Singer 7-Cycles Click on images for details. The 1985 Cullinane version gives some algebraic background for the 1987 Curtis version. The Singer referred to above is James Singer. See his "A Theorem in Finite Projective Geometry and Some Applications to Number Theory," Transactions of the American Mathematical Society 43 (1938), 377-385. For other singers, see Art Wars and today's obituaries. Some background: the Log24 entry of this date seven years ago, and the entries preceding it on Las Vegas and painted ponies. Posted 10/14/2009 at 9:29 AM |
x Posted 10/13/2009 at 4:04 PM |
Wakes This morning's New York Times reports the deaths of Nuremberg interrogator Richard W. Sonnenfeldt and of avant-garde novelist and Beckett scholar Raymond Federman. Symbols from this journal on the dates of their deaths: For connotations of the symbol appropriate to the name Sonnenfeldt, see the link to A Sunrise for Sunrise in the entry of Saturday, Oct. 10. A quotation that appeared here on Wednesday, Oct. 7, seems relevant to Federman: But I am a worker, a tombstone mason, anxious to pleace averyburies and jully glad when Christmas comes his once ayear. You are a poorjoist, unctuous to polise nopebobbies.... -- James Joyce, Finnegans Wake Posted 10/13/2009 at 7:00 AM |
Posted 10/12/2009 at 7:00 AM |
Concepts of Space Today I revised the illustrations in Finite Geometry of the Square and Cube for consistency in labeling the eightfold cube. Related material: Inside the White Cube: The Ideology of the Gallery Space Dagger Definitions Posted 10/11/2009 at 7:00 PM |
A Sunrise for Sunrise Related material: This morning's obituaries (click to enlarge) and Zen and Language Games Posted 10/10/2009 at 7:00 AM |
Identity: "...strict grids of nine pictures establish an egalitarian framework...." -- Christopher Knight Some are more egalitarian than others. Posted 10/9/2009 at 9:00 AM |
Knight Moves Deborah Solomon, New York Times Magazine, Sunday, June 27, 1999: "While modern art began as an assault on the academy, post-modern art might be described as a return to the academy. Instead of the old academy of rules, now we have the Academy of Cool, schools that treat avant-garde rebellion as a learned occupation." Christopher Knight, LA Times art critic, on Solomon: "Back in the day, Solomon interviewed Knight for a Times Magazine story on Los Angeles art schools. 'Having been a journalist (at that time) for almost two decades, I also did my homework,' Knight writes [in a letter to the New York Press]. 'I prepared a couple of quotable quotes on the subject, which might encapsulate larger ideas.' One of Knight's pearls of wisdom, 'Modern art began as an assault on the academy, but post-modern art might be described as a return to the academy,' excited Solomon so much that, according to Knight, she printed it as her own observation in her final piece, which bore no mention of the Knight interview. In the final story, a seriously bitter Knight writes, 'It was not a quote; my words had become her words.'" --Gawker, Oct. 11, 2007 A reference to Solomon's piece appeared in this journal in 2003. See also yesterday's entry, today's 9 AM entry, and (for the Academy) an example of knight's move thinking. Posted 10/8/2009 at 10:30 AM |
In memory of Irving Penn: Graphic Austerity Christopher Knight on a current exhibit of Penn's work: "In American Vogue, strict grids of nine pictures establish an egalitarian framework; the design anticipates Minimalist art by a decade." Posted 10/8/2009 at 9:00 AM |
Finucane's Wake Terence McKenna, "Surfing on Finnegans Wake"-- "Shall I try and find a passage?.... But I am a worker, a tombstone mason, anxious to pleace averyburies and jully glad when Christmas comes his once a year. You are a poorjoist, unctuous to polise nopebobbies...." Posted 10/7/2009 at 7:59 AM |
Posted 10/6/2009 at 11:07 AM |
Continued from Saturday-- -- Sondheim in translation Posted 10/5/2009 at 4:00 AM |
Related material: Frame Tales, as well as The Sacred Day of Kali, this morning's New York Times obituaries, and Mental Health Month, 2003: Posted 10/3/2009 at 3:31 AM |
Some context: Posted 10/2/2009 at 6:00 AM |