There is an unwarranted leap here
from "suggests" to "knowledge."
See Under the Volcano and "harrowing" in this journal.
There is an unwarranted leap here
from "suggests" to "knowledge."
See Under the Volcano and "harrowing" in this journal.
(http://www.nytimes.com/2010/07/07/books/07book.html)
The above headline from this morning's New York Times is a rather strong reminder of a post linked to here last night— a post from April 10, 2004 (Holy Saturday), titled "Harrowing."
The book under review is a biography of William Golding, also quoted here in "Harrowing."
From that post—
“There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel.”
– Stephen Spender, introduction to Malcolm Lowry's Under the Volcano
Related material:
Theater of Truth rift-design— Definition by Deborah Levitt— "Rift. The stroke or rending by which a world worlds, opening both the 'old' world and the self-concealing earth to the possibility of a new world. As well as being this stroke, the rift is the site— the furrow or crack— created by the stroke. As the 'rift design' it is the particular characteristics or traits of this furrow." – "Heidegger and the Theater of Truth," in Tympanum: A Journal of Comparative Literary Studies, Vol. 1, 1998 See also "harrow up" + Hamlet in this journal. |
CelebritySexNews.com
on Kylie Minogue:
From a web page on
you gotta ride it like you find it. Get your ticket at the station of the Rock Island Line. in Rock Island, Illinois |
Related material:
Twenty-First Century Fox
(10/6/02)
Back to You, Kylie
(11/5/02)
Time, Eternity, and Grace
(11/22/02)
That Old Devil Moon
(1/1/03) and
The Shanghai Gesture
(1/3/03)
Whirligig
(1/5/03)
Harrowing
(4/19/03)
Temptation
(4/22/03)
Temptation
(4/9/04)
Tribute,
Train of Thought,
Drunk Bird, and
From Here to Eternity
(8/17/04-8/18/04)
Heaven and Earth
(9/2/04)
Habeas Corpus
(11/24/04)
X, continued
(12/4/04)
Birth and Death
(5/28/05)
Time Travel
(5/28/06)
Timeagain and
Two-Bar Hook
(8/9/06)
Echoes
(8/11/06)
Phantasmagoria
and Tequila!
(9/23/06)
this year goes to the author
of The Golden Notebook
and The Cleft.
Related material:
The Golden Obituary
and Cleavage —
Log24, Oct. 9, 2007 —
Wheel
Quoted by physics writer
Heinz Pagels at the end of
The Cosmic Code:
“For the essence and the end
Of his labor is beauty… one beauty,
the rhythm of that Wheel….”
— Robinson Jeffers
“The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it. The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine. Halfway across the bridge he stopped; he lit a new cigarette from the one he’d been smoking, and leaned over the parapet, looking down. It was too dark to see the bottom, but: here was finality indeed, and cleavage! Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country…” — Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15) Comment by Stephen Spender: “There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel.” — Introduction to Under the Volcano Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI — Gibbon, discussing the theology of the Trinity, defines perichoresis as “… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….
William Golding: “Simon’s head was tilted slightly up. His eyes could not break away and the Lord of the Flies hung in space before him. ‘What are you doing out here all alone? Aren’t you afraid of me?’ Simon shook. ‘There isn’t anyone to help you. Only me. And I’m the Beast.’ Simon’s mouth labored, brought forth audible words. ‘Pig’s head on a stick.’ ‘Fancy thinking the Beast was something you could hunt and kill!’ said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. ‘You knew, didn’t you? I’m part of you? Close, close, close!’ “ “Thought of the day: — Alice Woodrome, Good Friday, 2004 Anne Francis, “Here was finality indeed, — Under the Volcano |
For further details of
the wheel metaphor, see
Rock of Ages
X
Tonight on PBS:
The Jesus Factor
3 PM For an explanation |
“There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel.” — Introduction to Couleurs In memory of On the former: “The predominant use On the latter: |
“…a ‘dead shepherd who brought
tremendous chords from hell
And bade the sheep carouse’ “
(p. 227, The Palm at the End of the Mind: Selected Poems and a Play. Ed. Holly Stevens. New York: Vintage Books, 1990)
— Wallace Stevens
as quoted by Michael Bryson
See also the entries of 5/12.
Harrowing
"The Ferris wheel came into view again, just the top, silently burning high on the hill, almost directly in front of him, then the trees rose up over it. The road, which was terrible and full of potholes, went steeply downhill here; he was approaching the little bridge over the barranca, the deep ravine. Halfway across the bridge he stopped; he lit a new cigarette from the one he'd been smoking, and leaned over the parapet, looking down. It was too dark to see the bottom, but: here was finality indeed, and cleavage! Quauhnahuac was like the times in this respect, wherever you turned the abyss was waiting for you round the corner. Dormitory for vultures and city of Moloch! When Christ was being crucified, so ran the sea-borne, hieratic legend, the earth had opened all through this country …"
— Malcolm Lowry, Under the Volcano, 1947. (Harper & Row reissue, 1984, p. 15)
Comment by Stephen Spender:
"There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ. The Consul is hurled into this abyss at the end of the novel."
— Introduction to Under the Volcano
Edward Gibbon, Decline and Fall of the Roman Empire, Chapter XXI —
Gibbon, discussing the theology of the Trinity, defines perichoresis as
"… the internal connection and spiritual penetration which indissolubly unites the divine persons59 ….
59 … The or 'circumincessio,' is perhaps the deepest and darkest corner of the whole theological abyss."
"Whoever fights monsters should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you."
William Golding:
"Simon's head was tilted slightly up. His eyes could not break away and the Lord of the Flies hung in space before him.
'What are you doing out here all alone? Aren't you afraid of me?'
Simon shook.
'There isn't anyone to help you. Only me. And I'm the Beast.'
Simon's mouth labored, brought forth audible words.
'Pig's head on a stick.'
'Fancy thinking the Beast was something you could hunt and kill!' said the head. For a moment or two the forest and all the other dimly appreciated places echoed with the parody of laughter. 'You knew, didn't you? I'm part of you? Close, close, close!' "
"Thought of the day:
You can catch more flies with honey than vinegar… if you're into catchin' flies."
— Alice Woodrome, Good Friday, 2004
Anne Francis,
also known as
Honey West:
"Here was finality indeed,
and cleavage!"
— Under the Volcano
From the official
Anne Francis Web Site:
Come into my parlor….
For some background,
see the use of the word
"spider" in Under the Volcano:
by Patrick A. McCarthy.
See, too, Why Me?
Harrowing
In memory of the many who have died on April 19, most notably Octavio Paz.
"There is a suggestion of Christ descending into the abyss for the harrowing of Hell. But it is the Consul whom we think of here, rather than of Christ."
— Introduction to Malcolm Lowry's classic novel Under the Volcano, by Stephen Spender
|
|
"Hey, big Spender, spend a little time
with me." — Song lyric
For a somewhat deeper meditation on time, see Architecture of Eternity.
See also Literature of the Descent into Hell.
"Mexico is a solar country — but it is also a black country, a dark country. This duality of Mexico has preoccupied me since I was a child."
— Octavio Paz, quoted by Homero Aridjis
Amen.
Concluding Unscientific Postscripts:
"Once upon a time…" — Anonymous
"It's quarter to three…" — Sinatra
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