventh grade they were studying “pi.” It was a Greek letter that looked like the architecture at Stonehenge, in England: two vertical pillars with a crossbar at the top. If you measured the circumference of a circle and then divided it by the diameter of the circle, that was pi. At home, Ellie took the top of a mayonnaise jar, wrapped a string around it, straightened the string out, and with a ruler measured the circle’s circumference. She did the same with the diameter, and by long division divided the one number by the other. She got 3.21. That seemed simple enough.

  The next day the teacher, Mr. Weisbrod, said that pi was about 22/7, about 3.1416. But actually, if you wanted to be exact, it was a decimal that went on and on forever without repeating the pattern of numbers. Forever, Ellie thought. She raised her hand. It was the beginning of the school year and she had not asked any questions in this class.
  “How could anybody know that the decimals go on and on forever?”
  “That’s just the way it is,” said the teacher with some asperity.
  “But why? How do you know? How can you count decimals forever?”
  “Miss Arroway” – he was consulting his class list – “this is a stupid question. You’re wasting the class’s time.”

  No one had ever called Ellie stupid before and she found herself bursting into tears….

  After school she bicycled to the library at the nearby college to look through books on mathematics. As nearly as she could figure out from what she read, her question wasn’t all that stupid. According to the Bible, the ancient Hebrews had apparently thought that pi was exactly equal to three. The Greeks and Romans, who knew lots of things about mathematics, had no idea that the digits in pi went on forever without repeating. It was a fact that had been discovered only about 250 years ago. How was she expected to know if she couldn’t ask questions? But Mr. Weisbrod had been right about the first few digits. Pi wasn’t 3.21. Maybe the mayonnaise lid had been a little squashed, not a perfect circle. Or maybe she’d been sloppy in measuring the string. Even if she’d been much more careful, though, they couldn’t expect her to measure an infinite number of decimals.

  There was another possibility, though. You could calculate pi as accurately as you wanted. If you knew something called calculus, you could prove formulas for pi that would let you calculate it to as many decimals as you had time for. The book listed formulas for pi divided by four. Some of them she couldn’t understand at all. But there were some that dazzled her: pi/4, the book said, was the same as 1 – 1/3 + 1/5 – 1/7 + …, with the fractions continuing on forever. Quickly she tried to work it out, adding and subtracting the fractions alternately. The sum would bounce from being bigger than pi/4 to being smaller than pi/4, but after a while you could see that this series of numbers was on a beeline for the right answer. You could never get there exactly, but you could get as close as you wanted if you were very patient. It seemed to her

a miracle


 Cartoon by S.Harris

that the shape of every circle in the world was connected with this series of fractions. How could circles know about fractions? She was determined to learn

calculus.

  The book said something else: pi was called a “transcendental” number. There was no equation with ordinary numbers in it that could give you pi unless it was infinitely long. She had already taught herself a little algebra and understood what this meant. And pi wasn’t the only transcendental number. In fact there was an infinity of transcendental numbers. More than that, there were infinitely more transcendental numbers that ordinary numbers, even though pi was the only one of them she had ever heard of. In more ways than one, pi was tied to infinity.

  She had caught a glimpse of something majestic.

Chapter 24 – The Artist’s Signature

  The anomaly showed up most starkly in Base 2 arithmetic, where it could be written out entirely as zeros and ones. Her program reassembled the digits into a square raster, an equal number across and down. Hiding in the alternating patterns of digits, deep inside the transcendental number, was a perfect circle, its form traced out by unities in a field of noughts.

  The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover

a miracle

— another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn’t matter what you look like, or what you’re made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you’ll find it. It’s already here. It’s inside everything. You don’t have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons… there is an intelligence that antedates the universe. The circle had closed. She found what she had been searching for.

Song lyric not in Sagan’s book:

Will the circle be unbroken
by and by, Lord, by and by?
Is a better home a-waitin’
in the sky, Lord, in the sky?

“Contact,” the film: 

Recording:

Columbia 37669

Date Issued:

Unknown

Side:

A

Title:

Can The Circle Be Unbroken

Artist:

Carter Family

Recording Date:

May 6, 1935

Listen:

Realaudio

Music courtesy of honkingduck.com.
 
For bluegrass midi version, click here.
 

The above conclusion to Sagan’s book is perhaps the stupidest thing by an alleged scientist that I have ever read.  As a partial antidote, I offer the following.

Today’s birthday: Stanley Kramer, director of “On the Beach.”

From an introduction to a recording of the famous Joe Hill song about Pie in the Sky:

“They used a shill to build a crowd… You know, a carny shill.”


Carny

Friday, September 6, 2002

Friday September 6, 2002

Filed under: General — m759 @ 5:11 am

Santa’s Wit

Edmund Gwenn, actor, died on September 6, 1959.

When asked if he thought dying was tough, Gwenn reportedly said,

“Yes, it’s tough, but not as tough as doing comedy.”

This may or may not be true; if it is, Gwenn may be the true source of a quotation variously attributed to Edmund Kean, Edwin Booth, David GarrickDonald WolfitWilliam Holden, and Groucho Marx, Marcel Marceau, Noel Coward, and Oscar Wilde:  

“Dying is easy. Comedy is hard.”

A very dubious version of the Gwenn story attributes the “comedy is hard” part to Jack Lemmon:

The lesson is best illustrated in a story involving Jack Lemmon, whose best work was in comedy. He visited the British actor Edmund Gwenn, suffering in a hospital. Gwenn is said to have lifted the flap on the oxygen tent and said, ”It’s really tough to die.” And Lemmon responded, ”It’s not as tough as doing comedy.”
— Elvis Mitchell in The New York Times Week in Review, Sunday, August 25, 2002

David Bruce, an English instructor at Ohio University, supplies another version of the Gwenn story, from Movie Anecdotes, by Peter Hay. New York: Oxford University Press, 1990:

Edmund Gwenn won an Oscar playing Santa Claus in the movie Miracle on 34 Street. As he lay dying, Jack Lemmon visited him and asked if dying was dead. [sic]  Gwenn replied, “Oh, it’s hard, very hard indeed. But not as hard as doing comedy.”

Santa might appreciate the above misprint, as would Vladimir Nabokov

“Life Everlasting–based on a misprint!”
Pale Fire 

and John Donne

“And death shall be no more, Death, thou shalt die.”
Holy Sonnets

Saturday, July 20, 2002

Saturday July 20, 2002

 

ABSTRACT: Finite projective geometry explains the surprising symmetry properties of some simple graphic designs– found, for instance, in quilts. Links are provided for applications to sporadic simple groups (via the "Miracle Octad Generator" of R. T. Curtis), to the connection between orthogonal Latin squares and projective spreads, and to symmetry of Walsh functions.

We regard the four-diamond figure D above as a 4×4 array of two-color diagonally-divided square tiles.

Let G be the group of 322,560 permutations of these 16 tiles generated by arbitrarily mixing random permutations of rows and of columns with random permutations of the four 2×2 quadrants.

THEOREM: Every G-image of D (as at right, below) has some ordinary or color-interchange symmetry.

Example:


For an animated version, click here.

Remarks:

Some of the patterns resulting from the action of G on D have been known for thousands of years. (See Jablan, Symmetry and Ornament, Ch. 2.6.) It is perhaps surprising that the patterns' interrelationships and symmetries can be explained fully only by using mathematics discovered just recently (relative to the patterns' age)– in particular, the theory of automorphism groups of finite geometries.

Using this theory, we can summarize the patterns' properties by saying that G is isomorphic to the affine group A on the linear 4-space over GF(2) and that the 35 structures of the 840 = 35 x 24 G-images of D are isomorphic to the 35 lines in the 3-dimensional projective space over GF(2).

This can be seen by viewing the 35 structures as three-sets of line diagrams, based on the three partitions of the four-set of square two-color tiles into two two-sets, and indicating the locations of these two-sets of tiles within the 4×4 patterns. The lines of the line diagrams may be added in a binary fashion (i.e., 1+1=0). Each three-set of line diagrams sums to zero– i.e., each diagram in a three-set is the binary sum of the other two diagrams in the set. Thus, the 35 three-sets of line diagrams correspond to the 35 three-point lines of the finite projective 3-space PG(3,2).

For example, here are the line diagrams for the figures above:

 
Shown below are the 15 possible line diagrams resulting from row/column/quadrant permutations. These 15 diagrams may, as noted above, be regarded as the 15 points of the projective 3-space PG(3,2).


The symmetry of the line diagrams accounts for the symmetry of the two-color patterns. (A proof shows that a 2nx2n two-color triangular half-squares pattern with such line diagrams must have a 2×2 center with a symmetry, and that this symmetry must be shared by the entire pattern.)

Among the 35 structures of the 840 4×4 arrays of tiles, orthogonality (in the sense of Latin-square orthogonality) corresponds to skewness of lines in the finite projective space PG(3,2). This was stated by the author in a 1978 note. (The note apparently had little effect. A quarter-century later, P. Govaerts, D. Jungnickel, L. Storme, and J. A. Thas wrote that skew (i.e., nonintersecting) lines in a projective space seem "at first sight not at all related" to orthogonal Latin squares.)

We can define sums and products so that the G-images of D generate an ideal (1024 patterns characterized by all horizontal or vertical "cuts" being uninterrupted) of a ring of 4096 symmetric patterns. There is an infinite family of such "diamond" rings, isomorphic to rings of matrices over GF(4).

The proof uses a decomposition technique for functions into a finite field that might be of more general use.

The underlying geometry of the 4×4 patterns is closely related to the Miracle Octad Generator of R. T. Curtis– used in the construction of the Steiner system S(5,8,24)– and hence is also related to the Leech lattice, which, as Walter Feit has remarked, "is a blown up version of S(5,8,24)."

For a movable JavaScript version of these 4×4 patterns, see The Diamond 16 Puzzle.

The above is an expanded version of Abstract 79T-A37, "Symmetry invariance in a diamond ring," by Steven H. Cullinane, Notices of the American Mathematical Society, February 1979, pages A-193, 194.

For a discussion of other cases of the theorem, click here.

Related pages:

The Diamond 16 Puzzle

Diamond Theory in 1937:
A Brief Historical Note

Notes on Finite Geometry

Geometry of the 4×4 Square

Binary Coordinate Systems

The 35 Lines of PG(3,2)

Map Systems:
Function Decomposition over a Finite Field

The Diamond Theorem–
The 2×2, the 2x2x2, the 4×4, and the 4x4x4 Cases

Diamond Theory

Latin-Square Geometry

Walsh Functions

Inscapes

The Diamond Theory of Truth

Geometry of the I Ching

Solomon's Cube and The Eightfold Way

Crystal and Dragon in Diamond Theory

The Form, the Pattern

The Grid of Time

Block Designs

Finite Relativity

Theme and Variations

Models of Finite Geometries

Quilt Geometry

Pattern Groups

The Fano Plane Revisualized,
or the Eightfold Cube

The Miracle Octad Generator

Kaleidoscope

Visualizing GL(2,p)

Jung's Imago

Author's home page

AMS Mathematics Subject Classification:

20B25 (Group theory and generalizations :: Permutation groups :: Finite automorphism groups of algebraic, geometric, or combinatorial structures)

05B25 (Combinatorics :: Designs and configurations :: Finite geometries)

51E20 (Geometry :: Finite geometry and special incidence structures :: Combinatorial structures in finite projective spaces)



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Page created Jan. 6, 2006, by Steven H. Cullinane      diamondtheorem.com

 

Initial Xanga entry.  Updated Nov. 18, 2006.

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