Monday, August 20, 2018

A Wheel for Ellmann

Filed under: General — Tags: — m759 @ 12:12 PM

The title was suggested by Ellmann's roulette-wheel analogy
in the previous post, "The Perception of Coincidence."

I Ching hexagrams as a Singer 63-cycle, plus zero

The Perception of Coincidence

Filed under: General — Tags: — m759 @ 2:15 AM

Ellmann on Joyce and 'the perception of coincidence' —

"Samuel Beckett has remarked that to Joyce reality was a paradigm,
an illustration of a possibly unstatable rule. Yet perhaps the rule
can be surmised. It is not a perception of order or of love; more humble
than either of these, it is the perception of coincidence. According to
this rule, reality, no matter how much we try to manipulate it, can only
assume certain forms; the roulette wheel brings up the same numbers
again and again; everyone and everything shift about in continual
movement, yet movement limited in its possibilities."

— Richard Ellmann, James Joyce , rev. ed.. Oxford, 1982, p. 551

Sunday, August 19, 2018

Possible Permutations

Filed under: General,Geometry — Tags: — m759 @ 9:18 PM

John Calder, an independent British publisher who built a prestigious list
of authors like Samuel Beckett and Heinrich Böll and spiritedly defended
writers like Henry Miller against censorship, died on Aug. 13 in Edinburgh.
He was 91.

— Richard Sandomir in the online New York Times  this evening

On Beckett —


Also on August 13th


Wednesday, August 1, 2018


Filed under: General — Tags: — m759 @ 2:00 PM

“… I realized that to me, Gödel and Escher and Bach
were only shadows cast in different directions
by some central solid essence.
I tried to reconstruct the central object . . . ."

— Douglas Hofstadter (1979)

See also posts of July 23, 2007, and April 7, 2018.

* Term from a visual-culture lexicon —

Tuesday, July 31, 2018

A is for Abschattungen

Filed under: General — Tags: — m759 @ 10:10 AM

Max Bialystock discovers a new playwright


Filed under: General,Geometry — Tags: — m759 @ 9:00 AM

"A blank underlies the trials of device." — Wallace Stevens

IMAGE- The ninefold square .

Thursday, October 12, 2017

East Meets West

Filed under: G-Notes,General,Geometry — Tags: — m759 @ 8:09 PM

Thursday, April 14, 2016

Strange Awards

Filed under: General,Geometry — Tags: , — m759 @ 10:38 AM

From a review of a play by the late Anne Meara* —

"Meara, known primarily as an actress/comedian
(half of the team of Stiller & Meara, and mother of
Ben Stiller), is also an accomplished writer for the
stage; her After Play  was much acclaimed….
This new, more ambitious piece starts off with a sly
send-up of awards dinners as the late benefactor of
a wealthy foundation–the comically pixilated scientist
Herschel Strange (Jerry Stiller)–is seen on videotape.
This tape sets a light tone that is hilariously
heightened when John Shea, as Arthur Garden,
accepts the award given in Strange's name." 

Compare and contrast —

A circular I Ching

I of course prefer the Galois I Ching .

* See the May 25, 2015, post The Secret Life of the Public Mind.

Wednesday, April 13, 2016

Black List

Filed under: General,Geometry — Tags: , — m759 @ 1:00 PM

A search for "Max Black" in this journal yields some images
from a post of August 30, 2006 . . .

A circular I Ching

The image “http://www.log24.com/log/pix06A/060830-SeventhSymbol.jpg” cannot be displayed, because it contains errors.

"Jackson has identified the seventh symbol."
— Stargate

The "Jackson" above is played by the young James Spader,
who in an older version currently stars in "The Blacklist."

"… the memorable models of science are 'speculative instruments,'
to borrow I. A. Richards' happy title. They, too, bring about a wedding
of disparate subjects, by a distinctive operation of transfer of the
implications  of relatively well-organized cognitive fields. And as with
other weddings, their outcomes are unpredictable."

Max Black in Models and Metaphors , Cornell U. Press, 1962

Friday, July 10, 2015

Without Border

Filed under: General — Tags: , — m759 @ 3:18 PM

The previous post's Holy Field symbol, 
with border removed, becomes the
Chinese character for "well."

See also The Lost Well.

Saturday, December 20, 2014

Dark Fields*

Filed under: General — Tags: — m759 @ 5:26 PM

A date in the previous post suggests a flashback to March 11, 2014,
and a post on that date titled "Dark Fields of the Republic"—

This uncredited translation of Plato is, Google Books tells us,
by “Francis MacDonald Cornfield.”  The name is an error,
but the error is illuminating —

Signs Movie Stills: Mel Gibson, Joaquin Phoenix, Patricia Kalember, M. Night Shyamalan

* See posts mentioning the novel with that title, republished as Limitless.

Gullible’s Travels

Filed under: General — Tags: — m759 @ 12:01 PM

The President of the United States
on the Sony hacking 
in his Dec. 19 press conference:

"But let’s talk of the specifics of what we now know.
The FBI announced today and we can confirm that
North Korea engaged in this attack. I think it says
something interesting about North Korea that they
decided to have the state mount an all-out assault
on a movie studio because of a satirical movie…."

This post was suggested in part by the contemptibly
misleading remarks of Carl Sagan in his "Cosmos"
TV series (see yesterday's Colorful Tale) and by the 
following remarks in a Presentation Zen  piece dated
March 11, 2014, "More Storytelling Lessons from 'Cosmos'," 
praising Sagan's vulgarizations —

"Good storytelling causes the audience to ask questions
as your narrative progresses. As the storyteller you can
ask questions directly, but often a more interesting approach
is to present the material in a way that triggers the audience
to come up with the questions themselves. And yet we must
not be afraid to leave some (many?) questions unanswered.
When we think of a story we may think of clear conclusions
and neat, clear endings, but reality can be quite a bit more
complicated than that."

Thursday, December 11, 2014

Jews on Style

Filed under: General — Tags: , — m759 @ 11:00 AM

"A window unto  the world"?  "The classical  style"?

Saturday, October 4, 2014

The Source

Filed under: General — Tags: — m759 @ 9:00 PM

"In ancient Greece, 9 was the number of
the Muses, patron goddesses of the arts.
They were the daughters of Mnemosyne ('memory'),
the source of imagination, which in turn is
the carrier of archetypal, elementary ideas to
artistic realization in the field of space-time."

— Joseph Campbell in The Inner Reaches of Outer Space

In memoriam:

 See also Raiders of the Lost Well and…

 The Eliot Omen 

Ground plan for a game of Noughts and Crosses

Tuesday, March 11, 2014

Dark Fields of the Republic

Filed under: General,Geometry — Tags: , — m759 @ 10:00 PM

This post was suggested by today's previous post, Depth,
by Plato's Diamond, and by Rebecca Newberger Goldstein's
recent fanciful fiction about Plato.

Plato, Republic , Book II, Paul Shorey translation at Perseus

“Consider,” [382a] said I; “would a god wish to deceive, or lie, by presenting in either word or action what is only appearance?” “I don’t know,” said he. “Don’t you know,” said I, “that the veritable lie, if the expression is permissible, is a thing that all gods and men abhor?” “What do you mean?” he said. “This,” said I, “that falsehood in the most vital part of themselves, and about their most vital concerns, is something that no one willingly accepts, but it is there above all that everyone fears it.” “I don’t understand yet either.” “That is because you suspect me of some grand meaning,” [382b] I said; “but what I mean is, that deception in the soul about realities, to have been deceived and to be blindly ignorant and to have and hold the falsehood there, is what all men would least of all accept, and it is in that case that they loathe it most of all.” “Quite so,” he said.

Related material —

A meditation from the Feast of St. Francis, 2012 —

A post from Sept. 30, 2012, the reported date of  death
for British children's author Helen Nicoll —

The New Criterion  on the death of Hilton Kramer —

This uncredited translation of Plato is, Google Books tells us,
by "Francis MacDonald Cornfield."  The name is an error,
but the error is illuminating —

Signs Movie Stills: Mel Gibson, Joaquin Phoenix, Patricia Kalember, M. Night Shyamalan

Thursday, June 13, 2013


Filed under: General — Tags: — m759 @ 6:48 AM

From Jim Holt’s Aug. 29, 2008, review of
The Same Man:
George Orwell and Evelyn Waugh in Love and War

by David Lebedoff

Orwell thought ‘good prose is like a window pane,’
forceful and direct. Waugh was an elaborate stylist
whose prose ranged from the dryly ironical to the
richly ornamented and rhetorical. Orwell was solitary
and fiercely earnest. Waugh was convivial and
brutally funny. And, perhaps most important, Orwell
was a secularist whose greatest fear was the
emergence of Big Brother in this world. Waugh was
a Roman Catholic convert whose greatest hope lay
with God in the next.”

The Orwell quote is from “Why I Write.”
A search for the original yields

IMAGE- Heading data for Orwell's 'Why I Write' in Chinese weblog 'Acquisition of Sunshine'


IMAGE- Date of a Chinese weblog post: 2009-06-04


Log24 posts of 2009-06-04.

See, too, in this journal the
Chinese character for “field”

Sunday, May 5, 2013

Night of Lunacy*

Filed under: General — m759 @ 9:00 PM

Structure vs. Character continued

   IMAGE- The 3x3 square   


IMAGE- Chinese character for 'well' and I Ching Hexagram 48, 'The Well'


Related vocabulary:

Nick Tosches on the German word "Quell "

and Heidegger on Hölderlin.

* The title is from Heidegger.

Monday, December 24, 2012

Eternal Recreation

Filed under: General,Geometry — Tags: , , , — m759 @ 3:17 AM

Memories, Dreams, Reflections
by C. G. Jung

Recorded and edited By Aniela Jaffé, translated from the German
by Richard and Clara Winston, Vintage Books edition of April 1989

From pages 195-196:

"Only gradually did I discover what the mandala really is:
'Formation, Transformation, Eternal Mind's eternal recreation.'*
And that is the self, the wholeness of the personality, which if all
goes well is harmonious, but which cannot tolerate self-deceptions."

* Faust , Part Two, trans. by Philip Wayne (Harmondsworth,
England, Penguin Books Ltd., 1959), p. 79. The original:

                   … Gestaltung, Umgestaltung, 
  Des ewigen Sinnes ewige Unterhaltung….

Jung's "Formation, Transformation" quote is from the realm of
the Mothers (Faust Part Two, Act 1, Scene 5: A Dark Gallery).
The speaker is Mephistopheles.

See also Prof. Bruce J. MacLennan on this realm
in a Web page from his Spring 2005 seminar on Faust:

"In alchemical terms, F is descending into the dark, formless
primary matter from which all things are born. Psychologically
he is descending into the deepest regions of the
collective unconscious, to the source of life and all creation.
Mater (mother), matrix (womb, generative substance), and matter
all come from the same root. This is Faust's next encounter with
the feminine, but it's obviously of a very different kind than his
relationship with Gretchen."

The phrase "Gestaltung, Umgestaltung " suggests a more mathematical
approach to the Unterhaltung . Hence

Part I: Mothers

"The ultimate, deep symbol of motherhood raised to
the universal and the cosmic, of the birth, sending forth,
death, and return of all things in an eternal cycle,
is expressed in the Mothers, the matrices of all forms,
at the timeless, placeless originating womb or hearth
where chaos is transmuted into cosmos and whence
the forms of creation issue forth into the world of
place and time."

— Harold Stein Jantz, The Mothers in Faust:
The Myth of Time and Creativity 
Johns Hopkins Press, 1969, page 37

Part II: Matrices


Part III: Spaces and Hypercubes

Click image for some background.

Part IV: Forms

Forms from the I Ching :

Click image for some background.

Forms from Diamond Theory :

Click image for some background.

Sunday, September 30, 2012


Filed under: General — Tags: — m759 @ 2:45 AM


Tuesday, June 12, 2012

Meet Max Black (continued)

Filed under: General,Geometry — Tags: — m759 @ 11:59 PM

Background— August 30, 2006—

The Seventh Symbol:

The image “http://www.log24.com/log/pix06A/060830-Algebra.jpg” cannot be displayed, because it contains errors.

In the 2006 post, the above seventh symbol  110000 was
interpreted as the I Ching hexagram with topmost and
next-to-top lines solid, not broken— Hexagram 20, View .

In a different interpretation, 110000 is the binary for the decimal
number 48— representing the I Ching's Hexagram 48The Well .

“… Max Black, the Cornell philosopher, and 
others have pointed out how ‘perhaps every science
must start with metaphor and end with algebra, and
perhaps without the metaphor there would never
have been any algebra’ ….”

– Max Black, Models and Metaphors,
Cornell U. Press, 1962, page 242, as quoted
in Dramas, Fields, and Metaphors,
by Victor Witter Turner, Cornell U. Press,
paperback, 1975, page 25

The algebra is certainly clearer than either I Ching
metaphor, but is in some respects less interesting.

For a post that combines both the above I Ching
metaphors, View  and Well  , see Dec. 14, 2007.

In memory of scholar Elinor Ostrom,
who died today—

"Time for you to see the field."
Bagger Vance

Tuesday, March 27, 2012

Literary Field

Filed under: General — Tags: , , , — m759 @ 1:00 PM

An image suggested by Google's observance today
of Mies van der Rohe's 126th birthday—

Related material:

See also yesterday's Chapter and Verse  by Stanley Fish,
and today's Arts & Letters Daily .

Friday, February 11, 2011

Brightness at Noon (continued)

Filed under: General — Tags: — m759 @ 12:00 PM

From The Seventh Symbol

The image “http://www.log24.com/theory/images/GF64-63cycleA495.gif” cannot be displayed, because it contains errors.

"First of all, I'd like to thank the Academy…"

Wednesday, June 16, 2010

Brightness at Noon

Filed under: General,Geometry — Tags: , — m759 @ 12:00 PM

David Levine's portrait of Arthur Koestler (see Dec. 30, 2009) —

Image-- Arthur Koestler by David Levine, NY Review of Books, Dec. 17, 1964, review of 'The Act of Creation'

Image-- Escher's 'Verbum'

Escher’s Verbum

Image-- Solomon's Cube

Solomon’s Cube

Image-- The 64 I Ching hexagrams in the 4 layers of the Cullinane cube

Geometry of the I Ching

See also this morning's post as well as
Monday's post quoting George David Birkhoff

"If I were a Leibnizian mystic… I would say that…
God thinks multi-dimensionally — that is,
uses multi-dimensional symbols beyond our grasp."

Sunday, March 21, 2010

Galois Field of Dreams

Filed under: General,Geometry — m759 @ 10:01 AM

It is well known that the seven (22 + 2 +1) points of the projective plane of order 2 correspond to 2-point subspaces (lines) of the linear 3-space over the two-element field Galois field GF(2), and may be therefore be visualized as 2-cube subsets of the 2×2×2 cube.

Similarly, recent posts* have noted that the thirteen (32 + 3 + 1) points of the projective plane of order 3 may be seen as 3-cube subsets in the 3×3×3 cube.

The twenty-one (42 + 4 +1) points of the (unique) projective plane of order 4 may also be visualized as subsets of a cube– in this case, the 4×4×4 cube. This visualization is somewhat more complicated than the 3×3×3 case, since the 4×4×4 cube has no central subcube, and each projective-plane point corresponds to four, not three, subcubes.

These three cubes, with 8, 27, and 64 subcubes, thus serve as geometric models in a straightforward way– first as models of finite linear spaces, hence as models for small Galois geometries derived from the linear spaces. (The cubes with 8 and 64 subcubes also serve in a less straightforward, and new, way as finite-geometry models– see The Eightfold Cube, Block Designs, and Solomon's Cube.)

A group of collineations** of the 21-point plane is one of two nonisomorphic simple groups of order 20,160. The other is the linear group acting on the linear 4-space over the two-element Galois field  GF(2). The 1899 paper establishing the nonisomorphism notes that "the expression Galois Field is perhaps not yet in general use."

Coordinates of the 4×4×4 cube's subcubes can, of course, be regarded as elements of the Galois field GF(64).

The preceding remarks were purely mathematical. The "dreams" of this post's title are not. See…

Number and Time, by Marie-Louise von Franz

See also Geometry of the I Ching and a search in this journal for "Galois + Ching."

* February 27 and March 13

** G20160 in Mitchell 1910,  LF(3,22) in Edge 1965

— Mitchell, Ulysses Grant, "Geometry and Collineation Groups
   of the Finite Projective Plane PG(2,22),"
   Princeton Ph.D. dissertation (1910)

— Edge, W. L., "Some Implications of the Geometry of
   the 21-Point Plane," Math. Zeitschr. 87, 348-362 (1965)

Saturday, August 29, 2009

Saturday August 29, 2009

Filed under: General — m759 @ 8:00 PM
Continued from
Father’s Day
  last year–

Shoe cartoon, detail, Sunday, June 15, 2008

I Ching hexagram 48, The Well

“For further details,
 click on the well.”

From the above link:

James Hillman

“The kind of movement Olson urges is
 an inward deepening of the image,
an in-sighting of the superimposed
 levels of significance within it.
This is the very mode that Jung
suggested for grasping dreams–
 not as a sequence in time,
but as revolving around
 a nodal complex.”

And from Feb. 29, 2008:


and the following day:

Heraclitus: '...so deep is its logos'

— Heraclitus

Monday, July 27, 2009

Monday July 27, 2009

Filed under: General,Geometry — Tags: — m759 @ 2:29 PM
Field Dance

The New York Times
on June 17, 2007:

 Design Meets Dance,
and Rules Are Broken

Yesterday's evening entry was
on the fictional sins of a fictional
mathematician and also (via a link
to St. Augustine's Day, 2006), on
the geometry of the I Ching* —

The eternal
combined with
the temporal:

Circular arrangement of I Ching hexagrams based on Singer 63-cycle in the Galois field GF(64)

The fictional mathematician's
name, noted here (with the Augustine-
I Ching link as a gloss) in yesterday's
evening entry, was Summerfield.

From the above Times article–
"Summerspace," a work by
 choreographer Merce Cunningham
and artist Robert Rauschenberg
that offers a competing
 vision of summer:

Summerspace — Set by Rauschenberg, choreography by Cunningham

Cunningham died last night.

John Cage, Merce Cunningham, Robert Rauschenberg in the 1960's

From left, composer John Cage,
choreographer Merce Cunningham,
and artist Robert Rauschenberg
in the 1960's

"When shall we three meet again?"

* Update of ca. 5:30 PM 7/27– today's online New York Times (with added links)– "The I Ching is the 'Book of Changes,' and Mr. Cunningham's choreography became an expression of the nature of change itself. He presented successive images without narrative sequence or psychological causation, and the audience was allowed to watch dance as one might watch successive events in a landscape or on a street corner."

Wednesday, February 18, 2009

Wednesday February 18, 2009

Filed under: General — Tags: , — m759 @ 11:30 AM

Raiders of
the Lost Well

"The challenge is to
 keep high standards of
 scholarship while maintaining
 showmanship as well."

— Olga Raggio, a graduate of the Vatican library school and the University of Rome who, at one point in her almost 60 years with the Metropolitan Museum of Art, organized "The Vatican Collections," a blockbuster show. Dr. Raggio died on January 24.

The next day, "The Last Templar," starring Mira Sorvino, debuted on NBC.

Mira Sorvino in 'The Last Templar'

"The story, involving the Knights Templar, the Vatican, sunken treasure, the fate of Christianity and a decoding device that looks as if it came out of a really big box of medieval Cracker Jack, is the latest attempt to combine Indiana Jones derring-do with 'Da Vinci Code' mysticism."

The New York Times

Sorvino in "The Last Templar"
at the Church of the Lost Well:

Mira Sorvino at the Church of the Lost Well in 'The Last Templar'

"One highlight of Secretary of State Hillary Clinton's first overseas trip will be a stop in China. Her main mission in Beijing will be to ensure that US-China relations under the new Obama administration get off to a positive start."

— Stephanie Ho, Voice of America Beijing bureau chief, today

Symbol of The Positive,
from this journal
on Valentine's Day:

'Enlarge' symbol from USA Today

"Stephanie started at the Voice of America as an intern in 1991. She left briefly to attend film school in London in 2000. Although she didn't finish, she has always wanted to be a film school dropout, so now she's living one of her dreams.

Stephanie was born in Ohio and grew up in California. She has a bachelor's degree in Asian studies with an emphasis on Chinese history and economics, from the University of California at Berkeley."

"She is fluent in
Mandrin Chinese."

As is Mira Sorvino.

Chinese character for 'well' and I Ching Hexagram 48, 'The Well'

Those who, like Clinton, Raggio, and
Sorvino's fictional archaeologist in
"The Last Templar," prefer Judeo-
Christian myths to Asian myths,
may convert the above Chinese
"well" symbol to a cross
(or a thick "+" sign)
by filling in five of
the nine spaces outlined
by the well symbol.

In so doing, they of course
run the risk, so dramatically
portrayed by Angelina Jolie
as Lara Croft, of opening
Pandora's Box.

(See Rosalind Krauss, Professor
of Art and Theory at Columbia,
for scholarly details.)

Rosalind Krauss


Greek Cross, adapted from painting by Ad Reinhardt

The Krauss Cross

Thursday, December 18, 2008

Thursday December 18, 2008

Filed under: General — Tags: — m759 @ 1:00 PM
Polar Opposites

Susan Sontag in
this week's New Yorker:
"The mind is a whore."

Embedded in the Sontag
article is the following:

The New Yorker on Santa's use of the word 'ho'

I Ching hexagrams as a Singer 63-cycle, plus zero

Act One

South Pole:

David Mamet's book 'A Whore's Profession'

Hexagram 21 in the King Wen sequence

Shi Ho

Act Two

North Pole:

Susan Sontag

Hexagram 2 in the King Wen sequence


"If baby I'm the bottom,
you're the top."
Cole Porter   

Happy birthday,
Steven Spielberg.

Tuesday, December 16, 2008

Tuesday December 16, 2008

Filed under: General,Geometry — Tags: , — m759 @ 8:00 PM
The Square Wheel

From The n-Category Cafe today:

David Corfield at 2:33 PM UTC quoting a chapter from a projected second volume of a biography:

"Grothendieck’s spontaneous reaction to whatever appeared to be causing a difficulty… was to adopt and embrace the very phenomenon that was problematic, weaving it in as an integral feature of the structure he was studying, and thus transforming it from a difficulty into a clarifying feature of the situation."

John Baez at 7:14 PM UTC on research:

"I just don’t want to reinvent a wheel, or waste my time inventing a square one."

For the adoption and embracing of such a problematic phenomenon, see The Square Wheel (this journal, Sept. 14, 2004).

For a connection of the square wheel with yesterday's entry for Julie Taymor's birthday, see a note from 2002:

Wolfram's Theory of Everything
and the Gameplayers of Zan

Related pictures–

From Wolfram:


A Square

From me:


A Wheel

Sunday, June 15, 2008

Sunday June 15, 2008

Filed under: General — m759 @ 7:00 AM

A Cartoon Graveyard

Shoe cartoon,  Sunday, June 15, 2008

Click to enlarge.

Shoe cartoon, detail, Sunday, June 15, 2008

From Fathers’ Day Meditation:

I Ching hexagram 48, The Well

For further details,
click on the well.

Sunday, May 25, 2008

Sunday May 25, 2008

Filed under: General — Tags: , — m759 @ 8:28 AM
"Caught up 
    in circles…"

— Song lyric,  
Cyndi Lauper


Alethiometer from
"The Golden Compass"


The 64 hexagrams of the I Ching in a circular arrangement suggested by a Singer 63-cycle

The I Ching
as Alethiometer


See also this morning's
later entry, illustrating
the next line of Cyndi
Lauper's classic lyric
"Time After Time" —

"… Confusion is    
  nothing new."

Thursday, March 27, 2008

Thursday March 27, 2008

Filed under: General — m759 @ 2:45 AM
A Saint for
Richard Widmark
From this morning’s
New York Times:
NY Times  obituaries  March 27, 2008

Click image to enlarge.

The “Boy’s Life” illustration is of an Arthur C. Clarke story, “Against the Fall of Night.” This, according to the review quoted below, was Clarke’s first story, begun in 1936 and first published in 1948. The title is from a poem by A. E. Housman, “Smooth Between Sea and Land.” See Log24 on the Feast of St. Mark, 2003.

From a book review by Christopher B. Jones:

Against the Fall of Night describes well how it often takes youth to bring forth change. The older mind becomes locked in a routine, or blocks out things because it has been told that it shouldn’t think or talk about them. But the young mind is ever the explorer, seeking out knowledge without the taboos placed on it by a rigid society. Alvin is a breath of fresh air in the don’t-look-over-the-wall society of Diaspar.

Myths play a big role, and an interesting religious overtone pervades the story with a long since departed being whose origins are unknown and who played an important part in Earth’s past. Parallels to Jesus can easily be drawn, and the forecast shown for the longevity of religions in general seems to me to be rather accurate….

Finally, when Alvin uncovers part of the truth he has been looking for, he learns of the dangers and stagnation that can befall a xenophobic society. There are still a few such societies in the world today, and this characteristic almost always comes with negative effects– even if it has been cultivated with the intention to protect.”

An example of such a xenophobic society is furnished by the Hadassah ad currently running in the New York Times obituaries section: “Who will say Kaddish in Israel?”

Another example:

Tom Stoppard, in the London Times of Sunday, March 16, 2008, on the social unrest of forty years ago in 1968–

“Altering the psyche was supposed to change the social structure but, as a Marxist, Max knows it really works the other way: changing the social structure is the only way to change the psyche. The idea that ‘make love, not war’ is a more practical slogan than ‘workers of the world unite’ is as airy-fairy as the I Ching.”

Airy-fairy, Jewey-phooey.

Clarke’s 1948 story was the basis of his 1956 novel, The City and the Stars. In memory of the star Richard Widmark, here are two illustrations from St. Mark’s Day, 2003:

Housman asks the reader
to tell him of runes to grave
or bastions to design
“against the fall of night.”

Here, as examples, are
one rune and one bastion.

Dagaz rune

The rune

nown as

balance point
still point.”

The Nike bastion

The Nike Bastion

Neither part of this memorial suits the xenophobic outlook of Israel. Both parts, together, along with his classic film “The Long Ships,” seem somehow suited to the non-xenophobic outlook of Richard Widmark. As for the I Ching perhaps Widmark has further voyages to make.

Saturday, February 23, 2008

Saturday February 23, 2008

Filed under: General,Geometry — Tags: — m759 @ 12:00 PM

"An acute study of the links
between word and fact"
Nina daVinci Nichols

Thanks to a Virginia reader for a reminder:
Virginia /391062427/item.html? 2/22/2008 7:37 PM
The link is to a Log24 entry
that begins as follows…

An Exercise

of Power

Johnny Cash:
"And behold,
a white horse."

Springer logo - A chess knight
Chess Knight
(in German, Springer)

This, along with the "jumper" theme in the previous two entries, suggests a search on springer jumper.That search yields a German sports phrase, "Springer kommt!"  A search on that phrase yields the following:
"Liebe Frau vBayern,
mich würde interessieren wie man
mit diesem Hintergrund
zu Springer kommt?"

Background of "Frau vBayern" from thePeerage.com:

Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg 

F, #64640, b. 15 March 1978Last Edited=20 Oct 2005

     Anna-Natascha Prinzessin zu Sayn-Wittgenstein-Berleburg was born on 15 March 1978. She is the daughter of Ludwig Ferdinand Prinz zu Sayn-Wittgenstein-Berleburg and Countess Yvonne Wachtmeister af Johannishus. She married Manuel Maria Alexander Leopold Jerg Prinz von Bayern, son of Leopold Prinz von Bayern and Ursula Mohlenkamp, on 6 August 2005 at Nykøping, Södermanland, Sweden.


The date of the above "Liebe Frau vBayern" inquiry, Feb. 1, 2007, suggests the following:

From Log24 on
St. Bridget's Day, 2007:

The quotation
"Science is a Faustian bargain"
and the following figure–


The 63 yang-containing hexagrams of the I Ching as a Singer 63-cycle

From a short story by
the above Princess:

"'I don't even think she would have wanted to change you. But she for sure did not want to change herself. And her values were simply a part of her.' It was true, too. I would even go so far as to say that they were her basis, if you think about her as a geometrical body. That's what they couldn't understand, because in this age of the full understanding for stretches of values in favor of self-realization of any kind, it was a completely foreign concept."

To make this excellent metaphor mathematically correct,
change "geometrical body" to "space"… as in

"For Princeton's Class of 2007"

Review of a 2004 production of a 1972 Tom Stoppard play, "Jumpers"–

John Lahr on Tom Stoppard's play Jumpers

Related material:

Knight Moves (Log24, Jan. 16),
Kindergarten Theology (St. Bridget's Day, 2008),

The image “My space -(the affine space of six dimensions over the two-element field
(Click on image for details.)

Sunday, December 16, 2007

Sunday December 16, 2007

Filed under: General — Tags: — m759 @ 1:09 PM
Mad Phaedrus
Meets Mad Ezra


"Plato's Good was a fixed and eternal and unmoving Idea, whereas for the rhetoricians it was not an Idea at all. The Good was not a form of reality. It was reality itself, ever changing, ultimately unknowable in any kind of fixed, rigid way." –Phaedrus in Zen and the Art of Motorcycle Maintenance

This apparent conflict between eternity and time, fixity and motion, permanence and change, is resolved by the philosophy of the I Ching and by the Imagism of Ezra Pound.  Consider, for example, the image of The Well

as discussed here on All Saints' Day 2003 and in the previous entry.

As background, consider the following remarks of James Hillman in "Egalitarian Typologies Versus the Perception of the Unique," Part  III: Persons as Images

"To conceive images as static is to forget that they are numens that move.  Charles Olson, a later poet in this tradition, said:  'One perception must immediately and directly lead to a further perception… always, always one perception must must must move instanter, on another.' 80  Remember Lavater and his insistence on instantaneity for reading the facial image.  This is a kind of movement that is not narrational, and the Imagists had no place for narrative.  'Indeed the great poems to come after the Imagist period– Eliot’s The Waste Land and Four Quartets; Pound’s Cantos; Williams’s Paterson– contain no defining narrative.' 81  The kind of movement Olson urges is an inward deepening of the image, an in-sighting of the superimposed levels of significance within it. 82  This is the very mode that Jung suggested for grasping dreams– not as a sequence in time, but as revolving around a nodal complex.  If dreams, then why not the dreamers.  We too are not only a sequence in time, a process of individuation. We are also each an image of individuality."

80  The New American Poetry (D. M. Allen, ed.) N.Y.: Evergreen, Grove, 1960, pp. 387-88. from Jones, p. 42.

81  Jones,* p. 40.

82  H. D. later turned narration itself into image by writing a novel in which the stories were "compounded like faces seen one on top of another," or as she says "superimposed on one another like a stack of photographic negatives" (Jones, p. 42).  Cf. Berry,** p. 63: "An image is simultaneous. No part precedes or causes another part, although all parts are involved with each other… We might imagine the dream as a series of superimpositions, each event adding texture and thickening to the rest."

    * Imagist Poetry (Peter Jones, ed.) London: Penguin, 1972

    ** The contrast between image simultaneity and narrative succession, and the different psychological effects of the two modes, is developed by Patricia Berry, "An Approach to the Dream," Spring 1974 (N. Y./Zürich: Spring Publ.), pp. 63, 68-71

Hillman also says that

"Jung’s 'complex' and Pound's definition of Image and Lavater's 'whole heap of images, thoughts, sensations, all at once' are all remarkably similar.  Pound calls an Image, 'that which presents an intellectual and emotional complex in an instant of time'… 'the Image is more than an Idea.  It is a vortex or cluster of fused ideas and is endowed with energy'… 'a Vortex, from which and through which, and into which, ideas are constantly rushing.' 79 Thus the movement, the dynamics, are within the complex and not only between complexes, as tensions of opposites told about in narrational sequences, stories that require arbitrary syntactical connectives which are unnecessary for reading an image where all is given at once."

79  These definitions of Image by Pound come from his various writings and can all be found in Jones, pp. 32-41.  Further on complex and image, see J. B. Harmer, Victory in Limbo: Imagism 1908-17, London: Secker & Warburg, 1975, pp. 164-68.

These remarks may help the reader to identify with Ada during her well-viewing in Cold Mountain (previous entry):

"She was dazzled by light and shade, by the confusing duplication of reflections and of frames. All coming from too many directions for the mind to take account of. The various images bounced against each other until she felt a desperate vertigo…."

If such complexity can be suggested by Hexagram 48, The Well, alone, consider the effect of the "cluster of fused ideas… endowed with energy" that is the entire 64-hexagram I Ching.

Related material:St. Augustine's Day 2006

Friday, December 14, 2007

Friday December 14, 2007

Filed under: General — Tags: , — m759 @ 9:00 AM
Well, it changes.”

Nicole Kidman at a press conference
for the London premiere of
“The Golden Compass” on November 27:

Nicole Kidman'-- kittens and tiger

A related Log24 link from
that same date, November 27:

Deep Beauty

See also Zen and the Art of
Motorcycle Maintenance

“Plato hadn’t tried to destroy areté. He had encapsulated it; made a permanent, fixed Idea out of it; had converted it to a rigid, immobile Immortal Truth. He made areté the Good, the highest form, the highest Idea of all. It was subordinate only to Truth itself, in a synthesis of all that had gone before.That was why the Quality that Phaedrus had arrived at in the classroom had seemed so close to Plato’s Good. Plato’s Good was taken from the rhetoricians. Phaedrus searched, but could find no previous cosmologists who had talked about the Good. That was from the Sophists. The difference was that Plato’s Good was a fixed and eternal and unmoving Idea, whereas for the rhetoricians it was not an Idea at all. The Good was not a form of reality. It was reality itself, ever changing, ultimately unknowable in any kind of fixed, rigid way.”

— as well as Cold Mountain 

Page 48: “It’s claimed that if
you take a mirror and look
backwards into a well, you’ll
see your future down in the water.”

“So in short order Ada found herself bent backward over the mossy well lip, canted in a pose with little to recommend it in the way of dignity or comfort, back arched, hips forward, legs spraddled for balance.  She held a hand mirror above her face, angled to catch the surface of the water below.

Ada had agreed to the well-viewing as a variety of experiment in local custom and as a tonic for her gloom. Her thoughts had been broody and morbid and excessively retrospective for so long that she welcomed the chance to run counter to that flow, to cast forward and think about the future, even though she expected to see nothing but water at the bottom of the well.

She shifted her feet to find better grip on the packed dirt of the yard and then tried to look into the mirror.  The white sky above was skimmed over with backlit haze, bright as a pearl or as a silver mirror itself.  The dark foliage of oaks all around the edges framed the sky, duplicating the wooden frame of the mirror into which Ada peered, examining its picture of the well depths behind her to see what might lie ahead in her life. The bright round of well water at the end of the black shaft was another mirror.  It cast back the shine of sky and was furred around the edges here and there with sprigs of fern growing between stones.

Ada tried to focus her attention on the hand mirror, but the bright sky beyond kept drawing her eye away.  She was dazzled by light and shade, by the confusing duplication of reflections and of frames. All coming from too many directions for the mind to take account of. The various images bounced against each other until she felt a desperate vertigo, as if she could at any moment pitch backward and plunge head first down the well shaft and drown there, the sky far above her, her last vision but a bright circle set in the dark, no bigger than a full moon.

Her head spun and she reached with her free hand and held to the stonework of the well.  And then just for a moment things steadied, and there indeed seemed to be a picture in the mirror.”

— and Log24 on December 3 —

I Ching Hexagram 48: The Well
The above Chinese character
stands for Hexagram 48, “The Well.”
For further details, click on the well.

Sunday, August 19, 2007

Sunday August 19, 2007

Filed under: General — m759 @ 8:19 AM
Symmetry and Mirroring

Deutsche Bank Logo

Logo design by Anton Stankowski

"… at the beginning of the thirties… Stankowski began to work as a typographer and graphic designer in a Zurich advertising agency. Together with a group of friends– they were later to be known as the 'Zurich Concretists'– he explored the possibilities of symmetry and mirroring in the graphic arts. Stankowski experimented with squares and diagonals, making them the hallmarks of his art. Of his now world-famous logo for the Deutsche Bank— the soaring diagonal in the stable square– he proudly said in 1974: 'The company logo is a trade-mark that sends out a signal.'"

Deutsche Bank Collection

New York firefighters
killed at Deutsche Bank

From RTE News, Ireland:

Fire at Deutsche Bank Aug. 18, 2007

"Two New York fire fighters were killed while trying to douse a blaze in the former Deutsche Bank building in the city.

The fire broke out on 14th and 15th floors yesterday afternoon and spread to several floors before it was brought under control about five hours later.

The building had been heavily damaged during the 11 September, 2001 terrorist attacks.

The building, which was damaged by falling debris of the twin towers that had collapsed in 2001 when terrorists flew hijacked planes into them, was being 'deconstructed' to make way for construction of a new Freedom Tower."

Related material

From August 1

Restoring the Faith
After Hitting the Bottom

The New York Times
Published: August 1, 2007

What good is a nadir if it's denied or ignored? What's the value of reaching the lowest of the low if it can't buy a cheap epiphany?


Hallmark Card logo

When you care enough
to send the very best…

See also
"Cheap Epiphany, continued,"
from Aug. 3, as well as
A Writer's Reflections
(Aug. 14):

New Yorker cover, Aug. 20, 2007 (echoing Hexagram 14 in the box-style I Ching)

"Summer Reading,"
by Joost Swarte

Tuesday, August 14, 2007

Tuesday August 14, 2007

Filed under: General — Tags: — m759 @ 12:00 PM
Philip K. Dick,
1928 – 1982

on the cover of
a 1987 edition of
his 1959 novel
Time Out of Joint:

The image “http://www.log24.com/log/pix07A/070814-timejoin15.jpg” cannot be displayed, because it contains errors.

Cover art by Barclay Shaw reprinted
from an earlier (1984) edition

Philip K. Dick as a
window wraith (see below)

The above illustration was suggested by yesterday's quoted New Yorker characterization by Adam Gopnik of Philip K. Dick–

"… the kind of guy who can't drink one cup of coffee without drinking six, and then stays up all night to tell you what Schopenhauer really said and how it affects your understanding of Hitchcock and what that had to do with Christopher Marlowe."

— as well as by the illustrations of Gopnik's characterization in Kernel of Eternity, and by the following passage from Gopnik's 2005 novel The King in the Window:

"What's a window wraith?"

"It's someone who once lived in the ordinary world who lives now in a window, and makes reflections of the people who pass by and look in."

"You mean you are a ghost?!" Oliver asked, suddenly feeling a little terrified.

"Just the opposite, actually. You see, ghosts come from another world and haunt you, but window wraiths are the world. We're the memory of the world. We're here for good. You're the ones who come and go like ghosts. You haunt us."

Related material: As noted, Kernel of Eternity, and also John Tierney's piece on simulated reality in last night's online New York Times. Whether our everyday reality is merely a simulation has long been a theme (as in Dick's novel above) of speculative fiction. Interest in this theme is widespread, perhaps partly because we do exist as simulations– in the minds of other people. These simulations may be accurate or may be– as is perhaps Gopnik's characterization of Philip K. Dick– inaccurate. The accuracy of the simulations is seldom of interest to the simulator, but often of considerable interest to the simulatee.

The cover of the Aug. 20 New Yorker in which the Adam Gopnik essay appears may also be of interest, in view of the material on diagonals in the Log24 entries of Aug. 1 linked to in yesterday's entry:

IMAGE- New Yorker cover echoing Hexagram 14 in the box-style I Ching

"Summer Reading,"
by Joost Swarte

Monday, May 28, 2007

Monday May 28, 2007

Filed under: General,Geometry — Tags: — m759 @ 5:00 PM
and a Finite Model

Notes by Steven H. Cullinane
May 28, 2007

Part I: A Model of Space-Time

The following paper includes a figure illustrating Penrose's model of  "complexified, compactified Minkowski space-time as the Klein quadric in complex projective 5-space."
The image “http://www.log24.com/log/pix07/070528-Twistor.jpg” cannot be displayed, because it contains errors.
Click on picture to enlarge.

For some background on the Klein quadric and space-time, see Roger Penrose, "On the Origins of Twistor Theory," from Gravitation and Geometry: A Volume in Honor of Ivor Robinson, Bibliopolis, 1987.

Part II: A Corresponding Finite Model

The Klein quadric also occurs in a finite model of projective 5-space.  See a 1910 paper:

G. M. Conwell, The 3-space PG(3,2) and its group, Ann. of Math. 11, 60-76.

Conwell discusses the quadric, and the related Klein correspondence, in detail.  This is noted in a more recent paper by Philippe Cara:

The image “http://www.log24.com/log/pix07/070528-Quadric.jpg” cannot be displayed, because it contains errors.

As Cara goes on to explain, the Klein correspondence underlies Conwell's discussion of eight heptads.  These play an important role in another correspondence, illustrated in the Miracle Octad Generator of R. T. Curtis, that may be used to picture actions of the large Mathieu group M24.

Related material:


The projective space PG(5,2), home of the Klein quadric in the finite model, may be viewed as the set of 64 points of the affine space AG(6,2), minus the origin.

The 64 points of this affine space may in turn be viewed as the 64 hexagrams of the Classic of Transformation, China's I Ching.

There is a natural correspondence between the 64 hexagrams and the 64 subcubes of a 4x4x4 cube.  This correspondence leads to a natural way to generate the affine group AGL(6,2).  This may in turn be viewed as a group of over a trillion natural transformations of the 64 hexagrams.

Geometry of the I Ching.
"Once Knecht confessed to his teacher that he wished to learn enough to be able to incorporate the system of the I Ching into the Glass Bead Game.  Elder Brother laughed.  'Go ahead and try,' he exclaimed.  'You'll see how it turns out.  Anyone can create a pretty little bamboo garden in the world.  But I doubt that the gardener would succeed in incorporating the world in his bamboo grove.'"
— Hermann Hesse, The Glass Bead Game,
  translated by Richard and Clara Winston

Thursday, February 1, 2007

Thursday February 1, 2007

Filed under: General — Tags: — m759 @ 7:59 AM

The image “http://www.log24.com/theory/images/GF64-63cycleA495.gif” cannot be displayed, because it contains errors.

The above is from
Feb. 15, 2006.

"I don't believe in an afterlife, so I think this is it, and I'm trying to spend my time as best I can, and I'm trying to spend my time so I'm proud of what I've done, and I try not to do any things that I'm not proud of."

Jim Gray, 2002 interview (pdf)

Commencement Address (doc)
to Computer Science Division,
College of Letters and Science,
University of California, Berkeley,
by Jim Gray,
May 25, 2003:

"I was part of Berkeley's class of 1965. Things have changed a lot since then….

So, what's that got to do with you? Well, there is going to be MORE change…. Indeed, change is accelerating– Vernor Vinge suggests we are approaching singularities when social, scientific and economic change are so rapid that we cannot imagine what will happen next.  These futurists predict humanity will become post-human. Now, THAT! is change– a lot more than I have seen.

If it happens, the singularity will happen in your lifetime– and indeed, you are likely to make it happen."


I Ching, Hexagram 39

For other singular
sci-fi tales, click on
the above hexagram.

More from Gray's speech:

"I am an optimist. Science is a Faustian bargain– and I am betting on mankind muddling through. I grew up under the threat of atomic war; we've avoided that so far. Information Technology is a Faustian bargain. I am optimistic that we can have the good parts and protect ourselves from the worst part– but I am counting on your help in that."

"Not fare well,
But fare forward, voyagers."

— T. S. Eliot,
"The Dry Salvages"

Wednesday, August 30, 2006

Wednesday August 30, 2006

Filed under: General,Geometry — Tags: — m759 @ 10:07 AM
The Seventh Symbol:

A Multicultural Farewell

to a winner of the
Nobel Prize for Literature,
the Egyptian author of
The Seventh Heaven:
Supernatural Stories

The image “http://www.log24.com/theory/images/GF64-63cycleA495.gif” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix06A/060830-SeventhSymbol.jpg” cannot be displayed, because it contains errors.

"Jackson has identified
the seventh symbol."

Other versions of
the seventh symbol —

Chinese version:

The image “http://www.log24.com/log/pix06A/060830-hexagram20.gif” cannot be displayed, because it contains errors.

pictorial version:

The image “http://www.log24.com/log/pix06A/060830-Box.jpg” cannot be displayed, because it contains errors.

algebraic version:

The image “http://www.log24.com/log/pix06A/060830-Algebra.jpg” cannot be displayed, because it contains errors.

"… Max Black, the Cornell philosopher, and others have pointed out how 'perhaps every science must start with metaphor and end with algebra, and perhaps without the metaphor there would never have been any algebra' …."

— Max Black, Models and Metaphors, Cornell U. Press, 1962, page 242, as quoted in Dramas, Fields, and Metaphors, by Victor Witter Turner, Cornell U. Press, paperback, 1975, page 25

Monday, August 28, 2006

Monday August 28, 2006

Filed under: General,Geometry — Tags: — m759 @ 1:00 AM
Today's Sinner:

Augustine of Hippo, who is said to
have died on this date in 430 A.D.

"He is, after all, not merely taking over a Neoplatonic ontology, but he is attempting to combine it with a scriptural tradition of a rather different sort, one wherein the divine attributes most prized in the Greek tradition (e.g. necessity, immutability, and atemporal eternity) must somehow be combined with the personal attributes (e.g. will, justice, and historical purpose) of the God of Abraham, Isaac, and Jacob."

Stanford Encyclopedia of Philosophy on Augustine

Here is a rather different attempt
to combine the eternal with the temporal:


The Eternal

Symbol of necessity,
immutability, and
atemporal eternity:

The image “http://www.log24.com/log/pix06A/060828-Cube.jpg” cannot be displayed, because it contains errors.

For details, see
finite geometry of
the square and cube

The Temporal

Symbol of the
God of Abraham,
Isaac, and Jacob:

The image “http://www.log24.com/log/pix06A/060828-Cloud.jpg” cannot be displayed, because it contains errors.

For details, see
Under God
(Aug. 11, 2006)

The eternal
combined with
the temporal:


Singer 63-cycle in the Galois field GF(64) used to order the I Ching hexagrams

Related material:

Hitler's Still Point and
the previous entry.

Tuesday, July 18, 2006

Tuesday July 18, 2006

Filed under: General,Geometry — Tags: , — m759 @ 1:00 PM

Sacred Order

In memory of Philip Rieff, who died on July 1, 2006:

The image “http://www.log24.com/log/pix06A/060604-Roots.jpg” cannot be displayed, because it contains errors.

Related material:

The image ?http://www.log24.com/theory/images/GF64-63cycleA495.gif? cannot be displayed, because it contains errors.


The image ?http://www.log24.com/theory/images/MySpace.jpg? cannot be displayed, because it contains errors.

For details, see the
five Log24 entries ending
on the morning of
Midsummer Day, 2006.

Thanks to University Diaries for pointing out the essay on Rieff.
That essay says Rieff had "a dense, knotty, ironic style designed to warn off impatient readers. You had to unpack his aphorisms carefully. And this took a while. As a result, his thinking had a time-release effect." Good for him.  For a related essay (time-release effect unknown), see Hitler's Still Point: A Hate Speech for Harvard.

Friday, June 23, 2006

Friday June 23, 2006

Filed under: General — Tags: — m759 @ 9:00 PM
Go with the Flow

Review of a
Feb. 15, 2006, entry:

The image ?http://www.log24.com/theory/images/GF64-63cycleA495.gif? cannot be displayed, because it contains errors.

The image ?http://www.log24.com/images/IChing/WilhelmHellmut.gif? cannot be displayed, because it contains errors.

Wednesday, February 15, 2006

Wednesday February 15, 2006

Filed under: General,Geometry — Tags: — m759 @ 11:07 AM
Anthony Hopkins
Writes Screenplay
About God, Life & Death

These topics may be illuminated
by a study of the Chinese classics.

The image “http://www.log24.com/theory/images/GF64-63cycleA495.gif” cannot be displayed, because it contains errors.

The image “http://www.log24.com/images/IChing/WilhelmHellmut.gif” cannot be displayed, because it contains errors.

If we replace the Chinese word "I"
(change, transformation) with the
word "permutation," the relevance
of Western mathematics (which
some might call "the Logos") to
the I Ching ("Changes Classic")
beomes apparent.

Related material:

Hitler's Still Point,
Jung's Imago,
Solomon's Cube,
Geometry of the I Ching,
and Globe Award.

Yesterday's Valentine
may also have some relevance.

Tuesday, September 14, 2004

Tuesday September 14, 2004

Filed under: General,Geometry — Tags: , — m759 @ 3:00 PM

The Square Wheel

Harmonic analysis may be based either on the circular (i.e., trigonometric) functions or on the square (i. e., Walsh) functions.  George Mackey's masterly historical survey showed that the discovery of Fourier analysis, based on the circle, was of comparable importance (within mathematics) to the discovery (within general human history) of the wheel.  Harmonic analysis based on square functions– the "square wheel," as it were– is also not without its importance.

For some observations of Stephen Wolfram on square-wheel analysis, see pp. 573 ff. in Wolfram's magnum opus, A New Kind of Science (Wolfram Media, May 14, 2002).  Wolfram's illustration of this topic is closely related, as it happens, to a note on the symmetry of finite-geometry hyperplanes that I wrote in 1986.  A web page pointing out this same symmetry in Walsh functions was archived on Oct. 30, 2001.

That web page is significant (as later versions point out) partly because it shows that just as the phrase "the circular functions" is applied to the trigonometric functions, the phrase "the square functions" might well be applied to Walsh functions– which have, in fact, properties very like those of the trig functions.  For details, see Symmetry of Walsh Functions, updated today.

"While the reader may draw many a moral from our tale, I hope that the story is of interest for its own sake.  Moreover, I hope that it may inspire others, participants or observers, to preserve the true and complete record of our mathematical times."

From Error-Correcting Codes
Through Sphere Packings
To Simple Groups
by Thomas M. Thompson,
Mathematical Association of America, 1983

Wednesday, July 28, 2004

Wednesday July 28, 2004

Filed under: General — m759 @ 1:00 PM

The Freshmen, Part II

From the Daily Princetonian,
Feb. 3, 2004


Caption: Cate Edwards’ Princeton friends support her and her father.

“… when Sen. John Edwards, father of Cate Edwards ’04, decided to run for president, the troop of 17 students sacrificed tans and theses to pile into a fleet of minivans headed to New Hampshire….

    These volunteers… were on a first name basis with the man who had helped them move into freshman dorm rooms and had discussed Senate votes with them over Chinese food.”

Log24 May 22, 2004:

From Chuck Polisher’s
I Ching Lexicon

“It’s claimed that
if you take a mirror
and look backwards
into a well,
you’ll see your future
down in the water.”

Cold Mountain,
     Vintage paperback, 1998,
page 48

“Goin’ to Carolina in my mind…”
— James Taylor

Saturday, May 22, 2004

Saturday May 22, 2004

Filed under: General — Tags: — m759 @ 3:00 PM

A Form

John Leonard in the June 10, 2004, New York Review of Books, on E. L. Doctorow:

"… he's got urgent things to say and seeks some form to say them in, or a form that will tease and torture secret meanings out of what he thinks he already knows, or a form, like a wishing well, down which to dream, scream, or drown."

48. The Well

The Judgment

The Well. The town may be changed,
But the well cannot be changed.
It neither decreases nor increases.
They come and go and draw from the well.
If one gets down almost to the water
And the rope does not go all the way,
Or the jug breaks, it brings misfortune.

From the Book of Ecclesiastes 12:6

or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern

From Chuck Polisher's I Ching Lexicon:

See also the following form, discussed in

Balanchine's Birthday
(1/9/03) and in

Art Theory
for Yom Kippur


Powered by WordPress