From a New Yorker theatre review posted at 5 AM ET today —
“A Strange Loop” takes its title from a concept pioneered by
Douglas Hofstadter, the cognitive-science professor who
wrote the book “Gödel, Escher, Bach: An Eternal Golden Braid”
and, later, the more focussed study “I Am a Strange Loop”;
both were premised upon the impossibly complex, hopelessly
circular means by which each of us composes a self, an “I.”
See as well "Strange Loop" and "Loop de Loop" in this journal.
"I woke last night to the sound of thunder,
How far off, I sat and wondered.
Started humming a song from 1962.
Ain't it funny how the night moves?"
See also . . .
For Greta Gerwig and Saoirse Ronan —
See also a Log24 post from the above Cube Theory date —
April 12, 2016 — Lyrics for a Cartoon Graveyard — as well as . . .
Ursula K. Le Guin, in Amazing Stories , Sept. 1992, published
"The Rock That Changed Things" (pp. 9-13) and her story from
thirty years earlier, "April in Paris" (Fantastic Stories , Sept. 1962.)
The latter (pp. 14-19) was followed by some brief remarks (p. 19)
comparing the two stories.
For "The Rock," see Le Guin + Rock in this journal.
"April in Paris" is about time travel by means of an alchemist's
pentagram. The following figure from 1962 is in lieu of a pentagram —
See as well a search for 1962 in this journal.
"Old men ought to be explorers" — T. S. Eliot
"All on a Saturday night" — Johnny Thunder, 1962
Update of 8:25 PM ET on March 18 —
"Analysis." — Dr. Robert Ford in "Westworld"
"Master theorist and conceptual genius."
— Jon Pareles, front page, online New York Times tonight
From "Night Moves," by Bob Seger —
And oh, the wonder
Felt the lightning
Yeah, and we waited on the thunder
Waited on the thunder
I woke last night to the sound of thunder
How far-off, I sat and wondered
Started humming a song from 1962
Ain't it funny* how the night moves?
See as well Johnny Thunder on Diamond Records in 1962 —
From "The Man Who Tried to Redeem the World with Logic" —
"To store the programs as data, the computer would need
something new: a memory. That’s where Pitts’ loops
came into play. 'An element which stimulates itself
will hold a stimulus indefinitely,' von Neumann wrote
in his report . . . ."
— Amanda Gefter, Nautilus , Feb. 5, 2015
Related material —
"Here we go loop de loop" — Johnny Thunder, 1962
* I.e., Ben Affleck in his new film.
"The record, released on the Diamond label,
became a big hit, rising to no. 4 on the
Billboard Hot 100 in early 1963." — Wikipedia
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