Log24

Saturday, November 26, 2022

Da Capo: The Iceman Goeth

Filed under: General — Tags: , — m759 @ 10:46 am

The name "Hickey" in last night's post suggested the phrase
"pipe dream" and a search for the opening date of
"The Iceman Cometh" — which was October 9, 1946.

That date, it happens, was the birth date of a video game
executive whose passing was noted here . . .

Tuesday, December 28, 2021

Da Capo*

Filed under: General — m759 @ 11:25 pm

* Illustration from a related 2003 Log24 post

Da Capo

“The story bent and climbed and went into weird areas.
For instance, at one time Simon Peter was a cave-dweller;
at another, he only appeared in other characters’ dreams….”

— Keri Hulme on The Bone People

Monday, June 24, 2019

Da Capo*

Filed under: General — Tags: — m759 @ 11:44 am

The Small quotation is from a page describing his transcription
for string quartet of Bach's Goldberg Variations:

https://manontroppomusic.wordpress.com/goldberg-variations/.

* See too other Log24 occurrences of "da capo." 

Tuesday, December 10, 2013

Da Capo*

Filed under: General — m759 @ 11:00 am

An upload date —

Related material — 

* The title is a musical term

IMAGE- Music by Bach in 'The Mortal Instruments: City of Bones' (at 1:04:14)

Thursday, December 1, 2022

Compare and Contrast

Filed under: General — Tags: — m759 @ 4:05 pm

From Log24 last summer . . .

Defense Against the Dark Arts

From Log24 yesterday:

Catchup for Blockheads . . . Da Capo

Related material: Posts tagged Metadata.

Wednesday, November 30, 2022

A Critic’s Part

Filed under: General — Tags: — m759 @ 1:28 pm

Defense Against the Dark Arts

https://monoskop.org/images/2/28/Dyer-Witheford_Nick_Cyber-Marx_Cycles_and_Circuits_of_Struggle_in_High_Technology_Capitalism.pdf

Catchup for Blockheads . . . Da Capo

Thursday, December 26, 2013

Dicey

Filed under: General — Tags: — m759 @ 7:00 pm

For fans of Hunger Games  and Elysium —

Roberta Smith in this evening's* online New York Times

"Especially with the gap between the wealthiest
and everyone else so wide, it is dicey
for a major museum to celebrate the often frivolous
objects on which the rich spend their ever increasing
surplus income. Such a show must be beyond reproach
in every way: transparent in organization, impeccable
in exhibition design, illuminating in catalog and labeling
and, most of all, self-evidently excellent in the quality of
the objects on display."

Da capo:  "I've heard of affairs that are strictly Platonic."

* 5:08 PM ET

Tuesday, December 10, 2013

Blue Note

Filed under: General — m759 @ 10:25 pm

For the late Jim Hall

Backstory:   Icon, 1:44 PM ET today.

Update of 11 PM ET Dec. 10, 2013 — 

For all  the notes, see Da Capo  (11 AM today)
and the Cullinane frequency matrix (12×12).

IMAGE- Matrix used to illustrate the well-tempered scale. The integer frequency-ratio values are only approximate in such a scale.

Matrix used to illustrate the well-tempered
scale. The integer frequency-ratio values
are only approximate in such a scale.

Saturday, December 16, 2006

Saturday December 16, 2006

Filed under: General — m759 @ 8:48 pm
For Beethoven’s birthday:

Da Capo.

Saturday, January 29, 2005

Saturday January 29, 2005

Filed under: General — m759 @ 12:06 pm

Da Capo, Part II:

The Elegant Window

From a review of
The Nick Tosches Reader,
published by Da Capo Press:

“Elegant as a slow blues.”

Rolling Stone
 
“Examples are the
stained-glass windows of knowledge.”

— Vladimir Nabokov

And so….

RealOne Player

Windows Media
.

See also

Architecture of Eternity.

Thursday, January 27, 2005

Thursday January 27, 2005

Filed under: General,Geometry — Tags: — m759 @ 8:00 pm

Da Capo
                                                
                           You say I am repeating
    Something I have said before. I shall say it again.
Shall I say it again?                                           

Four Quartets

From Golden Globe night:

The image “http://www.log24.com/log/pix05/050116-Rag.jpg” cannot be displayed, because it contains errors.

 

Symbols

A Game of Chess

Geometry for Jews

Geometry of Quartets

Tuesday, August 3, 2004

Tuesday August 3, 2004

Filed under: General — m759 @ 7:00 pm

Southern Strategy, Da Capo

From July 31:

“Why are you based in North Carolina?”

The Footprints of God



Nell

“Remembering speechlessly we seek the great forgotten language, the lost lane-end into heaven, a stone, a leaf, an unfound door. Where? When?”

Thomas Wolfe

At left:

Southern Strategy Galore. 

Meanwhile, at the Vatican:

ROME, July 31 — The Vatican issued a letter Saturday attacking the “distortions” and “lethal effects” of feminism.

Monday, July 12, 2004

Monday July 12, 2004

Filed under: General — m759 @ 4:16 am
Small World

In memory of
Laurance Rockefeller,
who died yesterday at 94

"J. S. Bach's 'Goldberg Variations' is a self-contained world, immersion in which is transformative….

At the end of Variation 30, Bach writes simply 'Aria da capo.' I have written it out for the convenience of the players. This recurrence of the Aria, after its long journey through thirty variations and especially coming immediately after the exuberant Quodlibet (Variation 30), is magical. It is the same Aria, yet subtly different: transformed."

Charles Small, Harvard 1964

"In my end is my beginning."

T. S. Eliot, Harvard 1910

Friday, September 5, 2003

Friday September 5, 2003

Filed under: General — Tags: — m759 @ 8:23 pm

Da Capo

“The story bent and climbed and went into weird areas. For instance, at one time Simon Peter was a cave-dweller; at another, he only appeared in other characters’ dreams….”

Keri Hulme on The Bone People

“Words are events.”

The Walter J. Ong Project

In East Asian traditions, “Rocks are seen as events–rather slow-moving events–but as events….”

Graham Parkes, professor of philosophy at the University of Hawaii

Parkes is working on a translation of Nietzsche’s Thus Spake Zarathustra and is the author of “The Overflowing Soul: Images of Transformation in Nietzsche’s Zarathustra.”

He is also the translator, with David Pellauer, of Nietzsche and Music, by Georges Liébert (Chicago: University of Chicago Press, 2003).

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