Log24

Tuesday, June 4, 2019

Temple Bell

Filed under: General — m759 @ 12:00 PM

Art suggested by a search in this journal for Bennington, by the Kurt Vonnegut
novel Timequake , and by the works of Eric Temple Bell.

Tuesday, November 18, 2014

For the Green Mountain Girls

Filed under: General — Tags: — m759 @ 9:13 AM

Tom Wolfe in The Painted Word  (1975):

"It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde  understood, they
were not only theories but … hot news,
straight from the studios, from the scene."

"Parable of American Painting," 1954 — From The Tradition of the New by Harold Rosenberg

"In this essay Rosenberg set out to explain what he believed to be definitively American about Abstract Expressionism. He did so by drawing on the American Revolutionary War for his metaphors, likening the new Americans to the coonskin trappers whose knowledge of their terrain enabled them to pick off the British soldiers (Redcoats), who followed the dictates of their military training. The professionally- trained soldiers were defeated because, as Rosenberg states, 'They were such extreme European professionals … they did not even see  the American trees.' 'Redcoatism' was, Rosenberg argued, a symptom of the old European world's stubborn rejection of the new. It did at one time also '[dominate] the history of American art,' he wrote, but with the advent of Abstract Expressionism, times had changed. And just as the Coonskins were victorious because they stood apart from the professional military, so the new American art was triumphant because, as Rosenberg saw it, it marked a profound break with the traditions of European art."

— TheArtStory.org

Lectures at Bennington, 1971

For example:

Art adapted today from the Google search screen. Discuss.

Thursday, January 31, 2013

Necessary Possibility

Filed under: General — Tags: — m759 @ 9:05 PM

The inscription  link in the previous post suggests
a review of the rather paradoxical concept of 
"necessary possibility."

See a deconstructionist view , a scholarly view,
and a graphic view.

Thursday, December 19, 2002

Thursday December 19, 2002

Filed under: General — Tags: — m759 @ 4:07 AM

ART WARS:

Bach at Heaven’s Gate

From a weblog entry of Friday, December 13, 2002:

Divine Comedy

Joan Didion and her husband
John Gregory Dunne
(author of
The Studio and Monster
wrote the screenplays for
the 1976 version of “A Star is Born”
and the similarly plotted 1996 film
Up Close and Personal.”

If the incomparable Max Bialystock 
were to remake the latter, he might retitle it
Distant and Impersonal.”
A Google search on this phrase suggests
a plot outline for Mel Brooks & Co.

From The Hollywood Reporter:

Producer Sidney Glazier dies
Dec. 18, 2002

Academy Award-winning producer
Sidney Glazier died early Saturday morning
[Dec. 14, 2002] of natural causes
at his home in Bennington, Vt. He was 86.
Glazier… is best known for producing
the 1968 film “The Producers.”
That film, which has since become a
Tony Award-winning Broadway play,
also marked comedian Mel Brooks’
directing debut.

In addition to “The Producers,”
Glazier produced…
the 1973 television drama “Catholics.”
[Based on a novel by Brian Moore]

His nephew is “Scrooged” screenwriter
Mitch Glazer.

(Josh Spector)

Recommended reading —

FINAL CUT:

Art, Money, and Ego in the Making of
“Heaven’s Gate,”
the Film that Sank United Artists,

Second Edition,
by Steven Bach

From Newmarket Press:

Steven Bach was the senior vice-president and head of worldwide production for United Artists at the time of the filming of Heaven’s Gate…. Apart from the director and the producer, Bach was the only person to witness the evolution of Heaven’s Gate from beginning to end.”

See also my journal entry
“Back to Bach”
of 1:44 a.m. EST
Saturday, December 14, 2002.

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