for Isak Dinesen,
who died in 1962
on this date
Meanwhile…
Click on pictures for details.
for Isak Dinesen,
who died in 1962
on this date
Meanwhile…
Click on pictures for details.
A sneering review from TIME Magazine, March 23, 1962:
“Hero Ford, a playboy from Argentina, falls pampassionately in love with Heroine Thulin, a Parisienne married to a patriotic editor. When the editor joins the Resistance, the hero realizes his duty and secretly does the same. Unaware of his decision, the heroine decides that he is merely a lightweight, and goes back to her husband. At the fade, while the violins soar among the bomb bursts, the poor misunderstood playboy dies heroically in an attempt to weaken the Wehrmacht’s defenses in Normandy.
The tale is trite, the script clumsy, and the camera work grossly faked. Though the lovers wander all over Paris, the Cathedral of Notre Dame turns up in the background practically everywhere they go, almost as if it were following them around like a little dog.”
TIME Magazine is still wearing the Ivy League sneer it displayed so impressively in 1962.
A less dismissive summary from Answers.com:
“The World War I setting of the original Blasco-Ibanez novel has been updated to World War II, but the basic plot remains the same. A well-to-do Argentinian family, rent asunder by the death of patriarch Lee J. Cobb, scatters to different European countries in the late 1930s. Before expiring, Cobb had warned his nephew Carl Boehm that the latter’s allegiance to the Nazis would bring down the wrath of the titular Four Horsemen: War, Conquest, Famine and Death. Ford, Cobb’s grandson, has promised to honor his grandfather’s memory by thwarting the plans of Boehm. At the cost of his own life, Ford leads allied bombers to Boehm’s Normandy headquarters.”
In memory of Glenn Ford, a talented character actor who died at 90 yesterday, the opening paragraphs of an obituary in The Scotsman:
Screen icon Glenn Ford
dies at 90RHIANNON EDWARDGLENN Ford, one of the most enduring stars of the silver screen, has died at the age of 90.
Ford, who appeared in more than 200 films in a career spanning five decades, died at his home in Beverly Hills.
The actor’s health had been in decline for a number of years after he suffered a series of strokes.
Although he never achieved the superstardom he craved, Ford was widely acclaimed as one of the best character actors in the business.
The business of narrative:
From a narrative suggested by the name of The Scotsman‘s reporter and related, if only by association with Normandy, to Ford’s “Four Horsemen” film:
“The Vandaleurs are a family of Norman nobles with a heritable version of the mages’ Gift. They have been using magic covertly for what appears to have been a very long time…. Another branch of the family is known to hold a fief in Normandy, but it is not yet known if they are covert magicians as well.”
The Vandaleur narrative may be of interest to fans of The Da Vinci Code. (Ford is said to have been a Freemason, a charter member of Riviera Lodge No. 780, Pacific Palisades, California.)
For Catholics and others who prefer more traditional narratives:
Illuminated parchment,
1047 A.D.,
The Four Horsemen
of the Apocalypse
Related material:
Yesterday’s entries, and
an entry from April 7. 2003,
that they link to:
A Multicultural Farewell
to a winner of the
Nobel Prize for Literature,
the Egyptian author of
The Seventh Heaven:
Supernatural Stories —
"Jackson has identified
the seventh symbol."
— Stargate
Other versions of
the seventh symbol —
"… Max Black, the Cornell philosopher, and others have pointed out how 'perhaps every science must start with metaphor and end with algebra, and perhaps without the metaphor there would never have been any algebra' …."
— Max Black, Models and Metaphors, Cornell U. Press, 1962, page 242, as quoted in Dramas, Fields, and Metaphors, by Victor Witter Turner, Cornell U. Press, paperback, 1975, page 25
Philosopher Max Black,
who died on this date
in 1988
“… Max Black, the Cornell philosopher, and others have pointed out how ‘perhaps every science must start with metaphor and end with algebra, and perhaps without the metaphor there would never have been any algebra’ ….”
— Max Black, Models and Metaphors, Cornell U. Press, 1962, page 242, as quoted in Dramas, Fields, and Metaphors, by Victor Witter Turner, Cornell U. Press, paperback, 1975, page 25
The Great Bartender
by Peter Viereck (1948)
Being absurd as well as beautiful,
Magic– like art– is hoax redeemed by awe.
(Not priest but clown,
the shuddering sorcerer
Is more astounded than
his rapt applauders:
“Then all those props and Easters
of my stage
Came true? But I was joking all the time!”)
Art, being bartender, is never drunk;
And magic that believes itself, must die.
My star was rocket of my unbelief,
Launched heavenward as
all doubt’s longings are;
It burst when, drunk with self-belief,
I tried to be its priest and shouted upward:
“Answers at last! If you’ll but hint
the answers
For which earth aches, that famous
Whence and Whither;
Assuage our howling Why? with final fact.”
— As quoted in The Practical Cogitator,
or The Thinker’s Anthology,
Selected and Edited by
Charles P. Curtis, Jr., and
Ferris Greenslet,
Third Edition, Revised and Enlarged,
With a new Introduction by
John H. Finley, Jr.,
Houghton Mifflin Company,
Boston, 1962
The dates of Viereck’s birth and death are according to this morning’s New York Times.
Five Log24 entries
ending May 13,
the date of Viereck’s death.
"Does the word 'tesseract'
mean anything to you?"
— Robert A. Heinlein in
The Number of the Beast
(1980)
My reply–
Part I:
A Wrinkle in Time, by
Madeleine L'Engle
(first published in 1962)
Part II:
Diamond Theory in 1937
and
Geometry of the 4×4 Square
Part III:
"Wells and trees were dedicated to saints. But the offerings at many wells and trees were to something other than the saint; had it not been so they would not have been, as we find they often were, forbidden. Within this double and intertwined life existed those other capacities, of which we know more now, but of which we still know little– clairvoyance, clairaudience, foresight, telepathy."
— Charles Williams, Witchcraft, Faber and Faber, London, 1941
A New Yorker profile of Madeleine L'Engle from April 2004, which I found tonight online for the first time. For a related reflection on truth, stories, and values, see Saint's Day. For a wider context, see the Log24 entries of February 1-15, 2003 and February 1-15, 2006.
To Serve Man
Starring
Sir Anthony Hopkins
as Smithers
(See previous entry.)
In memory of Lloyd Bochner,
who died on Oct. 29, 2005:
Dance
Yesterday’s AP “Thought for Today”–
“In some sort of crude sense which no vulgarity, no humor, no overstatement can quite extinguish, the physicists have known sin; and this is a knowledge which they cannot lose.” – J. Robert Oppenheimer, American physicist (1904-1967).
From Log24 on Dec. 17, 2002:
The Dancing Wu Li Masters,
by Gary Zukav, Harvard ’64:
“The Wu Li Masters know that physicists are doing more than ‘discovering the endless diversity of nature.’ They are dancing with Kali [or Durga], the Divine Mother of Hindu mythology.”
“Eastern religions have nothing to say about physics, but they have a great deal to say about human experience. In Hindu mythology, Kali, the Divine Mother, is the symbol for the infinite diversity of experience. Kali represents the entire physical plane. She is the drama, tragedy, humor, and sorrow of life. She is the brother, father, sister, mother, lover, and friend. She is the fiend, monster, beast, and brute. She is the sun and the ocean. She is the grass and the dew. She is our sense of accomplishment and our sense of doing worthwhile. Our thrill of discovery is a pendant on her bracelet. Our gratification is a spot of color on her cheek. Our sense of importance is the bell on her toe.
This full and seductive, terrible and wonderful earth mother always has something to offer. Hindus know the impossibility of seducing her or conquering her and the futility of loving her or hating her; so they do the only thing that they can do. They simply honor her.”
How could I dance with another….?
— John Lennon and Paul McCartney, 1962-1963
Earendil_Silmarils:
Les Anamorphoses:
"Pour construire un dessin en perspective,
le peintre trace sur sa toile des repères:
la ligne d'horizon (1),
le point de fuite principal (2)
où se rencontre les lignes de fuite (3)
et le point de fuite des diagonales (4)."
_______________________________
Serge Mehl,
Perspective &
Géométrie Projective:
"… la géométrie projective était souvent
synonyme de géométrie supérieure.
Elle s'opposait à la géométrie
euclidienne: élémentaire…
La géométrie projective, certes supérieure
car assez ardue, permet d'établir
de façon élégante des résultats de
la géométrie élémentaire."
Similarly…
Finite projective geometry
(in particular, Galois geometry)
is certainly superior to
the elementary geometry of
quilt-pattern symmetry
and allows us to establish
de façon élégante
some results of that
elementary geometry.
Other Related Material…
from algebra rather than
geometry, and from a German
rather than from the French:
"This is the relativity problem:
to fix objectively a class of
equivalent coordinatizations
and to ascertain
the group of transformations S
mediating between them."
— Hermann Weyl,
The Classical Groups,
Princeton U. Press, 1946
Evariste Galois
Weyl also says that the profound branch
of mathematics known as Galois theory
"Perhaps every science must
start with metaphor
and end with algebra;
and perhaps without metaphor
there would never have been
any algebra."
For metaphor and
algebra combined, see
A.M.S. abstract 79T-A37,
Notices of the
American Mathematical Society,
February 1979, pages A-193, 194 —
the original version of the 4×4 case
of the diamond theorem.
"When approaching unfamiliar territory, we often, as observed earlier, try to describe or frame the novel situation using metaphors based on relations perceived in a familiar domain, and by using our powers of association, and our ability to exploit the structural similarity, we go on to conjecture new features for consideration, often not noticed at the outset. The metaphor works, according to Max Black, by transferring the associated ideas and implications of the secondary to the primary system, and by selecting, emphasising and suppressing features of the primary in such a way that new slants on it are illuminated."
— Paul Thompson, University College, Oxford,
The Nature and Role of Intuition
in Mathematical Epistemology
That intuition, metaphor (i.e., analogy), and association may lead us astray is well known. The examples of French perspective above show what might happen if someone ignorant of finite geometry were to associate the phrase "4×4 square" with the phrase "projective geometry." The results are ridiculously inappropriate, but at least the second example does, literally, illuminate "new slants"– i.e., diagonals– within the perspective drawing of the 4×4 square.
Similarly, analogy led the ancient Greeks to believe that the diagonal of a square is commensurate with the side… until someone gave them a new slant on the subject.
Old School Tie
“We are introduced to John Nash, fuddling flat-footed about the Princeton courtyard, uninterested in his classmates’ yammering about their various accolades. One chap has a rather unfortunate sense of style, but rather than tritely insult him, Nash holds a patterned glass to the sun, [director Ron] Howard shows us refracted patterns of light that take shape in a punch bowl, which Nash then displaces onto the neckwear, replying, ‘There must be a formula for how ugly your tie is.’ ”
“Algebra in general is particularly suited for structuring and abstracting. Here, structure is imposed via symmetries and dualities, for instance in terms of Galois connections……. diamonds and boxes are upper and lower adjoints of Galois connections….”
Evariste Galois
“Perhaps every science must
start with metaphor
and end with algebra;
and perhaps without metaphor
there would never have been
any algebra.”
— attributed, in varying forms
(1, 2, 3), to Max Black,
Models and Metaphors, 1962
For metaphor and
algebra combined, see
“Symmetry invariance
in a diamond ring,”
A.M.S. abstract 79T-A37,
Notices of the Amer. Math. Soc.,
February 1979, pages A-193, 194 —
the original version of the 4×4 case
of the diamond theorem.
Death and the Spirit
A meditation for Twelfth Night
on "the whirligig of time"
Yesterday's entry provided an approach to The Dark Lady, Kali, that was, in Freas's apt word, "ridiculous." The illustration below, "Mate," is an attempt to balance yesterday's entry with an approach that is, if not sublime, at least more serious. It is based on a similar illustration from Jan. 31, 2003, with actress Judy Davis playing The Dark Lady. Today it seems appropriate to replace Davis with another actress (anonymous here, though some may recognize her). I once knew her (unlike Davis) personally. One of my fondest memories of high school is reading Mad Magazine with her in the school lunch room. Our lives diverged after high school, but I could happily have spent my life in her company.
– S. H. Cullinane, Twelfth Night, 2005
A diamond and its dual "whirl" figure—
or a "jewel-box and its mate"
As for Eisner and "The Spirit,"
which has been called
"the quintessential noir detective series,"
those preferring non-graphic stories
may picture Spade or his creator,
Dashiell Hammett, in the title role.
Then, of course, there are Eisner's later
story, "A Contract With God,"
John 4:24, and 1916 4/24.
From today’s New York Times, in reverse order:
Vaughn Meader, Star as Kennedy Mimicker, Dies at 68 Sister Nancy Salisbury, 74, Headmistress, Dies |
For more background, see the Log24.net entry of 3 AM Friday, the date of Meader’s death. See also a Boston Globe obituary that quotes John F. Kennedy: “Vaughn Meader was busy tonight, so I came myself.”
Note that Rousmaniere was John F. Kennedy’s roommate at Harvard.
Note, too, that Kennedy’s daughter Caroline attended Sister Salisbury’s school.
A memorial Mass for Sister Salisbury will be held on Monday, November 22, 2004, at the Church of St. Ignatius Loyola, 980 Park Avenue, at 5:30 pm.
What does all this Camelot portend? I do not know, but the following quote seems appropriate.
“Flores, flores para los muertos.”
— Tennessee Williams, 1947
Counting Crows
on the Feast of St. Luke
"In the fullness of time,
educated people will believe
there is no soul
independent of the body,
and hence no life after death."
— Francis Crick, who was awarded
a Nobel Prize on this date in 1962
"She went to the men on the ground and looked at them and then she found Inman apart from them. She sat and held him in her lap. He tried to talk, but she hushed him. He drifted in and out and dreamed a bright dream of a home. It had a coldwater spring rising out of a rock, black dirt fields, old trees. In his dream, the year seemed to be happening all at one time, all the seasons blending together. Apple trees hanging heavy with fruit but yet unaccountably blossoming, ice rimming the spring, okra plants blooming yellow and maroon, maple leaves red as October, corn crops tasseling, a stuffed chair pulled up to the glowing parlor hearth, pumpkins shining in the fields, laurels blooming on the hillsides, ditch banks full of orange jewelweed, white blossoms on dogwood, purple on redbud. Everything coming around at once. And there were white oaks, and a great number of crows, or at least the spirits of crows, dancing and singing in the upper limbs. There was something he wanted to say."
— Charles Frazier, Cold Mountain
Parable
"A comparison or analogy. The word is simply a transliteration of the Greek word: parabolé (literally: 'what is thrown beside' or 'juxtaposed'), a term used to designate the geometric application we call a 'parabola.'…. The basic parables are extended similes or metaphors."
— http://religion.rutgers.edu/nt/
primer/parable.html
"If one style of thought stands out as the most potent explanation of genius, it is the ability to make juxtapositions that elude mere mortals. Call it a facility with metaphor, the ability to connect the unconnected, to see relationships to which others are blind."
— Sharon Begley, "The Puzzle of Genius," Newsweek magazine, June 28, 1993, p. 50
"The poet sets one metaphor against another and hopes that the sparks set off by the juxtaposition will ignite something in the mind as well. Hopkins’ poem 'Pied Beauty' has to do with 'creation.' "
— Speaking in Parables, Ch. 2, by Sallie McFague
"The Act of Creation is, I believe, a more truly creative work than any of Koestler's novels…. According to him, the creative faculty in whatever form is owing to a circumstance which he calls 'bisociation.' And we recognize this intuitively whenever we laugh at a joke, are dazzled by a fine metaphor, are astonished and excited by a unification of styles, or 'see,' for the first time, the possibility of a significant theoretical breakthrough in a scientific inquiry. In short, one touch of genius—or bisociation—makes the whole world kin. Or so Koestler believes."
— Henry David Aiken, The Metaphysics of Arthur Koestler, New York Review of Books, Dec. 17, 1964
For further details, see
Speaking in Parables:
A Study in Metaphor and Theology
by Sallie McFague
Fortress Press, Philadelphia, 1975
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
"Perhaps every science must start with metaphor and end with algebra; and perhaps without metaphor there would never have been any algebra."
— attributed, in varying forms (1, 2, 3), to Max Black, Models and Metaphors, 1962
For metaphor and algebra combined, see
"Symmetry invariance in a diamond ring," A.M.S. abstract 79T-A37, Notices of the Amer. Math. Soc., February 1979, pages A-193, 194 — the original version of the 4×4 case of the diamond theorem.
For St. Emil’s Day
On this date in 1962, Emil Artin died.
He was, in his way, a priest of Apollo, god of music, light, and reason.
The previous entry dealt with permutation groups, in the context of a Jan. 2004 AMS Notices review of a book on the mathematics of juggling.
It turns out that juggling is, in fact, related to Artin’s theory of “braid groups.” For details, see Juggling Braids.
For more on Apollo, see my entry of
1/09.
Today in History:
The Comeback Kid
(Courtesy of Dr. Mac’s Cultural Calendar)
On this date:
In 1962, having lost the California governor’s race, Richard Nixon said to the press, “You won’t have Nixon to kick around any more.”
In 1972, Republican incumbent President Richard Nixon was re-elected, defeating Democratic candidate George McGovern, 520 electoral votes to 17.
From the archives of singer/songwriter Shannon Campbell (“voice of an angel, mouth of a truckdriver”)–
Feb. 6, 2002: The Essential Matrix
NEO: (whines) Who am I?
TRINITY: You are The One.
EVERYONE ELSE: Eh, he might be The One.
TRINITY: He is The One.
NEO: I am not The One.
TRINITY: You are The One.
THE ORACLE: You are not The One, but you can’t tell anybody.
NEO: (whines) But I wanted to be The One. I want to go home….
TRINITY: Fuck. He’s not The One.
EVERYONE ELSE: Told you so.
MORPHEUS: Sure wish someone was The One. I’m in deep shit.
Particularity
Upon learning of the recent death of Walter J. Ong, S. J., philosopher of language, I ordered a copy of his book
Hopkins, the Self, and God
University of Toronto Press, 1986.
As the reader of my previous entry will discover, I have a very low opinion of the literary skills of the first Christians. This sect’s writing has, however, improved in the past two millennia.
Despite my low opinion of the early Christians, I am still not convinced their religion is totally unfounded. Hence my ordering of the Ong book. Since then, I have also ordered two other books, reflecting my interests in philosophical fiction (see previous entry) and in philosophy itself:
Philosophical fiction —
The Hex Witch of Seldom,
by Nancy Springer,
Penguin Putnam Inc., 2002
(See 1 Corinthians 1:26-29)
Philosophy —
Definition,
by Richard Robinson,
Fellow of Oriel College, Oxford,
Oxford U. Press, 1954, reprinted 1962.
Following the scientific advice of Niels Bohr and Freeman Dyson, I articulated on April 25, 2003, a mad theory of the mystical significance of the number 162.
Here is that theory applied to the three works named above, all three of which I received, synchronistically, today.
Page 162 of Hopkins, the Self, and God is part of the long list of references at the back of the book. Undiscouraged by the seeming insignificance (vide my note Dogma) of this page, I looked more closely. Behold, there was Christ… Carol T. Christ, that is, author of The Finer Optic: The Aesthetic of Particularity in Victorian Poetry, Yale University Press, 1975. “Particularity” seemed an apt description of my “162” approach to literature, so I consulted Christ’s remarks as described in the main body of Ong’s book.
Particularity according to Christ —
“Victorian particularist aesthetics has prospered to the present time, and not only in novels. The isolated, particularized, unique ‘good moment’ [Christ, 105], the flash of awareness at one particular instant in just the right setting, which Hopkins celebrates….”
— Ong, Hopkins, the Self, and God, p. 14
I highly recommend the rest of Ong’s remarks on particularity.
Turning to the other two of the literary trinity of books I received today….
Page 162 of The Hex Witch of Seldom has the following:
“There was a loaf of Stroehmann’s Sunbeam Bread in the grocery sack also; she and Witchie each had several slices. Bobbi folded and compressed hers into little squares and popped each slice into her mouth all at once.”
The religious significance of this passage seems, in Ong’s Jesuit context, quite clear.
Page 162 of Definition has the following:
“Real Definition as the Search for a Key. Mr. Santayana, in his book on The Sense of Beauty, made the following extremely large demands on real definition:
‘A definition <of beauty> that should really define must be nothing less than the exposition of the origin, place, and elements of beauty as an object of human experience. We must learn from it, as far as possible, why, when, and how beauty appears, what conditions an object must fulfil to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our sensibility. Nothing less will really define beauty or make us understand what aesthetic appreciation is. The definition of beauty in this sense will be the task of this whole book, a task that can be only very imperfectly accomplished within its limits.’ ”
Here is a rhetorical exercise for Jesuits that James Joyce might appreciate:
Discuss Bobbi’s “little squares” of bread as the Body of Christ. Formulate, using Santayana’s criteria, a definition of beauty that includes this sacrament.
Refer, if necessary, to
the log24.net entries
Mr. Holland’s Week and Elegance.
Refrain from using the phrase
“scandal of particularity”
unless you can use it as well as
Annie Dillard.
Jew’s on First
This entry is dedicated to those worshippers of Allah who have at one time or another cried
“Itbah al-Yahud!” … Kill the Jew!
(See June 29 entries).
Dead at 78 Comedian Buddy Hackett died on Tuesday, July First, 2003, according to the New York Times. According to Bloomberg.com, he died Sunday or Monday. |
Associated Press
Buddy Hackett, |
Whatever. We may imagine he has now walked, leading a parade of many other stand-up saints, into a bar. |
|
MIDRASH From my May 25 entry, Matrix of the Death God: R. M. Abraham’s Diversions and Pastimes, published by Constable and Company, London, in 1933, has the following magic square: The Matrix of Abraham A summary of the religious import of the above from Princeton University Press: “Moslems of the Middle Ages were fascinated by pandiagonal squares with 1 in the center…. The Moslems thought of the central 1 as being symbolic of the unity of Allah. Indeed, they were so awed by that symbol that they often left blank the central cell on which the 1 should be positioned.” — Clifford A. Pickover, The Zen of Magic Squares, Circles, and Stars, Princeton U. Press, 2002, pp. 71-72 Other appearances of this religious icon on the Web include:
|
In the Picasso’s Birthday version, 22 of the 25 magic square cells are correlated with pictures on the “Class of ’91” cover of Rolling Stone magazine. Number 7 is Rod† Stewart. In accordance with the theological rhyme “Seven is heaven, eight is a gate,” our site music for today is “Forever Young,” a tune made famous by Stewart.
† Roderick, actually — the name of the hero in “Madwoman of Chaillot”
Trance of the Red Queen
In memory of playwright George Axelrod, who died Saturday, June 21, 2003.
From the Chicago Sun-Times:
"In 1987, Mr. Axelrod was saluted at the New York Film Festival. He told the admiring crowd: 'I always wanted to get into the major leagues, and I knew my secret: luck and timing. I had a small and narrow but very, very sharp talent, and inside it, I'm as good as it gets.'
'The Manchurian Candidate,' in 1962, based on Richard Condon's novel about wartime brainwashing and subversive politics, may have been Mr. Axelrod's best achievement. He declared in 1995 that the script 'broke every rule. It's got dream sequences, flashbacks, narration out of nowhere . . . Everything in the world you're told not to do.'
He considered 'The Manchurian Candidate' a comedy…."
"Don't you draw the queen of diamonds,
boy, she'll beat you if she's able.
You know the queen of hearts
is always your best bet."
— The Eagles, "Desperado"
Another quotation that seems relevant:
"The hypnosis was performed by
the good and pious nuns…."
See entries of June 4 and June 15.
See also two items from Tuesday, June 17, 2003:
A 6/17 Arizona Daily Star article on Phoenix bishop Thomas O'Brien, and the 6/17 cartoon below.
Tony Auth, Philadelphia Inquirer,
June 17, 2003
For background, see Frank Keating in the New York Times, 6/17/03.
My entry of 5 PM EDT Saturday, June 14, 2003, which preceded the death involving Bishop O'Brien, may also be of interest.
ART WARS
The Rhetoric of Power:
A meditation for Mental Health Month
From “Secondary Structures,” by Tom Moody, Sculpture Magazine, June 2000:
“By the early ’90s, the perception of Minimalism as a ‘pure’ art untouched by history lay in tatters. The coup de grâce against the movement came not from an artwork, however, but from a text. Shortly after the removal of Richard Serra’s Tilted Arc from New York City’s Federal Plaza, Harvard art historian Anna Chave published ‘Minimalism and the Rhetoric of Power’ (Arts Magazine, January 1990), a rousing attack on the boys’ club that stops just short of a full-blown ad hominem rant. Analyzing artworks (Walter de Maria’s aluminum swastika, Morris’s ‘carceral images,’ Flavin’s phallic ‘hot rods’), critical vocabulary (Morris’s use of ‘intimacy’ as a negative, Judd’s incantatory use of the word ‘powerful’), even titles (Frank Stella’s National Socialist-tinged Arbeit Macht Frei and Reichstag), Chave highlights the disturbing undercurrents of hypermasculinity and social control beneath Minimalism’s bland exterior. Seeing it through the eyes of the ordinary viewer, she concludes that ‘what [most] disturbs [the public at large] about Minimalist art may be what disturbs them about their own lives and times, as the face it projects is society’s blankest, steeliest face; the impersonal face of technology, industry and commerce; the unyielding face of the father: a face that is usually far more attractively masked.’ ”
From Maureen Dowd’s New York Times column of June 9, 2002:
“The shape of the government is not as important as the policy of the government. If he makes the policy aggressive and pre-emptive, the president can conduct the war on terror from the National Gallery of Art.”
From the New York Times, The National Gallery of Art in Washington has just acquired Tony Smith’s first steel sculpture: “Die,” created in 1962 and fabricated in 1968. “It’s a seminal icon of postwar American art,” said Earl A. Powell III, director of the National Gallery. |
Die (Tony Smith) | |
Bishop Moore |
From a New York Times obituary, Bishop Dies Paul Moore Jr., the retired Episcopal bishop of New York who for more than a decade was the most formidable liberal Christian voice in the city, died yesterday at home in Greenwich Village. He was 83…. Bishop Moore argued for his agenda in the most Christian of terms, refusing to cede Biblical language to the Christian right. Although he retired as bishop in 1989, he continued to speak out, taking to the pulpit of his former church as recently as March 24, even as illness overtook him, to protest the war in Iraq. “It appears we have two types of religion here,” the bishop said, aiming his sharpest barbs at President Bush. “One is a solitary Texas politician who says, `I talk to Jesus, and I am right.’ The other involves millions of people of all faiths who disagree.” He added: “I think it is terrifying. I believe it will lead to a terrible crack in the whole culture as we have come to know it.”…. [In reference to another question] Bishop Moore later acknowledged that his rhetoric was strong, but added, “In this city you have to speak strongly to be heard.” Paul Moore’s early life does not immediately suggest an affinity for the kinds of social issues that he would later champion…. His grandfather was one of the founders of Bankers Trust. His father was a good friend of Senator Prescott Bush, whose son, George H. W. Bush, and grandson, George W. Bush, would become United States presidents. |
Related material (update of May 12, 2003):
Question:
Which of the two theories of truth in reading (2) above is exemplified by Moore’s March 24 remarks?
Orwell’s question, according to
an admirer of leftist Noam Chomsky:
“When so much of the BS is right out in the open,
why is it that we know so little about it?
Why don’t we see what’s right in front of our eyes?”
Oscar |
Lying, Truth-Telling, and the Social Order |
Michael Moore |
“First of all, I’d like to thank the Academy….”
— Quotation attributed to Plato
The New Yorker of March 31, 2003, discusses leftist academic Noam Chomsky. The online edition provides a web page listing pro-Chomsky links.
Chomsky’s influence is based in part on the popularity of his half-baked theories on linguistics, starting in the 1950’s with “deep structure” and “transformational,” or “generative,” grammar.
Chomsky has abandoned many of his previous ideas and currently touts what he calls The Minimalist Program.
For some background on Chomsky’s recent linguistic notions, see the expository essay “Syntactic Theory,” by Elly van Gelderen of the Arizona State University English Department. Van Gelderen lists her leftist political agenda on her “Other Interests” page. Her department may serve as an example of how leftists have converted many English departments in American universities to propaganda factories.
Some attacks on Chomsky’s scholarship:
Forty-four Reasons Why the Chomskians Are Mistaken
Chomsky’s (Mis)Understanding of Human Thinking
Anatomy of a Revolution… Chomsky in 1962
…Linguistic Theory: The Rationality of Noam Chomsky
Some attacks on Chomsky’s propaganda:
Destructive Generation excerpt
Partners in Hate: Noam Chomsky and the Holocaust Deniers
Chomsky and Plato’s Diamond
Like another purveyor of leftist nonsense, Jacques Derrida, Chomsky is fond of citing Plato as a precedent. In particular, what Chomsky calls “Plato’s problem” is discussed in Plato’s Meno. For a look at the diamond figure that plays a central role in that dialogue, see Diamond Theory. For an excellent overview of related material in Plato, see Theory of Forms.
ART WARS:
Geometry for Jews
Today is Michelangelo's birthday.
Those who prefer the Sistine Chapel to the Rothko Chapel may invite their Jewish friends to answer the following essay question:
Discuss the geometry underlying the above picture. How is this geometry related to the work of Jewish artist Sol LeWitt? How is it related to the work of Aryan artist Ernst Witt? How is it related to the Griess "Monster" sporadic simple group whose elements number
808 017 424 794 512 875 886 459 904 961 710 757 005 754 368 000 000 000?
Some background:
From Nobel Prize Women in Science, by Sharon Bertsch McGrayne, Second Edition (2001), Joseph Henry Press:
"Storm trooper Ernst Witt, resplendent in the Brownshirt uniform of Hitler's paramilitary, knocked on a Jew's apartment door in 1934. A short, rotund woman opened the door. Emmy Noether smiled, welcomed the young Nazi into her home, and started her underground math class. The Brownshirt was one of her favorite pupils."
On this date in 1962, Frank Sinatra recorded "I Gotta Right To Sing The Blues" for Capitol Records. This was his last recording for Capitol. He had already started recording for Reprise Records.
Related reading:
Shine On, Robinson Jeffers
"…be in nothing so moderate as in love of man,
a clever servant, insufferable master.
There is the trap that catches noblest spirits,
that caught — they say — God, when he walked on earth."
— Shine, Perishing Republic, by Robinson Jeffers
Robinson Jeffers died at Big Sur, California, on January 20, 1962 — a year to the day after Robert Frost spoke at the Kennedy inauguration.
"The poetry of Robinson Jeffers shines with a diamond's brilliance when he depicts Nature's beauty and magnificence. His verse also flashes with a diamond's hardness when he portrays human pain and folly."
— Gary Suttle
"Praise Him, He hath conferred aesthetic distance
Upon our appetites, and on the bloody
Mess of our birthright, our unseemly need,
Imposed significant form. Through Him the brutes
Enter the pure Euclidean kingdom of number…."
— Howard Nemerov,
Grace To Be Said at the Supermarket
"Across my foundering deck shone
A beacon, an eternal beam. | Flesh fade, and mortal trash
Fáll to the resíduary worm; | world's wildfire, leave but ash:
In a flash, at a trumpet crash,
I am all at once what Christ is |, since he was what I am, and
Thís Jack, jóke, poor pótsherd, | patch, matchwood,
immortal diamond,
Is immortal diamond."
— Gerard Manley Hopkins,
That Nature is a Heraclitean Fire and of the Comfort of the Resurrection
"In the last two weeks, I've been returning to Hopkins. Even in the 'world's wildfire,' he asserts that 'this Jack, joke, poor potsherd, patch, matchwood, immortal diamond,/Is immortal diamond.' A comfort."
— Michael Gerson, head White House speechwriter,
in Vanity Fair, May 2002, page 162
"There's none but truth can stead you. Christ is truth."
— Gerard Manley Hopkins
"The rock cannot be broken. It is the truth."
— Wallace Stevens
"My ghost you needn't look for; it is probably
Here, but a dark one, deep in the granite…."
— Robinson Jeffers, Tor House
On this date in 1993, the inauguration day of William Jefferson Clinton, Audrey Hepburn died.
"…today, the Rock cries out to us, clearly, forcefully…."
— Maya Angelou, January 20, 1993
"So, purposing each moment to retire,
She linger'd still. Meantime, across the moors,
Had come young Porphyro, with heart on fire"
— John Keats, The Eve of St. Agnes (January 20), IX
Top view of |
Top view of |
What you see with a Hearts On Fire diamond is an unequalled marriage of math and physics, resulting in the world's most perfectly cut diamond. |
"Eightpointed symmetrical signs are ancient symbols for the Venus goddess or the planet Venus as either the Morning star or the Evening star."
— Symbols.com
"Set me as a seal upon your heart, as a seal upon your arm; for love is strong as death, passion fierce as the grave. Its flashes are flashes of fire, a raging flame."
— Song of Solomon
"The last words from the people in the towers and on the planes, over and over again, were 'I love you.' Over and over again, the message was the same, 'I love you.' …. Perhaps this is the loudest chorus from The Rock: we are learning just how powerful love really is, even in the face of death."
— The Rev. Kenneth E. Kovacs
"Then I'll get on my knees and pray
We don't get fooled again."
— The Who
See also my note, "Bright Star," of October 23, 2002.
Opening of the Graves
Revelation 20:12
I saw the dead,
the great and the small,
standing before the throne,
and they opened books.
The Dead —
The Great:
On January 4, 1965,
T. S. Eliot
died.
The Small:
On January 4, 1991,
T. S. Matthews,
author of
Great Tom:
Notes Towards the Definition
of T. S. Eliot,
died.
From the website of the Redwood Library and Athenæum, Newport, Rhode Island:
The Library of a 20th-Century Redwood is the delighted recipient of part of the personal library of Thomas Stanley Matthews ([Jan. 16] 1901- [Jan. 4] 1991), a shareholder from 1947 until his death and a generous benefactor. Matthews, who summered in Middletown for over 50 years, began his journalism career with The New Republic, where he served as assistant editor between 1925 and 1927 and as an associate editor between 1927 and 1929. He was then hired as books editor at Time, where over the next 20 years he held the positions of assistant managing editor, executive editor, and managing editor. In 1949 he succeeded the magazine's founder, Henry Luce, as editor. Upon retiring in 1953, he moved to England. Matthews edited The Selected Letters of Charles Lamb (1956), for which he wrote the introduction. He published two volumes of memoirs, Name and Address: An Autobiography (1960) and Jacks or Better (1977; published in England as Under the Influence); two volumes of poetry; The Sugar Pill: An Essay on Newspapers (1957); O My America! Notes on a Trip (1962); Great Tom: Notes Towards the Definition of T. S. Eliot (1974); a volume of character sketches, Angels Unawares: Twentieth-Century Portraits (1985); and eight volumes of aphorisms, witticisms, and verse. Shortly before his death, Matthews expressed the desire that all his books be left to Redwood Library…. [including] books by Seamus Heaney, Louis MacNeice, Ezra Pound, Laura Riding, Edward Arlington Robinson, W. H. Auden, e. e. cummings, and Robert Graves. Of particular interest are the 16 volumes by Graves, most of them autographed by the author…. |
— Cole Porter, 1932
n. itinerant seller or giver of books,
especially religious literature.
Now you has jazz.
— Cole Porter, lyric for "High Society,"
set in Newport, Rhode Island, 1956
ART WARS:
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Today's site music* is in honor of a memorable date.
*© 1963 |
Veronica |
From a June/July 1997
Hadassah Magazine article:
"Plato is obviously Jewish."
— Rebecca Goldstein
Readings on the Dark Lady
From a July 27, 1997
New York Times article
by Holland Cotter:
"The single most important and sustained model for Khmer culture was India, from which Cambodia inherited two religions, Buddhism and Hinduism, and an immensely sophisticated art. This influence announces itself early in this exhibition in a spectacular seventh-century figure of the Hindu goddess Durga, whose hip-slung pose and voluptuous torso, as plush and taut as ripe fruit, combine the naturalism and idealism of the very finest Indian work."
From The Dancing Wu Li Masters,
by Gary Zukav, Harvard '64:
"The Wu Li Masters know that physicists are doing more than 'discovering the endless diversity of nature.' They are dancing with Kali [or Durga], the Divine Mother of Hindu mythology."
"Eastern religions have nothing to say about physics, but they have a great deal to say about human experience. In Hindu mythology, Kali, the Divine Mother, is the symbol for the infinite diversity of experience. Kali represents the entire physical plane. She is the drama, tragedy, humor, and sorrow of life. She is the brother, father, sister, mother, lover, and friend. She is the fiend, monster, beast, and brute. She is the sun and the ocean. She is the grass and the dew. She is our sense of accomplishment and our sense of doing worthwhile. Our thrill of discovery is a pendant on her bracelet. Our gratification is a spot of color on her cheek. Our sense of importance is the bell on her toe.
This full and seductive, terrible and wonderful earth mother always has something to offer. Hindus know the impossibility of seducing her or conquering her and the futility of loving her or hating her; so they do the only thing that they can do. They simply honor her."
How could I dance with another….?
— John Lennon and Paul McCartney, 1962-1963
Religious Symbolism
at Princeton
In memory of Steve McQueen (“The Great Escape” and “The Thomas Crown Affair”… see preceding entry) and of Rudolf Augstein (publisher of Der Spiegel), both of whom died on November 7 (in 1980 and 2002, respectively), in memory of the following residents of
The Princeton Cemetery
of the Nassau Presbyterian Church
Established 1757
SYLVIA BEACH (1887-1962), whose father was pastor of the First Presbyterian Church, founded Shakespeare & Company, a Paris bookshop which became a focus for struggling expatriate writers. In 1922 she published James Joyce’s Ulysses when others considered it obscene, and she defiantly closed her shop in 1941 in protest against the Nazi occupation. KURT GÖDEL (1906-1978), a world-class mathematician famous for a vast array of major contributions to logic, was a longtime professor at the Institute for Advanced Study, founded in 1930. He was a corecipient of the Einstein Award in 1951. JOHN (HENRY) O’HARA (1905-1970) was a voluminous and much-honored writer. His novels, Appointment in Samarra (1934) and Ten North Frederick (1955), and his collection of short stories, Pal Joey (1940), are among his best-known works. |
and of the long and powerful association of Princeton University with the Presbyterian Church, as well as the theological perspective of Carl Jung in Man and His Symbols, I offer the following “windmill,” taken from the Presbyterian Creedal Standards website, as a memorial:
The background music Les Moulins de Mon Coeur, selected yesterday morning in memory of Steve McQueen, continues to be appropriate.
“A is for Anna.”
— James Joyce
Back to You, Kylie
From the 440 International Archives:
1988 – And speaking of music trivia (thanks to http://www.rockdate.co.uk Rockdate Diary): “The Loco-Motion”, by Kylie Minogue hit #4 on the “Billboard Hot 100” this day, the song became the first to reach the top-5 in the U.S. for three different artists (Little Eva in 1962, Grand Funk in 1974).
Click here for a nicely done vibraphone-midi version of “Locomotion.” To honor Kylie’s unforgettable video of that classic, this site’s music is now one of my childhood favorites.
Kylie, 1988
Down by the station early in the morning,
See the little puffer bellies all in a row.
See the engine driver pull the little throttle:
Puff, puff, Toot! Toot! Off we go!
As Sinatra said,
“Whatever gets you through the night, baby.”
Eleven Years Ago Today…
On October 23, 1991, I placed in my (paper) journal various entries that would remind me of the past… of Cuernavaca, Mexico, and a girl I knew there in 1962. One of the entries dealt with a book by Arthur Koestler, The Challenge of Chance. A search for links related to that book led to the following site, which I find very interesting:
http://www.geocities.com/Athens/2740/.
This is a commonplace-book site, apparently a collection of readings for the end of the century and millennium. No site title or owner is indicated, but the readings are excellent. Accepting the challenge of chance, I reproduce one of the readings… The author was not writing about Cuernavaca, but may as well have been.
From Winter’s Tale, Harcourt Brace (1983):
Four Gates to the CityBy MARK HELPRIN Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues–wild and free–that stopped at the city walls. In time the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery. To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love. But they were not believed. It was said that a city with entryways like these could not exist, because it would be too wonderful. Those who decide such things decided that whoever had seen the map had only imagined it, and the entire matter was forgotten, treated as if it were a dream, and ignored. This, of course, freed it to live forever. |
Two Literary Classics
(and a visit from a saint)
On this date in 1962, Edward Albee's classic play, "Who's Afraid of Virginia Woolf?" opened on Broadway.
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As I was preparing this entry, based on the October 13 date of the Albee play's opening, after I looked for a picture of Marshall's book I thought I'd better check dates related to Marshall, too. This is what I was surprised to find: Marshall (b. Oct. 10, 1942) died in 1992 on today's date, October 13. This may be verified at
The James Edward Marshall memorial page,
A James Edward Marshall biography, and
Author Anniversaries for October 13.
The titles of the three acts of Albee's play suffice to indicate its dark spiritual undercurrents:
"Fun and Games" (Act One),
"Walpurgisnacht" (Act Two) and
"The Exorcism" (Act Three).
A theological writer pondered Albee in 1963:
"If, as Tillich has said of Picasso's Guernica, a 'Protestant' picture means not covering up anything but looking at 'the human situation in its depths of estrangement and despair,' then we could call Edward Albee's Who's Afraid of Virginia Woolf? a 'Protestant' play. On any other definition it might be difficult to justify its religious significance except as sheer nihilism."
— Hugh T. Kerr, Theological Table-Talk, July 1963
It is a great relief to have another George and Martha (who first appeared in 1972) to turn to on this dark anniversary, and a doubly great relief to know that Albee's darkness is balanced by the light of Saint James Edward Marshall, whose feast day is today.
For more on the carousel theme of the Marshall book's cover, click the link for "Spinning Wheel" in the entry below.
The Shining of Lucero
From my journal note, “Shining Forth“:
The Spanish for “Bright Star” is “Lucero.”
The Eye of the Beholder:
When you stand in the dark and look at a star a hundred light years away, not only have the retarded light waves from the star been travelling for a hundred years toward your eyes, but also advanced waves from your eyes have reached a hundred years into the past to encourage the star to shine in your direction.
— John Cramer, “The Quantum Handshake“
From Broken Symmetries, by Paul Preuss, 1983:
He’d toyed with “psi” himself…. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand — for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox….
Peter [Slater] had never thirsted after “hidden variables” to explain what could not be pictured. Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once. It was a thin nectar, but he was convinced it was the nectar of the gods.
……………… Those so-called crazy psychics were too sane, that was their problem — they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry. (Ch. 16)
From Secret Passages, by Paul Preuss, 1997:
Minakis caught up and walked beside him in silence, moving with easy strides over the bare ground, listening as Peter [Slater] spoke. “Delos One was ten years ago — quantum theory seemed as natural as water to me then; I could play in it without a care. If I’d had any sense of history, I would have recognized that I’d swallowed the Copenhagen interpretation whole.”
“Back then, you insisted that the quantum world is not a world at all,” Minakis prompted him. “No microworld, only mathematical descriptions.”
“Yes, I was adamant. Those who protested were naive — one has to be willing to tolerate ambiguity, even to be crazy.”
“Bohr’s words?”
“The party line. Of course Bohr did say, ‘It is wrong to think that the task of physics is to find out how nature is. Physics concerns what we can say about nature.’ Meaning that when we start to talk what sounds like philosophy, our colleagues should rip us to pieces.” Peter smiled. “They smell my blood already.”
……………… Peter glanced at Minakis. “Let’s say there are indications — I have personal indications — not convincing, perhaps, but suggestive, that the quantum world penetrates the classical world deeply.” He was silent for a moment, then waved his hand at the ruins. “The world of classical physics, I mean. I suppose I’ve come to realize that the world is more than a laboratory.” “We are standing where Apollo was born,” Minakis said. “Leto squatted just there, holding fast to a palm tree, and after nine days of labor gave birth to the god of light and music….”
To Lucero, in memory of
1962 in CuernavacaFrom On Beauty, by Elaine Scarry,
Princeton University Press, 1999 —“Homer sings of the beauty of particular things. Odysseus, washed up on shore, covered with brine, having nearly drowned, comes upon a human community and one person in particular, Nausicaa, whose beauty simply astonishes him. He has never anywhere seen a face so lovely; he has never anywhere seen any thing so lovely….
I have never laid eyes on anyone like you,
neither man nor woman…
I look at you and a sense of wonder takes me.Wait, once I saw the like —
in Delos, beside Apollo’s altar —
the young slip of a palm-tree
springing into the light.”
From Secret Passages, by Paul Preuss, 1997:
“When we try to look inside atoms,” Peter said, “not only can we not see what’s going on, we cannot even construct a coherent picture of what’s going on.”
“If you will forgive me, Peter,” Minakis said, turning to the others. “He means that we can construct several pictures — that light and matter are waves, for example, or that light and matter are particles — but that all these pictures are inadequate. What’s left to us is the bare mathematics of quantum theory.”
…. “Whatever the really real world is like, my friend, it is not what you might imagine.”
……………… Talking physics, Peter tended to bluntness. “Tell me more about this real world you imagine but can’t describe.”Minakis turned away from the view of the sunset. “Are you familiar with John Cramer’s transactional interpretation of quantum mechanics?”
“No I’m not.”
……………… “Read Cramer. I’ll give you his papers. Then we can talk.”
From John Cramer, “The Quantum Handshake“:
Advanced waves could perhaps, under the right circumstances, lead to “ansible-type” FTL communication favored by Le Guin and Card….
For more on Le Guin and Card, see my journal notes below.
For more on the meaning of “lucero,” see the Wallace Stevens poem “Martial Cadenza.”
In memory of Kim Hunter,
who died on 9/11, 2002:
A transcription of a journal note from 1996…
“Bush once joked that he picked Sununu because his surname rhymed with “deep doo-doo.” — Dan Goodgame, Time magazine, May 21, 1990 |
For a time, Sununu wrote stories and poems for children. Concord lawyer Ned Helms recalls that when his wife fell ill, Sununu gave her a book of poems that he said he enjoyed, by Sylvia Plath. | ||||
Do do that voodoo that you do so well.One summer when I played in a small stock company, after the last curtain had come down we would clear the stage and then put on records of Viennese waltzes. We’d dance wildly, joyfully… |
We’re arranging to have the children baptized on Sunday afternoon, March 25, by the way. Although I honestly dislike, or rather, scorn the rector. I told you about his ghastly H-bomb sermon, didn’t I, where he said this was the happy prospect of the Second Coming and how lucky we Christians were compared to the stupid pacifists and humanists and “educated pagans” who feared being incinerated, etc., etc. I have not been to church since. I felt it was a sin to support such insanity even by my presence. — Sylvia Plath, March 12, 1962. Amen. |
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[The bathroom door opens and Stella comes out. Blanche continues talking to Mitch.] Oh! Have you finished? Wait — I’ll turn on the radio. [She turns the knobs on the radio and it begins to play “Wien, Wien, nur du allein.” Blanche waltzes to the music with romantic gestures. Mitch is delighted and moves in awkward imitation like a dancing bear. Stanley stalks fiercely through the portieres into the bedroom. He crosses to the small white radio and snatches it off the table. With a shouted oath, he tosses the instrument out the window.] |
Colby’s nickname among some of his subordinates at CIA is said to be “The Bookkeeper.” |
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Alabama plans
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I will try to finish my novel and a second book of poems by Christmas. I think I’ll be a pretty good novelist, very funny — my stuff makes me laugh and laugh, and if I can laugh now it must be hellishly funny stuff. — Sylvia Plath, October 12, 1962 |
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Memories, Dreams, Reflections
Saul Steinberg in The New York Review of Books issue dated August 15, 2002, page 32:
“The idea of reflections came to me in reading an observation by Pascal, cited in a book by W. H. Auden, who wrote an unusual kind of autobiography by collecting all the quotations he had annotated in the course of his life, which is a good way of displaying oneself, as a reflection of these quotations. Among them this observation by Pascal, which could have been made only by a mathematician….”
Pascal’s observation is that humans, animals, and plants have bilateral symmetry, but in nature at large there is only symmetry about a horizontal axis… reflections in water, nature’s mirror.
This seems related to the puzzling question of why a mirror reverses left and right, but not up and down.
The Steinberg quote is from the book Reflections and Shadows, reviewed here.
Bibliographic data on Auden’s commonplace book:
AUTHOR Auden, W. H. (Wystan Hugh), 1907-1973. TITLE A Certain World; a Commonplace Book
[selected by] W. H. Auden.
PUBLISHER New York, Viking Press [1970]
SUBJECT Commonplace-books.
A couple of websites on commonplace books:
A classic:
The Practical Cogitator – The Thinker’s Anthology,
by Charles P. Curtis, Jr., and Ferris Greenslet,
Houghton Mifflin Company Boston, Massachusetts
c 1962 Third Edition – Revised and Enlarged
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