The Fred Rogers Memorial Koan What song does the blackbird sing in the dead of night? For the answer, see this touching tribute to Mister Rogers. See also my Feb. 26, 2003, entry, "Blackbirds, Bye-Bye," and the Feb. 25, 2003, entries, "For Mark Rothko," and "Song of Not-Self." Posted 2/28/2003 at 6:09 PM |
Blackbirds, Bye-Bye On this date in 1986, Robert Penn Warren was appointed the first Poet Laureate of the United States of America. Two readings:
See also my five log entries of October 26, 2002, and the preceding day. Posted 2/26/2003 at 7:20 PM |
Songwriter Tom Glazer, 88, died Friday, February 21, 2003. From his New York Times obituary: "Tom Glazer occasionally speculated about meeting St. Peter at the Pearly Gates and being asked what he accomplished in music." Glazer: From the official Department of Defense
Also from the New York Times: "In 1957 he composed songs and background music for 'A Face in the Crowd,' a film directed by Elia Kazan."
"His brother, who spelled his name Sidney Glazier, died in December. He produced the 1968 movie version of 'The Producers.'" St. Peter: Welcome to The Music Staff. Posted 2/26/2003 at 4:40 AM |
The Eight Revisited "...search for thirty-three and three..." -- The Black Queen in The Eight, by Katherine Neville, Ballantine Books, January 1989, page 140 Samuel Beckett on Dante and Joyce: "Another point of comparison is the preoccupation with the significance of numbers.... Thus the poem is divided into three Cantiche, each composed of 33 Canti...." -- "Dante... Bruno. Vico.. Joyce," in James Joyce/Finnegans Wake: A Symposium (1929), New Directions paperback, 1972 "-- Nel mezzo del bloody cammin di nostra vita mi ritrovai in..."
Chorus of the Damned: © 1997 by C.K. Latham Added March 3, 2003, 6:00 AM: For a less confused song, click this Glasgow site. Posted 2/26/2003 at 12:00 AM |
For Mark Rothko Plagued in life by depression -- what Styron, quoting Milton, called "darkness visible" -- Rothko took his own life on this date in 1970. As a sequel to the previous note, "Song of Not-Self," here are the more cheerful thoughts of the song "Time's a Round," the first of Shiva Dancing: The Rothko Chapel Songs, by C. K. Latham. See also my comment on the previous entry (7:59 PM). Time’s a round, time’s a round, — C. K. Latham Posted 2/25/2003 at 10:23 PM |
Song of Not-Self A critic on the abstract expressionists:
Painter Mark Rothko:
On this day in 1957, Buddy Holly and his group recorded the hit version of "That'll Be the Day." On this day in 1970, painter Mark Rothko committed suicide in his New York City studio. On February 27, 1971, the Rothko Chapel was formally dedicated in Houston, Texas. On May 26, 1971, Don McLean recorded "American Pie." Rothko was apparently an alcoholic; whether he spent his last day enacting McLean's lyrics I do not know. Rothko is said to have written that "The progression of a painter's work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood." -- Mark Rothko, The Tiger's Eye, 1, no. 9 (October 1949), p. 114 Whether Holly's concept "the day that I die" is a mere parody of an idea or "an idea in itself," the reader may judge. The reader may also judge the wisdom of building a chapel to illustrate the clarity of thought processes such as Rothko's in 1949. I personally feel that someone who can call geometry a "swamp" may not be the best guide to religious meditation. For another view, see this essay by Erik Anderson Reece. Posted 2/25/2003 at 1:44 AM |
Dustin in Wonderland A review of last night's Grammy awards: "...the overall mood was a bit subdued (was deadpan host Dustin Hoffman reprising his "Rain Man" role?)...." Actually, no, it was Sam Peckinpah's "Straw Dogs." But mistaking a mathematician for an autistic person is a natural error.
Posted 2/24/2003 at 5:00 PM |
Moulins Rouges Today is the birthday of composer Michel Legrand ("The Windmills of Your Mind") and of philologist Wilhelm Grimm (Grimms' Fairy Tales).
See the following past entries: October 6, 2002: "Twenty-first Century Fox" November 7, 2002: "Endgame" November 8, 2002: "Religious Symbolism at Princeton" January 5, 2003: "Whirligig" January 5, 2003: "Culinary Theology" January 6, 2003: "Dead Poet in the City of Angels" January 31, 2003: "Irish Fourplay" February 1, 2003; "Time and Eternity" February 5, 2003: "Release Date" Posted 2/24/2003 at 4:17 AM |
Grammy Night Today's musical birthday: bassist Steven Priest of Sweet. Today's back-to-the-future trip: See the article "Sweet Tunes...." on Chuck Berry at the top of today's New York Times website. "Her wallet's filled with pictures, — "Sweet Little Sixteen," by Chuck Berry Click on the above for the context. "Are you ready, Steve? Aha.... And the girl in the corner is ev'ryone's mourner. — "Ballroom Blitz," by Sweet Posted 2/23/2003 at 5:24 PM |
See also Posted 2/22/2003 at 3:15 AM |
Shabbos Kodesh Sabbath readings, music, video, etc.:
"Friday night and the lights are low..." — ABBA Posted 2/21/2003 at 7:08 PM |
ART WARS:
Sam Peckinpah (Feb. 21, 1925) This list suggests that in an ideal future life Sam Peckinpah would direct, and The New Yorker review, a prequel to "All About Eve." Casting would be as follows: Mary Chapin Carpenter as Margo Channing Since today is also the anniversary, according to Tom's Book of Days, of Schultes's identification of teonanacatl in 1939, the following classic painting, " Caterpillar's Mushroom," by Brian Froud, might be adapted for a poster for our heavenly production*, to be titled, in accordance with celestial fairness doctrines, * A footnote in memory of publicist/producer Jack Brodsky ("Romancing the Stone," etc.), who died on Tuesday, Feb. 18, 2003 — See the website Eight is a Gate for the mystical significance of the number "78" in Judaism. The New Yorker and Sam Peckinpah were born 78 years ago today. Posted 2/21/2003 at 12:00 AM |
Winteler's Tale According to Dennis Overbye: Einstein's parents "sent him off to a prep school [in Aarau, Switzerland, near Zurich] for a year, for a season [1895-1896]. He lived with a family, the Wintelers, a big, boisterous intellectual family, who were always arguing and bird watching and hiking, and seems to have had a wonderful time. And he got involved with one of the Winteler daughters, Marie.... Albert kept talking about her his whole life, about how he would be consumed in flames if he even saw her again." In honor of Marie Winteler, and of the following note, which is seventeen years old today, our site music is now "When You Were Sweet Sixteen," music and lyrics by James Thornton, 1898. Click on the above for a larger image. Posted 2/20/2003 at 5:37 AM |
Fat Man and Dancing Girl
Physicist J. Robert Oppenheimer, portrayed in the film "Fat Man and Little Boy," died on this date in 1967. He is sometimes called the "father of the A-bomb." He said that at the time of the first nuclear test he thought of a line from the Sanskrit holy book, the Bhagavad Gita: "I am become death, the destroyer of worlds." The following gives more details. The Bomb of the Blue GodM. V. RamanaCenter for Energy and Environmental Studies, Princeton UniversityPublished in SAMAR: South Asian Magazine for Action and Reflection, Issue 13Oppenheimer had learned Sanskrit at Berkeley so as to read the Gita in the original; he always kept a worn pink copy on the bookshelf closest to his desk. It is therefore likely that he may have actually thought of the original, Sanskrit, verse rather than the English translation. The closest that fits this meaning is in the 32nd verse from the 11th chapter of the Gita.
This literally means: I am kAla, the great destroyer of Worlds. What is intriguing about this verse, then, is the interpretation of kAla by Jungk and others to mean death. While death is technically one of the meanings of kAla, a more common one is time. Indeed, the translations of the Gita by S. Radhakrishnan, A. C. Bhaktivedanta, Nataraja Guru and Eliot Deutsch say precisely that. One exception to this, however, is the 1929 translation by Arthur Ryder. And, indeed, in a 1933 letter to his brother, Robert Oppenheimer does mention that he has "been reading the Bhagavad Gita with Ryder and two other Sanskritists." The misinterpretation, therefore, may not have been the fault of Oppenheimer or Jungk. Nevertheless, the verse does not have anything to do with an apocalyptic or catastrophic destruction, as most people have interpreted it in connection with nuclear weapons. When kAla is understood as time, the meaning is drastically changed to being a reminder of our mortality and finite lifetimes as also the lifetimes of everything else in this world (including plutonium and uranium, despite their long, long, half-lives!). It then becomes more akin to western notions of the "slow march of time" and thus having little to do with the immense destruction caused by a nuclear explosion. While the very first images that arose in the father of the atomic bomb are a somewhat wrong application of Hindu mythology, his recollection of the Bhagavad Gita may have been quite pertinent. As is well known, the Bhagavad Gita was supposedly intended to persuade Arjuna to participate in the Kurukshetra battle that resulted in the killing of thousands. Thus, Oppenheimer may well have been trying to rationalize his involvement in the development of a terrible weapon. Source: Google cache of See also The fact that Oppenheimer thought of Chapter 11, verse 32, of the Gita may, as a mnemonic device, be associated with the use of the number 1132 in Finnegans Wake. See 1132 A. D. & Saint Brighid, and my weblog entries of January 5 (Twelfth Night and the whirligig of time), January 31 (St. Brigid's Eve), and February 1 (St. Brigid's Day), 2003. Posted 2/18/2003 at 12:00 PM |
Midnight Flame Fever isn't such a new thing; And most of the show is concealed from view. — Suzanne Vega, "Fat Man and Dancing Girl," 99.9° F. album See the entries of Jan. 5, 2003 and of Feb. 1, 2003. Posted 2/18/2003 at 12:00 AM |
Saint Faggot's Day "During the European Inquisitions, faggot referred to the sticks used to set fires for burning heretics, or people who opposed the teachings of the Catholic Church. Heretics were required to gather bundles of sticks ('faggots') and carry them to the fire that was being built for them. Heretics who changed their beliefs to avoid being killed were forced to wear a faggot design embroidered on their sleeve, to show everyone that they had opposed the Church." — Handout
Head White House speechwriter Michael Gerson: "In the last two weeks, I've been returning to Hopkins. Even in the 'world's wildfire,' he asserts that 'this Jack, joke, poor potsherd, patch, matchwood, immortal diamond,/Is immortal diamond.' A comfort." "At midnight on the Emperor's pavement flit — William Butler Yeats, "Byzantium" On this date in 1600, Saint Giordano Bruno was burned at the stake for heresy by the Roman Catholic Church. He was resurrected by Saint Frances Yates, who went to her reward on the feast day of Saint Michael and All Angels, 1981. Posted 2/17/2003 at 3:36 PM |
Center of Time
"The old man of 'Sailing to Byzantium' imagined the city's power as being able to 'gather' him into 'the artifice of eternity'— presumably into 'monuments of unageing intellect,' immortal and changeless structures representative of or embodying all knowledge, linked like a perfect machine at the center of time." — Karl Parker, Yeats' Two Byzantiums "I wrote Fermata listening to Suzanne Vega, particularly her album '99.9° F.' It affected my mood in just the right way. I found a kind of maniacal intensity in her music that helped me as I typed. So if Fermata is attacked, maybe I can say i'm not responsible because I was under the spell of Suzanne Vega." — Nicholson Baker, interview For some real monuments of unageing intellect, see "Geometrie" in the weblog of Andrea for February 10, 2003. Posted 2/17/2003 at 4:23 AM |
Ideal of Hell: On February 17, 1865, United States troops entered Columbia, SC. "By midnight the whole town (except the outskirts) was wrapped in one huge blaze.... My God! what a scene! .... Such a scene as this with the drunken fiendish soldiers in their dark uniforms, infuriated, cursing, screaming, exulting in their work, came nearer the material ideal of hell than anything I ever expect to see again." — Diary of Emma LeConte, 17, of Columbia Happy Presidents' Day. Posted 2/17/2003 at 2:00 AM |
The Recruit, Part Deux Walter L. Pforzheimer, one of the founding fathers of the Central Intelligence Agency, and its "institutional memory," died on Monday, February 10, 2003. From my notes of February 10, 2003: "... gather me/ Into the artifice of eternity." — W. B. Yeats, "Sailing to Byzantium" This poem has a sequel, titled simply "Byzantium" — At midnight on the Emperor's pavement flit Dying into a dance, The Emperor's Pavement See also yesterday's note "The Recruit," Posted 2/16/2003 at 3:17 PM |
The Recruit From an obituary of Walt W. Rostow, advisor to presidents and Vietnam hardliner: "During World War II, he served in the Office of Strategic Services, the predecessor agency to the Central Intelligence Agency." Rostow died on Thursday, February 13, 2003, the anniversary of the 1945 firebombing of Dresden. Like von Neumann, Rostow exemplified the use of intellectuals by the state. From a memoir by Rostow: "...in mid-1941.... American military intelligence... was grossly inadequate.... ...military leaders... learned that they needed intellectuals.... Thus the link was forged that yielded the CIA, RAND, the AEC, and all the other institutionalized links between intellectual life and national security that persist down to the present." — Walt W. Rostow, "Recollections of the Bombing," "Look at that caveman go!" — Remark in my entry of February 13, 2003 "So it goes." — Remark of Kurt Vonnegut in Slaughterhouse-Five See also Tralfamadorian Structure which includes the following passage: "...the nonlinear characterization of Billy Pilgrim emphasizes that he is not simply an established identity who undergoes a series of changes but all the different things he is at different times."
For a more recent nonlinear characterization, see the poem "Fermata" by Andrew Zawacki
in The New Yorker magazine, issue dated Feb. 17 and 24, 2003, pp.
160-161. Zawacki is thirty years younger than I, but we share the
same small home town. Posted 2/15/2003 at 10:48 PM |
Movie Date For John and Klara von Neumann,
"We gotta hurry or it's gonna be dark A song by Judy Collins: I won't be long Plato's Cave Valentine's Day Schedule at UA Market Fair Movies, Before-dark* showtime: The Pianist, 5:30 PM After-dark† showtime: The Recruit, 7:15 PM Posted 2/14/2003 at 12:48 PM |
Toy Soldiers From a website biography of John von Neumann: It is noteworthy that he was uninhibited by ethical considerations in weaponry. I was surprised, therefore, when he died a Roman Catholic. To be sure, his first wife had been Catholic. I presume that he was a nominal one in those early days of his marriage. In his last illness, he asked for a clergyman, but he surprised them by insisting upon a Roman Catholic priest. A Benedictine was succeeded by a Jesuit for instruction. The attending Air Force chaplain told me that Johnny could quote the Penitential Psalms in Latin. — "Von Neumann, Jewish Catholic," by Raymond J. Seeger, in Perspectives on Science and Christian Faith 40 (December 1988): 234-236. The sixth of the Seven Penitential Psalms is Psalm 129, "De Profundis." From the film "The Sixth Sense": CUT TO: Malcolm finds Cole playing in his pew with a set of green and beige plastic soldiers. Cole makes the soldiers talk to each other. .... MALCOLM What was that you were saying before with your soldiers? COLE ...De profundis clamo ad te domine. Malcolm stares surprised. COLE It's called Latin. It's a language. Malcolm nods at the information. MALCOLM All your soldiers speak Latin? COLE No, just one. Posted 2/14/2003 at 4:44 AM |
Matrix Theory "At the heart of The Matrix, buried under layers of cinema craft, is a meditation on the difference between essence and appearance. It's a trip into Plato's cave." — McKenzie Wark, author of A Hacker Manifesto Posted 2/14/2003 at 12:25 AM |
From Plato's Cave In this entry we return to the classic words of the Hollywood Argyles as they sing a paean of praise to St. John von Neumann:
This meditation is prompted by a description of caveman life by the functional analysis working group at the University of Tübingen:
Picture of von Neumann courtesy of Posted 2/13/2003 at 11:30 PM |
Diamond Life A reader of yesterday's entry "St. John von Neumann's Song" suggested the relevance of little Dougie Hofstadter's book Gödel, Escher, Bach: An Eternal Golden Braid. While the title of this work does continue the "golden" theme of my last three entries, Dougie is not playing in von Neumann's league. The nature of this league is suggested by yesterday's citation of For work that is more in von Neumann's league than in Hofstadter's, see the following VECTOR-VALUED EXTENSIONS Abstract: CRITERIA FOR R-BOUNDEDNESS Abstract: Those who would like to make a connection to music in the charmingly childlike manner of Hofstadter are invited to sing a few choruses of "How do you solve a problem like Maria?" Personally, I prefer the following lyrics: Diamond life, lover boy;
Words and Music: Sade Adu and Ray St. John Some may wish to alter the last five syllables of these lyrics in accordance with yesterday's entry on another St. John. Posted 2/12/2003 at 3:00 AM |
St. John von Neumann's Song The mathematician John von Neumann, a heavy drinker and party animal, advocated a nuclear first strike on Moscow.* Confined to a wheelchair before his death, he was, some say, the inspiration for Kubrick's Dr. Strangelove. He was a Jew converted to Catholicism. His saint's day was February 8. Here is an excerpt from a book titled Abstract Harmonic Analysis**, just one of the fields illuminated by von Neumann's brilliance: "...von Neumann showed that an intrinsic definition can be given for the mean M(f) of an almost periodic function.... Von Neumann proved the existence and properties of M(f) by completely elementary methods...." Should W. B. Yeats wander into the Catholic Anticommunists' section of Paradise, he might encounter, as in "Sailing to Byzantium," an unexpected set of "singing-masters" there: the Platonic archetypes of the Hollywood Argyles. The Argyles' attire is in keeping with Yeats's desire for gold in his "artifice of eternity"... In this case, gold lamé, but hey, it's Hollywood. The Argyles' lyrics will no doubt be somewhat more explicit in heaven. For instance, in "Alley Oop," the line "He's a mean motor scooter and a bad go-getter" will in its purer heavenly version be rendered "He's a mean M(f)er and..." in keeping with von Neumann's artifice of eternity described above. This theological meditation was suggested by previous entries on Yeats, music and Catholicism (see Feb. 8, von Neumann's saint's day) and by the following recent weblog entries of a Harvard senior majoring in mathematics: "I changed my profile picture to Oedipus last night because I felt cursed by fate...." "It's not rational for me to believe that I am cursed, that the gods are set against me. Because I don't even believe in any gods!" The spiritual benefits of a Harvard education are summarized by this student's new profile picture: M(f) *Source: Von Neumann and the Development of Game Theory **by Harvard professor Lynn H. Loomis, Van Nostrand, 1953, p. 169. Posted 2/11/2003 at 5:10 PM |
Singing-Masters Come from the holy fire, perne in a gyre,
One wonders whether Yeats will spend at least some small part of eternity in the pleasant company of Jimmy Durante and Shari Lewis, whom I would want to have among my singing-masters. One also hopes that tonight they are celebrating Durante's birthday in that very pleasant part of heaven called Shariland. Hence tonight's site music, "The Song That Never Ends." This could, of course, easily become more hellish than heavenly if Durante were not himself present to yell, at an appropriate time, "Stop the music!" Posted 2/10/2003 at 11:11 PM |
Rainbow's End For Ernst Kitzinger, professor of Byzantine art at Harvard, who died at 90 on January 22, 2003. In "Sailing to Byzantium," the poet W. B. Yeats wrote of Ireland, That is no country for old men.... Don't ever tell me the gods have no sense of humor. After writing the phrase "rainbow's-end gold" in yesterday's entry, "Messe," I came across an obituary of Professor Kitzinger, which naturally prompted me to look for a good web page on "Sailing to Byzantium." The poem concludes with images of "gold mosaic," "Grecian goldsmiths," "hammered gold," "gold enamelling," and "a golden bough." I had forgotten that Yeats's poem begins to sound rather like the curse of King Midas. And then the touch of divinity: the perfect deflation of Yeatsian and Byzantine pretentiousness, on the following web page: http://www.geocities.com/Athens/Atlantis/3260/sailing.html, at "The Lonesome Surf-In Poetry Cafe." With lovely faux-gold borders, this page has as background music a gloriously cheesy rendition of "Moon River." (Rainbow's end... Waitin' 'round the bend....) So much for the Tiffany's approach to poetry. I still admire Yeats' respect For a rather different "artifice of eternity," Posted 2/10/2003 at 2:03 AM |
Messe Yesterday's entry, "Requiem for a Queen," suggested a certain resemblance between the Jedburgh death mask of Mary Queen of Scots and the face of actress Vivien Leigh. The following links are related to this resemblance.
Yesterday's site music, "The Water is Wide," was suggested by T. S. Eliot's language in Four Quartets. Whether Eliot's use of the motto of the Catholic queen Mary Stuart, "In my end is my beginning," was meant as a tribute to that monarch is debatable. As one web forum entry points out, the motto "Ma fin est ma [sic] commencement" is the title of a rondeau by Guillaume de Machaut written some two centuries earlier, and Eliot may have taken his motto from Machaut rather than Mary. Some evidence for this is provided by the lyrics for Machaut's rondeau, which include Eliot's phrase "in my beginning is my end" as well as the reversed version. At any rate, Machaut and Eliot share an interest in four-part compositions — as do I and as did, apparently, the compilers of the Gospels. A search on the phrase Machaut Eliot "four part" yields an essay that to me seems like rainbow's-end gold: ON TIME, ORIGINALITY, AND THE ART OF In honor of Ford, Eliot, Machaut, Leigh, and Stuart, today's site music is the "Kyrie" from Machaut's "Messe de Notre Dame." Posted 2/9/2003 at 7:26 PM |
Requiem for a Queen On February 8, 1587, Mary Queen of Scots was executed. Jedburgh Death Mask "En ma Fin gît mon Commencement..." "This is the saying which Mary embroidered on her cloth of estate whilst in prison in England and is the theme running through her life. It symbolises the eternity of life after death...." Love is most nearly itself — T. S. Eliot, conclusion of "East Coker" in Four Quartets In keeping with Eliot's words, tonight's site music is Posted 2/8/2003 at 2:00 AM |
Saint's Day Today is the birthday of Thomas More, an alleged Catholic saint, and the date of death of Dale Evans, Protestant saint. As yesterday's note implies, we should not look to saints, or indeed to religion generally, for truth. Those who mistake the stories of the Church or the Bible for truth have done, and continue to do, a great deal of harm in this world. But those who seek, not truth, but values, in stories may sometimes be among the blessed — as Dale Evans certainly was, and as Thomas More, after centuries of atoning for his sins in Purgatory, may, by this time, be. Let us pray that young Catholics (like the girl pictured at St. Thomas More Catholic School in Chapel Hill, N. C.) learn the proper uses of stories, as well as of more respectable intellectual disciplines. Posted 2/7/2003 at 5:00 AM |
Happy Waitangi Day Today is Waitangi Day in New Zealand; 2:00 AM EST Feb. 6 in the USA is 8:00 PM Feb. 6 in New Zealand. Today is also the birthday of Gigi Perreau, star of "Journey to the Center of Time," which at least one reviewer thought was the worst movie ever made. These properties of Feb. 6 make it a suitable holiday to be observed at the newly opened Cullinane College in New Zealand. For starters, students can review the five log24.net entries that end with a brief tribute to Gigi on January 22, 2003. Also a tribute to Gigi, tonight's site music is "Song of Time," from "The Legend of Zelda." These cultural activities seem appropriate for those who, in the Roman Catholic tradition, prefer stories to truth. Posted 2/6/2003 at 2:00 AM |
Release Date From Dr. Mac's Cultural Calendar —
"It all adds up." — Saul Bellow, book title "I see my light come shining
See also my journal entry "Time and Eternity"
of 5:10 AM EST Saturday, February 1, 2003.
From Robert Morris's page on Hopkins (see note of Sunday, February 2 (Candlemas)):
This is false, but suggestive. Checked, corrected, and annotated Posted 2/5/2003 at 5:25 PM |
Feast of Saint Marianne On this date in 1972, poet and Presbyterian saint Marianne Moore died in New York City. For why she was a saint, see the excellent article by Samuel Terrien, "Marianne Moore: Poet of Secular Holiness," from Theology Today, Vol. 47, No. 4, January 1991, published by Princeton Theological Seminary, Princeton, N. J. Terrien quotes the following Moore poem:
Tonight's site music, though not played by Gieseking himself, is, in honor of Moore, the following work by Scarlatti from the Classical Music Archives:
To purchase a recording of Gieseking playing this work, Posted 2/5/2003 at 12:00 AM |
Mark Hopkins Award From Dr. Mac's Cultural Calendar:
I have never encountered a mentor figure capable of holding down his end of a log in the manner of Mark Hopkins. The closest I have come to such an encounter is with a book, The Practical Cogitator, by Charles P. Curtis and Ferris Greenslet. This year's Mark Hopkins award for the closest approach to the log-sitting ideal goes to David Lavery, whose online commonplace book appears in the column at left. Lavery, too, appreciates the work of Curtis and Greenslet, as his site indicates. See also a quote from Lavery in today's New York Times. Posted 2/4/2003 at 1:15 PM |
Good News and Bad News
Posted 2/3/2003 at 1:33 PM |
Steering a Space-Plane Head White House speechwriter Michael Gerson: "In the last two weeks, I've been returning to Hopkins. Even in the 'world's wildfire,' he asserts that 'this Jack, joke, poor potsherd, patch, matchwood, immortal diamond,/Is immortal diamond.' A comfort." Yesterday's note, "Time and Eternity," supplies the "immortal diamond" part of this meditation. For the "matchwood" part, see the cover of The New York Times Book Review of February 2 (Candlemas), 2003:
For the relationship of Hopkins to Eastern religions, Posted 2/2/2003 at 7:00 PM |
Time and Eternity
Yesterday's meditation on St. Bridget suggests the above graphic summary of two rather important philosophical concepts. Representing Kali, or Time, is Judy Davis in "The New Age." Representing Shiva, or Eternity, is sword-saint Michioka Yoshinori-sensei. The relationship between these two concepts is summarized very neatly by Heinrich Zimmer in his section on the Kalika Purana in The King and the Corpse. The relationship is also represented graphically by the "whirl" of Time and the "diamond" of Eternity. On this day in 1944, Mondrian died. Echoes of the graphic whirl and diamond may be found (as shown above) in his "Red Mill" and "Victory Boogie-Woogie." Posted 2/1/2003 at 5:10 AM |